Pop

Billie Eilish Teases ‘Spirited Away’ Inspired Track Off Upcoming Album

Billie Eilish is nearly a month away from dropping her third studio album, Hit Me Hard and Soft, this spring without releasing any singles beforehand. However, in a new interview with Apple Music’s Zane Lowe, she decided to break the rules a little bit and tease a 15-second snippet of one of the project’s tracks.

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The song, reportedly titled “Chihiro” in reference to the main character in the beloved Studio Ghibli film, Spirited Away, features a thumping melody with Eilish singing in her characteristically soft tone: “Today, maybe tomorrow/ Open the door for me/ I know you said before/ You can’t cope with it no more.” Eilish has been a longtime fan of Hayao Miyazaki’s filmography, and has even jokingly admitted to having a crush on the dragon in Spirited Away.

“Every time you put anything out, it feels like your nudes leaked a little bit,” the nine-time Grammy winner said of the upcoming album. “I think this one specifically is like that. Something that Finneas and I said to a couple of people when we started to play it for people is we kind of made the album that if somebody had said, ‘I want you to make an album and no one is going to hear it. You don’t have to worry about anyone’s ears or opinions or anything at all. It’s in your contract to make an album but no one can hear it.’ We pretty much made that album. We made that album without much thought of other people.”

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Hit Me Hard and Soft, out May 17, will follow the musician’s 2019 debut When We All Fall Asleep, Where Do We Go? and her 2021 sophomore effort Happier Than Ever, both of which topped the Billboard 200 for three weeks. 

Watch Eilish’s interview with Zane Lowe below.



Every Madonna Album Cover, Ranked

As evidenced by Madonna’s 2023-2024 Celebration Tour, the Queen of Pop’s reign has given her subjects an embarrassment of riches when it comes to iconic imagery.

From her thrift-store bride on the cover of 1984’s Like a Virgin to the image of a worldly multi-hyphenate on the cover of 2019’s Madame X, Madonna has endlessly reinvented herself – and in the process, raised the bar for what it means to be a pop star for four decades.

On her album covers, Madonna has been many things: a cowgirl, an earth mother, a disco dancer, a religious figure, a sex siren and more. One thing she’s never been, however, is boring.

As the Queen of Pop’s reign continues, we’re taking a look back through her discography and ranking her album covers. What follows is not a ranked list of the music — we’re just talking about artwork here. Does the cover art effectively convey the mood of the album? Does it grab your attention? Does it leave a lasting impression? Does it inspire you?

Many of these aren’t just album covers – they’re iconic pieces of pop culture history, influencing musicians, moviemakers and fashionistas who followed in her footsteps.

A few notes: Some of these albums have multiple covers. In those cases, we decided to focus on the standard edition of the album. And for this list, we’re focusing on her proper studio albums. Some might count 1990’s I’m Breathless as a studio effort and not a soundtrack, but as it was a Dick Tracy film tie-in, we’re considering it more of a soundtrack akin to Evita or Who’s That Girl and not ranking it here. Also out: compilations, which means the instantly recognizable illustration on the cover of The Immaculate Collection isn’t here, nor is GHV2 or You Can Dance.

That still gives us 14 album covers to rank. So let’s see which covers were impressive instants and which ones we’re less than hung up on.

What’s Your Favorite New Music Release of the Week? Vote!

Coachella 2024 is officially upon us, and whether or not you’re heading out to the desert, there’s a bunch of new music to jam to all weekend long.

Future and Metro Boomin teamed up once again for their second collab album, We Still Don’t Trust You. We Still Don’t Trust You arrives three weeks after We Don’t Trust You, which debuted at No. 1 on the Billboard 200 and featured the Billboard Hot 100 No. 1 single “Like That” with Kendrick Lamar

Dua Lipa, meanwhile, dropped “Illusion,” the third single off her upcoming album Radical Optimism. “‘Illusion’ was the first song Caroline [Ailin], Danny [Harle], Tobias [Jesso Jr.], Kevin [Parker] and I worked on together, and it really broke the ice for the record,” the 28-year-old singer shared in a press statement about the track. “It’s about knowing what you’re getting yourself into, but staying for the hell of it. The joke’s on them, it’s the fun of playing someone at their own game because ultimately you won’t fall for an illusion.”

