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Welcome to a brand new year of pop star greatness! Our Greatest Pop Stars of the 21st Century and Greatest Pop Stars of 2024 lists are now over and done with, but the race for 2025 has just begun. Explore Explore See latest videos, charts and news See latest videos, charts and news On this […]
Nora Fatehi and Jason Derulo have kicked off 2025 with a single designed to combine cultures. On Thursday (Jan. 16), the Bollywood superstar and veteran hitmaker unveiled “Snake,” a thumping dance collaboration that joins East Asian melodies with American dance-pop production, creating a sensual duet with global aspirations.
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Fatehi tells Billboard that the track came courtesy of a discussion with producer Tommy Brown (Ariana Grande, Victoria Monét) about finding a sound that could unite audiences in different regions of the world. “My main word was ‘exotic,’ and I wanted to make sure that it was dance-oriented — that whoever heard the song would want to move,” she recalls. “And after finishing the song, we were thinking about which artist would really be a good collaborator, and Jason’s name came up. And I’ve been a fan, and someone who’s really appreciated his journey, for a very long time.”
“I’m always looking for music that speaks to me on a different level, and that’s a little left-of-center,” Derulo adds. “When I heard this for the first time, I was like, ‘Oh, s–t. What’s this? This sounds really different, and really cool.’”
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Fatehi signed a label deal with Warner Music Group in February 2024 after the Toronto native of Moroccan descent moved to India and became a Bollywood staple, with over a dozen film credits and 47 million Instagram followers. After performing in Hindi, Telugu, Tamil and Malayalam films, watching her Bollywood songs explode on YouTube and sharing English-language solo tracks as an independent artist, Fatehi says that the Warner deal last year helped kick-start plans for a global music career.
“I’m hoping for bigger tracks and bigger projects, and this [single] essentially introduces me to the international market in a very unique way,” Fatehi explains. “It allows people to know what I bring to the table as a performer, as a dancer, as a singer. … Bollywood made me the artist I am today, and I love to bring those elements into my artistry.”
Meanwhile, Derulo — who released Nu King, his first album in nine years, in 2024 — says that the opportunity to hop on “Snake” resulted in a greater knowledge of Bollywood, and made him appreciate Fatehi’s performance chops, particularly as a fellow dancer. “I dove into Nora’s world, and got a chance to watch her music videos and watch her in Bollywood [films] and see who she was as an artist, and was blown away,” he says. “I don’t think people are ‘performers’ anymore — it’s a really sad fact. But to find a performer like Nora? Good luck trying to find another performer who can sing and dance at that level.”
Those skills are on display in the “Snake” music video, which was filmed in Morocco over the course of two days and blends shape-shifting visual effects with a mix of bellydancing, hip-hop and Bollywood choreography. “I learned a lot from him on set,” Fatehi says of Derulo. “He’s been doing this for over 15 years, and still has the work ethic and seriousness on set to perfect every detail. I was very inspired.”
While Fatehi is planning for “Snake” to kick off a year with more English-language music as part of her Warner deal, Derulo is also prepping new music, this time with an old friend: J.R. Rotem, who helped deliver Derulo’s 2009 Hot 100 chart-topper “Whatcha Say” to the masses and helmed his 2010 self-titled debut album before they went their separate ways.
“It’s the first time I’ve worked with him in 15 years,” Derulo says. “We put aside our differences, and it’s been incredible to work with him again. We just did a week in Miami, and [worked on] some of the most amazing songs that I’ve done in a long time. I’m really excited about the new music, and the new album that’s coming in ’25.”
Justin Bieber and wife model Hailey Bieber have been judicious about the glimpses they’ve posted of their four-month-old baby Jack Blues. And the trend continued on Wednesday (Jan. 15) when Justin dumped a roll of pics from his recent family vacation in Aspen, CO.
The roll opened with an image of a dark shadow in the foreground and the snowy, tree-dotted mountains in the background. The second slide appeared to zoom in on a blurry pic of the couple’s first child dressed in a warm winter snowsuit with a hood, with little Jack’s face obscured.
