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Jung Kook is gearing up for the release of new music. On Sunday (June 2), the BTS star announced that he will be dropping a new single titled “Never Let Go.” The track is set for release at 1 p.m. KST on June 7 through Weverse and BTS’ official social media channels. ‘Never Let Go’ […]

Taylor Swift went from Madrid to the Kit Kat Club in London‘s West End to see her friend Cara Delevingne as Sally Bowles in Cabaret Friday night (May 31).
Rumblings circulated on Friday that the “So Long, London” star — who played back-to-back stadium shows in Spain on May 29-30 — made it to Delevingne’s West End stage debut before the run ends. Post-show, Swift’s attendance was confirmed by a member of Cabaret‘s production team.
Arthur Jones, head of marketing of ATG Productions, the theatrical production company behind Cabaret, verified that Swift was at the performance in reply to a question on X (formerly Twitter): “Taylor Swift?? Was supporting Cara Delevingne?? At Cabaret?? TONIGHT??!!”
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“can confirm. a special night @kitkatclubldn,” he wrote.
“Did she watch the show last night??” another person asked on X. Jones again indicated that Swift did see Cabaret, answering with a thumbs up
Delevingne, who has Only Murders in the Building and Suicide Squad among her acting credits, starred as Sally Bowles through June 1 in the musical’s revival staged at London’s Playhouse Theatre.
In late January, Delevingne was spotted by Swift’s side in a stadium suite watching Travis Kelce and the Kansas City Chiefs make their way to the Super Bowl. Around the time, she was also seen at dinner with Swift and Brittany Mahomes in New York City.
The two have known each other for more than a decade, dating back to Delevingne’s modeling days; Swift performed at the 2013 Victoria’s Secret Fashion Show while Delevingne walked the runway.
Swift next takes her Eras Tour to Lyon, France, with shows slated for Sunday, June 2, and Monday, June 3, before heading to Edinburgh, Liverpool, Cardiff and then back to London, and then on to Dublin, all before month’s end. The extensive European leg of The Tortured Poets Department hitmaker’s tour runs through late August.
BTS has announced plans for its 2024 FESTA celebration.
This year’s event, to be held June 13 at Seoul Sports Complex in South Korea, will mark the superstar K-pop group’s 11th anniversary.
The 2024 FESTA will feature an official appearance by BTS’ Jin following the completion of his military mandatory obligation. The singer-songwriter will be giving a hug (or handshake, if preferable) to 1,000 lucky fans at the complex’s Jamsil Arena, according to a news release. Jin will also deliver a message “consisting of a variety of segments promising an unforgettable experience for ARMY,” the release says. The artist’s message will be livestreaming to those with ARMY Membership through Weverse Live.
In addition to Jin’s appearance, this year’s FESTA will offer a variety of activities, including a sketch diary to commemorate BTS’ 11th anniversary.
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On Saturday (June 1), BTS unveiled the official timeline for the 2024 FESTA. Leading up to the main event, the boy band share a collection of unreleased photos, stream previous concerts, and post handwritten content from each of the seven members.
BTS’ Jin, RM, SUGA, J-Hope, Jimin, V and Jung Kook are currently serving in the South Korean military, which mandates an 18-month military enlistment for all able-bodied men by the time they turn 28. A few of the members have pursued various solo projects amid their service, and the full group is planning to reconvene for band activities in 2025.
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BTS made its first Billboard chart appearance in 2013, when “No More Dreams” debuted at No. 14 on World Digital Song Sales (before climbing to No. 2 seven years later). Since then, the group has broken numerous records, including the most Billboard Hot 100 No. 1 debuts among groups and the most top 10 debuts among groups. It’s been an exciting few years for the BTS boys individually as well, as all seven members of have now scored solo hits on the Hot 100.
Further information about the 2024 FESTA, which is open to the public, will be revealed at a later date. See the BTS’ announcement on X (formerly Twitter) below.
Ready to captivate our present-day world and across dimensions, Armeggedon marks an artistic evolution in aespa‘s musical journey by taking their narrative into an expansive multiverse to blur the boundaries between reality and virtual realms. While the K-pop girl group is known for blending their real and virtual personas, their first full-length album explores parallel […]
Pat Boone — the second most popular artist of the first five years of the rock era, according to rock historian Joel Whitburn — turns 90 on June 1. He’s been in the spotlight since his Billboard chart debut on April 2, 1955, but surprisingly, even after 69 years, there are at least a few things you probably don’t know about the singer famous for his white buck shoes and clean-cut image.
