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Celebrities swarmed Milan Fashion Week on the last big day of runway shows on Saturday (Sept. 21), sending crowds of adoring fans from venue to venue. Designers previewed mostly womenswear for next spring and summer. Madonna sat in a front-row seat at Dolce & Gabbana, along with Naomi Campbell and Victoria De Angelis of Maneskin. […]

Billie Eilish’s “Birds of a Feather” takes flight to No. 1 on Billboard’s Pop Airplay chart dated Sept. 28. The track, released on Darkroom/Interscope/ICLG, gained by 8% in plays Sept. 13-19. (The Pop Airplay chart ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to […]

A smiling Big Ocean greet you for a nighttime Zoom call with shaking hands — the American Sign Language translation of applause and cheering — which encapsulates a palpable energy bursting from a K-pop trio unlike any other pop group.

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HyunJin, ChanYeon and JiSeok came together as Big Ocean to debut in April this year as the first Deaf/Hard of Hearing group in K-pop. The group’s warm embrace onto the scene by superstars, production and executives across Korea points towards a more inclusive global music scene.

Brought together by Korea’s only agency representing talent with disabilities Parastar Entertainment, Big Ocean sees three stars with different backgrounds and hearing abilities as a sign of hope and possibility.

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The group’s main vocalist Park HyunJin lost hearing in his left ear after a childhood accident, but a cochlear surgery led him to learning to play the piano, speak some English, and break out as a YouTube creator and TV personality educating viewers about hearing disabilities. Main rapper Lee ChanYeon, who underwent cochlear implant surgery for both ears, developed his musical interest after experiencing the positive side effects of music therapy. Meanwhile, youngest member and main dancer Kim JiSeok was born Hard of Hearing and attended a special school for those with disabilities before becoming a professional ski racer for Seoul skiing team.

Big Ocean admits that the members’ varying auditory perceptions can present challenges when it comes to learning choreography, singing in rhythm and performing live, but it’s inspired innovative ways for the group and their Parastar team to find new ways to rehearse successfully like utilizing vibrating smartwatches as metronomes or flashing lights for rhythmic counting.

While the definition of a K-pop act has expanded from Korean-born pop singers to artists representing a range of different countries, cultures, and languages, Big Ocean not only look the part of handsome, shining stars with international appeal but align with one of the core messages within in K-pop to instill inspiring messages to listeners both with their stories and music.

“The message from our song ‘Slow’ is that if you move forward and continue, slowly and steadily, you can do anything,” HyunJin says of the group’s latest single released last month that features Young K of chart-topping K-pop rock outfit DAY6, marking their latest venture to share more personal storytelling through their songs.

“Not only our seniors but also people from outside the company are giving us a lot of support, so we are really thankful,” adds JiSeok. “If we didn’t have that help, we wouldn’t be where we are today.”

“Not only our seniors but also people from outside the company are giving us a lot of support, so we are really thankful,” adds JiSeok with a special shoutout to the group’s fans, known affection as PADOs. “If we didn’t have that help, we wouldn’t be where we are today.”

With recognitions from members of Stray Kids, ITZY and even the President of Korea, read on for more from Big Ocean’s story and why they are a group to watch as Billboard‘s K-Pop Rookie of the Month for September 2024.

Congratulations on your debut this year and being named Billboard‘s Rookie of the Month! Overall, how has 2024 been for you?

JiSeok: I was really worried if we could do well. I was concerned, “Are we going to be okay?” But fortunately, so many people and so many senior idols gave us a lot of support and help. Not only our seniors but also people from outside the company are giving us a lot of support, so we are really thankful. If we didn’t have that help, we wouldn’t be where we are today.

HyunJin: And even today, we got an opportunity to meet with the President of Korea. We are also getting tons of invitations from outside of the country, so we’re getting so much love and support. So we are really, really grateful.

ChanYeon: And so many of our fans, PADOS, from so many countries, are sending us love and then recognizing us. So, we are really thankful and I feel like we have to pay back with even greater performances.

