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Happy Pride from Katy Perry! As Pride Month begins, the pop star marked the occasion with a message of encouragement in the form of a heavily reworked take on the controversial — to say it lightly — grad speech given by the Kansas City Chiefs’ Harrison Butker at Benedictine College.
In a 20-minute speech on May 11, the football player condemned LGBTQ rights and attacked what he called “dangerous gender ideologies.” He spoke against abortion, birth control, IVF and surrogacy. He told female college graduates, whom he claims have been told “diabolical lies,” to embrace being a “homemaker.”
“I would venture to guess that the majority of you are most excited about your marriage and the children you will bring into this world,” he said, directing his words to the women who were there for their college graduation.
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“fixed this for my girls, my graduates, and my gays — you can do anything, congratulations and happy pride,” Perry captioned a post on Instagram on Saturday (June 1). She shared a Perry-approved version of Butker’s speech.
Here is a transcript of the edit of Butker’s commencement speech posted by Perry: “For the ladies present today, congratulations on an amazing accomplishment. You should be proud of all that you have achieved to this point in your young lives. How many of you are sitting here now, about to cross this stage, and are thinking about all the promotions and titles you’re going to get in your career? I would venture to guess the women here today are going to lead successful careers in the world. I say all of this to you because I have seen it firsthand: how much happier someone can be supporting women, and not saying that the majority of you are most excited about your marriage and the children you will bring into this world. The road ahead is bright. Things are changing. Society is shifting and people young and old are embracing diversity, equity and inclusion. With that said, I want to say Happy Pride to all of you, and congratulations class of 2024.”
In a puzzling move, Butker’s speech had also quoted a lyric from Taylor Swift (“my teammate’s girlfriend,” he said, instead of naming names), apparently forgetting Swift’s decades-long dedication to her career; this week Swift, still on her historic international Eras Tour, holds onto No. 1 on the Billboard 200 for the sixth week in a row with her latest studio album, The Tortured Poets Department.
Chiefs tight end Travis Kelce, the “teammate” in reference, weighed in on the speech on his New Heights podcast after his teammate’s words went viral. Kelce said in the seven years he’s known Butker, he’s viewed him as a “great person and great teammate.” “When it comes down to his views and what he said … those are his,” said Kelce. “I can’t say I agree with the majority of it, or just about any of it outside of him loving his family and his kids. I don’t think I should judge him by his views, especially his religious views, of how to go about life. That’s just not who I am.”
Watch Perry’s version of the much-talked-about commencement speech below. The star just finished her run on American Idol and has been teasing that new music is on the horizon.
Taylor Swift’s The Tortured Poets Department spends a sixth straight and total week at No. 1 on the Billboard 200 albums chart (dated June 8), as the title earned 175,000 equivalent album units in the U.S. in the week ending May 30 (down 54%), according to Luminate.
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Tortured Poets is the first album to spend its first six weeks at No. 1 since Morgan Wallen’s One Thing at a Time led for its first 12 weeks a year ago (March 18-June 3, 2023-dated charts). Among Swift’s collection of No. 1s, Tortured Poets ties Folklore for the most weeks at No. 1 from its debut with six weeks each.
With 175,000 units earned in Tortured Poets’ sixth week, the set scores the largest sixth-week for any album since Adele’s 25 earned 363,000 units in its sixth frame (chart dated Jan. 16, 2016).
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Swift adds her 75th career week at No. 1 on the Billboard 200, extending her record among soloists. (Elvis Presley has the second-most among soloists, with 67.) The total encompasses her 14 leaders. (She’s tied with Jay-Z for the most No. 1s among soloists.)