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In other snaps, Justin and Hailey are seen chilling in a chalet while looking at their phones, Justin sitting outside in his snow gear, various pics of their dogs, a moon shot and a snap of the singer in just his boots, boxer shorts and a hat hopping out of an ice-caked river post-polar plunge.
In one of the sweetest imagwa, Bieber appears to be snuggling Jack, his eyes closed as he presses his lips to the back of the baby’s head. That one also doesn’t show Jack’s face, but it’s clear from the wispy hair that Justin is spending some quality time with the little one.
An earlier photo dump from the trip opened with the couple throwing up double middle fingers, with more images of Justin in the cold wilderness, rocking some Kurt Cobain-like oversized yellow shades and a furry hunting cap while sticking his tongue out and ghost riding his SUV.
In what appeared to be an update on his next music project, Bieber posted a video on his Instagram Story on Wednesday in which it he played what fans think is a new song. In a 24-second clip, a raspy-voiced Bieber can be heard lines that sound like, “You’re takin’ bait/ I’m shakin’ it/ You’re shakin’ it/ Shakin’ off the hate/ Okay, okay, okay,” over spare acoustic guitar in what sounds like a rough demo. In the clip Justin and Hailey appear to be holding hands in the car while listening to the snippet as he bobs his head.
At press time no other information was available on the song.
Bieber’s most recent album was 2021’s Justice and to date he has not announced an official release date for his next project. The singer launched a tour in support of that album in February 2022, though in June of that year he revealed that he’d been diagnosed with Ramsay Hunt syndrome, which caused “full paralysis” on one side of his face, leading to the postponement of some dates. He ended up cancelling the rest of the tour to focus on his health and has been mostly off the music radar since.
In October, Bieber made a surprise appearance on stage with Don Toliver at L.A.’s Crypto.com arena, jumping out during “Private Landing,” the pair’s 2023 track that also featured Future; he didn’t sing, but showed up to act as hype man. Earlier, he surprised fans with pics from what appeared to be studio sessions in which he was seen at the keyboard and microphone, presumably working on new music.
Just before that, Mk.gee told the New York Times that he’s been in the studio with Bieber, revealing, “He’s searching. Anything that comes out of his mouth: That’s pop music. You can really do pretty wild stuff behind that, just because it represents something.”
Lil Wayne won’t be playing the Super Bowl halftime show at this year’s game in his hometown, but Weezy will be one of the headliners (with the Roots) of the 2025 New Orleans Jazz & Heritage Festival. The iconic event that will host more than 5,000 acts on 14 stages from April 24-May 4 on the Fair Grounds Race Course announced this year’s lineup on Wednesday (Jan. 15), which will also feature headliners Pearl Jam, the Dave Matthews Band, Luke Combs, Lenny Kravitz and Kacey Musgraves.
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Other acts booked for this year’s predictably eclectic edition include: Santana, John Fogerty, Burna Boy, HAIM, Cage the Elephant, Laufey, Bryson Tiller, Harry Connick, Jr., Patti LaBelle, Trombone Shorty, My Morning Jacket, Gladys Knight, Joan Jett and the Blackhearts, Cheap Trick, Babyface, Diana Krall, Goose, The Revivalists, Big Freedia and many more.
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Louisiana residents have the chance to snag lower prices for weekend passes and single-day tickets now, with non-resident weekend passes and VIP packages already available already and single-day tickets slated to go on sale at a later date; fans need to set up an account with AXS.com to purchase tickets, with more information available here.
Among the other acts slated to take the stage this year are: Banda MS, Irma Thomas, Tank and the Bangas, Branford Marsalis, Kamasi Washington, The Wailers with Julian Marley, Ledisi Sings Nina, PJ Morton, Preservation Hall Jazz Band, Maze Honoring Frankie Beverly, James Bay, Margo Price, Rickie Lee Jones, Seun Kuti & Egypt 80, Morris Day and the Time and others.
Check out the full lineup below.
With his team’s first playoff game looming this weekend, Travis Kelce seems calm and confident, and his life off the field might have something to do with that. During an appearance on the Stephen A. Smith Show on Wednesday (Jan. 15), the Kansas City Chiefs tight end was asked how things are in his personal life, since, as the host put it, “you livin’ a little bit better than most.”
