Pop

Charli XCX Gets Intro From Julia Fox, Performs ‘360’ and ‘Sympathy Is a Knife’ on ‘SNL’: Watch

Charli XCX brought songs from her Grammy-nominated Brat album to Saturday Night Live on Nov. 16.

The 32-year-old British pop star pulled double duty as both host and musical guest on the iconic NBC sketch comedy show. Between cracking jokes in sketches, Charli delivered electrifying performances of “360” and “Sympathy Is a Knife,” both from her sixth album, Brat. The set debuted at No. 3 on the Billboard 200 in June and has earned widespread acclaim, including a Grammy nomination for album of the year.

Charli’s first performance opened with a surprise introduction from Uncut Gems star Julia Fox, who set the stage for the artist’s minimalist performance of “360.” Dressed in dark sunglasses, a black Lou Reed T-shirt, a white skirt, knee-high boots and a matching black purse, Charli sashayed amid a lime green backdrop reminiscent of her Brat album cover. “360” also earned Grammy nods for record of the year and best music video, the latter featuring Fox among a star-studded lineup of cameos.

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For her second song, Charli was introduced by SNL cast member Bowen Yang (who wore a Vroom Vroom shirt), before launching into a high-energy rendition of “Sympathy Is a Knife.” Dressed all in black, Charli delivered a club-worthy performance in front of a giant white screen emblazoned with the word “Party” and “Girl” scrawled across the floor in bold lettering.

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This marks Charli’s third appearance on SNL, following her previous musical guest spots in 2014 and 2022.

Her latest SNL appearance comes just after wrapping up her Sweat tour with Troye Sivan. The 22-show run grossed $28 million and sold 297,000 tickets, according to figures reported by Billboard Boxscore.

Watch Charli XCX’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.

Taylor Swift Shares ‘The Tortured Poets Department: The Anthology’ Vinyl Art With Acoustic Track Titles

Taylor Swift gave fans a sneak peek at the upcoming Target-exclusive, Black Friday version of The Tortured Poets Department: The Anthology on vinyl and CD, posting an image that shows what appears to be the back cover of the physical set on Instagram. Swift, whose official The Eras Tour Book is also coming to Target the same day as the vinyl/CD release, made the post on Instagram during the first of two weekends of The Eras Tour in Toronto.

“Just 13 days til The Tortured Poets Department: The Anthology on vinyl and CD AND The Official Eras Tour Book are all available for the first time ever at @target!” Swift wrote in her post Saturday (Nov. 16).

“International info coming soon,” the pop star added, along with the heart hands emoji.

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Swift tagged Beth Garrabant on her post, giving the photographer credit for the Tortured Poets shoot.

The Tortured Poets Department: The Anthology was previously available as a digital release only.

The 35-track album is being issued on vinyl ($59.99) and CD ($17.99) for the first time — with four bonus acoustic songs — on Black Friday. It’ll be in Target stores on Nov. 29 and at Target.com the next day, Nov. 30.

Swift’s Instagram post on Saturday shows the track list of the Target-exclusive album release, including the acoustic song titles: “Fortnight (Acoustic Version) (feat. Post Malone),” “Down Bad (Acoustic Version),” “But Daddy I Love Him (Acoustic Version)” and “Guilty as Sin (Acoustic Version).” All four bonus tracks are acoustic versions of songs from the standard, 16-track The Tortured Poets Department album.

The Official Taylor Swift | The Eras Tour Book ($39.99) will also be in Target stores on Nov. 29, and available to order on Target’s website Nov. 30. The 256-page hardcover book features personal reflections written by Swift and more than 500 images, including never-before-seen performance photos, rehearsal photos and behind-the-scenes photos from tour.

See Swift’s post counting down to the Nov. 29 release of The Tortured Poets Department: The Anthology on vinyl and CD, which arrives the same day as The Official Eras Tour Book:

Sabrina Carpenter Joined by Christina Aguilera for Surprise Performance of ‘What a Girl Wants’ & More at L.A. Concert

Sabrina Carpenter was joined by Christina Aguilera for an unforgettable moment during her Short n’ Sweet Tour stop in Los Angeles on Friday (Nov. 15).

The 25-year-old “Espresso” singer surprised fans at L.A.’s Crypto.com Arena when she welcomed the iconic pop star, 43, on stage for a pair of duets. Together, they performed Aguilera’s classic hits “Ain’t No Other Man” and “What a Girl Wants.”

The surprise collaboration opened with Carpenter playing a game of Spin the Bottle with her backup dancers, announcing Xtina as the winner. As the crowd cheered, the five-time Grammy winner emerged from a platform beneath the stage and launched into “Ain’t No Other Man.”