Also in the top 10 of the new Billboard 200, Twenty One Pilots’ Clancy debuts at No. 3 with the biggest week for any rock album in 2024 (in either equivalent album units or traditional album sales), while RM’s Right Place, Wrong Person launches at No. 5 with his biggest debut week (in both units and sales).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 8, 2024-dated chart will be posted in full on Billboard‘s website on June 4. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of The Tortured Poets Department’s sixth-week unit sum of 175,000, SEA units comprise 133,000 (down 20% — it’s No. 1 on Top Streaming Albums; its SEA units equal 173.65 million on-demand official streams of the deluxe edition’s 31 songs), album sales comprise 41,000 (down 81%) and TEA units comprise 1,000 (down 30%).
Billie Eilish’s Hit Me Hard and Soft is a non-mover at No. 2 in its second week on the list, earning 145,000 equivalent album units (down 57%). It’s the largest second week for any Eilish album, a week after she scored her top weekly career total with the set (339,000).
Twenty One Pilots’ new studio album, Clancy, bows at No. 3 with 143,000 equivalent album units earned. Of that sum, albums sales comprise 113,000 (making it the top-selling album of the week and No. 1 on Top Album Sales), SEA units comprise 29,000 (equaling 38.64 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. Clancy scores the biggest week, by both units and album sales, for any rock album in 2024. (Rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Rock Albums chart.)
Clancy marks the fourth top 10-charting set for Twenty One Pilots. The band previously visited the region with Scaled and Icy (No. 3 in 2021), Trench (No. 2, 2018) and Blurryface (No. 1, 2016).
The new album was led by the single “Overcompensate,” which reached No. 2 on the Alternative Airplay chart in May, marking the 16th top 10-charting song for the act. The track also hit No. 64 on the all-genre, multi-metric Billboard Hot 100 in March. The new album was announced on Feb. 29 as the final chapter of the band’s conceptual series which began with Blurryface.
Clancy’s first-week sales were bolstered by its availability across 11 vinyl variants, signed and unsigned zine/CD journal editions and digipak CDs, deluxe CD boxed sets containing branded merch, and a deluxe digital album with four bonus live tracks.
Morgan Wallen’s chart-topping One Thing at a Time falls 3-4 on the Billboard 200 with 73,000 equivalent album units earned (down 3%).
RM collects his second solo top 10-charting album as Right Place, Wrong Person debuts at No. 5 with 54,000 equivalent album units. Of that sum, album sales comprise 43,000, SEA units comprise 7,500 (equaling 10.16 million on-demand streams of the set’s songs) and TEA units comprise 3,500. The album yields the BTS member his best debut position on the Billboard 200, as well as his largest opening week by both units and traditional album sales.
Right Place, Wrong Person was preceded by the single “Come Back to Me,” which reached the top 30 on both the Billboard Global 200 and Billboard Global Excluding U.S. charts. The album’s first-week sales were supported by its availability across 13 different CD variants, all containing branded paper merch and other collectibles.
RM previously hit the top 10 with Indigo (No. 3, December 2022).
Wallen’s former leader Dangerous: The Double Album is stationary at No. 6 with 45,000 equivalent album units earned (down less than 1%); Future and Metro Boomin’s chart-topping We Don’t Trust You dips 5-7 (43,000; down 11%); Gunna’s One of Wun falls 4-8 (42,000; down 25%); Noah Kahan’s Stick Season is pushed down 7-9 despite a gain of 4% (to 40,000); and Zach Bryan’s self-titled former No. 1 falls 8-10 (37,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Adele blasted a homophobic fans during her Las Vegas residency show over the weekend. During her Weekends With Adele concert on Saturday (June 1), which marked the beginning of Pride Month, an audience member shouted “Pride sucks” between songs. As seen in a fan-captured video, the “Someone Like You” singer briefly paused her performance at […]
The four members of the Swedish pop quartet ABBA, who triumphed at the 1974 Eurovision Song Contest with the peppy love song “Waterloo,” on Friday (May 31) got one of the most prestigious knighthoods in Sweden from the Swedish King Carl XVI Gustaf.
The Order of the Vasa was handed out for the first time in almost 50 years. Agnetha Faltskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad became “Commander of the First Class” of the order for “very outstanding efforts in Swedish and international music life.”
