Pop
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Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Morgan Wallen shakes things up, ROSÉ links up with Bruno Mars and Gracie Abrams adds to a breakthrough project. Check out all of this week’s picks below:
Morgan Wallen, “Love Somebody”
On the first taste of his follow-up to last year’s blockbuster album One Thing at a Time, Morgan Wallen rearranges his tried-and-true formula, mixing his country twang with Latin rhythms on “Love Somebody” — but still prioritizing a massive chorus for his stadium crowds.
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ROSÉ & Bruno Mars, “APT.”
As her BLACKPINK group mates forge ahead with solo careers of their own, ROSÉ, who shined on her 2021 two-pack R, has teamed up with Bruno Mars for “APT.,” a slick pop confection full of clap-along refrains that will inspire wide-ranging shimmying if it ever gets a proper live performance.
Gracie Abrams, The Secret of Us (Deluxe)
Gracie Abrams continues the most successful year of her career with this deluxe edition of sophomore album The Secret of Us, which boasts both her quick-rising hit “I Love You, I’m Sorry” as well as emotionally piercing new tracks like the delightfully pissed-off “That’s So True.”
Bon Iver, SABLE,
Five years after his most recent Bon Iver album, Justin Vernon returns with a triptych of songs that echo previous highs from his most well-known musical project: “Things Behind Things Behind Things” recalls the mighty indie-folk of his sophomore album, while “SPEYSIDE” is as hushed and gorgeous as the landmark debut For Emma, Forever Ago.
Yeat, Lyfestyle
Yeat started the year with his compelling full-length 2093, and new album Lyfestyle finds the futuristic rapper on a creative tear, raging over hazy synths and trap beats alongside guests like Kodak Black, Lil Durk and Don Toliver.
Wizkid feat. Brent Faiyaz, “Piece of My Heart”
To preview his upcoming sixth album Morayo, Wizkid has corralled Brent Faiyaz for a slinky love jam that doesn’t shy away from old-school R&B pleasures while also allowing the Nigerian superstar to showcase his nimble flow.
Farruko, CVRBON VRMOR
Fans of Farrago’s signature hits and remixes will find plenty to enjoy on new album CVRBON VRMOR, as the Puerto Rican singer often pushes the tempo with the same vigor as “Pepas” — but the sprawling, 26-track project also includes mid-tempo delights like “Vibe” and “Blessings.”
Kylie Minogue, Tension II
The viral success of “Padam Padam” helped draw attention to Kylie Minogue’s Tension, the pop veteran’s most complete project in years; with Tension II, Minogue offers another electro-tinged dance kaleidoscope, still delivering onomatopoeic hooks and sounding reinvigorated.
Riley Green, Don’t Mind If I Do
Alabama singer-songwriter Riley Green has been turning heads in Nashville for a bit, and new album Don’t Mind If I Do aims at the mainstream with polished balladry and concise country jams that abide by the history of the genre.
Editor’s Pick: Mk.gee, “Rockman”
Mk.gee’s debut album Two Star & The Dream Police has been fiercely beloved by tastemakers and indie fans since its February release, and the elastic bounce of new single “Rockman” plays out like a victory lap, with the harmonies reaching high and evoking celebration.
Amid the outpouring of grief and love in the wake of Liam Payne‘s shocking death at 31 on Wednesday following a fall from his hotel balcony in Buenos Aires, Argentina came a touching reminder from the former One Direction and solo star’s recent past to put things into perspective.
That prompt came from BBC Radio 2 host Scott Mills, who on Thursday (Oct. 17) played a letter Payne wrote to his 10-year-old self in 2020 and read on BBC Radio 1 as part of a pandemic series. Mills noted that during the COVID-19 shutdown, Payne came on his show to participate in the project asking artists to speak to their younger selves, and, looking emotional, added that the singer’s take now feels especially “poignant” in light of his tragic death.
“Dear 10 year old Liam. Get ready! It’s about to get a little bumpy,” Payne says in a fuzzy close-up video in which he’s wearing headphones. “Cherish every moment with your loved ones right now as there’s only a few more family holidays to enjoy, life is about to turn surreal. You know that thing you love, singing, keep it up and when you turn 14 something magical is going to happen and I’m not talking about puberty.”
The singer tells his 5th grade self that not only will he audition for “one of the biggest music shows in the world,” The X Factor, but that he will also meet the future mother of his now seven-year-old son Bear, Girls Aloud member Cheryl Cole.
“I know it seems early but just trust me it’s all gonna work out however it’s supposed to. I suggest you watch Back to the Future, it might help,” Payne joked at the time. “You are now famous and it feels like you’ve peaked way too early you cocky little bugger, but you have barely even started yet. Take it down a notch and remember it’s a marathon not a sprint,” he said, noting that his first audition for X Factor in 2008 as a solo act — where judge Simon Cowell said he wasn’t quite ready yet — wasn’t even “base camp” in his wild ride to global stardom.
“For a while you’ll feel like giving up. But don’t, as you’re about to meet four other guys on the same track as you,” he said of his second try in 2010, when Cowell paired him up with his eventual 1D mates: Harry Styles, Niall Horan, Zayn Malik and Louis Tomlinson.
