State Champ Radio Pop
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If you’re a fan of super-shiny lips and glittery eyeshadows that capture the light, the disco glam trend is for you.
This trend has been showing up everywhere from music videos and movies to red carpets and at music festivals — it’s even transcended from a nighttime trend to an around-the-clock option. Celebrity makeup artist Hannah Jaclyn created a stunning disco glam looks on Miley Cyrus in the past, similar to the one seen in her new “Something Beautiful” music video. We spoke with different makeup artists to find out how to create this look so you can try out the trend for yourself.
How to Create a Disco Lip Look
To create a more sheer but glitter-heavy look, Jaclyn starts with a lip oil that helped smooth the lips so that the base was hydrated and devoid of any flakiness or texture. From there, she uses Jouer’s lip topper, which is super shiny and incredibly long-lasting.
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If you want even more depth and shine, Urban Decay’s head of global artistry Steve Kassajikian explains how to use eyeshadow on the lips. While it may seem odd, he suggests starting by setting your lips with a translucent setting powder before applying your favorite lipstick. “Then take a loose or pressed glitter eyeshadow and press it against the lips with your finger and finish it off with a gloss,” Kassajikian told Billboard. “For depth, you can line the lips as well to give the glitter a bit of dimension.”
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Kassajikian notes that liquid lipsticks are often known for their long-lasting qualities, so they may be the best option for music festivals when you need real staying-power. Here are the products recommended by Jaclyn and Kassajikian.
Jouer Long Wear Lip Topper
Urban Decay Vice Lip Bond Glossy Longwear Liquid Lipstick
Urban Decay 24/7 Glide-On Waterproof Lip Pencil
$20.00
$25.00
20% off
Urban Decay 24/7 Moondust Glittery Eyeshadow
How to Create a Disco Eye Look
Both Jaclyn and Kassajikian suggest applying a base layer to the lid, either a cream or liquid eyeshadow or a primer intended specifically for the lids. This not only helps the glitter pop, but it will help the shadows really stick and prevent fallouts. “You can also use a powder glitter first and then use a liquid glitter on top with a fluffy eyeshadow brush,” says Kassajikian.
From there, press powder shadows into the lid with your fingertip or a dense flat brush. If you’re partial to a brush, Kassajikian suggests spraying it with a setting spray before dipping it in the shadow. To further prevent fallouts, apply a layer of translucent setting powder under the eyes so that any glittery particles can be swept away with a brush. Kassajikian also notes that liquid eyeshadow formulas can be easier to use and more long-lasting. Here are product recommendations from both artists.
Jouer Cosmetics Crème Eyeshadow Stick
Jouer Paris Lights Eye Paints
Urban Decay 24/7 Glaze-On Shimmer Liquid Eyeshadow
Urban Decay All Nighter Waterproof Makeup Setting Spray
A lot of things happened while JoJo Siwa was on Celebrity Big Brother UK.
First, there was her awakward interaction with castmate actor Mickey Rourke, who asked if she liked “girls or boys,” to which Siwa responded that she’s attracted to women and that her partner, Kath Ebbs, is non-binary. The 72-year-old Murder Motel star then said something that earned him a formal warning the show’s producers when he told Siwa, “If I stay longer than four days you won’t be gay anymore.”
After other homophobic comments, fellow competitor Chris Hughes called Rourke out for his language. Then, in an episode last week, after a discussion with Drag Race UK winner Danny Beard about how her Big Brother experience was helping her come to terms with her evolving sexuality, Siwa had a revelation. She said living in the house, “made me feel so queer. And I’ve always been afraid of feeling ‘queer,’”… like, I always said ‘lesbian,’ right? But I feel, like, so queer… I think I’ve always told myself I’m a lesbian, and I think being here I’ve realized, ‘Oh, I’m not a lesbian, I’m queer.’ And I think that’s really cool.”
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Siwa told ITV’s This Morning on Monday (April 28) that the reality TV lockdown also made her realize that things she was “okay with in my life that I should never have been okay with in the first place.” When one of the hosts asked if she was referring to the relationship with Ebbs, Siwa said, “so many things and that is one of them.”