Sweden has several orders, including the Royal Order of Seraphim, which is awarded to heads of state and foreign royals, and the Royal Order of the Polar Star that is given to foreign citizens and stateless persons.
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The Royal Order of Vasa, which is given in recognition of personal efforts for Sweden or for Swedish interests as well as the successful performance of public duties and assignments, was dormant until late 2022, when it was reactivated after regulations opened the Royal Orders to Swedish citizens again.
Earlier this year, candidates were nominated by the public and the Swedish government and the king approved the nominees that included the four ABBA members.
The orders were awarded during a solemn ceremony at the Royal Palace in the gilded Vita Havet Assembly Rooms. The monarch handed them the order in a red box while a diploma was given to them by Queen Silvia.
”The order you get today today is Sweden’s thanks for your exceptional efforts,” the monarch said before handing out orders to “13 exceptional Swedes.”
Andersson, Faltskog, Lyngstad, who now uses the last name Reuss walked up using a cane, and Ulvaeus received the order in an event that was aired live on Swedish media.
The Eurovision victory turned ABBA into a pop juggernaut, by far the most successful band to win the pan-continental music contest. ABBA’s melodic disco pop sold hundreds of millions of records worldwide. The stage musical Mamma Mia! based on its songs is 25 years old and spawned two movies.
Coincidentally, the 2024 Eurovision was held in southern Sweden. Swiss singer Nemo won the 68th contest with “The Code,” an operatic pop-rap ode to the singer’s journey toward embracing a nongender identity.
The Swedish band members have not performed together live for four decades, but released a comeback album, Voyage, in 2021. The digital “ABBA-tars” opened in London in 2022.
Two other receipients were two 2023 Nobel Prize winners: French-Swedish physicist Anne L’Huillier, and Svante Pääbo, who won the coveted award in physics and medicine. They were both made Commander Grand Cross of the Royal Order of the Polar Star for “outstanding research efforts.”
Jung Kook is gearing up for the release of new music. On Sunday (June 2), the BTS star announced that he will be dropping a new single titled “Never Let Go.” The track is set for release at 1 p.m. KST on June 7 through Weverse and BTS’ official social media channels. ‘Never Let Go’ […]
Taylor Swift went from Madrid to the Kit Kat Club in London‘s West End to see her friend Cara Delevingne as Sally Bowles in Cabaret Friday night (May 31).
Rumblings circulated on Friday that the “So Long, London” star — who played back-to-back stadium shows in Spain on May 29-30 — made it to Delevingne’s West End stage debut before the run ends. Post-show, Swift’s attendance was confirmed by a member of Cabaret‘s production team.
Arthur Jones, head of marketing of ATG Productions, the theatrical production company behind Cabaret, verified that Swift was at the performance in reply to a question on X (formerly Twitter): “Taylor Swift?? Was supporting Cara Delevingne?? At Cabaret?? TONIGHT??!!”
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“can confirm. a special night @kitkatclubldn,” he wrote.
“Did she watch the show last night??” another person asked on X. Jones again indicated that Swift did see Cabaret, answering with a thumbs up
Delevingne, who has Only Murders in the Building and Suicide Squad among her acting credits, starred as Sally Bowles through June 1 in the musical’s revival staged at London’s Playhouse Theatre.
In late January, Delevingne was spotted by Swift’s side in a stadium suite watching Travis Kelce and the Kansas City Chiefs make their way to the Super Bowl. Around the time, she was also seen at dinner with Swift and Brittany Mahomes in New York City.
The two have known each other for more than a decade, dating back to Delevingne’s modeling days; Swift performed at the 2013 Victoria’s Secret Fashion Show while Delevingne walked the runway.
Swift next takes her Eras Tour to Lyon, France, with shows slated for Sunday, June 2, and Monday, June 3, before heading to Edinburgh, Liverpool, Cardiff and then back to London, and then on to Dublin, all before month’s end. The extensive European leg of The Tortured Poets Department hitmaker’s tour runs through late August.