He Was Signed to Motown
Most of his songs on Billboard’s pop singles charts were released on Randy Wood’s Dot label, followed by one solitary title on the brief-lived Tetragrammaton imprint. Then Boone was signed to Berry Gordy’s legendary Motown label. The company had many different imprints, the best-known being Motown, Tamla and Gordy. In 1974, Motown launched Melodyland, a country label. The very first single, released in October of that year, was Boone’s “Candy Lips.” That was followed in Feb. 1975 by “Indiana Girl” and six months later with “I’d Do It With You,” a duet with Pat’s wife, Shirley. The B-side was Pat’s solo cover of Stevie Wonder’s “Yester-Me, Yester-You, Yesterday.” A fourth single, “Glory Train,” was issued in Feb. 1976.
By the time Motown issued Texas Woman, the first of two Boone albums for the company, the name of the Melodyland label had been changed to Hitsville, due to a lawsuit from the Melodyland Church, a Pentecostal institution in Anaheim, Calif.
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Motown didn’t just sign Pat; his wife Shirley and his four daughters also joined the roster. “Mike Curb proposed that my family and I join Motown,” Boone told Billboard in an unpublished 2019 interview. “I was excited because I knew Mike was great at marketing and Berry had a marketing machine. I was looking forward to doing more R&B, which is what I started out doing. Instead, Berry started this country label with Suzanne de Passe. Ray Ruff produced my first album, which is the reason I ended up on the cover of Rolling Stone. Jann Wenner took notice that I was back on the charts on Motown, so he sent John Anderson down to do the story, which was very complimentary.”
When Wenner was asked why Boone was on the cover of the Jan. 29, 1976 issue of Rolling Stone, the singer says Wenner replied, “We sent a writer to turn over the rocks to see what would crawl out and all I can say with Pat is what you see is what you get. He’s been the same for almost 40 years. Hardly anything else has stayed the same so we tip our hat to a guy who’s been consistent. You may not like his music but you have to credit him with having success after all this time.”
To thank Wenner for the tone of the story, Boone sent 40 cartons of milk to the office in San Francisco. “I packed them in ice so everybody could enjoy a drink. He sent me a nice note saying they all lifted a carton and said, ‘Here’s to a nice guy.’”
As for his Motown tenure, Boone says, “They didn’t spare any expense recording me, with arrangements by Don Costa. Suzanne took a personal interest in me but Berry was busy making movies with Diana Ross. Suzanne had her hands full with the Jackson 5 but I made stuff I was very proud of. Berry signed me to a three-year deal with a provision that the masters would revert to me, which is how I know I recorded over 100 songs for Motown.”
He Has Something In Common With Superman and Batman
“I was a cartoonist in high school,” Boone revealed. “Nobody knows that. I drew cartoons for our high school paper. I was good with a pencil and could draw. I signed my cartoons with ‘Poo’ with two little eyes in the O’s. It was a combination of Pat and Boone. I had thoughts of pursuing a career as a cartoonist.”
Although Boone didn’t become a cartoonist, he did become illustrated, appearing as a guest in Superman’s Girl Friend, Lois Lane #9, dated May 1959. On the Curt Swan-drawn cover, Boone is playing guitar and Lois is sitting at the piano as Superman is flying into the scene, saying, “Pat Boone and Lois Lane are singing a new song about me! It’s a great tune, but I must use all my super-powers to prevent it from becoming a hit!” The big reveal in “Superman’s Mystery Song” is that the last son of Krypton wrote the lyrics, and subconsciously started each line with letters that spell out, “Clark Kent is Superman.” Oops!
“I was flattered to be in the comic book, because I’d been a comic book guy. I wish I had kept all my comics. My favorite was Plastic Man. I don’t know how many people remember Plastic Man. He could make himself into anything. And there was another one called Snuffy Smith. His super ability was his nose. Hardly anybody gets to appear in a Superman comic. I guess there have been a few. I can’t think of any. I’d like to think I was the one exception. (Ed. Note: Among the real-life personalities who have guest-starred in DC Comics’ Superman books are President John F. Kennedy, Muhammad Ali, Candid Camera creator Allen Funt, Perry Como, Jerry Lewis, Orson Welles, Don Rickles and This Is Your Life host Ralph Edwards).
Four months after Lois Lane #9 was published, Boone joined the ranks of Superman, Batman, Flash and Green Lantern with his own self-titled comic book. Pat Boone #1 was issued in September 1959 and was followed by four more issues. The book featured a fictional version of the popular singer and short text pieces about the real Pat Boone.
