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Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, J. Cole fires back, Vampire Weekend get heavenly and Doja Cat returns with more fire. Check out all of this week’s picks below:

J. Cole, Might Delete Later 

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Much like it was with Future and Metro Boomin’s We Don’t Trust You two weeks earlier, the immediate emphasis on J. Cole’s new surprise project Might Delete Later will be on a short burst of disses: on the final song, “7 Minute Drill,” Cole claps back at Kendrick Lamar’s “Like That” venom by taking shots at K. Dot’s reputation and discography. However, “7 Minute Drill” is just the coda of an unexpected return that will leave longtime Cole fans excited and satisfied, complete with inspired guest spot selections — the slow-rolling opener “Pricey,” for instance, features Gucci Mane, Ari Lennox and a hook from the always-great Young Dro.

Vampire Weekend, Only God Was Above Us 

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Vampire Weekend has long transcended the late-‘00s indie-rock explosion and moved on to arena headliner status in the decade that followed, but fifth album Only God Was Above Us nods to the subtler pleasures of their self-titled debut, as well as the muted colors of 2013’s Modern Vampires of the City. Songs like “Classical,” “The Surfer” and “Connect” capture a band reflecting on what makes them great while also aging with grace — Only God Was Above Us could be called a course correction from 2019’s more expansive Father of the Bride, but the lessons from that album have also been folded in here as Vampire Weekend keeps moving forward.

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Doja Cat, Scarlet 2 CLAUDE 

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With the Scarlet era another monster success for Doja Cat, thanks in part to smash hits like “Paint the Town Red” and “Agora Hills,” the Scarlet 2 CLAUDE deluxe edition could have been a chest-thumping victory lap — but instead, Doja brings seven more songs of heat, further twisting her futuristic pop approach and offering up more radio fodder than leftovers. The strongest new track is “MASC,” a spacious breakup lamentation that fully unleashes Teezo Touchdown, although “URRRGE!!!!!!!!!” with A$AP Rocky is the type of delightfully unhinged rap track that Doja fully embraced on the original Scarlet.

Bryson Tiller, Bryson Tiller 

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The recent success of “Whatever She Wants,” which became Bryson Tiller’s first solo top 20 hit on the Hot 100 since his breakthrough single “Don’t,” has acted as an exclamation point on a consistently excellent studio run, as Tiller has remained at the top of the R&B songwriting game while occasionally crossing over to hip-hop and pop platforms. His new self-titled album is brimming with heartily crooned sexual innuendos, a cocktail of ecstasy and regret that Tiller fans will have on repeat — although recent best new artist winner Victoria Monét nearly steals the show with some raucous wordplay on “Persuasion.”

Young Miko, att. 

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While artists like Bizarrap and Feid have offered co-signs to Young Miko — and helped the Puerto Rican trap artist score some of her biggest hits to date — new album att. represents the moment that the rising star stands on her own two feet and showcases just how far-reaching her vision of modern Latin music can become. Although Miko often moves quickly over sizzling beats, she can operate efficiently on dance tracks, sing impressively in more heartfelt moments and cede the floor graciously whenever a guest star does pop by; in other words, she has no glaring weaknesses on att., and album opener “Rookie of the Year” is aptly titled.

Editor’s Pick: Kehlani, “After Hours” 

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Summer is quickly approaching, and we are already thinking about which singles will define the hottest season… and just like that, Kehlani returns with her first solo release since 2022’s Blue Water Road, and immediately throws her hat in the ring. “After Hours” effervesces in its dance floor beguile, as Kehlani lifts Cordel “Scatta” Burrell’s “Coolie Dance Rhythm” and re-imagines the classic as a siren cry: “Why don’t you stay here after hours?” she beckons, the power of her voice and the swirl of the production making it difficult to detach from the single until its breathless conclusion.

Britney Spears was in a reflective mood on Thursday (April 4) when she posted a throwback video featuring her ex-husband Sam Asghari. In the clip, the former couple work through some sexy choreography, with Spears — wearing tiny white shorts and a bra top — getting spun in circles and hopping onto the waist of […]

Doja Cat‘s Scarlet era continues. The 28-year-old superstar unveiled the deluxe edition of her fourth studio album on Friday (April 5), dubbing the expanded version Scarlet II: Claude Frollo, named after the villainous character from The Hunchback of Notre Dame. The new album features seven new tracks, including “Masc,” “Acknowledge Me,” “Head High,” “Gang,” “Rider,” […]

LE SSERAFIM’s next project is a slam dunk.
The South Korean pop-group forges a multi-year collaboration with the National Basketball Association (NBA) to headline the league’s celebrity and influencer program in Asia.