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Another pop star, Sabrina Carpenter, unveiled a new single called “Espresso,” while Lil Nas X dropped his track, “Right There.” Maggie Rogers also unleashed her new musical era with Don’t Forget Me, the followup to 2022’s Surrender, her second major label effort, which peaked at No. 2 on the Billboard 200.

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With all the great new releases this week, we want to know which one is your favorite. Check out our Friday Music Guide here, and let us know by voting below.

Sheryl Crow Opens Up About Her New Album That Almost Didn’t Happen & How She Met Olivia Rodrigo

In 2019, Sheryl Crow said that her album Threads — a set of collaborations with artist friends such as Stevie Nicks, Bonnie Raitt and Neil Young, among others — would be her last. Five years later, Crow has proved her own pronouncement wrong, releasing Evolution at the end of March, and she came to Billboard News to discuss how it, well, evolved, as well as her career journey up until now.

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“I keep saying this is not an album — it’s more a playlist of new Sheryl Crow songs,” Crow says of Evolution, which was produced by her longtime friend Mike Elizondo. “It feels like an emotional download as opposed to a curated album.”

That download was spurred in large part, Crow reveals, by a decision she made in recent years to “really investigate what it meant to redirect my impulses,” which she endeavored to do through a curated psilocybin journey. “For me, nature is the only place I’ve actually been able to hear myself. And it felt like I was digging through dirt. Like those old science videos, where you see ants digging,” she says.

That experience led her to keep thinking of a favorite Peter Gabriel song, “Digging in the Dirt,” which she told Elizondo about. They recorded a cover, sent it to Gabriel, and he loved it — so much that he sent it back to Crow with his own voice added. “It’s just crazy. I’m a huge believer in manifesting, but I don’t know that I could have manifested that in a thousand years,” Crow marvels.

Evolution is, astoundingly, Crow’s 12th studio album, but her catalog has not diminished in relevance, as evidenced by the still growing number of young women artists who cover hits such as “Strong Enough” and “If It Makes You Happy.” That group includes Olivia Rodrigo, who Crow reveals she first met at Billboard‘s 2022 Women in Music event, where Crow presented the Woman of the Year honor to Rodrigo.

“I listen to her stuff and go, ‘Oh my gosh, I can hear the Breeders, I hear Blondie’ — she’s got that punk rock thing I haven’t heard in so long, but then she has great lyrics and great hooks,” Crow says. “And then I met her, and she came up in the business … but I liked how grounded she was. The fame thing wasn’t her major attraction. She just keeps writing her truth, she’s got the experience that backs up everything in her songs. I just root for her.”

To hear what else Crow had to say, watch at the link above.

Nick Cave and Warren Ellis Pay Solemn Tribute to Amy Winehouse on Moving Biopic Ballad ‘Song For Amy’

Nick Cave and Warren Ellis have been making beautifully morose music together for more than three decades. In addition to their longtime collaboration in Cave’s Bad Seeds band, the pair have also teamed up for a more than a dozen soundtrack score albums, including their new score for the Amy Winehouse biopic, Back to Black.

In keeping with their eternally bleak, theatrical vibe, the pair released their homage to late British R&B singer Winehouse on Thursday (April 11), “Song for Amy.” Like much of the score they wrote for the film — which opened in the U.K. on Friday (April 12) — the tribute track leans into a dramatic, emotional vibe, accented by a haunting flute and piano riff and Cave’s signature pleading vocals.

“You say it’s time/ For us to call it a day/ I will love you anyway/ You know that I don’t even care what they say/ I’ll still love you anyway, baby,” Cave sings emotionally as strings swell up and he adds the gut-punch lines, “Love gives everything/ Just to take it away/ And I’d give you anything for you to stay.” The somber 12-track score features 10 instrumental cues (with titles such as “Tattoo Parlour,” “At the Taxi,” “Snooker Hall” and “Soho To Glastonbury”) as well as the 3:19 “Song for Amy” and a 2:12 instrumental reprise of that track.

