Pop
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With the first quarter of the 21st century coming to a close, Billboard is spending the next few months counting down our staff picks for the 25 greatest pop stars of the last 25 years. We’ve already named our Honorable Mentions and our No. 25 and No. 24 stars, and now we remember the century in Bad Bunny — who grew from Latin trap phenom to globe-conquering superpower and transformed what it means to be a pop star in the U.S. and beyond.
It’s easy to forget in 2024 how unusual the concept of a foreign-language U.S. pop star was as recently as last decade. Even as Latin pop enjoyed a massive crossover moment at the turn of the century, and reggaetón became a global force in the mid-’00s, the only artists able to regularly dominate the U.S. mainstream were those who performed in English (or collaborated with English-language hitmakers). Daddy Yankee was as legendary a 21st century reggaetón artist as they come – his 2022 sendoff album was called Legendaddy – but his signature hit, the all-Spanish “Gasolina,” still topped out at No. 32 on the Billboard Hot 100 in 2005. Even his historic, chart-conquering Luis Fonsi teamup “Despacito” needed a Justin Bieber remix to get over the Hot 100’s top in 2017, and neither Fonsi nor Yankee has made the chart’s top 20 again since.
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And then came Bad Bunny. The Puerto Rican artist born Benito Antonio Martinez Ocasio didn’t transform global pop music overnight, but over the course of his six-year rise to dominance, he infiltrated the mainstream in a way no other Spanish-language artist – no foreign-language artist of any kind, really – ever quite has. That’s because not only did Bad Bunny establish himself as one of the most reliable hitmakers on the planet (and in the U.S. specifically) while also becoming one of the most recognizable faces and personalities in pop culture at large, but he did it all while seemingly making no artistic concessions to anyone – not to radio, not to trends, and certainly not to the English-speaking world.
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Bad Bunny first made his presence known in 2016, after his single “Diles” – released on SoundCloud, while Ocasio was still working as a supermarket bagger – attracted enough viral attention to both get him a label deal with Hear This Music and Rimas Entertainment and earn a remix featuring established reggaetón hitmakers Farruko, Arcángel and Ñengo Flow (and a fellow rising star in Ozuna). The song didn’t make much chart impact, but became a slow-burning streaming success – and later that year, Bad Bunny released “Soy Peor,” which would become his first entirely solo hit when it peaked at No. 19 on the Hot Latin Songs chart in September 2017, establishing him as a leading voice in the burgeoning Latin trap scene.
Over the next year, Bad Bunny would also become a fixture on the Hot 100, appearing on hits alongside Becky G (“Mayores”) and Enrique Iglesias (“El Bano”), while also contributing his growing star power to All-Star cuts like “Krippy Kush” and “Te Boté,” the latter his first top 40 entry on the chart. While Bad Bunny was just one artist of many on the latter two songs – with a combined 10 total credited names between them – he stood out for both his distinctive voice, a congested-but-buttery croon which also made his trademark artist tag (“Bad Bunny bay-beh!!”) instantly unforgettable, and for his impeccable fashion style, an unconventional mix of the flamboyant and the basic that always seemed to land within the realm of timeless cool.
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It all led up to his 2018 feature appearance on American rap superstar Cardi B’s “I Like It,” one of pop’s great star-making moments of the 21st century. While Bad Bunny did not yet have the household name recognition of either Cardi or fellow guest reggaetonero J Balvin – who’d recently scored a massive U.S. crossover moment of his own with the Willy William collab “Mi Gente,” even landing Beyoncé for the song’s remix – his verse still kinda stole the show, from its opening “chambea, chambea” chant. Wearing cat-eye sunglasses and a Puerto Rico World Baseball Classic jersey in the song’s hugely popular music video, Ocasio already looked like an icon in the making. The song reached No. 1 on the Billboard Hot 100, and ensured that all eyes everywhere were now on Bad Bunny.
The heat from “I Like It” did not take long to translate to Bad Bunny’s career as a leading man. Just a few months later, he returned with “MIA,” which landed a guest verse from perhaps the only hitmaker with even more juice than Cardi B in 2018: Drake, in the midst of a year where he’d spend a combined 29 weeks atop the Hot 100 with Scorpion singles “God’s Plan,” “Nice for What” and “In My Feelings.” Not only did the Canadian-born superstar play the hook man for Bad Bunny’s new single, he actually sang in Spanish for it – showing that this early in his rise, Benito already had the clout to get the English-speaking pop world to come to his turf. “MIA” was another enormous success for Bad Bunny, reaching No. 5 on the Hot 100 and enduring for long enough to end up the No. 1 year-end single on the 2019 Year-End Hot Latin Songs chart.
