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Donna Kelce Had Taylor Swift’s ‘Tortured Poets Department’ on Repeat on Release Day: ‘Probably Her Best Work’

It never hurts when your boyfriend’s mom thinks you’re really good at your job. In Taylor Swift‘s case that means getting a five-star review from Donna Kelce for her record-shattering new double-album, The Tortured Poets Department. Mama Kelce spoke to People magazine this week at a QVC event in Las Vegas, where boyfriend Travis Kelce’s mom admitted that she was just like the rest of you.

“I listened to the whole album, and I listened to it all morning long when it was released,” the Kelce family matriarch said of the 31-song collection that is on pace to have one of the biggest first weeks in chart history. “I was just very impressed. She is a very talented woman, and I think it is probably her best work.”

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That wasn’t the only tea Donna spilled at the event. According to People, Donna found out that Maestro star Bradley Cooper and his perennial awards show date mom Gloria would be attending the same QVC event in Vegas when her Super Bowl champ son texted her a photo of himself and Swift on a double vacation date in Carmel-by-the-Sea, California with Cooper and girlfriend model Gigi Hadid.

When Cooper showed up at the QVC event to promote his food truck Danny and Coops Philly Cheesesteak, Donna told the mag she had a big hug for him, saying, “Travis told me you were going to be here.”

And while she didn’t comment on which tracks she thinks are about Travis, Swifties have speculated that at least a couple songs on the collection appear to reference the Kansas City Chiefs tight end, including “The Alchemy” and “So High School,” with Swift seemingly dipping into her gym bag of metaphors on the former. “These blokes warm the benches/ We’ve been on a winning streak/ He jokes that ‘It’s heroin, but this time with an E’/ ‘Cause the sign on your heart said it’s still reserved for me/ Honestly, who are we to fight the alchemy?” she sings.

The “So High School” hints require a stronger decoder ring, but Swifties are pretty sure that around the 40-second mark the lyrics “cheeks pink in the twinkling lights” feature a coded reference to his initials (“TK”) and hers, “TS” in “lights” in a light pink shade in the song’s lyric video.

Madison Beer Is a Killer Cheerleader in Sultry ‘Make You Mine’ Music Video

Madison Beer has gone full Jennifer Check.

The 25-year-old singer shared the official music video for her viral hit, “Make You Mine,” on Wednesday (April 24), and in the Jennifer’s Body inspired clip, Beer acts as a cheerleader who teams up with her best friend to lure and kill and unsuspecting male classmate. It’s hardly the first time Beer has paid tribute to Megan Fox’s beloved film character, as she’s dressed up as Jennifer for Halloween in the past.

“Make You Mine” is currently sitting at its peak position of No. 8 on the TikTok Billboard Top 50 chart after a clip from the dance-driven chorus went viral on the platform. The song follows the release of Beer’s sophomore album, The Silence Between Songs, which arrived in September 2023, and features lead single “Home to Another One,” as well as fan-favorite tracks “Sweet Relief,” “Spinnin” and “I Wonder.”

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“It’s just so fun, such a feel-good song. It’s sexy, it’s infectious. I haven’t played it for anyone that hasn’t just like [started] dancing and felt immediately hotter after listening to it, and that’s always how I want to make people feel,” Beer previously told Billboard of “Make You Mine,” before embarking on her world tour in support of Silence Between Songs.

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Watch Madison Beer’s “Make You Mine” music video below.



Kim Petras Cancels Summer Festival Performances Due to ‘Health Issues’

Kim Petras is taking a break to heal.

The 31-year-old superstar took to social media on Wednesday (April 24) to announce that she is canceling her scheduled festival performances this summer. “My buns, I’m devastated to be writing this but I’m going through some health issues and under medical advice I have had to make the hard decision to not perform at festivals this summer,” Petras wrote, without providing details on what health issues she is experiencing. “I love u so much and I’ll make it up to you and be back better than ever very soon.”