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“Nick and Warren were the only musicians in my mind to score Back to Black,” director said Sam Taylor-Johnson said in an earlier statement. “Over the years I’ve listened to everything they’ve composed and longed to realize the dream of working together. Their sensibility as well as understanding of this story has led to a profoundly deep and moving film score.”

Back to Black: Songs From the Original Motion Picture is due out on May 17 on UMR/Island Records, the same day the film opens in the U.S. The collection features classics from Thelonious Monk, The Specials, Little Anthony & the Imperials, The Shangri-Las, Billie Holiday, Donny Hathaway, Tony Bennett, Willie Nelson, Minnie Ripperton and others, as well as a handful of Winehouse’s most beloved songs, including “Rehab,” “Tears Dry on Their Own,” “Me & Mr. Jones,” “Back to Black,” “Fuck Me Pumps” and “Song For Amy.”

The movie‘s cast includes star Marisa Abela (Industry), as well as Eddie Marsan (Ray Donovan) as father Mitch Winehouse and Jack O’Connell (Godless) as troubled husband Blake Fielder-Civil. Winehouse died in 2011 at 27 of an accidental alcohol overdose after years of substance use struggles.

Listen to “Song For Amy” below.



aespa Member Winter Has ‘Preventive’ Surgery to Treat Collapsed Lung

aespa member Winter recently underwent preventive surgery to treat a collapsed lung. The K-pop group’s label, SM Entertainment, released a statement on Friday (April 12) describing the procedure to treat a pneumorthorax, a condition in which air accumulates in the chest, applying pressure on the lungs and possibly leading to collapse.

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According to South Korean news outlet Newsen, the SM statement read, “Winter is recovering from recent pneumothorax surgery. As the disease is prone to recurrence, the decision was made as a preemptive measure based on the opinions of the medical staff after sufficient discussion.”

The statement added that the 23-year-old singer’s recovery is a priority and that “future schedules will be made with Winter’s recovery status as the top priority.” At press time the group’s spokesperson had no additional information about Winter’s surgery or recovery process.

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According to Newsen, Winter’s most recent public appearance was on April 6 on Japan’s NHK music show Venue 101, after which she returned to South Korea on the morning of April 9. The group will make the jump to the big screen on April 24 and 27 when their first concert film, aespa: WORLD TOUR, brings fans inside the group’s U.K. live debut at London’s O2 Arena as part of their 2023 Synk: Hyper Line world tour.

The quartet can currently be heard on the just-released Rebel Moon – Songs of the Rebellion EP, which also features original songs by Jessie Reyez, Tainy, Tokischa, TOKiMONSTA, Black Coffee and Kordhell inspired by Zack Snyder’s Rebel Moon movie series. aespa are slated to kick a run of SYNK: Parallel Lines dates in Asia and Australia, with the tour kicking off with two nights in their native Seoul on June 29-30.

Jewel Cops to Kevin Costner Being a ‘Great Person,’ Amid ‘Intense’ Interest in Their Relationship

Fans have been wondering for months whether Jewel and former Yellowstone star Kevin Costner are an item. The singer, 49, and actor, 69, set tongues a wagging when they appeared together at a tennis fundraiser on Necker Island in December, but to date neither has commented publicly on their reported situationship.

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In a new interview with Elle magazine, Jewel, kind of, answered those burning questions, calling the two-time Oscar winner “a great person,” as she reportedly blushed and added, “the public fascination is intense for sure.” And that was it.

Neither star has offered any further insight into whether they are dating — Jewel was previously married to rodeo rider Ty Murray, with whom she has a 12-year-old son, and twice-married Costner’s second wife, Christine Baumgartner, filed for divorce last year after 18 years.

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This week the pair were on opposite coasts, with Costner bringing his passion project western Horizon: An American Saga to the CinemaCon convention in Las Vegas, while Jewel made a surprise appearance at Olivia Rodrigo‘s final MSG show in New York on Tuesday to help the “Vampire” singer close out the first leg of her North American GUTS tour.

The pair shared the stage for a performance of Jewel’s signature 1995 hit “You Were Meant For Me,” with Rodrigo gushing over the huge influence Jewel has had on her career. “She is such an incredible songwriter,” Rodrigo said. “When I first started writing my songs, I would listen to her album Pieces of You before I went to bed. She’s incredible and it’s such an honor that she’s here with me tonight.”