Thank you for taking time while you’re so busy. Congratulations on your latest single, “Slow,” featuring Young K of DAY6. It’s such a great collaboration; how did it come together, and how was your experience?

HyunJin: The message from our song” Slow,” is that if you move forward and continue, slowly and steadily, you can do anything. And in the process of making this song, we made a proposal to DAY6’s Young K that featuring his voice would sound great and work great with our song. He said “Yes” immediately, so that’s why we were able to release the song successfully and we’re so grateful for it. Thanks to him, we were able to feel even more support and we feel he really has our back.

JiSeok: We were really hoping that we could thank him in person, [but] because Young K was very busy preparing for the [new DAY6] album, we weren’t able to do so. But if we could meet in person later, that would be really great.

Are you guys fans of DAY6? Their latest album is topping the charts in South Korea.

HyunJin: We listened to one of the new songs released from their album, “Melt Down,” and really, really loved it. We wanted to pay back our debts for Young K featuring our song, so we took the highlight of the song and turned it into a challenge on social media with sign language.

JiSeok: The song is doing really great and is really popular — we really want to congratulate them!

I was curious about how you create your sign language challenges and incorporate signing into your performances. Are you the ones making the moves? Do you work with a team?

ChanYeon: When we do a simple sign language challenge, we discuss among ourselves and make it. But when we’re choreographing or releasing something like our official music videos where we are mixing Korean and American Sign Languages, we actually get reviewed by sign language experts to make sure everything is expressed in the most precise way.

Some readers might be surprised to learn that Deaf or Hard of Hearing people can sing, dance, rap and more. Can you tell us about your different backgrounds with just music?

JiSeok: I go to a special school for people with hearing disabilities. At the time when I was in school, RM from BTS sunbaenim actually made a large donation to help the school’s music education. It was thanks to that donation that I actually got a lot more interested in music; I learned about dancing for the first time, I had a lot of opportunities to learn different musical instruments. So, that’s how I was able to fall in love with music and able to dream of becoming an idol.

HyunJin: When I was nine years old, I had an accident and lost hearing ability in my left ear completely. I had a surgery that allowed me to hear sounds; however, afterward, it didn’t really sound natural to me anymore; it sounded very artificial. I felt very uncomfortable hearing any kind of or type of sound.

At the time, I was also learning piano and attending an academy. Listening to the actual piano was very pretty and the only pleasant sound to me. So, as I played piano, sound felt positive, not negative anymore. So that’s when I started to become more interested in music because the piano was the only sound that made me feel good. After I grew up and became an adult, I became a YouTube creator and made many videos about breaking the barriers regarding misunderstandings and prejudices regarding hearing disability. I started making TV appearances and that’s when I actually learned about my current agency, Parastar Entertainment, so I naturally challenged myself to be an idol.

ChanYeon: In my case, I wasn’t really interested in music at all. Only after I got the surgery for cochlear implants for both my ears did I go through a lot of music therapy, and music actually really helped me. That’s when I found my interest in music.

As a boy band, how do you interact with music to perform as a group? Can you share the different ways you overcome any challenges?

HyunJin: Because the level of hearing is different in each one of us, the way we perceive beats and rhythms is also different. So, our company came up with the idea of using smartwatches and vibrations from the smartwatches as metronomes. That’s how we were able to feel the beat and rhythm in sync — and it made it so much easier for us to feel the music.

We also developed a “beam monitor” that flashes lights in sync with the music. So, that was another way. We also continuously film ourselves dancing to the music and constantly monitor ourselves and review to see who feels the beats differently or if we’re not in sync. And we continuously practice. And that’s how we can move in sync.

You’ve performed on Korea’s weekly K-pop music programs like Show! Music Core, Inkigayo, The Show, Music Bank and more. These shows are famously very fast-paced. How was your experience, and could they meet any accommodations you needed?