Superman’s Lois Lane
Courtesy of DC
Elton John Was Afraid Boone Would Sue Him
In 2005, Boone met Sir Elton John at the Society of Singers’ annual Ella Awards (named for the first recipient, Ella Fitzgerald). Boone helped found and fund the organization, with a mission to provide health and welfare benefits to singers in acute financial need and establish scholarships for students seeking master’s degrees in voice.
“I was in line to take a picture with him and when it was my turn I introduced myself, ‘Sir Elton, Pat Boone.’ He was happy but looked sheepish. He said, ‘I was afraid you were going to sue me.’ I knew what he was talking about. ‘Yes,’ I replied. ‘Because of my recording of “Speedy Gonzales.” You copied the “la-la-la-la-la-la” for “Crocodile Rock.”’ I told him I took it as a compliment, and you can’t copyright ‘la-la-la.’ He told me when he only went by Reginald Dwight that he bought all of my records. He named six titles, including “Love Letters in the Sand” and “April Love.” He said, ‘When I heard “Speedy Gonzales” it really clicked with me and I wanted to use the “la-la-las” sometime and it fit in “Crocodile Rock.”‘”
You Don’t Need 23andMe to Know His DNA
When he was 19 years old in 1953, Pat Boone married Shirley Foley, the daughter of country star Red Foley. Pat and Shirley were married for 65 years, until her passing at age 84 in 2019. That means their four daughters have the DNA of two of the most successful singers of their eras, Pat Boone and Red Foley. On Sept. 1, 1979, Pat and Shirley’s daughter Debby (who topped the Billboard Hot 100 for 10 weeks in 1977 with “You Light Up My Life”) married Gabriel Ferrer, the son of actor José Ferrer and singer Rosemary Clooney. Their children have the DNA of Pat Boone, Red Foley and Rosemary Clooney. In a separate interview held a few days after Billboard spoke with her father, Debby addressed the role genetics plays in people’s lives.
“I often think talent is genetic. When I listen to my dad’s older records, I completely hear a tonal quality that I have. And with my grandfather, it isn’t so much a similarity in the tone, but there is a friendliness that either I learned because I was just exposed to it so much because my dad was a huge fan of Red and that influenced the way he started to sing and how he treated an audience from the stage. I was onstage with the family watching and learning from my dad and then I married a guy whose mother had that same gift.”
Considering what musical genetic material might be in their DNA, do any of Debby’s children sing? “It’s funny to watch what happens with kids and who they become. My youngest has that heatseeking missile attention that she was born with. So now she’s a successful actress, and she can sing. She is nervous. She doesn’t sing with confidence because there are so many singers that are around, but she can sing.
“You don’t have to have a perfect voice or an impressive range to touch people musically. You have to have a point of view and an ability to communicate something that makes people identify and I’m sure that she has that. It’s in her toolshed, and I’m sure she’ll use it. I saw her use it to my surprise in high school in plays and then an acting showcase. Suddenly she’s on the piano doing the theme from The Fabulous Baker Boys. So she continues to surprise me. My son has a great voice and does not have any desire to sing. He’s an art director for television and movies and he came out drawing. He loved to draw. That’s his passion, but when he plays around or does karaoke, I think, ‘If you had wanted it, you could’ve been Justin Timberlake.’”
Jump Shot: Boone Can Ball
Boone was 79 in 2013 when he joined the Virginia Creepers, a basketball team based in Arlington, Va., for senior men 75 and older. Creepers player James Martin was a personal friend of the singer and invited him to join the team at the National Senior Games in Cleveland that year. Team captain Del Martin told a local Arlington reporter, “Even though we didn’t bring home a medal, it was a successful trip and a once-in-a-lifetime experience to play with Pat Boone. Pat still draws the ladies and was so gracious to everyone. Plus, he’s not a bad player.”
In 1978, It Was the FTC vs. PB
Normally, the Federal Trade Commission is involved in heavy matters like anti-trust issues. But in 1978 the Commission went after the popular singer, claiming false advertising of Acne Statin, a lotion produced by a company called Cooga Mooga, Inc. Boone endorsed the product in commercials, saying it helped his four daughters with their skin problems. The FTC required Boone to pay 25 cents for each of the 13,000 bottles the company had to refund to customers.
Boone released a statement saying, “This whole experience with the Acne Statin matter has greatly improved my prayer life. I’ve had to turn the other cheek so often in the FTC situation that I’m getting punchy.”
The FTC displayed some humor about the situation. Spokesperson Susan B. Ticknor was laughing when she told The New York Times, “It’s a hell of a lot more interesting than mergers.” Maureen Reagan, daughter of President Ronald Reagan, supported Boone when she said that the lotion helped her with her skin problems during her father’s campaign for the highest office in the land. And after Boone reported that independent laboratory testing backed his claims about the product, the singer said he was going to make more commercials for Acne Statin.