BTS has announced plans for its 2024 FESTA celebration.
This year’s event, to be held June 13 at Seoul Sports Complex in South Korea, will mark the superstar K-pop group’s 11th anniversary.
The 2024 FESTA will feature an official appearance by BTS’ Jin following the completion of his military mandatory obligation. The singer-songwriter will be giving a hug (or handshake, if preferable) to 1,000 lucky fans at the complex’s Jamsil Arena, according to a news release. Jin will also deliver a message “consisting of a variety of segments promising an unforgettable experience for ARMY,” the release says. The artist’s message will be livestreaming to those with ARMY Membership through Weverse Live.
In addition to Jin’s appearance, this year’s FESTA will offer a variety of activities, including a sketch diary to commemorate BTS’ 11th anniversary.
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On Saturday (June 1), BTS unveiled the official timeline for the 2024 FESTA. Leading up to the main event, the boy band share a collection of unreleased photos, stream previous concerts, and post handwritten content from each of the seven members.
BTS’ Jin, RM, SUGA, J-Hope, Jimin, V and Jung Kook are currently serving in the South Korean military, which mandates an 18-month military enlistment for all able-bodied men by the time they turn 28. A few of the members have pursued various solo projects amid their service, and the full group is planning to reconvene for band activities in 2025.
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BTS made its first Billboard chart appearance in 2013, when “No More Dreams” debuted at No. 14 on World Digital Song Sales (before climbing to No. 2 seven years later). Since then, the group has broken numerous records, including the most Billboard Hot 100 No. 1 debuts among groups and the most top 10 debuts among groups. It’s been an exciting few years for the BTS boys individually as well, as all seven members of have now scored solo hits on the Hot 100.
Further information about the 2024 FESTA, which is open to the public, will be revealed at a later date. See the BTS’ announcement on X (formerly Twitter) below.
Ready to captivate our present-day world and across dimensions, Armeggedon marks an artistic evolution in aespa‘s musical journey by taking their narrative into an expansive multiverse to blur the boundaries between reality and virtual realms. While the K-pop girl group is known for blending their real and virtual personas, their first full-length album explores parallel […]
Pat Boone — the second most popular artist of the first five years of the rock era, according to rock historian Joel Whitburn — turns 90 on June 1. He’s been in the spotlight since his Billboard chart debut on April 2, 1955, but surprisingly, even after 69 years, there are at least a few things you probably don’t know about the singer famous for his white buck shoes and clean-cut image.
He Was Signed to Motown
Most of his songs on Billboard’s pop singles charts were released on Randy Wood’s Dot label, followed by one solitary title on the brief-lived Tetragrammaton imprint. Then Boone was signed to Berry Gordy’s legendary Motown label. The company had many different imprints, the best-known being Motown, Tamla and Gordy. In 1974, Motown launched Melodyland, a country label. The very first single, released in October of that year, was Boone’s “Candy Lips.” That was followed in Feb. 1975 by “Indiana Girl” and six months later with “I’d Do It With You,” a duet with Pat’s wife, Shirley. The B-side was Pat’s solo cover of Stevie Wonder’s “Yester-Me, Yester-You, Yesterday.” A fourth single, “Glory Train,” was issued in Feb. 1976.
By the time Motown issued Texas Woman, the first of two Boone albums for the company, the name of the Melodyland label had been changed to Hitsville, due to a lawsuit from the Melodyland Church, a Pentecostal institution in Anaheim, Calif.
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Motown didn’t just sign Pat; his wife Shirley and his four daughters also joined the roster. “Mike Curb proposed that my family and I join Motown,” Boone told Billboard in an unpublished 2019 interview. “I was excited because I knew Mike was great at marketing and Berry had a marketing machine. I was looking forward to doing more R&B, which is what I started out doing. Instead, Berry started this country label with Suzanne de Passe. Ray Ruff produced my first album, which is the reason I ended up on the cover of Rolling Stone. Jann Wenner took notice that I was back on the charts on Motown, so he sent John Anderson down to do the story, which was very complimentary.”
