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Paris Hilton wants you to unwrap her, but she didn’t leave much to take off in a cheeky holiday video set to Ariana Grande‘s “Santa Tell Me” on Christmas Day. In an NSFW clip posted to Instagram on Wednesday (Dec. 25), the businesswoman leaves little to the imagination while wearing red pumps and matching fingerless […]

SEVENTEEN made sure its CARATs had a shiny and bright Christmas this year. The K-pop group delivered a rollicking take of Brenda Lee’s holiday classic “Rockin’ Around the Christmas Tree” during The Disney Parks Magical Christmas Day Parade special, which aired on ABC and Disney+ on Wednesday (Dec. 25). “These superstars have been selling out […]

If you were too busy celebrating with loved ones on Christmas Day to catch Beyoncé‘s NFL Halftime Show performance during the game between the Baltimore Ravens and Houston Texans at NRG Stadium on Wednesday (Dec. 25), fear not: You’ll soon be able to stream it whenever and as often as you’d like. Netflix announced after […]

Beyoncé‘s holiday gifts to fans didn’t end with her stunning halftime show performance at the Baltimore Ravens vs. Houston Texans game on Christmas Day. According to a teaser posted by the superstar shortly after she exited the field, she still has a lot more in store.
In a cinematic clip shared to Bey’s socials Wednesday (Dec. 25), the 32-time Grammy winner straddles a white stallion while swinging a large American flag in slow motion over her head, her long blonde hair blowing in the wind as a Western trumpet theme plays over the beat of an offscreen stampede of stomping hooves. As she stares into the camera, the video suddenly cuts to a message reading, “1.14.25.”

The clip didn’t reveal any further information as to what Bey is hinting at, nor did her caption. “Look at that horse,” she simply wrote.

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Even so, fans are freaking out over what the teaser could mean, with many of them convinced that the “Texas Hold ‘Em” singer is gearing up to embark on a tour in 2025. Those theories only intensified after Live Nation — one of the world’s biggest touring companies, which backed Bey’s most recent trek, the Renaissance World Tour — reposted the musician’s teasers on its own socials.

“THE COWBOY CARTER WORLD TOUR IS COMING?!?!?!?!?!?” one person commented under Bey’s video on X, while another fan wrote, “LIVE NATION POSTED IT IT’S LITERALLY A TOUR OMFG😭😭😭😭”

Other fans, however, aren’t sure one way or another. “TOUR? ACT III? VISUALS? I NEED ANSWERS NOW,” tweeted one anxious Beyhiver, suggesting that Jan. 14, 2025, could just as well yield a new album announcement or news about Bey’s unreleased visuals for Renaissance, Cowboy Carter or both.

Billboard has reached out to reps for BeyoncĂŠ and Live Nation for comment.

The Ivy Park founder’s teaser comes just after she performed at NRG Stadium in her home city of Houston, giving multiple songs from her Billboard 200-topping album Cowboy Carter their long-awaited live debuts a full nine months after she dropped the album in March. Shaboozey, Post Malone, Tanner Adell, Brittney Spencer, Tiera Kennedy and Reyna Roberts all joined her on the field to help sing their respective collaborations from the LP — including “Sweet Honey Buckiin,’” “Levii’s Jeans” and “Blackbiird” — as did Bey’s oldest daughter, Blue Ivy, for a few dance numbers.

Bey hasn’t toured since her run in support of 2022’s Renaissance wrapped up in the fall of 2023. The five-month trek grossed $579.8 million and sold 2.8 million tickets, closing the year as Billboard Boxscore’s top-grossing tour.

See Bey’s teaser and some fan reactions below:

THE COWBOY CARTER WORLD TOUR IS COMING?!?!?!?!?!?— steven ☀️ (@arianaunext) December 25, 2024

“It’s only right that we do ‘Texas Hold ’Em’ for the first time in Texas, on Christmas.” So proclaimed Beyoncé near the end of a thrilling performance at the halftime show of the Houston Texans-Baltimore Ravens matchup on Christmas Day — a special, one-of-a-kind showcase for her album Cowboy Carter that fans have waited months to see and savor.

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In the middle of a special Christmas Day NFL game on Netflix, Beyoncé was introduced as a “hometown hero,” ahead of ‘Beyoncé Bowl.’ Fittingly, the extended performance, and live debut of several Cowboy Carter tracks, felt fully independent of its halftime-show context, a must-see live event that was streamed globally, dominated all of social media, and just happened to exist during a football game.