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Amazingly, Bad Bunny’s entire rise to stardom transpired before he even released his debut album. That came at the tail end of 2018, however, with X 100pre. Rather than cash in on his two years of hits and big-name collabs to that point, Bad Bunny’s debut album featured only a couple of his previously released singles and just a few guests, with “MIA” stuck at the end like a bonus track. The album drew rave reviews and reached No. 11 on the Billboard 200, hanging around the chart well into the next decade and ultimately spending 177 weeks on the listing, confirming that Bad Bunny was already much more than just a singles artist.
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Bad Bunny
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In June 2019, while Bad Bunny was still spinning off X 100pre hits, having further success with singles alongside hitmakers Tainy (“Callaíta”), Lunay (“Soltera”) and Jhayco (“No Me Conoces”) and taking a break in between legs of his first arena tour, Bad Bunny would further electrify his now-global audience by reteaming with his “I Like It” collaborator J Balvin for the Oasis EP. Despite having just eight tracks, the set made both the top 10 on the Billboard 200 and the top 10 of Billboard’s year-end staff albums list for 2019. Perhaps most importantly, while Bad Bunny was unquestionably the little brother of the two from a star perspective on “I Like It” just a year earlier, by the time of Oasis he and Balvin were clearly on even footing as the two leading hitmakers in reggaetón and Latin trap.
But while Balvin’s stateside star would fade somewhat as the decade turned to the 2020s, Bad Bunny’s would only get brighter. In 2020 alone he would release a trio of albums – YHLQMDLG (short for Yo Hago Lo Que Me Da La Gana, “I Do Whatever I Want” in English) in February, castoffs compilation Las Que No Iban a Salir (The Ones That Were Not Coming Out) in May and El Último Tour del Mundo (The Last Tour in the World) in November – that continued to expand his sound and his global profile, attracting rave reviews (even from many listeners and publications who had not traditionally shown interest in Latin pop or reggaetón). His albums became event releases – doubly so because he started scheduling them around major calendar events (X 100pre on Christmas Eve, YHLQMDLG on Leap Day, El Último on Thanksgiving, etc.) What’s more, in December, Último made history by debuting at No. 1 on the Billboard 200, marking not only Bad Bunny’s first appearance atop the chart, but the first entirely Spanish-language No. 1 album in the chart’s near-60-year existence.
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In 2021, Bad Bunny made the jump from pop hitmaker to unavoidable celebrity. He scored a brief cameo in F9, the latest installment of the blockbuster Fast & Furious franchise, and started appearing in commercials for Cheetos and Corona, the latter featuring his bilingual bantering with American rap icon Snoop Dogg. More unexpectedly, he launched a wrestling career – at first just performing his wrestling-themed “Booker T” at the Royal Rumble, then getting in the ring himself, both on his own and as part of a tag team with fellow Puerto Rican Damien Priest. He also used his newfound industry influence to help facilitate comeback moments for some of his hitmaking favorites of yore – enlisting Aventura for his hit “Volvi” and both co-writing and co-producing El Playlist de Anoche with Tommy Torres, giving each their biggest spotlight moment in years, if not decades.
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But as much as Bad Bunny accomplished in the first five years of his career, it turned out to all be the prelude to 2022. That May, he dropped Un Verano Sin Ti (A Summer Without You) – 23 tracks, again entirely in Spanish, with no major English-language guests, and with only closer “Callaíta” having been previously released. Like Último, it debuted atop the Billboard 200 – but unlike Último, it stayed there, spending 13 weeks at No. 1 on the listing, with at least 8-10 of its tracks also populating the Hot 100 during any given week that summer. Though no one single from it was really big enough to bring Verano to larger consciousness on its own, the album was so varied in sound – with tracks ranging from the sublime “Neverita” to the booming “Titi Me Pregunto” to the party-starting “Después de la Playa” – but so coherent in overall feeling, that different songs from it popped off at different times (and with different audiences). It ended 2022 as the No. 1 album on both the Year-End Billboard 200 and the Billboard staff’s Albums of the Year list, and also earned Bad Bunny his first Grammy nomination for album of the year.