Pat Boone is still active. He is the host of The Pat Boone Hour, airing on SiriusXM’s ’50s Gold (channel 72) Saturdays at 3 p.m. ET with encores on Sundays at noon ET, Tuesdays at 10 p.m. ET and Thursdays at 2 p.m. ET. The show is also available on the SiriusXM app for on demand listening. SiriusXM will celebrate Boone’s 90th birthday on June 1 with a town hall. “We’ll have a career-spanning conversation and in-studio audience members will have a chance to speak with Pat,” Lou Simon, vp/music programming for SiriusXM, tells Billboard. The Pat Boone Town Hall will premiere on ’50s Gold at 3 p.m. ET and will encore on June 2 at noon, June 4 at 10 p.m. and June 6 at 2 p.m., all times ET.
When Pat Boone turns 90 on June 1, it will be almost 70 years since he debuted on a Billboard chart. Back then, he was pushed as clean-cut counterprogramming to Elvis Presley — so successfully that he became bigger than the King, as measured by Billboard Hot 100 hits from the Aug. 4, 1958, debut of the chart through the end of the decade. From his first hits to his recent work with veteran artists, Pat has always been a boon to Billboard.
He’s So Square, We All Care
“Pat Boone, Dot’s new young find, comes off as a potential bobby sox grabber,” noted the May 21, 1955, Billboard when “Two Hearts” hit No. 16 on the Most Played in Juke Boxes chart. After “Two Hearts,” Boone didn’t miss a beat: His cover of Fats Domino’s “Ain’t That a Shame” (hailed as a “flavorsome number” in the June 18, 1955, issue) became his first No. 1. “He is unassuming, generous and should go far,” predicted a retailer in the Aug. 20, 1955, issue.
Pat, Pending
The July 9, 1955, Billboard described Boone as a “fledgling performer, a pleasant-looking lad who’ll do much better when he loosens up his platform manner.” The “Love Letters in the Sand” singer may have taken note. A review of his Los Angeles concert in the June 19, 1961, issue hailed his “easy and relaxed patter.” “Hope this one brings us another gold record,” Boone said of “Moody River” at the show; in that same issue, it became his first No. 1 of the Hot 100 era.
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Jesus Christ + Superstar
Boone’s religious convictions eventually supplanted his pop aspirations. “Pat Boone is creating a ‘Jesus Music’ center,” reported the June 3, 1972, Billboard, “for the myriad of small Jesus youth groups which record their own works but do not have the machinery for national distribution.” Two years later, Boone got soul. When Motown planned a country imprint, he was its first artist, according to the Oct. 26, 1974, issue, which said “not only Boone but Boone’s family will be represented.” Three years later, daughter Debby Boone went solo on Arista, and her “You Light Up My Life” topped the Hot 100 for 10 weeks.
Pat Sabbath
Boone “blasted back on the Billboard album chart after a record 34-year, 2-month absence,” reported the Feb. 15, 1997, issue, as his In a Metal Mood: No More Mr. Nice Guy hit the Billboard 200 at No. 125. Crediting his American Music Awards appearance with Alice Cooper as “one of the many publicity efforts” that fueled this success, Billboard said the album, released on Universal’s Hip-O, was “about as far out in left field as you can go without hitting the wall.”
Gold in Years
In 2019, Boone celebrated the 20th anniversary of The Gold Label, which he formed to help veteran hitmakers ignored by major labels. “We were out there still performing the songs that helped build those labels, and those labels were still selling those old records,” Boone said in the July 27, 2019, issue, but those acts found it harder to get new label deals. “It’s a real labor of love, just like everything else I do with music.”
This article appears in the June 1, 2024 issue of Billboard.
Jennifer Lopez has canceled her This Is Me … Live Tour just one month before the trek was slated to kick off in Orlando. Live Nation announced the news Friday (May 31), saying that, “Jennifer is taking time off to be with her children, family and close friends.” The North American escapade had been scheduled […]
Taylor Swift is screaming “long live” all the magic she made with her fans at her two Eras Tour shows in Madrid this week. One day after wrapping up her two-night stay at Estadio Santiago Bernabéu, the pop star gushed about the time she spent with her Spanish Swifties on Instagram Friday (May 31). “I […]
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As country music softly plays from a portable speaker near the pool of a private residence in Malibu, Calif., Jessie Murph is posing on the steps of an Airstream in her footwear of choice: Timberland boots with Western-inspired denim leg warmers. The style seems to riff on her favorite shoe, the snoot: part sneaker, part cowboy boot — and a perfect representation of the artist herself.