Introducing an all-white western aesthetic that carried over through the full performance, Beyoncé arrived on a white horse backstage, singing “16 Carriages” and making her way to the field at NRG Stadium, with blonde curls adorning the sides of her face. She then segued into her soulful version of “Blackbiird” after dismounting and walking forward, flanked by band members and backup singers, then by her four co-singers on the track: Tanner Adell, Brittney Spencer, Tiera Kennedy and Reyna Roberts.

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Finally arriving onstage, Bey launched into an exhilarating version of album highlight “Ya Ya,” a marching band bringing effusive energy as she sashayed down the field and into the end zone. The quieter intro of the set had fully given way to dozens of dancers and musicians by the time Beyoncé played her 2023 single “My House” live for the first time, followed by a pair of Cowboy Carter back-half gems: “Riiverdance” and “Sweet ★ Honey ★ Buckiin’.” The latter featured Shaboozey, delivering his triumphant guest spot a few weeks after tying the all-time Hot 100 record with his own single “A Bar Song (Tipsy).”

Then the tempo slowed down, Bey struck a pose in front of a pickup truck, and she launched into “Levii’s Jeans” — with Post Malone waiting for her in the bed of the truck. Rocking a diamond-encrusted white jacket and (of course) jeans, Posty gave us a few seconds of heartfelt duet with Bey, both superstars beaming while performing the song for the first time together.

After performing her cover of “Jolene” while making her way downfield on a convertible, she launched into the No. 1 hit from Cowboy Carter, “Texas Hold’ Em,” with her daughter, Blue Ivy, dancing by her side. “Now I need all my cowboys to the dance floor!” Bey exclaimed, shortly before ascending towards the roof of the stadium, ending the performance in mid-air on a small white platform and bathed in rapturous applause from the hometown crowd.

The performance marked the first live presentation of Bey’s Cowboy Carter album, which was released last March, topped the Billboard 200 chart in April and scored the superstar another Grammy nom for album of the year. Although Beyoncé spent 2023 on the road in supper of her 2022 full-length Renaissance, she has yet to tour behind Cowboy Carter… although immediately after the performance, she did tease an announcement for Jan. 14, 2025.

Netflix’s two Christmas Day games are a first of their kind, with the streaming service expected to continue the holiday tradition through at least 2026. Beyoncé is a veteran of the major NFL halftime show: she headlined Super Bowl XLVII in 2013 in New Orleans, reuniting with her Destiny’s Child group mates Kelly Rowland and Michelle Williams, and returned for Super Bowl 50 in 2016, performing at halftime with Coldplay and Bruno Mars.

Richard Perry, one of the great record producers of the 1970s and ’80s, died on Tuesday Dec. 24 at age 82. Like such contemporary producers as Jack Antonoff, Greg Kurstin, Finneas and Daniel Nigro, Perry was nearly as well-known, at least among pop obsessives, as the artists he worked with. No producer can guarantee a […]

Richard Perry, one of the most stylish and successful record producers of the 1970s and ’80s, died on Tuesday (Dec. 24) in a Los Angeles hospital. He was 82. The cause of his death was cardiac arrest, said Daphna Kastner Keitel, a friend.
Perry’s greatest hits include Nilsson’s “Without You” and Carly Simon’s “You’re So Vain,” both of which reached No. 1 on the Billboard Hot 100 and also received Grammy nods for record of the year. These two classic hits typify Perry’s production style – immaculate, powerful and precise. Other hits that have that unmistakable Perry stamp include Leo Sayer’s “When I Need You” (also a No. 1 on the Hot 100) and Burton Cummings’ stately “Stand Tall” (a top 10 hit on the Hot 100 in 1977).

Perry produced more than 30 top 20 hits on the Hot 100, including Barbra Streisand’s dynamic version of Laura Nyro’s “Stoney End,” in which one the legendary star dove into contemporary pop music for the first time; and a long string of hits by The Pointer Sisters, including the exhilarating “I’m So Excited” and “Jump (for My Love).”

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Perry was Billboard’s Top Singles producer on the magazine’s end-of-year recaps twice, in 1977 and 1984. He received back-to-back Grammy nods for producer of the year, non-classical in 1977 and 1978.

He had a 42-year span of top 10 albums on the Billboard 200. He first made the top 10 in July 1968 with a very unlikely project, an album by pop-culture phenomenon Tiny Tim. His last album project to make the top 10 was Rod Stewart’s Fly Me to The Moon…The Great American Songbook, Vol. 5 in November 2010.