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As viewers know, Siwa, 21, broke up with Ebbs at the show’s wrap party and the singer/actress told This Morning that that was not her plan. “Initially, I was told that the wrap party was something they [Ebbs] didn’t want to attend and then about an hour into the wrap party they decided they wanted to,” she said of the Australian content creator. “And so I was genuinely just going to have a conversation before and then it just led to another. They straight up asked me if I was happy and I said ‘no.’”
During that conversation, Siwa said Ebbs asked if she was happy and Siwa told them she was not. “One thing led to another… and that conversation did take place there,” she said of the 20 days that felt “like four-and-a-half years,” noting that the first thing she wanted to do when she got out was “exactly what you need to do in your life to make it as good as you can.”
Sitting next to Hughes on a couch, Siwa said she is “very happy where I am now” and grateful for having Hughes in the house with her for “support and comfort.” Asked if her friendship with Hughes was a catalyst in the break up with Ebbs after the couple went public in January, Siwa, again putting her hand on Hughes’ shoulder said, “obviously we’re very close,” with Hughes adding that it’s “just a really strong bond between two people which is just a strong friendship.”
Hughes, 32, called their time together in the house “three weeks we’ll remember for the rest of our lives,” arguing that all gossip aside about the nature of their close ties in the house, he thinks you can genuinely have a “soulmate friendship.” Asked by the hosts if she’d like things to get romantic with “gorgeous boy” Hughes, Siwa doubled-down on her pal being a “great guy,” but agreed that it’s strictly platonic and that they have a lot of fun together, but that’s it.
“Life is life and I don’t know any future of anything,” she said. “But I’m really grateful for our dynamic that we have and our bond that we have.”
Watch Siwa and Hughes discuss their platonic relationship below.
Mariah Carey tops the pop-forward line-up for Capital’s Summertime Ball with Barclaycard 2025 show slated to take place at Wembley Stadium on June 15. In addition to Carey, the show will also feature sets from Benson Boone, Lola Young and KSI. Explore See latest videos, charts and news See latest videos, charts and news The […]
Kylie Minogue will be honored with the prestigious Ted Albert Award for Outstanding Services to Australian Music at this year’s APRA Music Awards, set to take place at Melbourne Town Hall on April 30.
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The honor, awarded annually by APRA AMCOS, recognizes outstanding contributions to the Australian music industry. Minogue joins a distinguished list of previous recipients, including Paul Kelly, Midnight Oil, and The Seekers.
To celebrate Minogue’s latest accolade, several leading artists and industry peers shared tributes to her career and influence. Longtime collaborator, Neighbours co-star Jason Donovan, praised her “dedication and focus to her craft,” describing her as “a hardworking and authentic Melbourne girl who is proud of her Australian heritage.”
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Fellow Australian songwriter Kylie Sackley declared, “Kylie Minogue walked so the rest of us Australian music makers could run,” hailing her as “an innovator and an inspiration.”
Ben Lee reflected on Minogue’s lasting cultural impact, calling her a “mirror” through which audiences see themselves, and Gretta Ray credited Minogue with making the path toward pop stardom less daunting for emerging Australian artists. “She has inspired me to be courageous in my creativity,” Ray said.
Missy Higgins noted Minogue’s remarkable longevity: “She continues to tour consistently and remain exciting and relevant,” while The Wiggles, who once collaborated with Minogue when she portrayed the honorary “Pink Wiggle,” applauded her “unstoppable artistry” and “special Kylie-magic.”
Minogue’s career, spanning over four decades, has earned her international acclaim. She has amassed 10 ARIA No. 1 albums, including her most recent project Tension, which debuted atop the Australian Albums Chart in September 2023. Minogue made history on the Billboard charts when “Padam Padam,” the lead single from Tension, became her first solo track to reach the top 10 on Billboard’s Hot Dance/Electronic Songs chart in 2023.
