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Pop

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Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Cannons, Måneskin, King Mala and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.

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Cannons, “Heartbeat Highway”

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“Heartbeat Highway” — the title track of Cannon’s fourth album — sounds just as one would expect: like the steadying soundtrack to a windows-down highway cruise. Over its career, the dance-pop act has perfected the craft of mid-tempo, breezy songs that are irresistibly soothing — and sound equally at home blasting from a car or a festival stage. – Lyndsey Havens

Sheer Mag, “Playing Favorites”

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Philly rockers Sheer Mag recently announced its first album in four years, Playing Favorites, coming out this March on Third Man Records. “We put everything we’ve got into these songs and can say with confidence that it’s our best work yet,” reads an Instagram caption announcing the project. The title track is proof enough, with frontwoman Christina Halladay confidently declaring: “God it’s been such a long time / Since we laughed so hard that we cried.” – L.H.

Flowerovlove, “A Girl Like Me”

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South London teen Flowerovlove has cited Tame Impala, Frank Ocean and SZA has inspiration. And yet, her sound isn’t a copy paste of any one influence, as “A Girl Like Me” blends airy psych rock production with alt-pop melodies. But the song’s strength is in her writing, which not only asks a question every girl once has (“Would a boy like you like a girl like me?”) but happily carries on without any concern over what the answer may be. – L.H.

Måneskin, “Valentine”

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Italian rockers Måneskin started the year with the release of its third album Rush! and now, the band is closing the year with the release of an expanded edition titled Rush! (Are U Coming), which adds five new songs to the tracklist. The creeping, slow burn “Valentine” stands out for the way in which the entire song — from the vocals to the riffs to the tempo — seems to ache, putting a darker spin on the notion of a valentine. Classic Måneskin. – L.H.

Will Linley, “Magic”

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Will Linley is an emerging South African alt-pop artist who, at the age of 22, infuses his music with a contagious and youthful feel-good energy best heard on latest single “Magic.” On the song, he describes the magical chemistry felt with a love interest — singing of the “moonlight across your face” and how they “both missed the last train home” — painting a picture of young love that is both new and nostalgic all at once. – L.H.

Girli, “Nothing Hurts Like a Girl” 

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In Rita Mae Brown’s trailblazing 1973 book Rubyfruit Jungle, her protagonist likens switching from straight sex to lesbian sex as “the difference between a pair of roller skates and a Ferrari” — and the out-and-proud music of girli is very much a synth-pop celebration of that feeling. On “Nothing Hurts Like a Girl,” however, the London-based artist bemoans the fact that higher highs are followed by harder falls, and the “heart breaks harder” on a queer breakup. But with a throbbing bass line, crisp guitar riffs and a sparkling assortment of synths, girli is dancing the pain away on this preview of upcoming album Matriarchy (May 17). – Joe Lynch 

Alan Walker feat. Daya, “Heart Over Mind”

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Seven years ago, Daya scored the highest-charting hit of her career so far with “Don’t Let Me Down,” an EDM smash with The Chainsmokers; now, the pop star is back in the dance world playing muse to Norwegian producer Alan Walker on the sleek, glittery “Heart Over Mind.” While Walker brings some post-chorus fireworks with laser-beam synths, Daya controls the collaboration, her vulnerability in each verse blossoming into the siren cry of the chorus. – Jason Lipshutz

Rosie Darling, “The Longest Goodbye”

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“The Longest Goodbye” treads a similar piano-ballad path as “Boxes” from Rosie Darling’s recently released debut album, Lanterns, but the singer-songwriter sounds comfortably affecting in that pocket, allowing her voice to linger on phrases that help process post-breakup pain. “If all these walls could talk, you wouldn’t hear a thing / ‘Cuz all I do is cry, and no one’s listening,” Darling begins, the meter rising and falling with each dejected syllable. – J. Lipshutz

King Mala, “I Only Smoke to Feel Bad”

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While “I Only Smoke to Feel Bad” contains plenty of blurted-out confessions, jittery questions and defiant declarations that could power any number of TikTok trends, the standout track from King Mala’s new EP Spilt Milk also works as a snappy pop song, each hook all loose strums and handclaps. Don’t sleep on the production details, though — King Mala’s tucked-in ad-libs in particular help “I Only Smoke to Feel Bad” feel like a lived-in transmission. – J. Lipshutz

Alex Warren, “Yard Sale”

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One scene from the music video to Alex Warren’s new single “Yard Sale” finds the social media star hoarsely belting out the chorus while driving at dusk — purging the physical remnants of a breakup by spilling his guts from behind the wheel. With its oversized chorus and “hey!” punctuations, “Yard Sale” includes a strain of the early-2010s folk boom that make Warren’s latest a natural fit for alternative radio; this song sounds like it could be huge, and deserves to be. – J. Lipshutz