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Between 2022 and 2023, his stateside visibility took yet another step up, as he co-starred (and had a big fight scene) with Brad Pitt in the action flick Bullet Train, pulled double duty hosting and performing on Saturday Night Live, and dominated the 2022 VMAs remotely from his headlining gig at Yankee Stadium – part of his globetrotting World’s Hottest Tour – where he won the artist of the year moonperson. (He also made headlines for kissing a male backup dancer during that performance, further demonstrating an allyship that has made him an icon for the LGBTQ community, a rarity for trap or reggaetón artists.) He also began dating American superinfluencer Kendall Jenner, news of which was met with some trepidation from his core fanbase, but which cemented him as a tabloid fixture, and half of one of pop culture’s preeminent 2020s power couples. Before 2023’s end, he even released another album: Nadie Saber Lo Que Va a Pasar Mañana, which also debuted atop the Billboard 200, albeit without quite the rapturous acclaim or staying power of Verano.
In 2024, Bad Bunny stands as simply one of the biggest culture-movers in music. The list of accolades and accomplishments he’s racked up in his career to this point is staggering, but his truest legacy may simply be proving that you can be the greatest pop star in the world – and he was ours for 2022 – without compromising your music, your image or your language for the American market. When Bad Bunny gets up at an award show this decade and accepts entirely in Spanish, he does it without apology or hesitation, and nobody even blinks at it. Now, it’s easy to see an artist like Karol G or Peso Pluma following their way through some of the doors he’s opened. And that’s the power of Bad Bunny: to be such an obvious, all-encompassing superstar that you forget just how long – and until how recently – those doors had been closed in the first place.
Read more about the Greatest Pop Stars of the 21st Century here and check back on Thursday when our No. 22 artist is revealed!
Hozier is taking a brief break from the road to rest and recuperate. The “Too Sweet” singer informed fans on Monday (August 26) that he’s been forced to postpone tonight’s (August 27) planned show in Billings, MT at the First Interstate Arena and Wednesday’s (August 28) gig at Casper, WY’s Ford Wyoming Center due to […]
It was the rumor that everyone wanted to believe but nobody could confirm: the final night of the Democratic National Convention was going to feature a very special appearance by Beyoncé. The fantasy was that the singer was going to shock the world and cap the coronation of Vice President Kamala Harris as the Democrat party’s 2024 presidential nominee by performing her Harris campaign theme song, “Freedom” in Chicago’s United Center as the balloons and confetti rained down on Harris and her VP pick, Minnesota Gov. Tim Walz.
Only it wasn’t true and never was. It was, however, such a compelling manifestation that even some of the event’s staff were convinced it was happening.
“We never put out anything about Beyoncé. We denied it every time the media asked us — even though, by the way, people on my staff didn’t believe me,” DNC executive producer Ricky Kirshner told The Hollywood Reporter. “I kept getting texts from news organizations saying, ‘When is Beyoncé coming out?’ But come on, we have the biggest star, the Democratic nominee for president. Why would we overshadow that?”
It’s a fair point. Plus, Kirshner, an Emmy-winning veteran of 14 Super Bowl halftime shows and a raft of other live events, who worked with Emmy-winning director Glenn Weiss (Tony Awards, Kennedy Center Honors) to design the four-night spectacle, said they already had a huge task ahead of them after Harris swapped in just four weeks before the event following President Joe Biden’s exit from the race. Coming off a muted 2020 convention that was virtual due to the COVID-19 pandemic, Weiss said they were looking for a “big-energy experience,” after throwing out the original script and pivoting to focus the event around Harris.
Weiss said the Beyoncé rumor — which kicked into high gear by the anonymous @Angry_Staffer X account writing, “If you thought the Oprah surprise was big, just wait” — was a perfect example of an internet whisper taking on a life of its own. “And people taking something as fact — literally to the point that people in my booth are saying, ‘Is she coming? You can tell me.’ And I would say, ‘I have no knowledge she’s coming.’ And they would say, ‘No knowledge? So there’s something to know?,’” he said. “It was pretty crazy. But she wasn’t coming. In the end even TMZ [which first reported it] had to issue an apology.”
The rumors spun up so quickly and fervently that a spokesperson for the singer stressed to THR on the day of Harris’ convention-ending acceptance speech on August 22 that “Beyoncé was never scheduled to be there… The report of a performance is untrue.”
While Queen Bey was not in the house, her presence was definitely felt, including on night one when a moving a cappella video cued to her Lemonade track “Freedom,” with narration from Oscar-nominee Jeffrey Wright, was played to help kick-off the proceedings. After Harris unexpectedly jumped into the race last month, the campaign rolled out “Freedom” during the veep’s walk-out at her inaugural visit to campaign headquarters. A full-band album version of the song was also featured in an early campaign video.
Unlike Trump, who has been sued, issued cease & desist orders and strongly-worded requests from artists who don’t agree with his divisive, name-calling rhetoric and who want him to stop using their music during his campaign stops, Beyoncé gave the Harris campaign full approval to use “Freedom.”