Travis Kelce Dances to Taylor Swift’s ‘Shake It Off’ During ‘New Heights’ Podcast Taping in Cincinnati

Jason and Travis Kelce returned to their old college stomping grounds on Thursday (April 11) when the NFL legend brothers packed the University of Cincinnati’s Fifth Third Arena for a taping of their “New Heights” podcast in front of a rabid audience of college kids and football fans.

And while they had some A-list guests and played some fun games, the clip that instantly went viral was, of course, Travis, 34, dancing along to girlfriend Taylor Swift‘s 2014 smash “Shake It Off” on stage. The precious moment was uploaded to TikTok by a fan, who grabbed video of Travis doing the “Shake It” shimmy along to a marching band version of the song, complete with the appropriate hand gestures. A crowd member shouts the song title, with Travis confirming it and saying “that’s one of my favorites.”

The Super Bowl champ siblings — Eagles center Jason retired earlier this year — both played college ball for UC and their return to Cincinnati was huge news in the city for the past week. Their guests for the taping were Queen City royalty, including Bengals QB Joe Burrow, who has an ongoing, fierce rivalry with Travis’ Kansas City Chiefs. Burrow, who appeared along with teammate offensive tackle Orlando Brown Jr., needled Kelce a bit, telling him that the Bengals were custom built to beat KC.

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Proud mom Donna Kelce was also on hand, with the pod’s X account teasing beforehand, “Mama Kelce wouldn’t miss her boys’ first arena show,” along with a pic of Donna holding a giant clutch of mylar balloons featuring the KC and Eagles jerseys as well as a heart-shaped one that read “World’s Best Mom.” Due to torrential spring rains on Wednesday and Thursday, the podcast was forced to move indoors from the planned site at nearby Nippert Stadium, where the Ohio native brothers suited up for the Bearcat during college.

During the appearance, both men also finally picked up their diplomas.

Check out some pics from the event below.

Friday Music Guide: New Music From Future & Metro Boomin, Dua Lipa, Sabrina Carpenter & More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Dua Lipa sees through your deception, Sabrina Carpenter keeps you up all night, and of course, Future and Metro Boomin remain doubtful about your reliability. Check out all of this week’s picks below:

Future & Metro Boomin, We Still Don’t Trust You



If you thought Future & Metro might be mostly phoning in their sequel effort to their chart-topping We Don’t Trust You from three weeks ago, that 25-song tracklist — 18 for the proper album and a seven-track extra disc — should make it pretty clear that this isn’t just spare bonus material. Besides, the leadoff title cut finds rapper and producer right away in new pulsing dancefloor territory, led by an uncredited appearance by The Weeknd, which sets the tone for the strobelit sonics for much of the project. But of course, folks will mostly be talking about the appearances on this set from J. Cole (“Red Leather”), who does not really seem to be addressing any of the recent “Big 3” feuding, and A$AP Rocky (“Show of Hands”), who appears to be taking shots — possibly at Drake? — via his current romantic partner: “N—as swear they bitch the baddest, I just bagged the worst one… I smash before you birthed son, Flacko hit it first son.”

Dua Lipa, “Illusion”



Following the top 40 Billboard Hot 100 hits “Houdini” and “Training Season,” pop superstar Dua Lipa is back with the third taste of her upcoming Radical Optimism set, “Illusion.” Co-written with regular collaborator Caroline Ailin, singer-songwriter Tobias Jesso Jr., PC Music soundsmith Danny L Harle and psych-pop fixture Kevin Parker — the latter two of whom also co-produced — Lipa sings of learning to “take my rose-colored glasses of” when dealing with a potential new love with no shortage of red flags. The track finds her back in her disco-pop sweet spot, and with its repeated “dance all night” refrain should find its way to plenty of radio and club airplay in no time.