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The duo then slowed things down for a rendition of “What a Girl Wants,” evoking memories of the iconic performance they shared during Aguilera’s 25th anniversary celebration of her self-titled 1999 debut album, filmed at Spotify Studios in L.A.

“I’m freaking out,” Carpenter told to the crowd, before sharing a personal memory of Aguilera’s early influence on her. “I think the first time I ever heard your voice was when my mom played me a video of you singing ‘A Sunday Kind of Love’ at 8 years old,” she said, referencing Aguilera’s 1990 performance on Star Search. “It was the most inspiring thing for me to see as a young girl who wanted to sing but didn’t think I could do it at that age.”

Released in 1999, “What a Girl Wants” reached No. 1 on the Billboard Hot 100, while “Ain’t No Other Man” hit No. 6 in 2006.

Carpenter’s Los Angeles concert also featured another playful moment, with Carpenter “arresting” actress Rachel Sennott during her song “Juno.” The pop star had pulled a similar stunt with Stranger Things star Millie Bobby Brown at an Atlanta tour stop in October.

It’s Time! iHeartRadio Stations Make the Flip to Christmas Music for 2024 Holiday Season

‘Tis officially the season, which means its time for festive songs on the radio!

iHeartMedia announced that the annual station flip to holiday music kicked off on Friday (Nov. 15) with more than 85 stations across the country broadcasting modern holiday hits as well as Christmas classics from Bing Crosby, Dean Martin, Frank Sinatra and more all day long.

“Year after year, as the Christmas season approaches, listeners look to our stations as the holiday music destination, anticipating the return of their favorite songs, from the timeless classics like ‘Rockin’ Around the Christmas Tree’ to Mariah Carey’s ‘All I Want for Christmas Is You,’” said Tom Poleman, iHeartMedia’s chief programming officer, said in a press statement. “Listeners around the country have really come to rely on our stations to kick off the season, these songs ignite their spirits and evoke memories, hearing the music is nostalgic. That’s what also makes this Holiday Special, well, so special because it’s their favorite artists sharing their personal holiday memories with their fans. After all, it is the most wonderful time of the year!”

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To continue the holiday festivities, the iHeartRadio Holiday Special is returning this year. The annual event will be hosted by Mario Lopez, and feature interviews with stars including Dan + Shay, Jennifer Hudson, Jimmy Fallon, Kelly Clarkson and more, as they discuss their favorite holiday songs and traditions.

The special will broadcast across iHeartMedia stations nationwide and on the iHeartRadio app on  November 27 at 7 p.m. local time. 

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Jin’s ‘Happy’ Album: Every Track Ranked

See how we broke down every song from the BTS superstar’s long-awaited solo album.

With Jin finally feeling like it was the “right time” to release his first solo project, Happy is a radiant ode to explore his favorite genre in rock music as well as the gratitude he wants to share with fans.

While the BTS superstar’s participation in the album’s production is evident all the way through the final track “I will come to you,” a poignant ballad he wrote for ARMY fans, Jin also enlisted a cast of global collaborators to bring his Happy feelings to life. The electrifying main single “Running Wild” was co-produced by Gary Barlow of British boy band Take That, while the pre-release track “I’ll Be There” marks the latest team-up between BTS and “Lights Down Low” singer MAX. There’s also Taka and Toru of Japanese rock group ONE OK ROCK, Wendy of K-pop girl group Red Velvet and some of Jin’s longtime collaborators like PDOGG, all present so that Happy presents Jin as a versatile vocalist unafraid to experiment with new styles without losing his authenticity.

While listeners have been treated to solo songs by Jin for years — including his Billboard Hot 100 hit “The Astronaut” that had contributions from Coldplay — this tight, six-song EP finally gives fans a longer Jin listening experience while exploring universal themes like love, joy and personal growth.

From the singles “Running Wild” and “I’ll Be There” to new solo songs including “Heart on the Window” and “Another Level,” check out our ranking of every song from Jin’s debut solo album, Happy.

Lady Gaga Goes All Out Performing ‘Disease’ Choreography in Hotel Hallway: Watch

Lady Gaga very well may have earned herself a noise complaint during a recent hotel stay, during which she performed a snippet of intense choreography to her new single “Disease.”

In a video posted Thursday, the pop star leaves her hotel room and tiptoes into the hallway before suddenly tossing her belongings to the floor, running to the other side off the path and throwing herself against the wall. After some heavy head-banging, she hops forward with thrusting motions toward the camera — a re-creation of the same choreography featured in her “Disease” music video.