“When you first meet them it’s going to be chaos but just remember to enjoy yourself, stay young at heart as that’s what this point of your life is all about. Forgive more and learn to listen,” Payne counseled. “You will have the most amazing time of your life, travel the world and live a life you barely imagined. Then it will end for a while and you’ll be left with nothing but the steering wheel.”
Payne also told his young self that after 1D’s hiatus in 2016 things would feel “scary” for a bit, “like you’re alone, but you are not. You’re about to start a totally new journey with the most amazing person you’ve ever met, your son Bear.”
Bear, Payne’s only child, was born in 2017, a year before he and Cole split. “Don’t doubt yourself at this Dad thing, just look at all the things you’ve learnt along the way, surely that must mean you have a lot to give,” he said. “Be grateful and try to remember very day you’re doing something you love that took ten years to build. The first single will skyrocket and you’ll never see it coming but stop with the self doubt and you’ll be fine.”
The letter ends with Payne giving a “big hug” to his mom, dad and his entire family.
Payne’s death has prompted tributes from around the globe, including personal notes from all his former 1D mates and a are joint statement from the living members on Thursday, as well as tributes from Payne’s family and his former school.
Local authorities said that believe Payne was not sober at the time of his death, reporting that they found substances that appeared to be narcotics and alcoholic drinks in his room. A preliminary autopsy confirmed that Payne died from multiple traumas and internal and external hemorrhages sustained from the impact of a fall from the third-story of the Casa Sur hotel in the Palermo district in Argentina.
In the moments leading up to the star’s death, a hotel manager called 911 to report that a guest was “overwhelmed with drugs and alcohol” and “destroying [their] entire room”; by the time police arrived on scene, Payne had already fallen from the balcony of his room and died due to his injuries.
Watch Payne reading his letter below.
BOYNEXTDOOR‘s latest single, “Nice Guy,” begins with the K-pop group crooning, “Don’t be such a wuss, Seoul is mine tonight/ Let’s rizz up all night” for a synth-pop anthem of declarative self-confidence. While it seems like a stark contrast from “Dangerous,” the rebellious pre-released buzz single about teens pushing curfew which kicked off the group’s 19.99 album, it all connects into BOYNEXTDOOR’s multifaceted world of limitless freedom and friendliness.
With less than a year and a half since their debut, Billboard’s K-Pop Rookie of the Month for October 2024 is seeing its message reaching audiences worldwide. 19.99 scored BOYNEXTDOOR’s first No. 1 on Billboard’s World Albums chart and top 40 entry on the Billboard 200, while the group has performed on festival stages in South Korea, Spain, Japan, Hong Kong, and the United States. The sextet has modeled for Korea’s most prominent brand, Samsung, but is also the face of Japan’s popular casual clothing brand, WEGO, and has competed for best new artist recognitions at the MAMA Awards, iHeartRadio Music Awards, Asian Pop Music Awards and beyond.
During a weekend morning interview and photoshoot with Billboard in Seoul, any understandable tiredness from BND takes a back seat as members Jaehyun, Sungho, Taesan, Riwoo, Leehan, and Woonhak excitedly emphasize their desire to connect with audiences through authenticity rather than just chart placements and awards. “Rankings aren’t everything,” Taesan says in the Zoom call. “Our priority is really talking about what we want to and conveying that to the audience in a very free kind of way. So, that’s what we try to do and I’m happy that is actually connecting with a lot of people out there. It makes us really proud.”
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Those themes are present in the narrative structure of 19.99, which is grounded in the guys’ real-life experiences. Without fixed roles within the group, BOYNEXTDOOR pride themselves on a collective creativity, where members can contribute across different areas like music, storytelling, choreography, stage direction and more. While half the group is credited as lyricists, and Riwoo added personal touches to their new choreographies, 19.99 has the DNA of all six stars divided throughout the EP.
That philosophy of artistic expression and prioritizing personal experiences and creativity over external pressures feels like a founding block of BOYNEXTDOOR’s label KOZ Entertainment, founded by boy band member-turned-chart-topping soloist-producer ZICO, that’s housed in the HYBE LABELS system. While ZICO has been a presence on the Billboard charts for over a decade (earning his first No. 1 on a U.S. sales chart earlier this year), BOYNEXTDOOR says his mentorship and tips have been crucial to the group’s impressive and quick takeoff.
“He always told us that you have to have a really good attitude and be cautious of how people would see you,” eldest member Sungho says of their mentor. “He always cared so much for us and gave us a lot of advice even before we debuted.”
With BOYNEXTDOOR’s first tour on the horizon and a growing global fanbase awaiting the group’s next steps, the “Nice Guy” singers remain ambitious to make Seoul — and every other city — their own by doing it their way. Read more on BOYNEXTDOOR’s story as the next group to watch as Billboard’s K-Pop Rookie of the Month for October 2024.
Congratulations on the latest chart success with 19.99, BOYNEXTDOOR! Do you feel the impact and that you’re growing your audience overseas?