When Wenner was asked why Boone was on the cover of the Jan. 29, 1976 issue of Rolling Stone, the singer says Wenner replied, “We sent a writer to turn over the rocks to see what would crawl out and all I can say with Pat is what you see is what you get. He’s been the same for almost 40 years. Hardly anything else has stayed the same so we tip our hat to a guy who’s been consistent. You may not like his music but you have to credit him with having success after all this time.”
To thank Wenner for the tone of the story, Boone sent 40 cartons of milk to the office in San Francisco. “I packed them in ice so everybody could enjoy a drink. He sent me a nice note saying they all lifted a carton and said, ‘Here’s to a nice guy.’”
As for his Motown tenure, Boone says, “They didn’t spare any expense recording me, with arrangements by Don Costa. Suzanne took a personal interest in me but Berry was busy making movies with Diana Ross. Suzanne had her hands full with the Jackson 5 but I made stuff I was very proud of. Berry signed me to a three-year deal with a provision that the masters would revert to me, which is how I know I recorded over 100 songs for Motown.”
He Has Something In Common With Superman and Batman
“I was a cartoonist in high school,” Boone revealed. “Nobody knows that. I drew cartoons for our high school paper. I was good with a pencil and could draw. I signed my cartoons with ‘Poo’ with two little eyes in the O’s. It was a combination of Pat and Boone. I had thoughts of pursuing a career as a cartoonist.”
Although Boone didn’t become a cartoonist, he did become illustrated, appearing as a guest in Superman’s Girl Friend, Lois Lane #9, dated May 1959. On the Curt Swan-drawn cover, Boone is playing guitar and Lois is sitting at the piano as Superman is flying into the scene, saying, “Pat Boone and Lois Lane are singing a new song about me! It’s a great tune, but I must use all my super-powers to prevent it from becoming a hit!” The big reveal in “Superman’s Mystery Song” is that the last son of Krypton wrote the lyrics, and subconsciously started each line with letters that spell out, “Clark Kent is Superman.” Oops!
“I was flattered to be in the comic book, because I’d been a comic book guy. I wish I had kept all my comics. My favorite was Plastic Man. I don’t know how many people remember Plastic Man. He could make himself into anything. And there was another one called Snuffy Smith. His super ability was his nose. Hardly anybody gets to appear in a Superman comic. I guess there have been a few. I can’t think of any. I’d like to think I was the one exception. (Ed. Note: Among the real-life personalities who have guest-starred in DC Comics’ Superman books are President John F. Kennedy, Muhammad Ali, Candid Camera creator Allen Funt, Perry Como, Jerry Lewis, Orson Welles, Don Rickles and This Is Your Life host Ralph Edwards).
Four months after Lois Lane #9 was published, Boone joined the ranks of Superman, Batman, Flash and Green Lantern with his own self-titled comic book. Pat Boone #1 was issued in September 1959 and was followed by four more issues. The book featured a fictional version of the popular singer and short text pieces about the real Pat Boone.
Superman’s Lois Lane
Courtesy of DC
Elton John Was Afraid Boone Would Sue Him
In 2005, Boone met Sir Elton John at the Society of Singers’ annual Ella Awards (named for the first recipient, Ella Fitzgerald). Boone helped found and fund the organization, with a mission to provide health and welfare benefits to singers in acute financial need and establish scholarships for students seeking master’s degrees in voice.