In another nod to how important music was to the DNC, Kirshner said that the instantly viral Georgia roll call moment with Lil Jon performing “Turn Down For What!” in the room even took producers by surprise. “It took on a life of its own,” Kirshner said of the high point of the innovative, music-heavy recitation of the delegate count, which had a much more traditional, staid roll-out at the RNC weeks before. “We were just trying to energize the room and we woke up the next morning and it was like, ‘holy crap!’ We actually asked a couple of people from other states if they might want to do something and they didn’t get into it. But Lil Jon just really leaned in.”
Benson Boone and RAYE have been added to the already star-studded line-up for the 2024 Global Citizen Festival in New York’s Central Park. The pair join a previously announced roster of acts that includes Post Malone, Doja Cat, Jelly Roll and Rauw Alejandro.
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“Ending extreme poverty is a responsibility we all share,” said Boone in a statement. “I’m grateful to be involved in Global Citizen’s mission by helping those who are living in extreme poverty. I hope we can all come together to take action and make a real difference in the world.”
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The festival hosted by Global Citizen Ambassador Hugh Jackman will also feature special appearances by primatologist Dr. Jane Goodall and Coldplay singer Chris Martin. As part of its portfolio of environmental sustainability efforts, this year’s even will also become one of the first major U.S. festivals to be powered entirely by hybrid energy.
According to a release, the Central Park stage will be powered by the same kind of SmartGrid battery system used to power Coldplay’s Music of the Spheres world tour, including all audio, lighting, video and stage production. Working with Showpower Global B.V. and CES Power, Global Citizen Fest will become one of the first major U.S. festivals to move away from using diesel generators in order to reduce the event’s carbon emissions.
Among the confirmed presenters scheduled to take the stage on Central Parks’ Great Lawn on Sept. 28 are: Antoni Porowski, Bill Nye, Bridget Moynahan, Charlamagne Tha God, Danai Gurira, Eric Adjepong, Gavin DeGraw, Jordan Fisher, Kal Penn, Liza Koshy, Doctor Mike Varshavski, Nomzamo Mbatha, Osi Umenyiora, Rachel Brosnahan, Rhett & Link, Sophia Bush and Vladimir Duthiers.
The group leading the international push to end extreme poverty is once again offering fans free tickets, which can be earned by taking action on the Global Citizen app or on the organization’s site here in an effort to defeat poverty, defend the planet and demand equity.
“Global Citizen Festival has always been about using the power of music and activism to drive real, tangible change. This year, we’re taking bold steps to protect our planet, from powering our stage with clean energy to advocating for Indigenous-led projects that preserve the Amazon and calling for a global Fossil Fuel Non-Proliferation Treaty,” added Global Citizen co-founder Michael Sheldrick in a statement. “These efforts are about ensuring that the transition to a sustainable future leaves no one behind – whether it’s communities in the Global South or right here in New York. We’re calling on world leaders, businesses, and citizens alike to join us in mobilizing action towards a just transition to clean energy and a safer planet for all.”
Global Citizen will also mark the start of Climate Week with a beach clean-up on Sept. 21 in partnership with the Jamaica Bay-Rockaway Parks Conservancy. Fans can also earn free tickets the the festival by removing trash and marine debris from the shores of Jamaica Bay and documenting the year’s “Dirty Dozen” most commonly found trash items; click here to register and for more information.
Official Global Citizen 2024 merch is available now, with responsibly sourced items made in collaboration with Doja Cat, Alejandro, Aviator Nation and more; click here to see the items.
Among the calls to action for this year’s event is one asking the G7 nations — Canada, France, Germany, Japan, Italy, the U.K. and the U.S. — to increase support for anti-poverty programs worldwide, as well as one calling for businesses, governments and philanthropic organizations to protect and restore the Amazon rainforest by investing $1 billion to help support indigenous communities and pledge to set timelines for phasing out coal, oil and gas to ensure a transition to green energy. The third action point is Global Citizen’s plea for world governments to commit at least $5 billion to equitable access to nutritious food, stronger health systems and quality education around the world.
Sabrina Carpenter is having an incredible year, everywhere. In the U.K., the popstar is aiming to claim her third No. 1 single with “Taste,” the latest release from her album Short n’ Sweet.
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If “Taste” climbs to No. 1 on the Official U.K. Singles Chart, it will be the third consecutive chart-topping single from Short n’ Sweet, joining “Espresso” and “Please Please Please,” which together dominated the charts for 12 weeks earlier this year.