TAESAN: Yes, we feel like more and more people are starting to like and enjoy our music, which we are very happy about. But you know, grades and rankings aren’t everything; grades aren’t our priority. Our priority is really talking about what we want to convey to the audience in a very free kind of way. So, that’s what we try to do and I’m happy that is actually connecting with a lot of people out there. It makes us really proud and gives us the confidence to stride forward.
19.99 starts a very different musical chapter from your previous trilogy of EPs. What are some of the differences between your past releases and this project?
SUNGHO: So, I think the “First Love” trilogy [the Who!, Why.., and How? EPs] was a big narrative that we had and tried to follow. When we were recording, creating and on stage, we tried to follow the overall kind of narrative and scenario that we had for the trilogy. But after that, with 19.99, rather than going with a narrative, this was an album where we really infused our experiences and the members’ stories. What we experience in our daily lives and what we go through is really infused in the tracks.
So, when we were recording or on stage, we felt like we were speaking our own language and just talking about what we experienced as boys. Even when we were performing, I think we focus more on our individual style and vibes… it’s more grounded and more heartfelt this time around. We paid more attention this time.
How do you express your stories? Is it sharing your experiences with each other? Writing lyrics? The concepts? Performing on stage?
JAEHYUN: I think my answer to that is really all of the above. It really starts at the very beginning of the creative process: we discuss a lot about what we want to talk about in the songs and in the album, so I think that naturally infuses into the songs — both in the songwriting and performance. So, we would talk a lot with the performance director and the music producers so that we could add our input into the lyrics and the overall concept of the performance as well. So, yeah, I think it’s all parts of what you brought up.
I see BOYNEXTDOOR as having a lot of freedom. There are no fixed positions within the team. Does that freedom allow you to be more creative, or is it difficult to balance that in a group dynamic?
TAESAN: As JAEHUYN said earlier, we are very heavily involved in the creative process; we have a big say. And as you said, we have a lot of freedom. Instead of thinking of that as a stress factor, we enjoy it because it gives us the freedom to be more creative and I think we’re even more eager to participate more in the creative process. So, rather than finding it difficult, I think it’s our fate to make these stages.
Even from your teaser videos, “friendliness” feels like a keyword for BOYNEXTDOOR. On one hand, artists who are so friendly can come off as less mysterious and intriguing. Do you have ideas or methods for bridging that gap?
JAEHYUN: I guess the secret lies in our music. So while we are friendly as people, our music can be mysterious; people can always wonder what’s coming next. You said that the name BOYNEXTDOOR is a very “friendly” name, but you never know who’s living next door. That boy might be a hip-hop lover, that boy might be a rock lover or love ballads. So, I think there is an air of mystery to that name as well. So, we kind of have both.
You deserve a lot of credit because not many rookies can say that and it feels like you’re sharing even more on 19.99. Can you share more about the title and what the EP represents?
WOONHAK: The six of us talked about what kind of album we wanted to make and what kind of music we wanted to do…
TAESAN: The producer asked us to talk about how we felt about our 20s one by one — [asking] “What was it like for you?” or “What do you expect from turning 20?” — and we gradually came up with the theme. After we came up with the theme of the number “20,” we discussed what kind of stories each of us wanted to incorporate into the album. JAEHYUN, WOONHAK and I actually wrote the lyrics based on that. We tried to capture 20 as much as possible in our own way.
When it comes to 20, the youngest member of BOYNEXTDOOR, WOONHAK, will soon be turning 20. Have your members shared any advice for you?
WOONHAK: So, instead of giving me advice directly in words, I think I just learned from them vicariously and naturally. Seeing them, I can understand that there are certain things that people don’t see or understand because I’m underage, you know? They recognize when I tell them I’m facing certain challenges and say, “That’s okay.” But when I do turn 20, there will be more responsibilities as an adult — and I see that through our leader JAEHUYN, our oldest SUNGHO, RIWOO, as well as TAESAN and LEEHAN. So, I think I kind of learn by looking at how they behave and take on different tasks. They continue to teach me a lot.
Along with JAEHYUN, TAESAN, and WOONHAK’s songwriting, how do you all collaborate creatively?
JAEHYUN: Although there are just three of us in the album credits, I think it really should be the six of us together because we talk a lot amongst ourselves and are sources of inspiration to each other. So, we would talk to other members and gain insight from their experiences and stories. So, all six of us are actually involved in the creative process.
SUNGHO: While JAEHYUN, TAESAN and WOONHAK are involved in the songwriting, in terms of the stage, RIWOO is really involved a lot in terms of the stage; when we actually go perform, he can lead the crowd. When we need to rehearse, we practice together under RIWOO’s guidance. He even creates and organizes the setlist and has a lot of input and ideas about the setlist. RIWOO is the one who has the most to say about our performances; each of us has such different personalities and individual styles, but RIWOO is the one who kind of becomes the anchor to help us combine and blend together as a group.
RIWOO: When we learn the choreography for the first time from choreographers, we usually learn choreography that is almost complete, but I feel like we have to include our own style into it and tweak it a little bit to make sure that it really fits our own style and not the choreographer’s style. From facial expressions to gestures and movements, I personally think about it a lot. If our members want to express something, I want to make sure we can express it and edit it a little so that it’s more BOYNEXTDOOR and our style.