Minogue’s influence on generations of artists remains unmatched. Julian Hamilton of The Presets, who curated a special performance for the APRA Awards night, said, “With so many hits to her name, it hasn’t been the easiest of tasks.”
Tim Nelson of Cub Sport summed it up best, calling Kylie “a true global icon who has filled countless lives with joy, expression and a sense of belonging for decades.”
It was a match made in brat heaven when Charli xcx met some 15,000 Minnesotan fans at Minneapolis’ Target Center on Saturday (April 26) night for the 17th stop on her brat tour. Her co-headlining Sweat Tour with Troye Sivan last year didn’t include a stop in the Land of 10,000 Lakes, but if you […]
Capping off a month of excellent new music releases, Lorde, Benson Boone, Megan Thee Stallion and several more artists have entered the chat for the last New Music Friday of April. Starting off strong with a certain New Zealand-born pop star, the arrival of Lorde’s comeback single “What Was That” on Thursday (April 24) finally […]
“I’m still trying to take it all in,” Gigi Perez tells Billboard of her extended moment in the spotlight. Last July, the singer-songwriter’s “Sailor Song” became a viral hit and Perez’s first Hot 100 hit — and months later, the folksy exaltation of queer flirtation remains in the chart’s top 40, rising up one spot this week to No. 35.
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In the interim, Perez played a slew of shows to growing audiences, released follow-up singles like “Fable” and “Chemistry,” and most importantly finished recording her debut album. At The Beach, In Every Life, out today (Apr. 25), finds Perez navigating love, grief and self-possession, as the success of “Sailor Song” has amplified her Island Records debut but not altered its core tenets.
“This project is as close of a reflection of my experiences over the past five years as I could get,” says Perez of the album, which expounds upon the reflection of her sister’s passing that became the focus of her single “Fable.” “My grief has shaped the way that I love, in friendships and with family and romantically. On the project, those things exist next to each other.”
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Below, Perez discusses four songs on At The Beach, In Every Life, and what they represent within her debut album:
The Song That Was Finished Last
“Two days before I was turning the album in, I recorded ‘Sugar Water’ on my own,” says Perez of the five-minute emotional heavyweight, which looks back on her transition into adulthood with childhood details and a simple guitar-and-vocals arrangement. “I wasn’t expecting to put ‘Sugar Water’ on the project,” Perez continues. “And my A&R asked me about the song. I was like, ‘Oh, I love this song.’ … I was like, “Okay, I’m gonna just record and see what happens.’ And it ended up being one of my favorite songs on the project.”
The New Song That’s Most Fun to Play Live
“The most excitement that I’ve had playing a new song has been definitely ‘At The Beach’ or ‘Sugar Water,’” says Perez, who’s been playing a handful of headline shows in the lead-up to the album release. The title track of At The Beach, In Every Life closes the album with an encapsulation of Perez’s worldview, full of passion, disappointment and unruly thoughts that run into each other over the course of the song.
Perez says that testing out her new material on live audiences over the past few weeks has been a thrilling experience. “I just have fun for an hour straight, so it’s hard” to pick one highlight, she explains. “Every single song I get the guitar, and I’m like, ‘Oh my god, I’m so excited to do this song!’”
The Song That Was Most Difficult to Finish
“’Crown’ was hard,” Perez says of the searing centerpiece of the album’s second half, which mixes religious imagery with memories of her late sister. “I think it was letting myself go into that space of my grief and the uglier side of it. It’s all ugly, pretty much, but a different shade was probably the hardest to do in a specific time constraint.”
Yet that struggle, Perez believes, speaks to the truth of her first full-length. “Ultimately, I feel like that’s part of the album,” she says. “It’s not easy.”
The Smash Single That Set the Tone
“Sailor Song” kicks off At The Beach, In Every Life, and Perez says that she’ll always be thankful for the doors that her breakthrough hit has opened. “Especially now that there are new songs in the mix and other focuses that I have, to know that she’s just holding down the fort is amazing,” she says of “Sailor Song. “It’s a gift — to know that I was part of the creation of something that has impacted people globally just feels divine.