Through the new “Friends of the NBA” alliance, the five-piece pop outfit will attend NBA games and events, play their part in promotional activities for the Association, and participate in various exclusive content that will appear on NBA and LE SSERAFIM’s social media channels — the first of which can be seen below.

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The girl group is on a hot streak. Earlier this year, the singers became a Billboard Hot 100-charting act for the first time with the single “Easy.” The EP of the same name debuted at No. 8 on the Billboard 200, in an historic week during which TWICE’s With YOU-th EP bowed at No. 1 on the chart, marking the first time that the top 10 had featured two all-women K-pop groups.

Easy also started at No. 2 on both the World Albums and Top Album Sales charts, while the title track surged to No. 6 on the Billboard Global Excl. U.S. chart, marking the group’s second, and top charting, top 10.

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LE SSERAFIM, which is signed to Source Music/Geffen Records/IGA, notched its first Billboard chart entry on May 14, 2022, when “Fearless” debuted on Global Excl. U.S. and the Billboard Global 200 charts (at Nos. 74 and 155, respectively). 

The NBA with its wealth of talent is increasingly calling upon the profile of K-pop stars to spread the word. Last year, BTS’s Suga was named as an NBA Ambassador, with duties for engaging the Association’s “fans around the world”.

The NBA has never been more popular with sports fans abroad, and the game itself had never been more “international.” When the 2023-24 season tipped off, franchise rosters included a record 125 international players from 40 countries, led by Canada (26) and France (14). When the last regular season came to an end, international players led the league in points per game and rebounds, and non-U.S.-born players have won the Most Valuable Player (MVP) award for each of the past five seasons.

Two decades in any industry is worth celebrating, but Dynamicduo has not only persisted through the early, nascent days of Korea’s hip-hop scene but has also hit new creative and mainstream peaks ahead of reaching the 20-year milestone.

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Since childhood friends Choiza and Gaeko officially paired up in 2004 with debut album Taxi Driver, the pair have trailblazed their legacy after setting records for hip-hop sales in Korea, taking top honors at mainstream awards shows in music and videos, establishing their Amoeba Culture label, and collaborating with a range of stars through the decades like DJ Premier, J.Y. Park, Tiger JK, BoA, Rain, Wonder Girls and members of K-pop groups like BTS, EXO and Monsta X.

Dyanmicduo’s three-part album, 2 Kids on the Block, officially wrapped its 10-month rollout with the release of Part.3 on March 28, with the new tracks documenting two decades of inner dialogues and growth to ultimately decide to set their sights even higher by the LP’s conclusion. Parallel to the record’s past-meets-present concept, Dynamicduo experienced balancing an old and new track, both taking over on social media for a minute in 2023. Their 2014 single “AEAO” featuring DJ Premier” went unexpectedly viral on TikTok (landing itself as one of TikTok’s Top 10 Song of Summer from South Korea), while their collaboration cut “Smoke” with rising rapper Lee Young Ji for a popular TV dance competition also took off via dance challenges, earning the guys their first-ever entry on the Billboard Global 200 chart. Helping fuel DD’s 2023 hits were infectious dance and lip-sync covers from K-pop heavyweights like V and Jung Kook of BTS, Minho, EXO, SEVENTEEN, TOMORROW X TOGETHER, ITZY, ATEEZ and IVE, as well as stars across the J-pop and Korean hip-hop scenes.

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A day after the release of 2 Kids on the Block — Dynamicduo’s milestone 10th album together — was the unveiling of J-Hope from BTS’ latest solo project, Hope on the Street Vol. 1, featuring Gaeko on the lead single “NEURON.” Alongside this J-Hope collaboration, the slew of rising and established names in Korean pop, R&B, rap and even acting on 2 Kids all point to Dynamicduo’s continued influence and expert ability to navigate different musical realms for decades.

Speaking exclusively with Billboard, Dynamicduo reflect on their journey thus far, share their ambitious vision for the next decade, discuss differences between their BTS collaborations and more.

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Congratulations on the release of 2 Kids on the Block – Part.3. How does it feel now that the series is complete? With five full tracks, Part.3 is the longest chapter in the 2 Kids on the Block series. Was there a reason for breaking out the parts like you did?

Gaeko: We feel so happy to be able to release the album on our 20th anniversary. The timing was perfect.

Choiza: Our CEO, who had been with us since the establishment of our company, suddenly passed away as her condition worsened, and while she was here, she really liked the songs that we were working on from the tenth album. So we wanted to gift the release to her while she was still here with us. And the current state of the music market makes it impossible for people to listen to all the songs in an album. Even if we released all the songs at once, only one to two songs would have stood out, so we thought dividing it into parts would have people listen through all the songs. Lastly, this album expresses stories and the history of Dynamicduo, so we released it in several parts to sequentially tell different stages of our lives from past to present.

