Pop
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If you like it, then you should’ve put a ring on it — but a billion views isn’t a bad compromise. Fresh off of being named Billboard‘s No. 1 greatest pop star of the 21st century, Beyoncé‘s iconic music video for “Single Ladies (Put a Ring on It)” has surpassed one billion views on YouTube […]
When you’ve been on the kind of career rip that Beyoncé‘s had for the past two decades, you get used to winning. That was the message from the singer’s mother, Tina Knowles, when TMZ caught up with her on Tuesday (Dec. 3), just hours after Billboard revealed that Bey was named the No. 1 Greatest Pop Star of the 21st Century.
Asked to respond to the honor, Knowles said, “that’s nice… very nice.” As for the follow-up question about whether the family ever gets used to the accolades heaped on their their daughter, Knowles offered up a succinct, “yeah.”
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The expectation of excellence was mirrored by Bey’s father Matthew Knowles as well, who boasted about the singer’s accomplishments in a loving post on X on Tuesday. “Beyoncé was shy growing up. But, as soon as she started singing, it was like a different person emerged and we knew from a very young age that she was destined to pursue her passion in music,” he wrote. “She turned everyone around her into a believer with her determination, work ethic, stage presence and talent.”
He also addressed his daughter directly, saying, “Beyoncé, I am so proud of you. This is another one of your many major distinctions, yet I sit here not surprised because I knew you were meant for greatness from the moment I held you in my arms for the first time!”
“While Taylor Swift is the century’s biggest pop star by the numbers — from album sales to streams to touring dominance — our editorial staff chose Beyoncé as our Greatest Pop Star of the Century, based on her full 25 years of influence, evolution and impact,” reads the intro to the essay about the Beyoncé.
The No. 1 slot placed Queen Bey over Swift (No. 2), as well as the rest of the top 10, which included Rihanna, Adele, Ariana Grande, Justin Bieber, Kanye West, Britney Spears, Lady Gaga and Drake.
Our favorite albums from a big year for pop blockbusters.
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Katie Atkinson, Katie Bain, Anna Chan, Hannah Dailey, Stephen Daw, Kyle Denis, Angel Diaz, Frank DiGiacomo, Ingrid Fajardo, Josh Glicksman, Griselda Flores, Quincy Green, Paul Grein, Rylee Johnston, Elias Leight, Jason Lipshutz, Joe Lynch, Meghan Mahar, Heran Mamo, Gail Mitchell, Taylor Mims, Melinda Newman, Jessica Nicholson, Eric Renner Brown, Kristin Robinson, Jessica Roiz, Dan Rys, Michael Saponara, Damien Scott, Andrew Unterberger
Sympathy is a knife, but Charli XCX and Ariana Grande are watching each other’s backs.
In a new interview with Variety published Wednesday (Dec. 4), the 32-year-old alt-pop star opened up about her bond with the 31-year-old Wicked singer-actress — whom Charli says gave her a lot of support on multiple career fronts as they were working on their October remix of fan-favorite Brat track “Sympathy Is a Knife.” “She had a lot to say,” the “Von Dutch” artist began of her collaborator.
Noting that Grande “gravitated” toward “Sympathy Is a Knife,” Charli added, “We went back and forth on the lyrics, talking about all the knives that we both felt in this industry.”
The “Yes, And?” artist also apparently encouraged Charli’s acting ambitions, which, in the near future, will include parts in Benito Skinner’s Overcompensating series, Gregg Araki’s I Want Your Sex film, Daniel Goldhaber’s Faces of Death remake and Julia Jackman’s 100 Nights of Hero graphic-novel adaptation. Grande, who hosted Saturday Night Live in September, also showed the “Apple” artist the ropes before the latter helmed a November episode of the comedy series.
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“She’d obviously just done [‘SNL’] and killed it, so I was getting tips,” Charli told the publication. “She was just like, ‘You’re gonna be amazing, just relax, it’s so fun.’”
Grande’s spin on “Sympathy Is a Knife” was just one of numerous remixes on Brat and It’s Completely Different But Also Still Brat, a companion LP to Charli’s blockbuster sixth studio album. On the track, both women delve into their least favorite aspects of fame and the music industry, singing, “It’s a knife when you’re finally on top/ ‘Cause logically the next step is they wanna see you fall to the bottom.”