JiSeok: Our first time going on music programs, they were aware of the fact that we had hearing difficulties, so they always made sure to use hand gestures, give visual signals for cues to enter the stage, or whenever they wanted to send us some type of message. They were really nice about it; very, very kind. They constantly asked us whether we had any problems hearing or listening to the music. So, thanks to them, we could put up a good performance.

HyunJin: If the set or environment is too loud or noisy, we might have trouble listening for the start of the song. So, during rehearsals and the actual shooting, they made sure to ask for the audience’s understanding and to be quieter than usual so that we could actually hear the music. They were very generous for that. Also, our dancers make sure the choreography opens with a starting dance move. The background dancers initiated the choreography so then we knew the performance had started.

ChanYeon: And even our staff members ensured that everyone at the TV stations and on-site knew we might have trouble communicating or listening. So, they ensured everyone was aware, and I think we had no trouble. We’re really grateful for everyone being so considerate.

I saw you met with Felix from Stray Kids backstage during the shows to learn the “Chk Chk Boom” challenge. Tell me about that experience.

JiSeok: After the broadcast, I met Felix for the first time. I thought he was a complete angel — I really thought he was an angel. As soon as I met him, he greeted me with American Sign Language. He prepared it himself and showed us that he learned “Nice to meet you” and “How are you?” It really impressed us. We did the dance challenge together — I was so nervous, soo nervous! — but I was happy and really appreciative of everything. I thought about how I should practice and work even harder to perform even better.

After the dance challenge, Felix gave us [Stray Kids’] album as a gift. I was so grateful; I can’t even express it in words. I really want to see him again and meet him in the future.

I saw a recent announcement from Parastar Entertainment that Big Ocean is auditioning new members. Could we see the group expand in the future?

HyunJin: We have three members, right? We think three of us is too small and that our group is not big enough. That’s why we’re we’re hiring new members. If you come to our website of the company you can apply for the audition 24-7 so please come! We’re definitely looking for more members to apply.

Any other messages you want to share with your international fans at this time?

HyunJin: So three days after this interview, it will be five months since we debuted as Big Ocean so I really want to say thank you to all the fans and people who made Big Ocean possible and gave us a lot of support. To our fandom, PADOS, who are continuously supporting us, promoting us, and even doing all these activities to attract more PADOS on social [media] communities — I really want to say thank you. We will do our part and work harder to show you even greater performance and activities.

JiSeok: Thank you so much for such this great opportunity. Also, in November, we’re trying to release another song, so we will really work hard with our company. If we do release our new song, please send us a lot of support. We will work hard.

Zayn celebrated a special occasion on Thursday (September 19) — his daughter Khai’s fourth birthday. The “Pillowtalk” singer took to Instagram to share a heartfelt message for his baby girl. Explore Explore See latest videos, charts and news See latest videos, charts and news “Happy birthday to the most important person in my life, I […]

It looks like Lady Gaga has something to say ahead of her highly anticipated seventh studio album — and fans are all ears. The pop star caught the attention of her Little Monsters with a cryptic Instagram post shared Friday (Sept. 20), giving no explanation as she shared a grainy image of white streaky text […]

On this week’s (Sept. 6) episode of the Greatest Pop Stars of the 21st Century podcast, we take a look at a pair of enduring all-time greats: the Queen of Latin Music Shakira and the rap GOAT Jay-Z. Explore See latest videos, charts and news See latest videos, charts and news First, host Andrew Unterberger is […]

K-pop girl group aespa blast off into space with a new Grimes-assisted remix of their hit single “Supernova.” The song from the four-woman group’s debut studio album, Armageddon – The 1st Album, gets an intergalactic brush-up as part of a six-track remix EP that dropped on Friday (Sept. 20), iScreaM Vol. 33 ” Supernova / Armageddon Remixes.
In an X post, Grimes explained why she stepped out of her typical lane for the project. “I normally don’t do remixes but I could not resist messing with this accapella even tho the original production on this song is undefeatable,” Grimes wrote. “I went back to cyber twee for this and even had @angelfir_e sit behind me and stop me every time I tried to overthink the production so… it’s very grimesy.”