“I was in line to take a picture with him and when it was my turn I introduced myself, ‘Sir Elton, Pat Boone.’ He was happy but looked sheepish. He said, ‘I was afraid you were going to sue me.’ I knew what he was talking about. ‘Yes,’ I replied. ‘Because of my recording of “Speedy Gonzales.” You copied the “la-la-la-la-la-la” for “Crocodile Rock.”’ I told him I took it as a compliment, and you can’t copyright ‘la-la-la.’ He told me when he only went by Reginald Dwight that he bought all of my records. He named six titles, including “Love Letters in the Sand” and “April Love.” He said, ‘When I heard “Speedy Gonzales” it really clicked with me and I wanted to use the “la-la-las” sometime and it fit in “Crocodile Rock.”‘”
You Don’t Need 23andMe to Know His DNA
When he was 19 years old in 1953, Pat Boone married Shirley Foley, the daughter of country star Red Foley. Pat and Shirley were married for 65 years, until her passing at age 84 in 2019. That means their four daughters have the DNA of two of the most successful singers of their eras, Pat Boone and Red Foley. On Sept. 1, 1979, Pat and Shirley’s daughter Debby (who topped the Billboard Hot 100 for 10 weeks in 1977 with “You Light Up My Life”) married Gabriel Ferrer, the son of actor José Ferrer and singer Rosemary Clooney. Their children have the DNA of Pat Boone, Red Foley and Rosemary Clooney. In a separate interview held a few days after Billboard spoke with her father, Debby addressed the role genetics plays in people’s lives.
“I often think talent is genetic. When I listen to my dad’s older records, I completely hear a tonal quality that I have. And with my grandfather, it isn’t so much a similarity in the tone, but there is a friendliness that either I learned because I was just exposed to it so much because my dad was a huge fan of Red and that influenced the way he started to sing and how he treated an audience from the stage. I was onstage with the family watching and learning from my dad and then I married a guy whose mother had that same gift.”
Considering what musical genetic material might be in their DNA, do any of Debby’s children sing? “It’s funny to watch what happens with kids and who they become. My youngest has that heatseeking missile attention that she was born with. So now she’s a successful actress, and she can sing. She is nervous. She doesn’t sing with confidence because there are so many singers that are around, but she can sing.
“You don’t have to have a perfect voice or an impressive range to touch people musically. You have to have a point of view and an ability to communicate something that makes people identify and I’m sure that she has that. It’s in her toolshed, and I’m sure she’ll use it. I saw her use it to my surprise in high school in plays and then an acting showcase. Suddenly she’s on the piano doing the theme from The Fabulous Baker Boys. So she continues to surprise me. My son has a great voice and does not have any desire to sing. He’s an art director for television and movies and he came out drawing. He loved to draw. That’s his passion, but when he plays around or does karaoke, I think, ‘If you had wanted it, you could’ve been Justin Timberlake.’”
Jump Shot: Boone Can Ball
Boone was 79 in 2013 when he joined the Virginia Creepers, a basketball team based in Arlington, Va., for senior men 75 and older. Creepers player James Martin was a personal friend of the singer and invited him to join the team at the National Senior Games in Cleveland that year. Team captain Del Martin told a local Arlington reporter, “Even though we didn’t bring home a medal, it was a successful trip and a once-in-a-lifetime experience to play with Pat Boone. Pat still draws the ladies and was so gracious to everyone. Plus, he’s not a bad player.”
In 1978, It Was the FTC vs. PB
Normally, the Federal Trade Commission is involved in heavy matters like anti-trust issues. But in 1978 the Commission went after the popular singer, claiming false advertising of Acne Statin, a lotion produced by a company called Cooga Mooga, Inc. Boone endorsed the product in commercials, saying it helped his four daughters with their skin problems. The FTC required Boone to pay 25 cents for each of the 13,000 bottles the company had to refund to customers.
Boone released a statement saying, “This whole experience with the Acne Statin matter has greatly improved my prayer life. I’ve had to turn the other cheek so often in the FTC situation that I’m getting punchy.”