Petras was scheduled to perform at a number of festivals this summer, including Primavera Sound in Barcelona, Spain; Mighty Hoopla in London, England; Primavera Porto in Porto, Portugal; and Capitol Hill Block Party in Seattle, Wash. Last week, Petras was announced as the headliner for LadyLand 2024, the annual Pride festival produced by New York nightlife connoisseur Ladyfag.

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In September, Petras dropped her French-pop album Problématique via Repbulic / Amigo Records. Across 10 tracks, Petras delves into ecstatic pop sounds, ranging from funk (“Born Again”), to R&B-pop (“Deeper”) to bratty, materialistic pop jams (“All She Wants” featuring Paris Hilton). As she sings on the titular track, “I’m a little bit dramatic, little real, a little plastic/ I just keep on wreaking havoc.”

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The album was Petras’ second of 2023 — in June, she unveiled Feed the Beast, her long-awaited Republic debut. She continued her music release schedule into 2024, with Slut Pop Miami arriving in February.

Matty Healy Says He ‘Hasn’t Listened to That Much’ of Taylor Swift’s ‘The Tortured Poets Department’

Matty Healy is rumored to be one of the tortured poets on Taylor Swift‘s new album, but he doesn’t seem to be affected by it.

The 1975 frontman was approached by paparazzi in Los Angeles on Wednesday (April 24), where he was asked how he felt about his “Taylor diss track,” according to People. “My diss track? Oh! I haven’t really listened to that much of it, but I’m sure it’s good,” he replied.

A few songs on Swift’s The Tortured Poets Department are widely believed by fans to be about her past alleged romance with Healy, including the title track, “Guilty as Sin?,” and “I Can Fix Him (No Really I Can).”

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Following Swift’s split from ex-boyfriend Joe Alwyn in early 2023, there were sightings of Healy at the superstar dates on The Eras Tour in Nashville and Philadelphia, where he showed his support for the “Anti-Hero” star from the VIP tent and was seen joining opener Phoebe Bridgers on guitar. Outside of The Eras Tour, on May 16, Healy and Swift were spotted leaving Electric Lady Studios in New York City together, hours after he was reportedly spotted near her apartment. As the two exited the studio to get to a car waiting for them outside, Healy guided Swift past a gathering of fans with his hand at her lower back. Days before that, the singers were pictured dining, and possibly holding hands, at Casa Cipriani in New York City. Mutual friend and collaborator Jack Antonoff joined them for dinner.

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Both have since moved on, with Swift currently dating Kansas City Chiefs tight end Travis Kelce and Healy dating model Gabbriette Bechtel.

Tate McRae Covers Ariana Grande’s ‘We Can’t Be Friends’ at London Concert: Watch

Tate McRae slowed things down at her recent concert in London for a stripped-back cover of Ariana Grande‘s “We Can’t Be Friends (Wait for Your Love).”

In a clip from the Canadian singer/songwriter’s pair of sold-out shows at the Apollo Theatre on April 22-23, McRae wears a green tracksuit while sitting on a stool, accompanied by a simple electric guitar. “Know that you made me/ I don’t like how you paint me, yet I’m still here hanging,” she sings, her delicate voice bringing out a different side of Grande’s belted track. “Not what you made me/ It’s something like a daydream.”

Released as the second single from Grande’s latest album Eternal Sunshine, “We Can’t Be Friends” debuted at No. 1 on the Billboard Hot 100. The pop star released a music video for the song in March co-starring American Horror Story‘s Evan Peters, aptly inspired by the plot of the 2004 film Eternal Sunshine of the Spotless Mind.

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At her London shows this week, the “Greedy” singer also performed songs from her 2023 LP Think Later, which peaked at No. 4 on the Billboard 200. In the crowd of thousands during her tenure at the Apollo, McRae’s bestie and fellow pop star Olivia Rodrigo attended, along with the “Vampire” musician’s rumored boyfriend, actor Louis Partridge.

“2 sold out nights in london i luuurrreevveeeeee u guys,” McRae wrote on Instagram afterward, sharing photos from the performances. “with ALL MY HEART THANK U.”