She’s not kidding. While the original track from KARINA, GISELLE, WINTER AND NINGNING was a snappy, hyper dance pop banger, in Grimes’ hands it gets a firmware update with chilly, metallic beats, Grimes’ signature alien chirp sped-up vocals, celestial harmonies and new wave keyboards.

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In addition, on Instagram Grimes said sorry/not sorry for changing the song’s alluring chorus and drilling down on a lyric she was entranced by. “I know I changed the hook but I was so shook by the lyric ‘bring no light of a dying star’ that was casually in there. Felt like it needed a moment,” she wrote. Grimes also posted a series of pics with the group in which she rocks a futuristic jumpsuit and sparkly red glasses. “rip the old grimes she wud have loved dis,” she wrote alongside the snaps.

In addition to the Grimes “Supernova” remix, the EP features three new remixes of the album’s title track — by Flava D, 2Spade and Mount XLR — as well as the original versions of the title track and “Supernova.” On X, Grimes revealed that she did her own “Armageddon” remix as well, noting, “idk if they want it but I could ask. I also have a second supernova remix that’s kinda good but my baby destroyed the computer it was on so it’s unmixable.”

iScreaM Vol. 33 is part of a four-year-old series from SM’s EDM label ScreaM Records featuring remixes of songs by SM artists that has perviously featured revamps of tracks from NCT 127, SHINee, Red Velvet, Taeyeon, Girls’ Generation and others. Armageddon – The 1st Album debuted at No. 2 on Billboard’s Top Album Sales chart in July, marking the quartet’s fifth project to debut in the top 10 on that tally.

Listen to Grimes’ “Supernova” remix and see her statement below.

I normally don’t do remixes but I could not resist messing with this accapella even tho the original production on this song is undefeatable. I went back to cyber twee for this and even had @angelfir_e sit behind me and stop me every time I tried to overthink the production so… https://t.co/Tz9qya39Ri— 𝖦𝗋𝗂𝗆𝖾𝗌 ⏳ (@Grimezsz) September 16, 2024

Katy Perry is having fun again. “I was frozen, I was hopeless/ Now there’s poetry in every moment,” she sings in the mid-album reflection track, “All the Love.”

Perry’s been open about her struggles with mental health over the past few years, especially after the tepid critical and commercial reaction to her 2017 LP, Witness. “After being on a rocket ship and just going straight up, it was just a small change in the trajectory, but it felt seismic,” the pop star explained back in 2020, noting that thanks to medication and therapy, she was able to fuel her creative side once more.

She also has a lot more love in her life these days. Her husband Orlando Bloom remains her biggest fan and supporter, and the couple welcomed daughter Daisy Dove together in August 2020. That family unit inspired 2020’s Smile, which featured songs like “Daisies,” “Never Really Over” and “Harleys in Hawaii,” as well as a much smilier Perry.

After years of inner work, Perry unveiled her sixth studio album, 143, on Friday (Sept. 20). “I set out to create a bold, exuberant, celebratory dance-pop album with the symbolic 143 numerical expression of love as a throughline message,” Perry previously shared in a statement about 143, which is text message code for “I love you.”

The album is characteristically Katy Perry, something her beloved fans, the KatyKats, are sure to enjoy. The entire project is boosted with serotonin, as Perry belts about being in love with her partner, her family, herself and her life all over breezy, synth-driven beats. She’s healing and she’s not taking life too seriously, and after a wild few years, it’s great to see the pop star be herself again.

While all of 143 is worth listening to, there are some clear early standouts. Here is a ranking of all 11 tracks on Katy Perry’s latest album.