Billie Eilish, Lorde, Troye Sivan, Addison Rae, Tinashe, The 1975 and more were also featured on the Brat remix album, which dropped Oct. 11. The project served to build on the career-boosting whirlwind started by the original record, which debuted at No. 3 on the Billboard 200 in June — Charli’s first-ever top five album.
“Crash was me kind of playing at being a major-label pop artist,” the star told Variety, reflecting on her unexpected success with Brat. “It’s funny now to see how Brat has dwarfed it, because I was so prepared for this record to be just for my audience.”
Taylor Swift will have much to celebrate this New Year’s Day, with the musician taking home two major year-end accolades on Spotify to close out 2024.
And in response to the news that she is both Spotify’s most streamed artist of 2024 and the creator of the app’s most streamed album of the year — both things the platform announced Wednesday (Dec. 4) as part of its annual Wrapped — the 34-year-old pop star gushed about the feats in a heartfelt thank-you message to fans on Instagram Stories.
“Top Streamed Artist and Album on @spotify this year?!” Swift wrote incredulously. “You guys are unbelievable.”
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The end-of-year victories come just a couple days before the 14-time Grammy winner takes the stage for one last trio of Eras Tour shows Dec. 6-8 in Vancouver, B.C. Coincidentally, Sabrina Carpenter — a former opener on the nearly two-year trek — had the top-streamed song on Spotify in 2024, with smash hit “Espresso” racking up more than 1.6 billion global listens.
“What an amazing thing to find out going into our last weekend of eras shows,” she added in her post. “THANK YOU!”
According to Spotify, more than 26.6 billion global streams pushed Swift to the top of their artist list this year, with The Weeknd, Bad Bunny, Drake and Billie Eilish respectively finishing out 2024 as the site’s second, third, fourth and fifth most streamed artists. This turn around the sun marks the second year in a row that the “Karma” artist has been the service’s top artist, having taken the crown in 2023 as well.
In addition to her post on Stories, Swift also personally thanked fans with a video message sent out to her top listeners on Spotify. “I just wanted to say thank you so much for being one of my top listeners on Spotify, that’s so nice of you,” she said, addressing in the camera while outfitted in one of her Eras Tour leotards. “Thank you for streaming the music — it’s just been such a wild ride.”
As for the most streamed album honors, that’s only the latest feather in The Tortured Poets Department‘s cap. Swift’s expansive 11th studio album has spent a total of 15 weeks at No. 1 on the Billboard 200 in 2024 and was recently certified 6x Platinum by the RIAA, meaning it has surpassed 6 million sales units in the U.S.
Swift’s streaming reign in 2024 wasn’t limited to Spotify, though. This year, she was also Apple Music’s top streamed artist, while Tortured Poets was the competing platform’s biggest album.
“Ahhhhhh thank you for listening to my music and TTPD so much!!!!” she wrote of the latter feat on her Story Dec. 3. “You, the fans, made The Tortured Poets Department the TOP STREAMED ALBUM of The Year on @applemusic!!!”
The Masked Singer crew will get a very special visit from a musical superstar on Wednesday night’s (Dec. 4) “Quarter Finals: Merging of the Masks” episode. None other than 13-time Grammy-winning singer/songwriter/producer Babyface dials into the show to deliver words of encouragement to the three-headed singing sensation Buffalos. Calling in on the show’s fuzzy, rainbow-hued […]
Taylor Swift loves Travis Kelce, but it’s definitely not ruining her life — especially as the Kansas City Chiefs tight end supports her on projects such as the “Fortnight” music video, according to cinematographer Rodrigo Prieto.
In an interview with People published Wednesday (Dec. 4), the filmmaker — who worked on the pop star’s gothic The Tortured Poets Department visual — opened up about how Kelce was on hand to be with his superstar girlfriend during filming. “Travis is a lovely man,” Prieto said. “They both are.”
“I would say that it seems like their parents educated them well,” he continued of the couple, who have been dating since mid-2023. “They are not just polite, but actually interested in what others have to say. I think she felt very supported by his presence, and probably also proud to show him what she does, and the kind of leader she is.”