The 20-year-old rising pop star will next take her Think Later Tour to Manchester, followed by Wolverhampton in the U.K. The European leg of her trek will continue through the first week of May, with stops in Germany, Sweden, Norway and more.

Earlier this month, schedules aligned so the “Exes” artist could attend one of The Kid Laroi’s concerts in Dublin. At one point, the “Stay” singer told the crowd as McRae blushed backstage, “I need everybody in here to sing this as loud as they can because my girlfriend’s here tonight, and I don’t want to look lame.”

Watch McRae cover “We Can’t Be Friends” below.

Taylor Swift’s ‘Tortured Poets’ Becomes First Album to Pass 1 Billion Spotify Streams in a Single Week

Taylor Swift‘s The Tortured Poets Department is now the only album in Spotify history to surpass one billion streams in a single week, the streaming service announced Wednesday (April 24) — and it only needed five days to do it.

The pop star’s 11th studio record arrived at midnight Friday (April 19), bringing with it 16 new songs, including lead single “Fortnight” featuring Post Malone. Exactly two hours later, Swift nearly doubled the length of the tracklist with the surprise release of 15 more titles as part of an Anthology extended edition of the album.

Since then, Tortured Poets has raked in more than a billion listens across its 31 tracks on Spotify, the fastest LP to ever do so.

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The milestone marks only the latest record Swift has set with the new album over the past few days, with Tortured Poets recently becoming Spotify’s most streamed album in a single day with more than 300 million streams accumulated in its first 24 hours of availability. Similarly, “Fortnight” set a new precedent for most single-day streams amongst individual songs on the platform.

Tortured Poets also earned more first-day streams than any other pop album in Apple Music history upon its release. Plus, with 800,000 vinyl copies sold in the LP’s first four days on the market, TTPD broke Swift’s own record for the largest sales week for an album on vinyl in the modern era, beating the 693,000 sold of 1989 (Taylor’s Version) in its first week.

“This period of the author’s life is now over, the chapter closed and boarded up,” Swift wrote of her latest project on Instagram upon its release. “There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.”

See Spotify’s announcement below.

The Black Dog Pub Reacts to Taylor Swift Shout-Out, Teases a ‘Certain Blond’ Customer Often Comes In

Joe Alwyn probably can’t go to The Black Dog pub in London anymore. That’s because Swifties have been flocking to the establishment ever since Taylor Swift referenced it in a song of the same name on her latest album, The Tortured Poets Department, leading a representative for the bar to hint in a new interview that the Conversations With Friends star has definitely stopped in before.

While speaking to Sky News earlier this week, The Black Dog’s social media manager Lily Bottomley confirmed that the bar has been packed with fans ever since the “Fortnight” singer’s new album dropped Friday (April 19).

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“I don’t want to give too much away,” she added when asked if the pub’s owners have scanned old security footage for signs of Swift’s ex-boyfriend. “We do have a certain blond regular who frequents.”

One of the rawest tracks on Tortured Poets, “The Black Dog” finds the pop star lamenting a recent heartbreak with the hook, “Old habits die screaming.” Fans speculate that Alwyn, whom Swift dated for about six years before news of their breakup emerged last year, inspired the lyrics.

“Your location, you forgot to turn it off,” she sings on the track. “And so I watch as you walk into some bar called The Black Dog/ And pierce new holes in my heart.”

“I just don’t understand how you don’t miss me,” she continues. “In The Black Dog, when someone plays ‘The Starting Line’ and you jump up/ But she’s too young to know this song.”

After ending things with Alwyn, Swift started dating Kansas City Chiefs tight end Travis Kelce last summer. The athlete is another rumored Tortured Poets muse, with fans suspecting that “The Alchemy” and “So High School” were both written about him.

Listen to “The Black Dog” below.