“Being from Alabama, country music was always around me,” recalls Murph, who grew up idolizing Adele, Amy Winehouse and Drake. “For a long time I resented that part of myself, so I tried to shy away from it. But then, just through accepting shit, it started to seep into my music more and more.”
That through line has since helped the 19-year-old artist carve a singular lane in a crowded field of young talent. Yet at a time when country music is enjoying a mainstream high, Murph is contemplating just how much she wants to lean in. “I’m trying to decide that for myself because I feel like everybody’s doing it now,” she says with a quick sigh. “So it almost makes me want to do something a little different because I feel like [country music] is beginning to be saturated.”
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Still, on her forthcoming debut album due out this year, Murph — who seamlessly skips among country, hip-hop and biting pop — plans to blend them all across the tracklist. She has already proved her chops in each lane, appearing on Diplo’s Diplo Presents Thomas Wesley: Chapter 2 — Swamp Savant alongside Polo G and, most recently, scoring her highest-charting Billboard Hot 100 entry with “Wild Ones” alongside country hit-maker Jelly Roll. “That is truly one of the best people I’ve ever met,” Murph says of Jelly. “I feel like I could go to him about anything.”
Kathryn Boyd Brolin
Being raised in a “musical household” in Athens, Ala. — with a population of nearly 30,000 — Murph started writing songs when she was 9 years old. By 11, she was posting covers on TikTok and YouTube, nailing everything from David Guetta and Sia’s “Titanium” to Billie Eilish’s “Ocean Eyes” to Post Malone’s more singer-songwriter-based hits like “Feeling Whitney” and “Stay.”
After Murph started gaining traction online, her mother, a former musician, helped her daughter navigate the offers rolling in through email. (At the time, Murph was being homeschooled during the pandemic.) She signed a management deal with Disruptor’s Adam Alpert and Julie Leff in 2020, followed by a major-label deal with Columbia in 2021. Her debut single, the brooding and edgy “Upgrade,” arrived with a music video in which Murph dressed in a simple black outfit with slicked-back hair.
“That feels like a lifetime ago,” she says today, noting how much she has honed her style — and, as a result, her sound — since then. “From where I grew up, the style was really preppy, so I used to dress like that in high school. But as I found myself through music, I found myself stylistically as well. I think that also just comes with growing up … Everybody finds their own style as they get older, but I also lend a lot of it to the snoot, honestly. The snoot has inspired so much for me.”
The proof is in her hits. Her 2023 debut mixtape, Drowning, included standouts “Always Been You” and “Pray,” both showcasing Murph’s storytelling while spotlighting her Southern drawl and emotive rasp. The rest of her year was defined by her collaborations, adding one with Maren Morris titled “Texas” to her lineup.
But as she believes, the best is yet to come. She says her forthcoming debut album is the most proud she has ever felt of her music. “It’s just so truly me,” she says. “There’s some stuff on there that’s definitely unexpected … I’m rapping, I’m belting, and some of it’s slightly country. Everything I’m saying on this album, I fucking mean. It’s coming straight from the heart.”
Her latest single, the eviscerating “Son of a Bitch,” is evidence enough. While a bit of Winehouse can be heard in Murph’s soulful vocals — though she sings with more grit — the song is distinctly hers. And while rooted in the familiar concept of revenge, much like Carrie Underwood’s “Before He Cheats,” Murph’s take is more ominous, as she sings, “This side of me, she ain’t Jessie.”
For an artist like Murph, that kind of authenticity — personally and sonically — is crucial. And while she admits she has had to “overly explain” her vision in some songwriting sessions, she believes her wide-ranging interests are “less of something I’m meticulously doing and more because of who I am.”
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She recently enlisted Shaboozey to open for her on tour and names Lil Baby as her dream collaborator. She’s predicting that “random” team-ups will become increasingly popular this year, expressing her excitement at a potential Lana Del Rey-Quavo release that has been teased online.
And while she has plans of headlining arenas one day (and eventually selling snoots), for now, Murph is enjoying fleeting moments of normalcy before her career kicks into overdrive. Having just performed at Hangout Music Festival, a hometown gig in Alabama’s Gulf Shores — she says the difference in crowd size from last year to now “makes me want to cry” — Murph is grounding herself with some family time. She rode bikes with her brother, laid out by the pool with her mom and later planned to watch the Winehouse biopic Back to Black.
For Murph, it’s more than a movie about one of her icons. It’s a reminder of what she herself has long been working toward. “I’ve always wanted to do this,” she says. “It’s just surreal.”
This story appears in the June 1, 2024 issue of Billboard.
Kathryn Boyd Brolin