Perry produced back-to-back No. 1 hits on the Hot 100 by two different artists – Ringo Starr (“Photograph” and “You’re Sixteen” in 1973-74) and Sayer (“You Make Me Feel Like Dancing” and “When I Need You, both in 1977).” The Starr smashes were historic – the first and only time that a former Beatle had back-to-back singles that reached No. 1 on the Hot 100.

Perry never won a Grammy in competition, but finally received a Trustees Award from the Recording Academy in 2015. His other nominations, not already mentioned, were album of the year for Nilsson Schmilsson (the album that housed “Without You” and its quirky follow-up hit, “Coconut”), best pop instrumental performance for an instrumental version of “Jump (For My Love)” (The Pointer Sisters won best pop performance by a duo or group with vocal for the vocal version) and best music video, short form, for The Pointer Sisters’ So Excited compilation, on which he was the video director.

Perry’s long string of hits with The Pointer Sisters really showed what he could do. The group was considered a B-act, at best, when Perry announced in 1978 that he was signing them to his new Planet Records. The group had had a couple of moderate hits, but few expected them to become one of the most consistent acts in pop music. Under Perry’s guidance, they did just that, with five top five hits on the Hot 100 – a cover of Bruce Springsteen’s “Fire,” “He’s So Shy” (a Tom Snow/Cynthia Weil song with a style that harkened back to the girl-group hits of the early ’60s), “Slow Hand,” “Automatic” and “Jump (For My Love),” which went on to soundtrack one of cleverest scenes in Love Actually, when the prime minister played by Hugh Grant simply can’t resist that beat. (Who could?)

Perry was very much a pop producer, but his music touched other genres, too. He produced Julio Iglesias & Willie Nelson’s “To All the Girls I’ve Loved Before,” which reached No. 1 on Hot Country Songs in 1984 and won single of the year at the Academy of Country Music Awards and was nominated in that category at the Country Music Association Awards. Perry also had No. 1 hits on the R&B and dance charts.

Richard Van Perry was born in Brooklyn, New York, on June 18, 1942, to Mack and Sylvia Perry, who manufactured and sold musical instruments and also served as music teachers. After graduating from the University of Michigan in 1964 with a degree in music and theater, Perry returned to New York. He formed his own independent record production company, Cloud Nine Productions, in June 1965. In March 1967, he moved to Los Angeles. His first album production job was Captain Beefheart and His Magic Band’s debut, Safe as Milk, which he co-produced with Bob Krasnow. The album was released in June 1967. That November, Perry was hired by Warner Bros. Records as a staff producer.

His first assignment was recording Tiny Tim, who had become a novelty sensation on Rowan and Martin’s Laugh-In, the runaway No. 1 show on TV. The ukelele-playing falsetto singer’s debut album, God Bless Tiny Tim, rose to No. 7 on the Billboard 200, boosted by a remake of the 1920s novelty tune “Tip-Toe Thru’ the Tulips With Me,” which became a top 20 hit on the Hot 100.

Perry also recorded albums with legendary stars Fats Domino (Fats Is Back) and Ella Fitzgerald (Ella), both of which cracked the Billboard 200. Perry left Warner Bros. in 1970 and almost immediately became one of the most in-demand producers in pop.

His first big score as an indie producer was Streisand’s Stoney End, released in late 1970, on which the then-28-year-old superstar was, for the first time, singing songs written by and intended for an audience of people roughly her own age. The album cracked the top 10 on the Billboard 200 in March 1971, becoming Streisand’s first top 10 album in more than four years. Perry also produced her next two albums, Barbra Joan Streisand and Live Concert at the Forum. These projects pointed the more contemporary direction for many of Streisand’s biggest successes in the 1970s, including A Star Is Born in 1976.  

In 1978, Perry played a record producer in American Hot Wax, a film about DJ Alan Freed. (In 1955, at age 12, Perry had been a regular at Freed’s live shows at the Brooklyn Paramount Theater.)

Perry produced DeBarge’s “Rhythm of the Night,” a top five hit in 1985 and the first top five hit written by hit machine Diane Warren. While most of Perry’s hits were new songs, he also produced his share of hit remakes, including Johnny Burnette’s “You’re Sixteen” (for Ringo Starr, then 33, an age-inappropriate song selection that barely caused a rippled back then but would be much more problematic today), Inez Foxx (with Charlie Foxx)’s “Mockingbird” (for pop music’s “It Couple” of 1974, Carly Simon and James Taylor), The Platters’ “Only You” (also for Ringo Starr) and the Flamingos’ “I Only Have Eyes for You” (for Art Garfunkel).