Talking about stage performances, you recently announced your KNOCK ON Vol.1 tour. What are you preparing for your first tour? Do you think you’ll have more “volumes” or dates beyond Asia?
JAEHYUN: Our first concert is in the planning process, but there are a lot of stages and performances that we’ve saved for the concert. The stages that you’ve wanted to see and the performances that you wanted us to do, we’ve been saving them all to show you at our first concert so I think there will be a lot of stages that our fans, ONEDOOR, will really like.
LEEHAN: We’ll go anywhere. We’re willing to fly to anywhere where ONEDOOR exists. And we hope there are many more opportunities going forward to share these great times with ONEDOOR.
Do you have any worries ahead of the tour?
TAESAN: There will inevitably be some challenges because it’s our first concert and first tour, but I think we need to focus on how to overcome those difficulties. But I think what’s always on our mind is our next step forward — what we’re going to talk about in our next album.
I recently met with ZICO, and he spoke so affectionately about you. Do you notice that affection or is this his everyday self? Any fun stories you can share about your time with him?
SUNGHO: We actually noticed his affection ever since when we were trainees. He was always very worried about us. He always cared so much for us and gave us a lot of advice. Even before we debuted and after our debut, when we became “professionals,” he always told us that you always have to have a really good attitude and be cautious of how people see you. But the difference between the days when we just debuted and now is that in the early rookie days, he would try to really help and assist us in all kinds of ways. But now I think he really respects us as professionals and that we have our own way of communication and style. And then when he thinks we need help or if there are parts where he can help us, he will kind of jump in. I don’t really remember any specific anecdotes to share…
WOONHAK: I actually do remember one! He said, “I regret taking really bad selfies.” [All laugh.] So, we should really make sure that we take nice selfies.
JAEHYUN: My father! There are so many funny moments. Recently, ZICO has been telling me to show him some aegyo, like doing something cute or adorable, because he said that JAEHYUN as a trainee and JAEHYUN as a member of an idol group is really different. So, he wants me to show him those aegyo moments like I do with ONEDOOR, but for him. So, he’ll kind of tease me, telling me, “Can you show me some aegyo?!?” [Laughs.]
Any other messages you want to share with international fans or Billboard readers at this time?
JAEHYUN: Thank you for loving our tracks. I’m happy to see our songs on the Billboard charts and I hope you all keep loving them.
TAESAN: Please stay tuned for our tour and our concert. I hope that we’ll have more opportunities to go to other continents and other countries as well!
WOONHAK: Love you!!!
Ringo Starr‘s first new full-length album in six years, Look Up, will find the former Beatles drummer and solo star going country, again. The 11-track album of original songs produced and co-written by T-Bone Burnett is due out on Jan. 10 and was prefaced on Friday (Oct. 18) by the tear-in-your tea ballad “Time On My Hands.”
“I have loved Ringo Starr and his playing and his singing and his aesthetic for as long as I can (or care to) remember,” said Grammy-winning producer/songwriter Burnett, 76, in a statement. “He changed the way every drummer after him played, with his inventive approach to the instrument. And, he has always sung killer rockabilly, as well as being a heartbreaking ballad singer. To get to make this music with him was something like the realization of a 60-year dream I’ve been living. None of the work that I have done through a long life in music would have happened if not for him and his band. Among other things, this album is a way I can say thank you for all he has given me and us.”
Burnett wrote or co-wrote nine of the songs on Starr’s 21st solo album, on which the peace-and-love advocate sang and played drums; one song so written by Billy Swan and another was co-written by Starr and Bruce Sugar. According to a release announcing the project, Starr co-wrote the album’s closer, “Thankful,” which features one of Burnett’s previous collaborators, bluegrass singer/fiddler Alison Krauss.
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Burnett also roped in some other Nashville ringers for the project, including Billy Strings, Larkin Poe, Lucius and Molly Tuttle. Though pop and R&B stars dipping their toes into the country pool has become de rigueur over the past year, with swerves into the genre by Beyoncé, Post Malone, Ed Sheeran, MGK and Lana Del Rey, the release noted that Starr’s appreciation for all things twangy goes back more than half a century.
“I’ve always loved country music. And when I asked T Bone to write me a song, I didn’t even think at the time that it would be a country song – but of course it was, and it was so beautiful,” Starr said of his collaboration with friend of more than four decades Burnett, which was spurred by a chance meeting in L.A. in 2022 where the ex-Beatle asked Burnett to write a song for an EP he was working on at the time.
“I had been making EPs at the time and so I thought we would do a country EP -but when he brought me nine songs I knew we had to make an album!,” Starr added of the tracks Burnett wrote that all had a country vibe. “And I am so glad we did. I want to thank, and send Peace & Love, to T Bone and all the great musicians who helped make this record. It was a joy making it and I hope it is a joy to listen to.”
“Time on My Hands” finds Starr wistfully lamenting the loss of a true love over pedal steel and gently strummed acoustic guitar, with his signature laconic vocals taking center stage in the ballad about the one that got away. “I used to have a true love/ Everything was fine/ But now she’s found a new love/ She’s no longer mine,” he sings.