“And it’s exciting to see where the rest of the music is gonna go,” she continues, “because in my head, ‘Sailor Song’ and the impact that it’s had are amazing, but I’ve set my sights on personal fulfillment, and what that means is different. As long as there’s a community there, whether it’s one person or it’s 1 million, every single person that’s impacted by it matters.”
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Lorde shakes us awake, Megan Thee Stallion is ready “whenever” and Benson Boone shows off a different side. Check out all of this week’s picks below:
Lorde, “What Was That”
Lorde has made a habit of returning every four years with a bold new solo statement, and with “What Was That,” the pop auteur circles back into our orbit in her late twenties, chasing new highs in New York City and feeling a little more bruised by breakups; the subtle, slightly twitchy production and subject matter draw a line back to 2017’s Melodrama, but Lorde is evolving her feelings, sharpening the specificity of her lyrics and treating a much-anticipated new single like a too-honest piece of poetry.
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Megan Thee Stallion, “Whenever”
Megan Thee Stallion blacks out in the second verse of her new single “Whenever,” rattling off lines like “I love when I hear that a b—h don’t like me, stalk my IG / This pretty face on her FYP,” in a way that recalls her ferocious early mixtapes — it’s a moment that reminds us of Meg’s effortless drive when she wants to pick up the pace, and stirs up even more anticipation for her next project.
Benson Boone, “Mystical Magical”
Unless you’ve spent the past year under a rock, you know that Benson Boone possesses the type of soaring vocals that can startle listeners, and serve as the engine of a smash. Unlike “Beautiful Things,” however, new single “Mystical Magical” peppers that force into a more delicate arrangement, with Boone delivering the titular phrase in a blissed-out falsetto as the bass pops beneath him.
Young Thug feat. Future, “Money on Money”
After a few guest spots in recent months, Young Thug has unveiled his first proper single since leaving jail on a plea deal last year, and it’s a doozy: “Money on Money” is opulent Atlanta rap, with a killer beat switch, a reinvigorated Thugger calling out those who doubted him (and declaring that he’s “blowing money fast like a cheetah”), and Future supporting his frequent collaborator on the back end.
Coco Jones, Why Not More?
Coco Jones has already translated legions of Disney fans into R&B listeners, scored a crossover hit in “ICU” and taken home a Grammy, yet the release of her long-awaited debut album Why Not More? feels like a momentous occasion — as well as the proper full-length showcase that her voice deserves, as Jones spends the first half of the album sans guests and letting her sensual delivery commanding our attention.
Tucker Wetmore, What Not To
The reason why Pacific Northwest singer-songwriter Tucker Wetmore has broken through in Nashville involves his adeptness at emotional storytelling as well as party-ready singles; debut album What Not To boasts both across its 19-song track list, from the finger-snapping viral hit “Brunette” to the searing title track.
D4vd, Withered
Throughout his short career, D4vd has refused to trade in viral success for mainstream pandering, instead using the platform afforded by his early hits to keep exploring his sonic interests — and Withered, his first proper album, sounds like a young singer-songwriter comfortable in his own skin, drifting toward dreamy rhythmic pop that should be a natural springtime soundtrack.
Editor’s Pick: Samia, Bloodless
Bloodless is the sound of a talented artist achieving clarity: Samia Finnerty has released intriguing albums before, but nothing comes close to the stylistic command and singular point of view she demonstrates on her third album, which oscillates between alt-folk and indie-pop to study gender norms in modern society and present Samia’s full self without compromise.
Kylie Minogue had to call off what was going to be her first-ever show in Denver, CO this week for the very best reason. The Australian dance pop legend was slated to play at Ball Arena on Tuesday (April 29), but because the hometown Denver Nuggets are still in the playoff hunt and have a […]
PinkPantheress was born in Bath, England, and raised in Kent, but on Friday (April 25), she came “Stateside” for her latest single. “Stateside” arrives three weeks after “Tonight,” the lead single from her upcoming mixtape, Fancy That, which is out May 9 via Parlophone and Warner Records. The club anthem, which samples Panic! At the […]