“When you need a girls night out in the middle of the week,” she captioned the clip.

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Gaga’s latest track arrived in October, followed shortly by its chaotic choreography-filled music video. “Disease is about facing that fear, facing myself and my inner darkness, and realizing that sometimes I can’t win or escape the parts of myself that scare me,” the 13-time Grammy winner wrote of the visual when it dropped. “That I can try and run from them but they are still part of me and I can run and run but eventually I’ll meet that part of myself again, even if only for a moment.”

Debuting at No. 27 on the Billboard Hot 100, “Disease” will serve as the lead single of Gaga’s seventh studio album, which is expected to arrive in February. It’ll follow September’s Harlequin, a companion album the star released for Joker: Folie à Deux.

On Friday (Nov. 15), Gaga shared another TikTok video using “Disease,” this time taking part in a trend that begins with users asking, “Have we eaten today?”

In Gaga’s version, she starts out the video dressed down, not yet on the other side of hair and makeup. “No, I think we should eat,” she answers herself in the clip before it cuts to her walking in slow-motion, modeling an edgy outfit and glamorous eyeshadow.

Watch Gaga’s TikToks below.

Jin Explains Why Now Is the ‘Right Time’ to Release His Solo Album & Reveals His Favorite Collab So Far

With a simple but hearty title, Happy is not just Jin‘s debut album — the seventh and final member of BTS to release a full-fledged solo project — but a statement on his creative journey and his fans’ significance throughout it.

While the 31-year-old is known to keep BTS’ ARMY at the forefront of his work, mind and in interviews, making his first public appearance after completing his mandatory military service at an event to hug 1,000 fans this past summer, Jin shares his love of rock music in hopes to inspire joy within listeners further. Described as an “organic and seamless” process, Jin tapped a range of international collaborators to complete his musical vision on Happy: New York City singer-songwriter and past BTS collaborator Max co-wrote the buzzy single “I’ll Be There,” Gary Barlow of British boy band Take That worked on the focus track “Running Wild,” Taka and Toru of Japan’s ONE OK ROCK co-produced and played instruments on “Falling,” while “Heart on the Window” is a duet with K-pop girl group member Wendy of Red Velvet, who grew up in South Korea, Canada and the States.

“Putting the album together has allowed me to pause and reflect on just how much ARMY means to me,” Jin tells Billboard. “As I worked on each track, I thought about what I wanted to convey to them, how I want to bring joy and happiness to them, while also expressing how much I missed them during our time apart.”

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With Happy, Jin proves his capacity to creatively grow and explore fresh musical landscapes while still staying deeply connected to the roots of his BTS journey. With warmth, optimism and universal messages, Happy has the qualities to not only enchant loyal fans, but entertain entirely new audiences — and does so while conveying his most authentic self.

Read on to see what the “Worldwide Handsome” superstar tells Billboard about Happy‘s sounds, timing and meaning, and much more.

How are you doing at this exciting time? Was making your comeback to music after a break difficult, or was it a natural return?

JIN: I’m happy to be back with my first solo album, Happy. Making this comeback, my first thought was to reconnect with ARMY. Creating the album was a way for me to share something with them, and the whole process just felt like a return to something natural.

With the release of Happy, all of BTS’ members will have officially released a full solo project! While we’ve got a lot of great solo singles from you, can you share insight as to why we are getting your first solo album now?

Before enlisting, I was focused mainly on our group activities, so a solo album didn’t feel right at the time. But with all the members now taking turns serving, it felt like the right time to share something personal with ARMY who have supported us all along. I hope everyone enjoys it as much as I’ve enjoyed making it.

I know you’re a big fan of and emotionally connected to BTS’ 2016 single “Spring Day.” Was finding music that resonated with you like “Spring Day,” whether emotionally or with rock influences, an inspiration?

“Spring Day” has always had a special place in my heart, but for this album, I wanted to explore something a little different. I set out to create a more vibrant, upbeat atmosphere, so the overall feel of the album is more lively and energetic. I’d probably consider exploring the emotional tone of “Spring Day” in the future.

Happy is described as “Jin’s journey to true happiness” and “an authentic portrayal of Jin as a solo artist.” What did that journey entail?

The journey behind revolved heavily around my connection with ARMY. As I worked on each track, I thought about what I wanted to convey to them, how I want to bring joy and happiness to them, while also expressing how much I missed them during our time apart. Putting the album together has allowed me to pause and reflect on just how much ARMY means to me.

You introduced the LP with “I’ll Be There,” which has a rockabilly and rock n’ roll sound. Why was this the song to reintroduce yourself?