From the country-tinged Beatles songs he performed and wrote, including “Act Naturally,” “What Goes On” and “Don’t Pass Me By,” to his 1970 sophomore solo album Beaucoups of Blues,” Starr has dipped his toe into the genre since his early, pre-Beatles days playing in Rory Storm and the Hurricanes. In fact, the release added, Starr was so enamored with country and blues as a teenager that he tried to emigrate from London To Texas in his younger years after learning that blues great Lightnin’ Hopkins lived there.
Starr’s first new full-length album since 2019’s What’s My Name, will get a proper country welcome on Jan. 14-15, 2025 when the singer/drummer headlines the legendary Ryman Auditorium; tickets for the show will go on sale on Oct. 25.
Check out the full track list and cover art for Look Up below.
“Breathless” (featuring Billy Strings)
“Look Up” (featuring Molly Tuttle)
“Time On My Hands”
“Never Let Me Go” (featuring Billy Strings)
“I Live For Your Love” (featuring Molly Tuttle)
“Come Back” (featuring Lucius)
“Can You Hear Me Call” (featuring Molly Tuttle)
“Rosetta” (featuring Billy Strings and Larkin Poe)
“You Want Some”
“String Theory” (featuring Molly Tuttle)
“Thankful” (featuring Alison Krauss)
Ringo Starr
Courtesy Photo
Sharon Osbourne has had an inside angle on the highs and lows of the music industry for more than 45 years as her husband Ozzy’s manager. On Thursday (Oct. 17), she took aim at the music biz for what she said was its failure to support former One Direction singer and solo star Liam Payne, who died at 31 on Wednesday following a fatal fall from the balcony of his Buenos Aires, Argentina hotel room.
“Liam, my heart aches. We all let you down,” wrote Osbourne, a three-season veteran of the British X-Factor, where Payne rose to stardom after he was grouped with Harry Styles, Niall Horan, Zayn Malik and Louis Tomlinson in 2010. “Where was this industry when you needed them?” she asked in an Instagram post featuring a solemn picture of the late singer who first auditioned for the reality singing show in 2008 as a solo act, before giving it another shot two years later at age 16. “You were just a kid when you entered one of the toughest industries in the world. Who was in your corner? Rest in peace my friend,” said Osbourne, who left X-Factor several years before Payne auditioned.
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Payne often talked about the overwhelming pressures he faced when 1D rocketed to global superstardom in 2012, which included suicidal thoughts and substance use, telling the BBC in 2017 that he often used alcohol to “mask” his feelings. I was very confused about fame when it all happened… and learning to be a person outside of your job was difficult,” he said at the time.
Fellow boy bander-turned-solo-star Robbie Williams weighed in as well on Thursday, expressing, “shock, sadness and confusion” about Payne’s death, while urging fans to think deeply about how they treat celebrities online and urging kindness and compassion. “I met the boys on The X Factor and ‘mentored’ them. I use the word mentored in inverted brackets cos I hardly did anything to be honest. I just hung out with them,” wrote Williams, who chronicled his tumultuous years in the spotlight as a member of British boy band Take That and his personal struggles with depression and substance use in the years after in his solo career in a self-titled 2023 Netflix documentary series.
“They were all cheeky and lovely,” Williams wrote. “I enjoyed the light hearted piss takery and Thought about all the times I was that cheeky pisstaker with the Popstars that had gone before me when I was in Take That.”
Williams said he crossed paths with the 1D stars over the years since and while saying he was “fond” of all of them, adding that what Payne’s “trials and tribulations were very similar to mine, so it made sense to reach out to offer what I could. So i did.” He also included what appeared to be a text exchange with Payne from 2022 in which Williams told the singer he was “very proud” of him, to which Payne replied, “that’s man, that means the world.”
The note from Williams included an all-caps section in which the singer reminded fans that we “don’t know what’s going on in people’s lives. What pain they’re going through and what makes them behave in the way that they behave. Before we reach to judgement, a bit of slack needs to be given… Even if you don’t really think that celebrities or their families exist, they f–king do.”
Williams lamented that the “media will unfortunately carry on being the media and fame will carry on being fame.” He ended with a plea for compassion and love, writing, “As individuals though we have the power to change ourselves. We can be kinder. We can be more empathic. We can at least try to be more compassionate towards ourselves, our family, our friends, strangers in life and strangers on the internet. Even famous strangers need your compassion. What a Handsome Talented boy. What a tragic painful loss for his friends, family, fans and by the looks of the energy this moment has created – The World.”
A preliminary autopsy said that Payne died from multiple traumas and internal and external hemorrhages sustained from the impact of a fall from the third-story of the Casa Sur hotel in the Palermo district in Argentina. Police are still investigating the incident, but initial reports are that they found substances in the star’s disheveled room that appeared to be narcotics and alcohol.
Osbourne and Williams’ tributes came after all four of Payne’s former 1D bandmates — Harry Styles, Zayn Malik, Louis Tomlinson and Niall Horan — issued a joint statement mourning the loss of their brother, saying “the memories we shared with him will be treasured forever.” All four living members also offered up their own personal statements, as did Payne’s family and his former school.
See Osbourne and Williams’ tributes below.