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Swift herself previously touched on having the New Heights podcaster on set with her during the making of the “Fortnight” visual, which is nominated for best music video at the 2025 Grammys. While accepting the coveted video of the year award alongside duet partner Post Malone at the 2024 VMAs in September, she told fans, “This video seems very sad when you watch it, but it was actually the most fun video to make.”
“I would always just hear someone cheering, like, ‘Whoo!’ from across the studio — that one person was my boyfriend, Travis,” she continued at the time. “Everything this man touches turns to happiness and fun and magic, so I want to thank him for adding that to our shoot.”
Also featuring cameos from Dead Poets Society‘s Ethan Hawke and Josh Charles, the “Fortnight” video marked just the latest self-directed project from Swift, who has previously masterminded her visuals for “Anti-Hero,” “All Too Well (10 Minute Version)” and more. While speaking to People, Prieto shed some insight on the Eras Tour headliner’s creative process.
“I find it amazing that she has such a vivid imagination for music, lyrics, and images,” he told the outlet. “She is a storyteller at heart, and she uses all the mediums at her disposal to express herself.”
“One thing I have loved of being on set with her is that when we are discussing a camera angle or a moment of the story of the video, is that she will softly sing to herself the lyrics of the moment in question,” he continued. “She connects each lyric to an image. It’s never about just filming random stuff to figure out in the edit. She creates a script where the images have a meaning that is intrinsically related to a moment in the song.”
ROSÉ of BLACKPINK is giving her apt. some holiday spruce.
While at BBC Radio 1’s Live Lounge Tuesday (Dec. 3), the 27-year-old pop star covered Wham!’s 1984 classic “Last Christmas” as well as performed a solo rendition of her smash Bruno Mars duet “APT.” For the former, she channeled her inner George Michael, melancholy while sitting on a stool, reading the heartfelt lyrics off a music stand in front of her, and dancing along during the Billboard Hot 100 No. 4 hit’s musical high points.
“A face-on lover with a fire in his heart/ A man undercover, but you tore him apart,” she sang before letting her New Zealander side shine through with a spoken-word “Well, maybe next year, mate.”
“I’ll give it to someone, I’ll give it to someone special,” ROSÉ softly crooned to finish out the track, clapping her hands.
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For “APT.,” the K-pop phenom ramped up the energy, joining her backup singers and keyboardist in doing hand movements to pay homage to the Korean drinking game that inspired the song’s title. Without Mars on hand for the second verse, ROSÉ confidently rapped her duet partner’s parts while dancing along.
“It’s whatever, it’s whatever, it’s whatever you like,” she belted. “I’m talking drink, dance, smoke, freak, party all night.”
ROSÉ’s pair of performances arrive as “APT.” spends its sixth week at No. 1 on the Billboard Global 200 chart. The musician’s debut solo album, rosie, is set to drop Dec. 6, featuring 12 tracks including November single “Number One Girl.”
In a recent interview with Apple Music 1’s Zane Lowe, the star opened up about feeling “pressure” to deliver a solid LP during her limited time away from full-band duties with BLACKPINK, which is currently on break until some time in 2025. “We got together and decided, ‘Let’s promise ourselves a good year to be inspired,’” she said of bandmates JENNIE, LISA and JISOO. “The first thing that happened was anxiety, because I was privileged to have this one year in my hands to do whatever I wanted with it, but I wanted it to be the right decision and it had to feel right … What if I don’t believe in my thing? And what if I’m in a place where I’m having to do things that I don’t feel like it’s me?”
Watch ROSÉ cover “Last Christmas” above, and check out her performance of “APT.” below.
It’s the end of the year, so that means it’s time to see what lists Taylor Swift is topping as we all reflect on 2024. And, no surprise, the singer who has dominated the charts, the box office, touring and our bookshelves over the past 12 months is at the pole position on yet another year-end tally.
According to the Associated Press, Yale University’s list of 2024’s most notable quotations is, of course, ruled by Swift’s quip endorsing failed Democratic presidential candidate Vice President Kamala Harris. As you might recall, kitty lover Swift threw her fedora in the ring for Harris in an Instagram post in September that she signed “Taylor Swift Childless Cat Lady.”