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Sabrina Carpenter, “Espresso”



Speaking of disco-pop, if you prefer your dancefloor jams a little on the laid-back side — more “Levitating” than “Physical,” perhaps — Sabrina Carpenter has you covered with her new piping hot “Espresso.” The alluring new single, co-written with Grammy nominee Amy Allen and Carpenter’s “Nonsense” collaborators Steph Jones and writer/producer Julian Bunetta, features Carpenter positing herself as the caffeinated beverage keeping boys’ thoughts’ racing and sleepless: “That’s that me espresso.” Who’s to say what coffee puns she’ll end up ad libbing in the outro to this one during future live performances?

Lil Nas X, “Right There”

“Been hoarding music for years smh i hate my relationship with fear of my songs not doing well and perception,” Lil Nas X wrote on Instagram in March. “i wish i could just release music and not give af.” The rapper seems to be walking the walk now by dropping his new “Right There” on SoundCloud earlier this week, thought to be a track from his upcoming Nasarati 2 mixtape. With a bombastic beat built around an angelic backing vocal loop, the song sounds absolutely enormous as LNX mixes themes of sex, drugs and religion in his verses: “Montero just popped that Perc/ This feel like God in church/ This scripture a Bible verse/ Buss it open and make it twerk.”

Maggie Rogers, Don’t Forget Me



Acclaimed singer-songwriter Maggie Rogers might not be likely to end up with the most buzzed-about release of the week since Future & Metro entered the picture, but Don’t Forget Me should nonetheless delight fans of her sparkling, impassioned folky alt-pop. Highlights of the songs not already released from her 10-track third official LP include the Pat Benatar-worthy ’80s pop-rock blast “Drunk” and the gently-but-firmly shuffling acoustic kiss-off “On & On & On.”

PartyNextDoor, “Lose My Mind”



PartyNextDoor fans who want to hear the late-night singer-songwriter at his most carnal and unfiltered were no doubt encouraged by the recently released cover image for his upcoming PartyNextDoor 4 album — a naked model, shot from behind — and will probably only be further intrigued by “Lose My Mind” his hedonistic latest release from the project. “F–kin’ two b—hes at the same time/ Couldn’t make me choose if it depended on my life” he sings in the first verse, and it only gets more libidinous from there — culminating in a sample from DMX’s “Party Up (Up in Here),” which recontextualizes that song’s classic raging hook as a statement of unbridled lust and sexual abandon.

Maggie Rogers Reminds Us to ‘Don’t Forget Me’: Stream It Now

While listening to her latest LP, Don’t Forget Me, Maggie Rogers wants you to slide on in, roll down the windows, feel the breeze on your face.

“I wanted to make an album that sounded like a Sunday afternoon,” Rogers says of Don’t Forget Me, which arrived, fully-formed at midnight. Clean face (with a touch of lipstick), good vibes, a bottle of your favorite.

“I wanted to make an album to belt at full volume alone in your car, a trusted friend who could ride shotgun and be there when you needed her.”

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Don’t Forget Me dropped at midnight via Capitol Records, and is the followup to 2022’s Surrender, her second major label effort, which peaked at No. 2 on the Billboard 200; and 2019’s Heard It in a Past Life, an LP that peaked at No. 2 on the Billboard 200 chart and earned the singer, songwriter and producer a Grammy nomination for best new artist.

Rogers co-produced Don’t Forget Me with Ian Fitchuk (Kacey Musgraves, Maren Morris) at Electric Lady Studios in New York City, and wrote eight of its 10 songs with him (the other two she penned alone). Shawn Everett (Brittany Howard, The War on Drugs) mixed the set, with Emily Lazar (Beck, Coldplay) returning to master the longplay.

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The Maryland native will be taking a long drive around the country with trusted friends for her first-ever arena tour, entitled the Don’t Forget Me Tour Part II.

The Live Nation-produced outing will kick off on Oct. 9 at Moody Center in Austin, TX, includes stops at New York City’s Madison Square Garden (Oct. 19); and visits to Philadelphia, Boston, Chicago, Seattle and other cities; and wraps up on Nov. 2 at the Kia Forum in Inglewood, CA. Ryan Beatty will join Rogers as the opening act on her fall tour dates.

In addition to the arena tour, Rogers also announced Box Office Week, which will include pop-up events and special shows taking place over the course of the week at intimate venues in four U.S. cities.

Stream Don’t Forget Me below.