Maggie Rogers joined the chorus of fans and musicians paying tribute to Liam Payne in the wake of the late One Direction and solo star’s death in Buenos Aires, Argentina on Wednesday at age 31. During her show at TD Garden in Boston on Thursday night (Oct. 17), Rogers took a moment to remember Payne before performing a moving cover of a beloved 1D ballad.
“This week, in particular, I’ve been thinking how precious life is and how quickly things can change,” the singer said while seated at piano, as seen in videos of the special moment posted by fans. She said she’d been preparing to go to dinner with one of her oldest friends — who she’s known since she was nine-years-old — when that person walked into the room and told her about Payne’s death. “We’re just about the same age,” said Rogers, 30. “Any time a public figure, especially a musical peer, slips off, it’s really present and I’ve been sending a bunch of love to my friends and my band the last couple days… I wanted to just honor anyone who has been touched by [One Direction’s] music or those songs.”
She then launched into a hushed piano-and-voice cover of 1D’s “Night Changes,” the final single from the group’s penultimate album, 2014’s Four. “We’re only getting older, baby/ And I’ve been thinking about it lately/ Does it ever drive you crazy/ Just how fast the night changes?,” she sang as a rush of recognition came over the hushed crowd. “Everything that you’ve ever dreamed of/ Disappearing when you wake up/ But there’s nothing to be afraid of/ Even when the night changes/ It will never change me and you.”
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Rogers was just the latest artist to pay homage to Payne, who died following a fall from the third-floor balcony of his hotel in Buenos Aires, Argentina, on Wednesday, sustaining multiple, mortal injuries.
On Thursday, Payne’s former 1D bandmates — Harry Styles, Zayn Malik, Louis Tomlinson and Niall Horan issued a joint statement mourning the loss of their brother, saying “the memories we shared with him will be treasured forever.” In addition, all four living members offered up their own personal statements, as did Payne’s family and his former school.
Rogers’ tribute came after Rita Ora honored her former duet partner just hours after his death was reported during her concert in Japan. Ora struggled to get through the lyrics to “For You,” the collab single she recorded with Payne for the Fifty Shades Freed soundtrack in 2018. Overcome with emotion, Ora let the audience sing in her stead as she walked around the stage with her head bowed.
A preliminary autopsy confirmed that Payne died from multiple traumas and internal and external hemorrhages sustained from the impact of a fall from the third-story of the Casa Sur hotel in the Palermo district in Argentina. Police are still investigating the incident, but initial reports are that they found substances in the star’s disheveled room that appeared to be narcotics and alcohol.
Watch Rogers’ tribute to Payne below.
Niall Horan joined his former One Direction brothers in paying tribute to their late bandmate and friend Liam Payne in a heartfelt personal tribute posted on Friday morning (Oct.18). After a group statement from the former 1D members and individual notes from Harry Styles, Zayn Malik and Louis Tomlinson, Horan’s emotional letter touched on the universal feeling of wishing you had one more goodbye, one more hug, or just another quiet moment with the ones you love.
“I’m absolutely devastated about the passing of my amazing friend, Liam. It just doesn’t feel real,” Horan wrote in an Instagram post featuring a smiling photo of the two from their One Direction days. The tribute came less than 48 hours after a preliminary autopsy report said Payne, 31, died following a fall from the third-floor balcony of his hotel in Buenos Aires, Argentina, sustaining multiple, mortal injuries.
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“Liam had an energy for life and a passion for work that was infectious. He was the brightest in every room and always made everyone feel happy and secure,” Horan continued. “All the laughs we had over the years, sometimes about the simplest of things, keep coming to mind through the sadness. We got to live out our wildest dreams together and I will cherish every moment we had forever. The bond and friendship we had doesn’t happen often in a lifetime.”
Horan said he felr fortunate that he got to see Payne recently when the “Strip That Down” singer attended one of Niall’s shows at the Movistar Arena in Buenos Aires on Oct. 2. “I sadly didn’t know that after saying goodbye and hugging him, I would be saying goodbye forever. It’s heartbreaking,” Horan lamented. His tribute concluded with a message of love for Payne’s family, including the late singer’s seven-year-old son, Bear.
“Love you brother,” he concluded.
Horan’s older brother, Greg, wrote that he too was “heartbroken” over the loss of Payne. “You were a top young boy to a man a son a brother you are only one of 4 lads I was happy enough to take my place in nialls life as a brother you will be forever missed,” he wrote.
In an earlier solo message, Styles said he was “truly devastated” by the loss of his friend, sharing that Payne’s “greatest joy was making other people happy, and it was an honour to be alongside him as he did it.”
Tomlinson lamented the loss of his “brother,” saying, “Liam was somebody I looked up to everyday, such a positive, funny, and kind soul.” Zayn’s message nodded to the times the two “butted heads,” but focused on the kindness Payne showed him during dark days. “I never got to thank you for supporting me through some of the most difficult times in my life,” he said. “When I was missing home as a 17 yr old kid you would always be there with a positive outlook and reassuring smile and let me know you were my friend and I was loved.”
In addition to their own posts, 1D also issued a joint statement on Thursday (Oct. 17), writing that, “the memories we shared with him will be treasured forever.”