“I’m enjoying all aspects of life, that’s for damn sure, man,” Kelce, 35, laughed, giving Smith the answer he was subtly digging around for about the status of the baller’s high-profile relationship with Taylor Swift. “Me and Taylor are happy and I couldn’t be happier to have that confidence and that comfort off the field and all the support I could ever ask for stadium.”
Veteran sports talker Smith then made a confession: he’d never listened to Swift’s music before, but he went to one of the Eras Tour shows and said it was “the greatest concert” he’s ever been to in his life. “It’s off the chain,” Kelce confirmed of the record-setting outing that wrapped up on Dec. 8 in Vancouver.
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Smith said his daughters “hoodwinked” him into taking 10 of their friends to a show at $2,000 a ticket (a price Kelce diplomatically noted was the “re-sale” value of the tickets), with the host joking, “I ain’t got your money, Travis! I damn sure ain’t got her money! I said, ‘this better be worth it!’ And I gotta confess, it was so damn good I went back twice.”
He then got serious again, asking if all the hoopla and attention to the couple’s now year-and-a-half long romance has “added” to Kelce’s football talents, comparing it to a struggling prize fighter used to grinding who suddenly hits the “jackpot with everything that you’re doing.”
“I think personally, that’s the beauty of being in a very strong relationship is that you get that support to be able to come in and focus on your craft,” Kelce said. “Focus on being the best version of you. That’s why I wanted to be at the concerts supporting her, being there for her and making sure she feels comfortable and supported in everything she’s doing in life.”
Kelce said he’s as focused as he’s ever been on his job, mostly because he doesn’t have to worry about things off the field. But when Smith recalled that some commenters said Kelce did not seem to be in his best shape at the beginning of the season, not necessarily blaming Swift for being a distraction, but speculating that all the travel Travis was doing to support Swift on her tour was “taking away” from his training, the 10-time Pro Bowler had a very simple answer.
“You have to be true to yourself,” he said of the criticism. “People are saying things [and] you’ve got to be able to reflect and look at yourself and see, ‘Why are they saying these things?’ I was still playing at a high level knowing all that. We were winning football games, which is all I ever care about and, on top of that, this building knew how hard I worked and how much focus I have on football throughout the year.”
All that said, the three-time Super Bowl-winner is gearing up to get back on the field and focus on his day job. So when Smith asked if the team is feeling confident going into their first playoff game this weekend against the Texans on Saturday — after earning a bye last week due to their divisional top spot — Kelce sounded positive about their path to a potentially unprecedented Super Bowl three-peat.
“Setting ourselves up with the No. 1 seed, having everybody have to come through Arrowhead [Stadium]… I think this year it was such a different team, such a different feel,” Kelce said. “We were barely winning football game at the end of the game, so there is always that feeling of ‘we gotta be better, we gotta be better, we gotta be better.’ And right now we’re playing our best football, man, and I’m definitely feeling confident.”
The Chiefs play the Texans at 4:30 on Saturday.
Check out Kelce’s interview with Smith below.
Leighton Meester’s music career is experiencing a revival following the devastating loss of her Los Angeles home in the recent wildfires.
With encouragement from none other than Flavor Flav, fans have rallied behind the Gossip Girl actress and singer by revisiting her discography, sparking a wave of support across social media and music platforms. Flavor Flav took to TikTok on Jan. 14 to spotlight Meester’s 2009 single “Somebody to Love,” which features Robin Thicke.
In the video, the Public Enemy rapper danced to the pop track, urging fans to “Stream @LeightonMeester ‘Somebody to Love’ and use the song in yo TikTok’s.” He captioned the post, “Starting to hype up my girl Leighton Meester and help her family recover from the fire.”
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The call for support comes amid reports that Meester and her husband, actor Adam Brody, are among the many families displaced by the wildfires that began last week, forcing thousands to evacuate. The couple, who share two children, have not publicly commented on the loss of their Pacific Palisades home.