The FTC displayed some humor about the situation. Spokesperson Susan B. Ticknor was laughing when she told The New York Times, “It’s a hell of a lot more interesting than mergers.” Maureen Reagan, daughter of President Ronald Reagan, supported Boone when she said that the lotion helped her with her skin problems during her father’s campaign for the highest office in the land. And after Boone reported that independent laboratory testing backed his claims about the product, the singer said he was going to make more commercials for Acne Statin.
Pat Boone is still active. He is the host of The Pat Boone Hour, airing on SiriusXM’s ’50s Gold (channel 72) Saturdays at 3 p.m. ET with encores on Sundays at noon ET, Tuesdays at 10 p.m. ET and Thursdays at 2 p.m. ET. The show is also available on the SiriusXM app for on demand listening. SiriusXM will celebrate Boone’s 90th birthday on June 1 with a town hall. “We’ll have a career-spanning conversation and in-studio audience members will have a chance to speak with Pat,” Lou Simon, vp/music programming for SiriusXM, tells Billboard. The Pat Boone Town Hall will premiere on ’50s Gold at 3 p.m. ET and will encore on June 2 at noon, June 4 at 10 p.m. and June 6 at 2 p.m., all times ET.
When Pat Boone turns 90 on June 1, it will be almost 70 years since he debuted on a Billboard chart. Back then, he was pushed as clean-cut counterprogramming to Elvis Presley — so successfully that he became bigger than the King, as measured by Billboard Hot 100 hits from the Aug. 4, 1958, debut of the chart through the end of the decade. From his first hits to his recent work with veteran artists, Pat has always been a boon to Billboard.
He’s So Square, We All Care
“Pat Boone, Dot’s new young find, comes off as a potential bobby sox grabber,” noted the May 21, 1955, Billboard when “Two Hearts” hit No. 16 on the Most Played in Juke Boxes chart. After “Two Hearts,” Boone didn’t miss a beat: His cover of Fats Domino’s “Ain’t That a Shame” (hailed as a “flavorsome number” in the June 18, 1955, issue) became his first No. 1. “He is unassuming, generous and should go far,” predicted a retailer in the Aug. 20, 1955, issue.
Pat, Pending
The July 9, 1955, Billboard described Boone as a “fledgling performer, a pleasant-looking lad who’ll do much better when he loosens up his platform manner.” The “Love Letters in the Sand” singer may have taken note. A review of his Los Angeles concert in the June 19, 1961, issue hailed his “easy and relaxed patter.” “Hope this one brings us another gold record,” Boone said of “Moody River” at the show; in that same issue, it became his first No. 1 of the Hot 100 era.
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Jesus Christ + Superstar
Boone’s religious convictions eventually supplanted his pop aspirations. “Pat Boone is creating a ‘Jesus Music’ center,” reported the June 3, 1972, Billboard, “for the myriad of small Jesus youth groups which record their own works but do not have the machinery for national distribution.” Two years later, Boone got soul. When Motown planned a country imprint, he was its first artist, according to the Oct. 26, 1974, issue, which said “not only Boone but Boone’s family will be represented.” Three years later, daughter Debby Boone went solo on Arista, and her “You Light Up My Life” topped the Hot 100 for 10 weeks.
Pat Sabbath
Boone “blasted back on the Billboard album chart after a record 34-year, 2-month absence,” reported the Feb. 15, 1997, issue, as his In a Metal Mood: No More Mr. Nice Guy hit the Billboard 200 at No. 125. Crediting his American Music Awards appearance with Alice Cooper as “one of the many publicity efforts” that fueled this success, Billboard said the album, released on Universal’s Hip-O, was “about as far out in left field as you can go without hitting the wall.”
Gold in Years
In 2019, Boone celebrated the 20th anniversary of The Gold Label, which he formed to help veteran hitmakers ignored by major labels. “We were out there still performing the songs that helped build those labels, and those labels were still selling those old records,” Boone said in the July 27, 2019, issue, but those acts found it harder to get new label deals. “It’s a real labor of love, just like everything else I do with music.”
This article appears in the June 1, 2024 issue of Billboard.