Billie Eilish‘s sexuality, self-expression and femininity have been scrutinized under a microscope since the pop star was a teenager. Now 21, she’s ready to talk about it. In a new cover story for Variety published Monday (Nov. 13), the “Bad Guy” singer revealed that she’s both attracted to and intimidated by other women, with the […]

Dua Lipa is all about spreading the love around. During an interview with the UK’s Capital FM, the singer took some calls from young listeners (aka Big Questions From Little People) who wanted to get to know her better, including a delightful young girl who just had to know which Olivia Rodrigo song is Dua’s […]

Taylor Swift performed her weekend shows in Buenos Aires, Argentina, on an awards season high following the news she’d received six Grammy nominations for her album Midnights — something she cheerfully celebrated onstage with the thousands of fans at Estadio River Plate.
Sitting at her moss-covered piano during the Evermore set of her ongoing Eras Tour, the 33-year-old pop star took a moment to thank Swifties for rallying so hard around her 2022 album. “I started off my morning by getting the extraordinary news that because of you, and because of the way you’ve supported my album Midnights, it just got nominated for six Grammys!” she told the crowd.

Swift went on to do an adorable happy dance to convey how she feels about the half-dozen nods, holding up six fingers and pumping her fists in triumph.

Midnights, which spent six weeks atop the Billboard 200 and became the first album to occupy all 10 of the top 10 spots on the Billboard Hot 100, received Grammy nominations for album of the year and best pop vocal album in the Friday (Nov. 10) announcement. Its lead single, “Anti-Hero,” is also up for record of the year, song of the year and best pop solo performance, while “Karma” featuring Ice Spice is in the running for best duo/group performance.

Swift set a couple Grammy records this year, becoming the first songwriter in history to earn seven nods for song of the year — although she still hasn’t won in the category — while also tying Barbra Streisand for the most album of the year nominations for a female artist, Midnights marking her sixth AOTY candidate. In addition to the Grammys, the pop superstar is also the top finalist with 20 nods for the 2023 Billboard Music Awards, which will stream on Sunday, Nov. 19. (The BBMAs will stream from BBMAs.watch, as well as Billboard and the BBMAs social channels.)

The Grammy recognition was far from the only newsworthy thing about Swift’s Argentina shows, however. Not only did the singer perform her 1989 (Taylor’s Version) chart-topper “Is It Over Now?” for the first time at the Saturday (Nov. 11) show, but she also changed up the lyrics to “Karma” to give her new beau Travis Kelce a special shoutout: “Karma is the guy on the Chiefs, coming straight home to me.”

Kelce and Swift were spotted kissing after the show, with the musician running into the Kansas City tight end’s arms.

Watch Swift react to her Grammy nominations onstage below:

Taylor Swift fans in Buenos Aires got more than one treat from 1989 (Taylor’s Version) this weekend. Swift debuted vault track “Slut!” live on Sunday (Nov. 12), after performing “Is It Over Now?” for the first time the night before. Explore Explore See latest videos, charts and news See latest videos, charts and news During […]

Taylor Swift is reminding fans to not throw things onto the stage at her shows. At least one object made its way toward Swift in Buenos Aires, Argentina, Sunday night (Nov. 12) while she was performing at Estadio River Plate for the Eras Tour concert that had been postponed due to “chaotic” weather on Friday. […]

In case you missed it, Taylor Swift went very public about her connection with Travis Kelce by giving him a shout-out during “Karma” (and later kissing him) at her concert in Buenos Aires, Argentina, Saturday night (Nov. 11). Explore Explore See latest videos, charts and news See latest videos, charts and news Kelce, who flew […]

Taylor Swift’s 1989 (Taylor’s Version) logs a second week atop the Billboard 200 albums chart (dated Nov. 18), following its blockbuster debut. In the week ending Nov. 9, the set earned 245,000 equivalent album units (down 85%) in the U.S., according to Luminate. The re-recorded effort charged in at No. 1 with 1.653 million units a week ago — marking the largest week for any album in nearly a decade.
Also in the top 10 of the new Billboard 200, Jung Kook’s debut album, Golden, bows at No. 2, while the late Jimmy Buffett’s new studio album, Equal Strain on All Parts, starts at No. 6.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 18, 2023-dated chart will be posted in full on Billboard‘s website on Nov. 14. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of 1989 (Taylor’s Version)’s 245,000 equivalent album units earned in the week ending Nov. 9, album sales comprise 122,000, SEA units comprise 121,500 (equaling 159.54 million on-demand official streams of the set’s 36 songs) and TEA units comprise 1,500. On the final day of the tracking week, Swift introduced a new deluxe digital download edition of the album, exclusively available in her official webstore for one day only. The new version includes one bonus track, “Slut! (Acoustic Version) (Taylor’s Version).”

BTS’ Jung Kook sees his solo debut album, Golden, bow at No. 2 on the Billboard 200 with 210,200 equivalent album units earned. Of that sum, album sales comprise 164,800 (it’s the top-selling album of the week), SEA units comprise 29,800 (equaling 41.59 million on-demand official streams of the set’s 10 songs) and TEA units comprise 15,600. Golden’s sales were largely driven by CD purchases, with 128,500 sold, while digital download album contributed 36,300. It was not available to purchase on any other format.