Local authorities have said that believe Payne was not sober at the time of his death, reporting that they found substances that appeared to be narcotics and alcoholic drinks in his room. In the moments leading up to the star’s death, a hotel manager called 911 to report that a guest was “overwhelmed with drugs and alcohol” and “destroying [their] entire room”; by the time police arrived on scene, Payne had already fallen from the balcony of his room and died due to his injuries.
At press time there was no information on funeral arrangements for Payne.
See Horan’s tribute below.
He’s back: Sam Fender has announced a string of arena shows in the U.K. and Ireland for later this year. The Geordie musician has been working on his third album and shared details of his first full U.K. tour since 2022.
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Fender’s dates will kick off in Ireland at the 3Arena in Dublin on December 2, then head to Leeds, Manchester, London, Birmingham, Glasgow and conclude in his hometown Newcastle on December 20. See the full dates below.
He’s also announced a string of shows throughout mainland Europe in Paris, Berlin, Amsterdam and more for next March. Tickets for all shows go on sale at 10 a.m. on October 25 via Fender’s official website.
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£1 from every ticket sold will be donated to the Music Venues Trust, and follows Coldplay’s recent commitment to donate 10% of their upcoming tour revenue to the grassroots music scene via the Music Venues Trust.
Fender released his most recent album, Seventeen Going Under, in 2021 which topped the U.K.’s Official Album Charts upon release. The ensuing year saw him play several sold-out tours and included huge shows at London’s 40,000-capacity Finsbury Park and at St. James’ Park in Newcastle, home of his beloved soccer team Newcastle United. Earlier this year he collaborated with Noah Kahan on a new version of Kahan’s single “Homesick.”
Fender snagged huge slots across the globe on his last tour, headlining Reading & Leeds Festival in England, as well as appearing internationally at Lollapalooza in Chicago and Splendour In the Grass in Australia. In addition, over the summer he played a brace of U.K. gigs in Plymouth and at Boardmasters Festival in Cornwall.
In recent weeks he has shared teasers of the live dates and his upcoming record and he’s previously performed two unreleased song during shows, “People Watching” and “Nostalgia’s Lie.”
Sam Fender European tour 2024/25 dates:
December 2 – 3Arena, DublinDecember 4 – First Direct Arena, LeedsDecember 6 – Co-Op Live, ManchesterDecember 10 – The O2, LondonDecember 13 – Utilita Arena, BirminghamDecember 16 – Obo Hydro, GlasgowDecember 20 – Utilita Arena, NewcastleMarch 4 – Olympia, ParisMarch 5 – 013 Poppodium, TilburgMarch 8 – Halle 622, ZurichMarch 10 – Palladium, CologneMarch 12 – Zenith, MunichMarch 13 – ChorusLife Arena, BergamoMarch 16 – Uber Eats Music Hall, BerlinMarch 18 – Afas Live, AmsterdamMarch 19 – Forest National, Brussels
Dua Lipa performed a one-off show at London’s Royal Albert Hall on Thursday night (Oct 17).
The concert was taped for an upcoming TV special and included a 53-piece orchestra, bringing new shades to her most recent album, Radical Optimism, which landed at No.2 on the Billboard 200 upon release in May.
Elton John — who Dua collaborated with on the 2021 smash “Cold Heart” — also joined the singer during the encore for a live performance of the track. See a clip of the performance below.
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Arriving on stage in a red Jean Paul Gaultier dress, Lipa said that the show was “unlike anything I’ve done before”. Her seven band members were joined by 14 choristers and The Heritage Orchestra, conducted by Ben Foster. Over 500 people were involved in turning the venue into an in-the-round concert experience.
The historic Hall – which opened in 1871 – typically hosts a mixture of classical and pop concerts. Recent performers include Florence + The Machine and Sam Smith, who also both bolstered their sounds with an orchestral twist.
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The show was Lipa’s first performance in the U.K. since her well-received Glastonbury Festival headline set in June earlier this year.
The show began with several live debuts of Radical Optimism tracks, including “End of An Era” and “French Exit,” on the singer’s way to performing all 11 songs from the LP.
Speaking to the crowd, Lipa said that she’d “been thinking about this show for a very long time” and had been “taking it very seriously.” She added that the new arrangements allowed her to “go to the bare bones of the songs and helped me get closer to the music.” She also performed a cover of London neo-soul singer Cleo Sol’s “Sunshine” midway through the set.
Radical Optimism hits “Houdini” and “Training Season” were given a fresh sound with added string and horn sections. There were also renditions of Future Nostalgia songs “Don’t Start Now” and “Levitating,” both of which had considerable success on the Billboard Hot 100 upon release in 2020.
Towards the show’s climax came the special surprise duet with her collaborator John. The iconic pop legend and Lipa teamed up in 2021 for “Cold Heart,” which topped the charts across the globe, including in the U.K. The pair had previously performed the song live at John’s concert at Los Angeles’ Dodger Stadium in 2022.
Dua performed the majority of the set solo without her usual dancers, though the troupe joined during the encore as she gave a live debut of the Barbie soundtrack smash “Dance The Night Away.”