“All the Love”

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Future continues his victory lap, Katy Perry dives deep into her pop bag and Bad Bunny salutes his home. Check out all of this week’s picks below:

Future, Mixtape Pluto 

It’s been eight years since Future, once an absolute titan of the mixtape game, dropped an unofficial solo project, and Mixtape Pluto harkens back to the glory days of Monster and Beast Mode — 17 feature-less tracks of the superstar croon-rapping, sharpening his sword after a pair of collaborative albums with Metro Boomin kept him on top earlier this year.

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Katy Perry, 143 

Katy Perry’s recent singles have invited plenty of chatter regarding their studio collaborators and chart prospects, but at its core, new album 143 isn’t concerned with critique or commercial expectation — this is a celebratory pop album, Perry’s first since becoming a mother, and guests like Kim Petras, 21 Savage and Doechii help the singer return to her candy-coated sound.

Bad Bunny, “Una Velita” 

The devastation of Hurricane María, which made landfall on Puerto Rico in 2017, is not forgotten by Bad Bunny, as the superstar uses new single “Una Velita” to process his feelings, celebrate his home country, criticize those that did not do enough and reflect on the future as the bass steadily bumps beneath him.

Jamie xx, In Waves 

Robyn, The Avalanches, Panda Bear, his own The xx compatriots — the guest list for Jamie xx’s sprawling new album In Waves resembles a round-up of Pitchfork-approved artists from the 2000s, but the full-length bursts with the same dance vibrancy as In Colour, with the producer simply providing more grooves for a new decade.

Keith Urban, High 

A country veteran like Keith Urban is always going to try and locate a balance between providing more anthems for his live audiences and mining more personal anecdotes to reveal new parts of himself; High does an admirable job of walking that tightrope, with songs that stretch outward and others that share new details of a life in the spotlight.

Bon Iver, “S P E Y S I D E” 

As fall officially kicks off this weekend, Bon Iver is back to provide some mournful falsetto and gentle guitar strums for the brisk weather: “S P E Y S I D E,” the first of three new songs Justin Vernon is releasing as a new EP next month, combines the sparse intimacy of For Emma, Forever Ago with the clarity of his more recent productions, and lands an affecting, autumn-ready blow.

4batz feat. Lil Baby, “Roll Da Dice” 

After receiving a Drake co-sign with his breakout hit “Act ii: Date @ 8,” 4batz has corralled Lil Baby into his R&B-trap fusion on “Roll Da Dice,” which seamlessly blends both artists’ respective styles into a hazy single about pursuing love and the passion that sparks when it’s discovered.

Editor’s Pick: Gwen Stefani, “Somebody Else’s” 

The cowboy hat that Gwen Stefani sports on the cover of upcoming solo album Bouquet suggested a pivot towards Nashville, but new single “Somebody Else’s” actually nods back to No Doubt’s brand of new wave and radio-ready pop, with Stefani leaning into the rollicking guitar as she sings about lost romance with spunk and spirit (“Now that you’re dead to me / I feel so alive!”).

The first time Chappell Roan played in London was at the capital’s Garage to 600 people. That was just over a year ago in June 2023 her introduction to the U.K. She’s since been booked and busy.
Roan had a mammoth run opening on Olivia Rodrigo’s Guts tour in the US, cementing her place as an artist with serious breakout potential. In spring, she had a scene-stealing appearance at Coachella and debuted her new song “Good Luck Babe”, which would go on to land at No.6 on the Billboard Hot 100 and No.2 on the U.K. Singles Charts.

Further live appearances at New York City’s Governors Ball and Chicago’s Lollapalooza saw the crowds swell, and a win at the recent MTV VMAs last week took things even further. A day before the opening night at London’s O2 Academy Brixton (Sep 19) – the first of three sold-out shows – it was announced she’d perform on SNL in November. It’s all happening, all at once.

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A ticket for a gig like this was gold dust, a chance to see an artist in what will soon be considered intimate settings. And the crowd at Brixton knew it: they were giddy with excitement pre-show as local drag queens bossed it on stage and the crowd adhered to the night’s dress theme: black, red and love hearts in line with “My Kink Is Karma”, a crowd-favourite from debut 2023 album The Rise and Fall Of a Midwest Princess.