You also released a remix package for “AEAO” with DJ Premier and “Smoke” for Street Woman Fighter 2, both viral hits, in between parts. Was there a balance you had to find with these singles and returning to the album?

Gaeko: Apart from the hits of the two singles, we tried to refocus on maintaining the album’s concept and improving its level of completion. We took a short break, about two weeks, at the beginning of the year to refresh our minds and then got back to the grind.

Choiza: Actually, 2 Kids On The Block – Part.3 was originally going to be released as three songs last year, but “Smoke” became such a huge hit, so we couldn’t complete the album at that time. But, thanks to that, we were able to prepare five songs instead of three with the extra time we were given, and we are satisfied with how it turned out. The additional two songs that we added fit right in with the concept of the album.

Your new single, “PITAPA” featuring pH-1 and Junny, is really impressive. What inspired the theme of “pizza, tacos and pasta” and what do you hope listeners will take away?

Choiza: “PITAPA” is a song that resembles the aspiration of wanting our music to be appealing to people all over the world and to be known in such a way as pizza, taco, and pasta are as global foods familiar to everyone around the world. pH-1 and JUNNY are well-received in both Korea and overseas, so having them on the track added extra flavor and we think overseas listeners who like Korean hip-hop will have fun listening to it.

Gaeko: We felt that the words “pizza, taco, pasta” connected well and the line just stuck to our mouth. We felt the groove and loved the sound of it, so we were able to make the hook right away. “PITAPA” was the last song we worked on on the album, and it was completed quickly with the inspiration we got from our U.S. performance that we had just gotten back from.

Personally, I hear some DJ Premier influence on the production of “PITAPA.” Did his work inspire you or parts of this album after the resurgence of “AEAO”?

Choiza: “AEAO” is a song that gave us the courage to pursue overseas activities. We worked with an amazing artist, DJ Premier, and when the song resurged on TikTok, it helped bring in a wider audience, giving them exposure to who we are and our songs. The resurgence encouraged us to think that we have the potential to do something overseas and that the idea of rapping and singing in Korean would still appeal to the foreign market. “AEAO” gave us tremendous inspiration.

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BewhY gives props to Dynamicduo as inspiration for his career on the album track “Love Myself.” This LP has many rising rap and R&B stars. Do you have humbling moments like this where you realize your influence?

Choiza: We are very grateful that young artists are inspired by us and how long we’ve been doing this. We think one of the reasons we’ve been able to make music for so long is that we get a lot of help and learn a lot from working with new artists. We want to continue working hard and creating good music together.

Actor Jung Man Sik does the intro on “Dramatic,” which was very clever. How did he end up on the album?

Gaeko: When we got Man Sik’s part added to the song, it felt like we found the missing piece to the puzzle. We contacted him last minute, like two days before our scheduled mix session. We had nobody else in mind other than Man Sik and, luckily, it was his day off that day, and he understood exactly what we wanted and acted so quickly on it. He completed our puzzle and we want to thank him again.

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Gaeko, you collaborated with J-Hope of BTS on “NEURON” from Hope on the Street Vol. 1 album. Since J-Hope is enlisted and cannot share much about the song, can you tell us about how the track came together?

Gaeko: J-Hope came to my studio last year and we not only talked about music, but also talked about many different things in life — it was such a fun time and I felt his deep passion for music and dance. I think his energy transferred over to me because I was able to write the lyrics quickly. We recorded our verses separately, and I went over to HYBE and we recorded the hook together. It was a fun project.

All three verses on “NEURON” express a strong sense of positivity and gratitude. Can you share how you approached your verse? Did you hear J-Hope and Yoon Mirae’s verses, or was it all a surprise when the album came out?

Gaeko: It wasn’t until after 20 years of making music that I began to understand that good things come out only when you relax and empty yourself. I wanted to capture those emotions in the verse, and I also tried to make the overall structure of the verse simple and plain. J-Hope’s verse was already completed before I did my part, and I listened to Tasha (yoonmirae)’s verse after it was mixed. Their parts were so good so I had second thoughts on recording my part again, but I decided not to. If I did it again, I wouldn’t have been able to capture the same emotions from the initial recording, so I left it as is.

RM featured on Gaeko’s single, “Gajah” from 2017. How do the collaboration experiences and recording processes differ between RM and J-Hope?

Gaeko: I felt that the musical direction they were both pursuing was similar yet different. I felt that RM had a deep affection, understanding, and love not only for hip-hop but also for music itself. And J-Hope had a massive passion for hip-hop and dance and wanted to pour all his energy into them before enlisting into the army. I also received a lot of energy from those two.