I just really connected to the track and felt it was the right one to share with ARMY first. The fun, catchy vibe of the track felt like a good way to start things off. I wanted to bring joy and comfort to those who might be feeling down, and it’s my way of offering a little cheer before the full album comes out — sharing a song I like.

“Running Wild” has a lot of energy and universal themes that will appeal to so many people. What are your goals or hopes for Happy‘s main single?

With “Running Wild,” I wanted to create a track full of energy. I hope it inspires people to keep moving forward — whether that means running, working out or just pushing themselves to overcome a challenge.

You brought a range of international collaborators on Happy. What were you looking for in your collaborators?

That’s a tough question since I simply wanted to work with people whose music and talents I admired. Each collaborator brought something unique to the table, and I’m so grateful for the opportunity to have worked together with such talented artists to bring Happy to life.

As I listened, I wondered if you had ever considered creating your own band in the past or teaming up with a rock act as a side project.

The only band I, now and forever, will be part of is BTS. Band music is a genre I’m personally interested in, and I enjoy exploring different styles as a solo artist. But at the end of the day, my roots and connection to music will always be with BTS.

Thinking about your solo songs — including four No. 1s on Billboard‘s World Digital Song Sales chart with “Astronaut,” “Super Tuna,” “Yours” and, last week’s chart-topper “I’ll Be There” — are you able to pick a favorite?

All of my solo projects are meaningful, but if I had to choose a favorite, it would be “The Astronaut.” It is especially close to my heart, thanks to the incredible opportunity I had to collaborate with Coldplay, whom I deeply admire. I’ll never forget the moment when I first heard the song, the things I felt when Chris [Martin] first played the song.

Anything else to share with international ARMY at this time?

I’ll keep giving my all so that I can connect with all of you in person soon!

NCT 127 Announce 2025 North American Dates for ‘NEO CITY – THE MOMENTUM’ Tour

K-pop boy band NCT 127 announced the North American dates for their fourth world tour on Friday (Nov. 15), NCT 127 4TH TOUR ‘NEO CITY – THE MOMENTUM.’ The six-show run of dates will kick off on Feb. 28 with a show in Duluth, GA at the Gas South Arena, before moving on to the Prudential Center in Newark, N.J. (March 2) and Scotiabank Arena in Toronto (March 5).

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The AEG Presents-promoted tour will then hit Allstate Arena in Rosemont, IL (March 7), Frost Bank Center in San Antonio, TX (March 9) and wind down on March 12 with a gig at Crypto.com Arena in Los Angeles.

Fans can register for access to an artist presale — slated to begin on Nov. 20 at 4 p.m. local time — through Weverse here, with general public tickets slated to go on sale on Nov. 22 starting at 4 p.m. local time. According to a press release announcing the shows, the tour’s title (“The Momentum”) “symbolizes the energy and driving force behind NCT 127’s continuous growth and their ambition to reach even larger stages. It encapsulates the group’s aspiration to bring boundless energy and transformative performances to a global audience as they step into their fourth world tour.”

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The dates will be the nine-member band’s first shows in North America since their Jan. 2023 tour. They will kick off the year on Jan. 18 at the Gocheok Sky Dome in Seoul, South Korea, followed by dates in February in Jakarta and Bangkok. After their North American run, the group will fly to Osaka, Japan for a show on March 15, before moving on to Taipei, returning to Japan for stops in Fukuoka and Nagoya and then winding down with an April 26 stop in Macau.

NCT 127 released their seventh album, Walk, in July

Lady Gaga & Bruno Mars’ ‘Die With a Smile’ Hits No. 1 on Pop Airplay Chart

Lady Gaga and Bruno Mars’ “Die With a Smile” bounds four spots to No. 1 on Billboard’s Pop Airplay chart (dated Nov. 23).

The ballad, on Streamline/Atlantic/Interscope/ICLG, reigns with Greatest Gainer honors, up 10% in plays at the format Nov. 8-14, according to Luminate. The song drew an average of 77 plays per reporter playing it in that span (translating to a play roughly every two hours).

The Pop Airplay chart ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.

Notably, Gaga rules Pop Airplay for the first time since the chart dated April 9, 2011, with “Born This Way.” She rewrites the mark for returning to No. 1 after the longest break: 13 years, seven months and two weeks. (In between, she logged six top 10s.) Mariah Carey previously held the distinction, with a wait of nine years, four months and three weeks between “One Sweet Day” with Boyz II Men in 1995-96, and “We Belong Together” in 2005. (Last year, Miley Cyrus ended a nine-year, two-month and two-week break between the reigns of “Wrecking Ball” in 2013 and “Flowers.”)