The show arrived amidst a sold-out run throughout the rest of the U.K. and Europe and despite the 5,000-strong crowd, already felt like a huge underplay. These were the very best moments from the night.

Chappell Roan performs during her ‘Midwest Princess Tour’ at the Brixton Academy on Sept. 19, 2024 in London, England.

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Horns up

Each night at the tour has come with a theme for attendees inspired by the campness of her songs, ranging from Pink Pony Club (fuchsia cowboy hats) to Midwest Princess (plaid patters). Last night My Kink Is Karma called for leather, face-paint and devil horns: even the security were spotted getting in on the action with a glittering scarlet headband.

The U.K. love

Crowd flattery never hurts, but when Roan spoke directly to the Brixton crowd about their connection, it felt very real. “The U.K. has always been the most welcoming to me,” she said, reflecting on the journey she’s been on. From levelling up from the Garage to iconic gay club Heaven last December to now a trio of nights at the historic O2 Academy Brixton – to the tune of 15,000 tickets – the U.K.’s enthusiasm for getting out and supporting live emerging acts cannot be understated.

Knowing the moves

You have to admire Roan for attempting to explain to the crowd the moves to “Hot To Go!”, her viral hit and signature moves: not a single person needed any instructions to pull off the YMCA-aping moves spelling out the song’s title. A sea of arms flew up on every chorus to nail the collective dance that’s been all over your TikTok feed for the past few months at festival season.

Chappell Roan performs during her ‘Midwest Princess Tour’ at the Brixton Academy on Sept. 19, 2024 in London, England.

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Nailing the notes

With just one album under her belt, Roan knows how to keep things fresh. “Subway”, which got its debut at Gov Ball in her Lady Liberty get-up, was already something of a crowd-pleaser, the wistful longing for an ex that still hangs around as she bounces around the city. When Roan belted out the closing refrain of “she’s got away”, her voice sounded sublime and powerful, as did the crowd’s.

A streamlined production

The expectation and scrutiny for stars to be arena-ready from the off feels more intense than ever with eager fans in the room and at home looking for faults and bones to pick. There’s no questioning Roan’s performance – her red cowboy boots barely hit the ground with all the high-kicks – but the streamlined setup played to her strengths. Her tight band, made up of Andrea Ferrero (guitar), Lucy Ritter (drums) and Allee Futterer (bass), kept things moving and the vibrant light show proved that visuals are not mandatory when the performer is as engaging as this.

Love for the queer community

Roan has been candid about the new attention that’s come her way and how toxic ‘fans’ occasionally overstep the line. But judging by last night’s crowd, that’s hopefully an anomaly, not the trend. She recognises as such about how this fanbase is crucial for the queer community and the need for allies. “I’m so thankful I have the queer community. I needed this when I was 15. You belong here. I don’t care where you are on your journey, I want you here – you are cherished and I want you to feel that. Thank God gay people exist. Thank God straight people support them.”

A dazzling deepcut

Before “Kaleidoscope”, Roan told the crowd that she’d shied away from playing this song on the U.K. leg and was considering dropping it all together. But when she spoke of the pressure to speak to her fans from the stage she explained “how much easier I find it just to sing” and let those words say it all. So for “Kaleidoscope”, she played it straight: no band members, just her and the piano. It goes to show just how strong a songwriter Roan, particularly once all the sequins have stopped shimmering and you tune into her hushed reverence.

Chappell Roan performed:

“Femininomenon”“Naked in Manhattan”“Super Graphic Ultra Modern Girl”“Love Me Anyway”“Picture You”“HOT TO GO!”“After Midnight”“Coffee”“Kaleidoscope”“Casual”“The Subway”“Red Wine Supernova”“Good Luck, Babe!”“My Kink Is Karma”“California”“Pink Pony Club”