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Fans have since responded with overwhelming enthusiasm by revisiting Meester’s self-written debut album, Heartstrings, released in 2014. Meester wrote all nine tracks featured on the record by herself, and the album was produced by Jeff Trott.
The album has now climbed to No. 18 on the iTunes all-genre album chart, surpassing notable releases like Taylor Swift’s The Tortured Poets Department, Post Malone’s F-1 Trillion, and Sabrina Carpenter’s Short N Sweet. Her single “Your Love’s a Drug,” released in 2010, has also cracked the iTunes songs chart.
This resurgence mirrors the support seen for Heidi Montag, another wildfire victim whose decade-old album, Superficial, recently topped the iTunes charts thanks to a viral TikTok campaign.
Flav has also been instrumental in promoting Montag’s music, posting several TikTok videos with the caption, “Doing my part to get Heidi Montag to #1.” Montag and her husband, Spencer Pratt, lost their Pacific Palisades home in the fires and turned to social media to share their journey and encourage fans to stream Montag’s music as a way to help them rebuild.
Following the success of Superficial, Montag’s album surged to No. 1 on iTunes. To celebrate, Montag and Pratt joined Billboard’s Tetris Kelly during a TikTok livestream to discuss future plans, including new music.
“We just actually had one of the most famous writers and producers reach out to us, and I recorded it yesterday,” Montag revealed. “They asked us not to specify who they are […] We’re really excited, and there’s a lot of stuff in the works. We really want to focus on getting a portion back to the community too, so we’re trying to figure out how to incorporate charities into everything we’re doing.”
Meanwhile, Flavor Flav, a vocal advocate for using music as a means of recovery, also announced on Jan. 11 that he has donated to wildfire relief efforts through GoFundMe campaigns and nonprofit organizations.
He encouraged others to join his efforts, stating, “They need us right now.”
Meester’s music career includes standout moments such as her collaboration with Cobra Starship on the 2009 hit “Good Girls Go Bad,” her role in the 2010 film Country Strong, and the release of singles like “Somebody to Love” and “Your Love’s a Drug.”
Heidi Montag and Spencer Pratt are turning loss into creativity. The couple, who first found fame on the reality series The Hills, lost their home in the Pacific Palisades wildfire. Amid the tragedy, the pair turned to social media to share their journey and encourage fans to stream Montag’s previous music as a way to help them rebuild. […]
The wintry video for Wham!‘s beloved holiday hit “Last Christmas” has joined YouTube billion-views club. Fittingly, the feat for the song originally released in 1984 comes just after the track skated to the top of the U.K. charts for the second year in a row during the holiday season.
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Written and produced by late singer George Michael, the song first hit No. 1 on the U.K. singles chart in 2021, marking the fifth No. 1 for the duo that also included singer Andrew Ridgeley. Shot in Switzerland by director Andrew Morahan (“Wake Me Up Before You Go-Go”), the playful clip features the two singers enjoying a fun ski vacation with their girlfriends.
Though the pair and their significant others are all smiles as they pile into a cable car to enjoy some Christmas R&R in a picturesque chalet, trimming the tree, lobbing snowballs at each other and enjoying a festive meal, it becomes clear through furtive glances and a tell-tale glittery brooch that Ridgeley’s significant other has an unspecified romantic past with Michael.
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Pining for what appears to be a lost love, Michael sings, “Last Christmas, I gave you my heart/ But the very next day, you gave it away/ This year, to save me from tears/ I’ll give it to someone special.”
“Last Christmas” is the first Wham! video to join the YT billion club, joining Michael’s 1984 debut solo hit from that same year, “Careless Whisper.”
According to the U.K. Official Charts report, with its No. 1 slot in December, “Last Christmas” became the first song in the chart’s history to snag two consecutive Christmas No. 1 slots; in its release year, the song was blocked from the top spot by the all-star Band-Aid song “Do You Know It’s Christmas?,” which featured vocals from Michael. It finally hit the Christmas No. 1 in 2023, marking the longest trip to the top holiday spot at 39 years; it first hit No. 1 on the New Year’s Day charts for the week ending January 7, 2021.