Lana Del Rey’s ‘Video Games’ Leads Top TV Songs Chart After ‘3 Body Problem’ Synch

Lana Del Rey’s “Video Games” ascends to No. 1 on Billboard’s Top TV Songs chart, powered by Tunefind, crowning the March 2024 survey after a synch in the new Netflix series 3 Body Problem.

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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of March 2024.

“Video Games” bows following the premiere of 3 Body Problem’s full first season on Netflix on March 21. The song is heard in the show’s sixth episode.

In March 2024, “Video Games” accumulated 8.2 million official on-demand U.S. streams and 1,000 downloads, according to Luminate. The song was Del Rey’s breakout track and her first appearance on the Billboard Hot 100, debuting and peaking at No. 91 in January 2012.

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“Video Games” leads a trio of songs from 3 Body Problem onto Top TV Songs, giving the new series an admirable coronation on the first chart for which it’s eligible. Echo & the Bunnymen’s “The Killing Moon” follows at No. 4 (1.5 million streams), and The Rolling Stones’ “Moonlight Mile” also makes the tally at No. 8 (310,000 streams). “The Killing Moon” is from the series premiere, while “Moonlight Mile” can be heard in episode two.

The top non-3 Body Problem song, meanwhile, belongs to Resident Alien, following its usage of Harry Chapin’s “Cat’s in the Cradle.” The track bows at No. 2 thanks to 4.2 million streams and 1,000 downloads.

Resident Alien, a Syfy series that premiered its third season in February, boasted “Cat’s in the Cradle” in the seventh episode of the season, which premiered March 27. It was a No. 1 hit for Chapin on the Hot 100 in 1974, his only ruler.

See the full chart, also featuring music from Young Royals, Invincible, Will Trent and The Gentlemen, below.

Rank, Song, Artist, Show (Network)

  1. “Video Games,” Lana Del Rey, 3 Body Problem (Netflix)
  2. “Cat’s in the Cradle,” Harry Chapin, Resident Alien (Syfy)
  3. “Arcade,” Duncan Laurence, Young Royals (Netflix)
  4. “The Killing Moon,” Echo & the Bunnymen, 3 Body Problem (Netflix)
  5. “Dream Team,” Aidan Knight, Invincible (Amazon Prime Video)
  6. “Breaking Point,” Leon Thomas, Will Trent (ABC)
  7. “Count Your Blessings,” Mattiel, The Gentlemen (Netflix)
  8. “Moonlight Mile,” The Rolling Stones, 3 Body Problem (Netflix)
  9. “Genesis,” Justice, The Gentlemen (Netflix)
  10. “Baby Drummer,” Bad Nerves, Invincible (Amazon Prime Video)

Billie Eilish Says She’s ‘Been In Love With Girls My Whole Life’

Billie Eilish had a major revelation last year while working on her new album, Hit Me Hard and Soft: she loves women. Like a lot. “I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina,” the 22-year-old singer tells Rolling Stone in a new cover story.

The profile delves into some of the songs on the album, including the second one, “Lunch,” described as a “sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likes sex with her to devouring a meal.” It was while recording that song that Eilish says she became acutely aware of who she really is, recording some of it before she’d ever been with a woman and the rest after her first same-sex experience.

“I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up,” she says of a 2023 Variety magazine interview in which she mentioned that she was attracted to women “for real.” The quote went viral around the globe and on a red carpet a month later Eilish was asked if she had intentionally come out in that story, telling the interviewer, “no, I didn’t,” but then thinking to herself, “‘wasn’t it obvious?’”

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She followed up with an Instagram post thanking the magazine for her Hitmakers award and also for “outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.” Eilish has typically kept her love life private and was only ever publicly linked with men, including The Neighbourhood’s Jesse Rutherford, who she broke up with in May 2023.

Now, Eilish says, she think the post was a bit of an overreaction. “Who f–king cares? The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it,” she says. “Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”

For such a global megastar, Eilish is refreshingly candid in the cover story about sex, saying it is what she likes to do to decompress. “I basically talk about sex any time I possibly can. That’s literally my favorite topic,” she says. “My experience as a woman has been that it’s seen in such a weird way. People are so uncomfortable talking about it, and weirded out when women are very comfortable in their sexuality and communicative in it. I think it’s such a frowned-upon thing to talk about, and I think that should change. You asked me what I do to decompress? That s–t can really, really save you sometimes, just saying. Can’t recommend it more, to be real.”