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Mars last led Pop Airplay with “Finesse,” with Cardi B, in 2018.

Gaga now boasts eight career Pop Airplay No. 1s and Mars, 10 – tying him with Justin Bieber for the most among solo males. Here’s a look at the acts with the most leaders since the chart began in October 1992:

13, Taylor Swift
11, Maroon 5
11, Katy Perry
11, Rihanna
10, Justin Bieber
10, Ariana Grande
10, Bruno Mars
9, P!nk
8, Doja Cat
8, Lady Gaga
8, Justin Timberlake
7, Beyoncé

Plus, Gaga becomes only the third act to have topped Pop Airplay in the 2000s, ‘10s and ‘20s, joining Maroon 5 and Taylor Swift. Gaga scored a career-launching-record six No. 1s on her first six tries in 2009-10, beginning with “Just Dance” featuring Colby O’Donis.

As previously reported, “Die With a Smile” crowned the Billboard Global 200 chart for eight weeks in September-October, the most for any song this year. It drew 119.6 million streams worldwide Nov. 1-7 and has tallied over 100 million streams globally in each of the last 10 weeks (through the Nov. 16-dated chart), the longest such streak since the survey began in September 2020.

Meanwhile, Gaga’s new solo single “Disease” holds at its No. 18 high on the Nov. 23-dated Pop Airplay chart (up 12% in plays).

All charts dated Nov. 23 will update Tuesday, Nov. 19, on Billboard.com.

Darren Criss and Helen J. Shen Talk Finding Their ‘Maybe Happy Ending’ on Broadway: ‘It’s a Really Charming, Kind Little World’

It’s best to let Darren Criss describe the simply complex story of Maybe Happy Ending, the new musical he co-stars in with Broadway newcomer Helen J. Shen. “There’s what the story is and then there’s what the show is about,” the Emmy and Golden Globe-winning singer/actor/songwriter tells Billboard in an interview you can watch above.

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“Those aren’t necessarily the same things,” he notes about the musical love story from Will Aronson and Hue Park, in which the former Glee star and Shen appear as obsolete Helperbot robots who meet cute and fall in love. “Thematically, it’s about two elderly people in hospice who decide to break out of the situation to go connect with their family,” says Criss about what sounds like a potentially dark theme.

And while that “grim, depressing construct for a show” doesn’t sound like the stuff of uplifting Broadway magic, Criss promises that the musical’s creators have somehow morphed that idea about the chilly march of time and hard lessons about love and life into a “really charming, kind little world” filled with Helper robots who are living embodiments of our iPhones and other digital assistants.

Because many of us imbue our inanimate digital devices with human-like qualities, sometimes holding on to them well past their best-by use date, Criss says the musical asks what happens when those objects become more like us?

Shen makes her Broadway debut in the play alongside theater/TV/movie veteran Criss, 37, after turning heads last year in the ensemble of the Off Broadway musical Teeth. She says one of the most exciting parts of performing in the show is the chance to take the lead in a completely new piece of theater not based on any existing intellectual property or a reboot/revival, but something that theatergoers have never seen before.

“It’s super overwhelming. The idea of it has been something that I’ve dreamed about my whole life,” says Shen, 24 of originating a character on Broadway. “And to have it come to fruition with this particular story, with this particular group of people I just feel… abundance. I feel so lucky and grateful.”

Both say they feel really blessed to be part of the show, with Criss noting that he has typically starred in “iconic” roles in his previous Broadway runs, including as Harry Potter in A Very Potter Musical, J. Pierrpont Finch in How to Succeed in Business Without Really Trying, Seymour in Little Shop of Horrors and Hedwig in Hedwig and the Angry Inch, among others. “These are things people know and love,” he says of those classics.

“[Which] were great, with or without me. I now go in there trying to do my own thing and make it my own and there’s the excitement of the challenge, but also the pressure of living up to a certain thing and wanting to do your own thing,” he adds about trying to find something of yourself in a well-known role people may have seen many other times with other performers. “Whereas this, it’s an open canvas, not only for us, but for the audience. They don’t have any preconceived notions. That’s the best thing about this.”

Because it is a new experience, audiences don’t know what to expect, which both actors say makes attendees really listen and sit up in their seats to take in all the nuance of the show that also heralds the Broadway debuts for creators Aronson and Park; it began its life on stage in Seoul, South Korea in 2016 and was later produced in Japan and China as well.

Maybe Happy Ending, directed by Michael Arden (Parade), is open now at the Belasco Theatre on Broadway.