Golden was preceded by a pair of top 10-charting hits on the Billboard Hot 100 songs chart, the No. 1 “Seven,” featuring Latto, and the No. 5-peaking “3D,” with Jack Harlow.

Golden is Jung Kook’s first charting album on the Billboard 200, and he becomes the sixth member of BTS (of the seven total members) to have achieved a top 10-charting effort. BTS itself has logged seven top 10s, including six No. 1s.

Golden was issued in 16 collectible CD editions, all with the same tracklist, but alternative packaging and covers, with different merchandise (some randomized) contained inside. Among the variants were retail-exclusive sold through Barnes & Noble, Target and Walmart. Golden was also available to purchase across nine different digital download editions: a standard version, one with three music videos, a version with a “digitally signed” cover, two alternative cover versions, and four “voice memo” versions (each of the four came with a different short voice memo recorded by the artist as a bonus track).

A trio of former No. 1s is next on the Billboard 200, as Drake’s For All the Dogs is a non-mover at No. 3 (81,000 equivalent album units; down 15%), Morgan Wallen’s One Thing At a Time rises 5-4 (65,000; up 2%) and Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana falls 4-5 (60,000; down 19%).

The late Jimmy Buffett debuts at No. 6 on the Billboard 200 with the final studio album he completed during his lifetime, Equal Strain on All Parts. The set starts with a little over 53,000 equivalent album units earned. Of that sum, album sales comprise 51,000, SEA units comprise a little over 2,000 and TEA units comprise a negligible sum. Buffett died on Sept. 1 at the age of 76 of skin cancer.

The new 14-song album, which marks Buffett’s 14th top 10-charting set on the Billboard 200, features contributions from Emmylou Harris, Angelique Kidjo, Lennie Gallant, Will Kimbrough, Preservation Hall Jazz Band and Paul McCartney.

Equal Strain on All Parts was issued as a standard digital album, a standard CD and in two vinyl editions — a widely available Key West Blue-colored version, and an indie store exclusive Paradise Blue-colored version that contains a poster inside. Of the album’s 51,000 sold, CD sales comprise 26,000, digital album sales comprise 15,000 and vinyl sales comprise 10,000.

Closing out the new top 10 are four former chart-toppers: Rod Wave’s Nostalgia dips 6-7 (45,000 equivalent album units; down 3%); Zach Bryan’s self-titled set rises 9-8 (nearly 45,000; up 2%); Swift’s Midnights falls 7-9 (43,000; down 3%); and SZA’s SOS is steady at No. 10 (42,000; down less than 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Onstage official! Taylor Swift gave a shout-out to love interest Travis Kelce during “Karma,” and later ran off the Eras stage to kiss him, at her show in Buenos Aires Saturday night (Nov. 11). Explore Explore See latest videos, charts and news See latest videos, charts and news It’s all happening: Swift sang “Karma is […]

Swifties at Estadio River Plate in Buenos Aires, and those sitting at home tuning in live from a sometimes reliable fan TikTok stream, waited with bated breath to find out if Taylor Swift would choose to play a new-to-fans 1989 (Taylor’s Version) vault track during her acoustic set Saturday night (Nov. 11).

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Not only did Swift debut one of those songs live, but she threw in another surprise.

Swift performed “Is It Over Now? (Taylor’s Version)” for the first time in front of a live audience, and she unexpectedly worked in the bridge from the main track list’s “Out of the Woods (Taylor’s Version).”

The two songs seem to bring up the same relationship, as “Is It Over Now?” mentions “When you lost control/ Red blood, white snow.”

On stage in Buenos Aires, Swift raised her eyebrows at someone in the crowd and during “Is It Over Now?” sang, “Remember when you hit the brakes too soon?/ Twenty stitches in a hospital room/ When you started crying, baby, I did too/ But when the sun came up I was looking at you” from “Out of the Woods.”

Ahead of premiering the mashup live, the pop icon addressed the Buenos Aires crowd as well as “anyone, anywhere who is listening to this right now.”

“Thank you so much for supporting my version of 1989,” she said of the album that recently debuted at No. 1 on the Billboard 200. “I really knew I needed to get it right. 1989 is such an important album in my life.”

She also mentioned taking “Is It Over Now? (Taylor’s Version)” to the summit of the Billboard Hot 100.

“A song that I wrote for 1989 that didn’t make the album … You guys got that song to go No. 1 on the Hot 100!” she said with a smile.

After delighting fans with the first surprise song of the night, she made their evening even better with an acoustic performance of Reputation‘s “End Game” at the piano. The song, with lyrics referencing sports, was an interesting choice since football star (and love interest) Travis Kelce was at the show Saturday night, watching from the VIP tent.

Watch a clip of Swift’s “Is It Over Now?”/”Out of the Woods” mashup below.