And then, Eilish goes on a deep-dive into another favorite, often taboo topic for women: masturbation. She says pleasing herself has boosted her confidence and is an “enormous, enormous part of my life, and a huge, huge help for me. People should be jerking it, man. I can’t stress it enough, as somebody with extreme body issues and dysmorphia that I’ve had my entire life.”

In case you had questions, Eilish also describes liking to masturbate in front of a mirror, partly because “it’s hot,” but also because it allows her to have a “raw, deep connection” to herself and her body. “And have a love for my body that I have not really ever had,” says Eilish, who notes that at this point she should basically have a “Ph.D.” in onanism. “I got to say, looking at yourself in the mirror and thinking ‘I look really good right now’ is so helpful. You can manufacture the situation you’re in to make sure you look good. You can make the light super dim, you can be in a specific outfit or in a specific position that’s more flattering. I have learned that looking at myself and watching myself feel pleasure has been an extreme help in loving myself and accepting myself, and feeling empowered and comfortable.”

Having lived in the hot spotlight for nearly her entire adolescence and young adulthood, Eilish says while others have been dissecting and contemplating her sex life for “years and years,” she is only now figuring it all out. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying,” she says.

Given the chance for a do-over, the singer says she would have ignored the question, even though she knows it could have been way worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”

The interview also touches on how her upcoming third album is a return to the darker sounds of her 2019 debut, When We Fall Asleep, Where Do We Go? Hit Me Hard and Soft is due out on May 17.

Billie Eilish Says ‘Hit Me Hard and Soft’ Is a Return to Her Debut Album: ‘I’ve Been Grieving Her’

Billie Eilish is coming home to herself. In her new Rolling Stone cover story published Wednesday (April 24), the 22-year-old pop star revealed that her third album, Hit Me Hard and Soft, is a return to the darker sounds and styles she introduced on her debut LP When We All Fall Asleep, Where Do We Go?

“I feel like this album is me,” she told the publication of her latest project, which arrives May 17. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”

“This whole process has felt like I’m coming back to the girl that I was,” she continued. “I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”

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Released in March 2019, Eilish’s debut album spent three weeks at No. 1 on the Billboard 200 and spawned her first No. 1 single on the Billboard Hot 100, “Bad Guy.” Later, the projects won her song, record and album of the year at the 2020 Grammys, where she also picked up best new artist.

Two years later, she followed it up with her sophomore effort, Happier Than Ever, about which she said, “I was with myself so much that I couldn’t see myself objectively anymore … And then I dyed my hair blonde and I immediately was like, ‘Oh, I have no idea who I am.’”

Now, she’s working to resurrect what she refers to as “2019 me.” Finneas, Eilish’s older brother and longtime collaborator, corroborates this. “I feel like this album has some real ghosts in it, and I say that with love,” he told the publication. “There’s ideas on this album that are five years old, and there’s a past to it, which I really like. When Billie talks about the era of When We All Fall Asleep, it was this theatricality and this darkness. What’s the thing that no one is as good at as Billie is? This album was an exploration of what we do best.”

The two-time Oscar winner first announced Hit Me Hard and Soft earlier this month, sharing its underwater cover art and release date on social media. Later, she unveiled the project’s 10-song tracklist, featuring titles such as “Skinny,” “Lunch,” “L’Amour De Ma Vie,” “Blue” and “Wildflower.”

She said from the beginning, however, that she wouldn’t be releasing any singles from the new record, something she touched on again in her new interview. “Every single time an artist I love puts out a single without the context of the album, I’m just already prone to hating on it,” she said. “I really don’t like when things are out of context. This album is like a family: I don’t want one little kid to be in the middle of the room alone.”