The show was filmed for an upcoming television special, which is set to be announced soon. Lipa continues on her Radical Optimism tour in Asia this November, and in 2025 she’ll perform two sold-out nights at London’s iconic Wembley Stadium.
Dua Lipa Royal Albert Hall setlist:
“End of an Era”“Houdini”“Levitating”“Maria”“French Exit”“Sunshine” (Cleo Sol cover)“Training Season”“These Walls”“Whatcha Doing”“Love Again”“Pretty Please”“Illusion”“Falling Forever”“Anything For Love”“Happy For You”“Cold Heart” (with Elton John)“Be The One”“Dance The Night”“Don’t Start Now”
A post-Bangles (the first time) Susanna Hoffs already had one solo album, When You’re a Boy, behind her and was starting to conceive her second when she got a call from David Baerwald, Dan Schwartz and some of the other musicians involved in Sheryl Crow’s Tuesday Night Music Club — and began a long path to The Lost Record, a collection of those songs and their subsequent recordings that comes out Oct. 18 on Baroque Folks Records.
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“They were just reaching out to me; I went to David Kitay’s studio and we kind of created our own version of something along the lines of what they had done with Tuesday Night Music Club,” Hoffs recalls for Billboard via Zoom. “It was, like, meeting together weekly. We would sit around, working on songs. There was one day when Joni Mitchell showed up; I have a recording of David Baerwald, me and Joni singing ‘Love Potion No. 9.’ She really loved that song.”
That’s not one of the 10 tracks on The Lost Record, but it would actually be another few years before Hoffs actually recorded those songs — during 1999, in the garage of her home on Blythe Avenue in west Los Angeles, where she was living with husband Jay Roach and their two young children. “Dan Schwartz reached out to me and said, ‘You want to make some music? Should we continue where we left off from the David Baerwald sessions?’” recalls Hoffs, who had reunited with the Bangles a year prior to record “Get the Girl” for Roach’s film Austin Powers: The Spy Who Shagged Me. She would tour with the group in 2000, but at the time of The Lost Record sessions considered herself in “a non-Bangles chapter.”
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“I told Dan, ‘Yeah, but can we do it in my garage. I have a new baby and I’m kind of staying at home right now.’ He said, ‘Yeah,’ and we had all these great people — Jim Keltner, Dan, Brian MacLeod, all these people. It was a true garage band situation, which I loved. The Bangles were formed in the garage of my childhood home, so I’ve had a lifetime of recording in garages.”
The Lost Record hardly sounds slapdash however. The songs — including the psychedelic-flavored “Under a Cloud,” which surfaced the Bangles recorded for its 2011 album Sweetheart of the Sun — is dominated by nuanced singer-songwriter fare such as “I Don’t Know Why,” “Grateful,” “November Rain,” “As It Falls Apart” and “Who Will She Be,” and orchestrated pieces like “I’ll Always Love You (The Anti-Heartbreak Song),” “I Will Take Care of You” and “Life on the Inside,” the latter a co-write with Jane Wiedlin and Charlotte Caffey of the Go-Go’s.
“I grew up in the Bangles but the Go-Go’s had come before that and they had really inspired me, the idea of an all-girl band,” Hoffs notes. “So to write with Charlotte and Jane was really special. It was just a very creative time. I was reaching out to all the people that I’d known and loved during the ’80s into the ’90s. It was like a friend group, a creative friend group.”
Lyrically, Hoffs acknowledges that The Lost Album‘s songs found her grappling with “this sort of identity crisis. I was a mom and married to a filmmaker and living this so-called grownup-life and finding myself at a crossroads, like, ‘How do I juggle all this stuff?’ and trying to figure out how to ‘Do it all.’” The deceptively uptempo “Living Alone With You” in particular was inspired by how, with Roach’s filmmaking career taking off, the couple “were like ships crossing in the night.”
“It was such a reflective time, a really emotional time,” she remembers. “I think when your emotions are right up at the surface like that it’s a great time to write songs.”
Hoffs does not remember why The Lost Record became, well lost. “I think it became a little bit fraught,” she says. “There was some discourse between some of the personalities, I think, and maybe it was because the Bangles wanted to get back together and I felt that I had to park this, somehow, for the greater good. It was so long ago. It was just, like the stars were not aligning or something, and I had to shelve it.
“But I’ve always loved these sessions. I had such a fondness for the material and for these recordings because they were so honest and sort of basic and stripped down. It was so much the spirit of creativity in that garage. I’m so glad it’s coming out, finally.”
Hoffs is hoping to play some of the songs live; she mentions the possibility of returning to playing regularly at the Largo nightclub, as she’s done in the past. She has other project in motion, too, including a Bangles documentary and second book to follow-up her 2023 novel This Bird Has Flown, which Universal has optioned for a film adaptation. And Hoffs is working on a new album of her own to follow last year’s The Deep End, which she says will combine new songs with re-recordings of Bangles favorites accompanied by New York’s YMusic string ensemble and should be out next year.
“I’m bounding around, doing music and my next book and whatever,” Hoff says. “I live for art, and art and music has always driven me. I think when I put my mind to something and have such a passion for it, I can’t stop myself. I’m so grateful I’ve had that ability in my life.”