In 1988, Perry produced a passion project, Rock, Rhythm and Blues, which consisted of classic oldies from the ’50s, each performed by a different contemporary artist. Elton John, Christine McVie, Chaka Khan and Michael McDonald, among others, were featured on the album. One of the tracks, Randy Travis’ version of Brook Benton’s “It’s Just a Matter of Time,” topped Billboard’s Hot Country Songs chart and received a Grammy nod for best country vocal performance, male.

In 1993, Perry produced Ray Charles’ My World, which made the Billboard 200. A track from the album, Leon Russell’s classic “A Song for You,” made Billboard’s Hot R&B Singles chart and won a Grammy for best R&B vocal performance, male.

Perry and Carly Simon reunited in 2004 for the standards collection Moonlight Serenade, which reached No. 7 on the Billboard 200 and received a Grammy nod for best traditional pop vocal album. Perry did some of his finest work with Simon. “You’re So Vain” is simply one of the greatest singles of the 1970s. The No Secrets album, which headed the Billboard 200 for five weeks in early 1973, is a classic, from its revealing album cover (very provocative for 1972) to its no-skips lineup of songs. “Nobody Does It Better,” released in 1977, is one of the best and sexiest James Bond themes ever written (hat tip: songwriters Marvin Hamlisch and Carole Bayer Sager).

Perry’s last big hurrah on the Billboard charts was on Rod Stewart’s The Great American Songbook series. All five volumes, which rolled out between 2002 and 2010, made the top five on the Billboard 200. All five received Grammy nods for best traditional pop vocal album. Perry was credited as a producer on four of the five volumes.

In April 2020, Perry published his memoir, Cloud Nine: Memoirs of a Record Producer.

Perry is survived by his younger brothers Roger, Fred and Andrew. His marriages to Linda Goldner and Rebecca Broussard ended in divorce. Perry was in a relationship with actress and activist Jane Fonda from 2009 to 2017.

Chappell Roan is offering a playful apology after criticizing a past holiday-themed episode of Glee.
On Monday (Dec. 23), the 26-year-old pop star shared her thoughts on the musical comedy’s season 3 episode “Extraordinary Merry Christmas” in a series of posts on an Instagram account run by Roan and her creative director, Ramisha Sattar.

“This is the worst episode of Glee I’ve ever seen,” Roan said, holding back a laugh while the 2011 episode played in the background. “I’m turning it off. I hate it,” she added, hitting pause on the remote. “Next.”

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Shortly after, Roan returned with another video, this time sitting in front of a brightly lit Christmas tree. In the playful clip, she jokingly apologized to Glee fans while someone off-camera pointed a pair of sharp scissors at her.

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“This is my apology video for the Gleeks that I offended. I am so sorry,” Roan began. “I love every episode of Glee, and I love Kurt and Blaine,” the singer-songwriter added, referencing Chris Colfer and Darren Criss’ characters on the Fox series.

This isn’t the first time Roan has shared her thoughts on Glee, which aired from 2009 to 2015. In fan-captured video from a live performance earlier this year, the Grammy-nominated artist revealed she had recently started watching the show.

“I just started watching Glee. I’m on season 2,” Roan told the audience. “It took me like three full times to try to watch Glee, ’cause I was like, ‘This is stupid as f—.’ And then I was like, ‘Lean into it.’”

Meanwhile, Roan is closing out 2024 at No. 1 on Billboard‘s Top New Artists chart, marking a year of breakout success on both the Billboard 200 albums chart and the Billboard Hot 100 songs chart. Her debut full-length album, The Rise and Fall of a Midwest Princess, peaked at No. 2 on the Billboard 200 in August. Additionally, she scored seven entries on the Billboard Hot 100, including her first top 10 hit with “Good Luck, Babe!” which reached No. 4.

Stray Kids’ new album HOP puts K-pop back in a familiar spot – No. 1 on the all-genre Billboard 200 chart. HOP is the 19th No. 1 album or EP by a K-pop act on the Billboard 200. The first was BTS’ Love Yourself: Tear in June 2018. Stray Kids and BTS have each had […]

Ariana Grande fans are feeling Christmas all around! The singer-actress surprised her Arianators with a live performance of her holiday hit “Santa Tell Me” on Monday (Dec. 23) to mark the song’s 10th anniversary. “celebrating ten years of Santa Tell Me ! thank you so much for all of the love you have shown this […]