The zinger was a response to a comment made by Vice President-elect JD Vance several years ago, when he described Democrats as being beholden to “a bunch of childless cat ladies who are miserable at their own lives and the choices that they’ve made and so they want to make the rest of the country miserable, too.”
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Number two on the list was President Biden’s Dec. 1 announcement that he’s pardoning his son Hunter — “Today, I signed a pardon for my son Hunter” — followed by a false claim from President-elect Donald Trump during his only debate with Harris. “In Springfield, they’re eating the dogs, the people that came in. They’re eating the cats,” Trump said, boosting an untrue rumor spread by his campaign about Haitian immigrants in the small Ohio town that resulted in a number of bomb threats, harassment and the cancellation of school days for children in the city.
Trump was also at No. 5 on the list with his “Fight! Fight! Fight!” rallying cry after his ear was grazed by a bullet during a rally in Butler, PA. Minnesota Gov. Tim Walz, Harris’ running mate, slipped into the No. 4 slot with his misstatement “I’ve become friends with school shooters,” after trying to refer to befriending school shooting survivors.
“Please note that the items on this list are not necessarily eloquent or admirable quotations, rather they have been picked because they are famous or important or particularly revealing of the spirit of our times,” said the annual list’s curator, Fred Shapiro, associate director at the Yale Law Library.
Right wing Georgia Rep. Marjorie Taylor Greene’s October post falsely claiming “Yes they can control the weather,” in reference to her endorsement of a conspiracy theory claiming that the government used weather control technology to aim Hurricane Helene at Republican voters was at No. 6, followed by Kansas City Chiefs kicker Harris Butker’s May 11, commencement address at Benedictine College in Kansas in which he told women that they “may go on to lead successful careers in the world, but I would venture to guess that the majority of you are most excited about your marriage and the children you will bring into this world.”
Amy Adams has always liked and appreciated Taylor Swift‘s music. But then the Nightbitch star went to see the Eras Tour, she proudly became “a Swiftie at 50,” the star told Jimmy Fallon on Tuesday’s (Dec. 3) Tonight Show. “I’m a Swiftie at 50, so I’m like a shifty 50 Swiftie… and I’m like ‘isn’t that nifty?’ And now my daughter’s going, ‘Ooh, I hate this for you.’”
Adams said the Eras experience was so profound that she went from “normal” to “‘I’ll take all the friendship bracelets!’”
When Fallon asked if Adams had ever met the singer, the Golden Globe winner said they did cross paths years ago at an awards show afterparty, where they sang karaoke together. In fact, they did a duet on 4 Non Blondes’ signature 1993 hit “What’s Up,” during Adams committed the ultimate karaoke faux pas.
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“And I may have… uh… sang it a little loud,” Adams admitted. “And I’m sure everybody was like, ‘Amy, shut up! Like, we want to hear Taylor sing.’ I was just in it.”
“The one that goes ‘hey, yeah, yeah, yeah’? You went for it? That one?” Fallon asked.
“I did,” Adams said. “When someone does that at karaoke I let them go,” Fallon said.
“But I should have sat down and just let Taylor sing,” Adams realized. “I had a blast. Now, in reflection, if I were to do it now I’d be so different I would like to think… I did the right thing. I sang really loud over Taylor Swift… and probably not great, either.”
Fallon also mentioned that there’s a long-running internet campaign suggesting that the six-time Oscar nominee would be the perfect choice to play Swift’s publicist, Tree Paine, in a biopic. “Uh, that would be amazing,” said Adams, whose red hair is a shade darker than Paine’s signature flame mane. Fallon then help up a tweet that said “Amy Adams will win an Oscar for Tree Paine’s biopic.”
“That would be so fun,” said Adams, mother to a 14-year-old daughter who (see above) she noted is now not embarrassed by her mom, but more embarrassed for her mom. “If it got me closer to Taylor then that would be fun,” Adams said.
Adams’ Nightbitch opens in theaters on Friday (Dec. 6).
Watch Amy Adams describe shouting over Taylor Swift during karaoke below.