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As Dynamicduo celebrates its 20th anniversary in 2024, how do you look back on the 20 yeras? Do you have anything special planned to celebrate this year?

Gaeko: Looking back now, we think that we were meant to do music. There were times when we experienced challenges, joy, and frustration, but the fact that the two of us were together in all those moments is probably the biggest accomplishment of our career.

Choiza: [The] 20th anniversary isn’t any special to us because we want to work just as hard as we’ve been and treat it like all our previous years. However, we will be holding a concert at the end of the year for our 20th anniversary and we want to make it big — we will be working hard and preparing a show for all to enjoy.

Collaboration has been a significant aspect of your career and we see it in 2 Kids. Whether it’s with fellow artists or producers, how do you approach collaborations to make them successful? Is there anyone still on your bucket list?

Choiza: We enjoy working together, but there are also a lot of new things that we discover when working with other artists. It’s fun to work with famous artists, but we also want to collaborate with rising, up-and-coming artists because we have a lot to learn from each other as well.

We think it would also be fun to mix various languages into one song. We are currently working with Thai rapper F.HERO, and we hope to work with artists from the U.S., Japan, Southeast Asia, and other parts of the world.

While K-pop impacts globally, Korean hip-hop and R&B are also rising. Do you have any thoughts—or hopes—of what it will take for these genres and artists to be more noticed internationally looking forward?

Gaeko: It’s important to make an effort to create the best work in whichever area we work in and to respect each other. We try not to set any high expectations for the results and just do our best in our field.

Choiza: Our goal is to be good at making music and to do it for a long time, so we’ll do our best to keep this going. We ask for your continued interest, and I believe that our overseas listeners will find songs that suit their tastes when they listen to all our songs that have been released so far. Please check out our 10th album as well as all our previous ones. We feel so grateful and honored to take part in this interview. Thank you for having us!

Fans are luv-ing Playboi Carti’s gas station scene in collaborator Camila Cabello’s “I Luv It” music video, but it almost didn’t happen. Cabello sat down for an interview with Power 106 Los Angeles’ Brown Bag Mornings crew, where she revealed that “something happened with [Carti’s] plane,” which nearly caused him to miss the Nicolas Mendez-directed […]

Halsey and Avan Jogia made their red carpet debut Tuesday night, turning heads in matching outfits at the premiere of Dev Patel’s Monkey Man. The “Closer” singer looked stunning in a creamy champagne-hued cocktail dress, her black hair slicked back and tattoos on display. The Victorious alum sported a button-up that was the same shade […]

Your eyes are not deceiving you: Dua Lipa really is dropping her next single soon, although it is titled “Illusion.”
The pop star shared the news in a post via X on Thursday (April 4), sharing a photo of the project’s artwork — which features her looking luminous in a white bikini top and shawl — as well as a teaser video. In the clip, she wears the same outfit as she dances along to a snippet of the pulsing, dance-floor-ready track.

“I could do this dance all night,” she sings in the sneak peek. “Ooh, what you doing? Don’t know who you think that you’re confusing.”

“ILLUSION 11TH APRIL ~ YOU READY?,” Dua captioned the post with three water-droplet emojis.

When it drops, “Illusion” will become the third single the British artist has dropped ahead of her upcoming third studio album Radical Optimism, following “Houdini” and “Training Season.” The former debuted at No. 11 on the Billboard Hot 100, while the latter entered the chart at No. 27.

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Dua first announced Radical Optimism in March, simultaneously sharing its cover and tracklist. “Illusion” is the seventh title on the May 3-slated record, in between “French Exit” and “Falling Forever.”

One day prior to her latest news, Dua posted a reel of behind-the-scenes footage from her time working on the album, including bits and pieces of the upcoming music. “It’s the beauty of the chaos and trying to stay calm through it,” she said in a voice-over in the video. “Listening over and over and feeling like, ‘How do I want to tell this story?’”

“I always go for the most upbeat ones to introduce people to the record,” she added. “I can just keep on dancing and keep people dancing. “We’re trying to create a world in a different way, and sonically it was about experimenting. Thematically, it was always about resilience.”

Check out a snippet of “Illusion” here.

The dog days are not that far away, and we already have some summer-song competitors. Here are the singles and artists we think you need to watch.

Maggie Rogers got “Greedy” this week with her flawless cover of Tate McRae‘s hit single, which she performed at the BBC Radio 1 Live Lounge. Rogers put her characteristically folksy spin on the pop hit, stripping down the verse before belting the powerful chorus: “I would want myself/ Baby, please believe me/ I’ll put you […]