Watch the “Last Christmas” video below.
Robbie Williams has long had a cordial relationship with the British royal family. But when it came to an invitation to perform at King Charles III’s coronation ceremony in 2023, the singer said he had to politely decline. Appearing on Andy Cohen’s Watch What Happens Live earlier this week, Williams said he was, as rumored, asked to celebrate the royal passing of the torch, but had a professional conflict.
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Williams told Cohen that there was definitely “a reason” he could not accept the gig. “I was working. I got something I couldn’t turn down because of money,” Williams said, without elaborating on what gig kept him from the royal honor.
Williams has shown his support for the royals before, acting as the opening act at the 2012 diamond jubilee concert at Buckingham Palace, which was organized by his former Take That bandmate, Gary Barlow. And while he didn’t make it to the coronation concert held for King Charles III and Queen Camilla on May 7, 2023, that glitzy event did feature sets from Katy Perry, Lionel Richie, Andrea Bocelli and the other members of Take That: Barlow, Howard Donald and Mark Owen, joined by DJ Robin Schulz and Calum Scott.
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Other acts who took the stage included Tiwa Savage, Paloma Faith, Steve Winwood, Olly Murs, Pete Tong and Nicole Scherzinger.
Though fans couldn’t see him then, they can catch the British superstar in his unusual new biopic, Better Man, in which a CGI monkey version of Williams takes viewers through a series of over-the-top musical numbers illustrating the singer’s wild days and nights as a boy bander and solo star.
Paramount paid $25 million to acquire the $110 million movie directed by The Greatest Showman‘s Michael Gracey, only to see it tank at the U.S. box office in its opening weekend, where it took in a modest $1 million on more than 1,200 screens. To date, the movie has reportedly earned just under $5 million in Williams’ native U.K., marking it as the first major box office bomb of the year.
Watch Williams discuss the coronation rebuff below.
In The Substance, Margaret Qualley’s character turns into an overnight superstar. So naturally, the film’s costume director Emmanuelle Youchnovski turned to some real-life idols for inspiration — including Beyoncé and Dua Lipa.
In an interview with Next Best Picture published Tuesday (Jan. 14), the creative opened up about studying the two pop stars while designing the wardrobe for Sue. In the Coralie Fargeat-directed horror flick, the character — played by the Poor Things star — replaces Demi Moore’s Elisabeth as the leading lady of a popular workout program after the Ghost actress’ character clones herself into Sue, whom she believes is a younger, hotter version of herself.
“I took [inspiration from] the video clip of Beyoncé’s ‘Blow,’ where she had the colors, you remember this one?” Youchnovski said, referencing the 32-time Grammy winner’s 2013 track. “And I also took a lot of inspiration from Dua Lipa, because she wears a lot of bodysuits.”
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“But the bodysuit, it’s metallic, it’s fuchsia, it’s neon,” the costumer continued, noting that the “Levitating” singer’s look also inspired her to add “more skin” to Sue’s gear via cut-outs.
While Youchnovski referenced modern pop stars for Qualley’s character, however, the designer said she deliberately sourced from the 1980s — think Jane Fonda — for Moore’s role. “The most difficult thing for us was to have the same show with different points of view: Elisabeth’s view and Sue’s view, the new one,” she added. “If we do ‘80s things for Elisabeth, it’s more easy for us to do a new one for Sue, like Dua Lipa, or Beyoncé, or whatever.”
After first premiering at Cannes — where it won best screenplay — The Substance arrived in theaters in September, going on to clear $70 million at the global box office. Both Qualley and Moore have received critical acclaim for their performances in the project, with the latter recently taking home best actress in a musical or comedy at the 2025 Golden Globes.
But while Bey and Dua may have inspired Sue’s appearance, Qualley previously revealed that it was another pop star who got her into the headspace to play the character. “We all just had the Brat summer with Charli XCX, and I was listening to Charli as my Sue inspo,” the Drive Away Dolls star told Brut America in October. “She has a lot of good, like, pump-it-up girl songs. I got that Sue energy from Charli’s old music, so that’s where my head was.”