The leader on the midweek chart, “Taste” is a polished pop track that sees Carpenter addressing an ex-boyfriend and his new partner with unapologetic confidence, delivering lines like: “You’ll just have to taste me when he’s kissin’ you.” With this single, Carpenter effortlessly evolves her sound, bringing a bold edge to the pop style that has defined her success.
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Adding to the song’s impact is its music video, which dropped on the same day as the album’s release, Aug. 23.
Directed by Dave Meyers, the video is a wild tribute to classic horror flicks, particularly Death Becomes Her, and it stars none other than Jenna Ortega, known best for her titular role on the Netflix series Wednesday.
The video is a bloody adventure, as Carpenter and Ortega’s characters go head-to-head in a gory, over-the-top showdown that ends with a surprising twist: the two becoming friends after their shared love interest meets a gruesome end.
And it’s not just “Taste” making major moves across the pond—two other tracks from Short n’ Sweet are also climbing chart. “Please Please Please” is currently sitting at No. 5, and the disco-infused “Good Graces” is on track to break into the Top 10 at No. 10.
Lady Gaga and Bruno Mars are also aiming to hit a new peak with their track “Die With A Smile,” which is climbing to No. 6 in the midweek charts.
Meanwhile, Sonny Fodera, Jazzy, and D.O.D are inching closer to a Top 10 breakthrough with their collaborative single “Somedays,” projected to rise to No. 11. Teddy Swims is also on the rise, with his slow-burning hit “The Door” expected to enter the U.K. Top 20 for the first time at No. 18 this Friday
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Paramore is celebrating their Eras tour trek with Taylor Swift. The band took to their Instagram page on Monday (Aug. 26) to share appreciation for Swift, posting a photo in which frontwoman Hayley Williams and the band smile alongside the pop star, who is giving a thumbs up to the camera. “Thank you for asking […]
Charli XCX accidentally on purpose drew herself into the current heated American presidential race with what she thought was an innocuous tribute to Vice President Kamala Harris’ ineffable, no f’s given qualities. And while her “Kamala IS Brat” tweet last month helped boost the enthusiasm about what was then the very-new White House campaign by the current VP-turned-Democratic-candidate, Charli told Vulture that the tweet fired off while hanging around her pool in L.A. was meant to be something “positive and lighthearted” rather than a strict political endorsement.
Just days after Harris announced her intention to run for the Democratic nomination following President Joe Biden’s historic decision to give up his second run for the nation’s top job, Charli made noise by announcing “Kamala IS brat.”
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The reference was to the title of XCX’s new album and a messy-on-purpose lifestyle Charli has described as someone who can be high lux at times, or who has a “pack of cigs, a Bic lighter and a strappy white top with no bra” at others. Very aware of what she was doing and how it might land, Charli watched as the Harris campaign immediately seized on what seemed like a cool girl nod to their insurgent effort, by instantly rebranding the Kamala HQ‘s X page with the same font and lime green logo style as the singer’s album title.
“To be on the right side of democracy, the right side of women’s rights, is hugely important to me,” said Charlie, who as a British citizen cannot vote in the U.S. election, but whose tweet became a cringe-worthy talking point on cable and broadcast news programs where confused anchors tried to figure out what the kids were talking about.
“I’m happy to help prevent democracy form failing forever,” she added, appearing to nod to the existential threat to the American political system that President Biden and Harris have said former President and third-time White House aspirant Donald Trump represents. “I obviously knew what I was doing.”
That said, she had no inkling the tweet would be seem more than 55 million times and turned into its own meta meme. “Did I think me talking about being a mess b–ch and, like partying and needing a Bic lighter and a pack of Marlboro Lights would end up on CNN? No,” she said, noting that she is not, and has never aspired to be, “a political artist… I’m not Bob Dylan and I’ve never pretended to be… My music is not political. Everything I do in my life feeds back into my art. Everything I say, wear, think, enjoy — it all funnels back into my art. Politics doesn’t feed my art.”
In the same interview, Charli revealed that she is already working on another “full-length other project” that will definitely be “in the bratosphere, so to speak.” At press time no additional information was available on that project.
Billie Eilish’s “Birds of a Feather” nests atop both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a third week. Two weeks earlier, the song became her first leader on each list.
Plus, Lady Gaga and Bruno Mars bound in at No. 2 on each tally with “Die With a Smile” and LISA’s “New Woman,” featuring Rosalía, debuts at No. 6 on Global Excl. U.S.
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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Eilish’s “Birds of a Feather” holds atop the Global 200 with 86.4 million streams (up 1%) and 10,000 sold (down 35%) worldwide Aug. 16-22. (A week earlier, its sales were boosted after she performed the song at the 2024 Summer Olympics Closing Ceremony on Aug. 11.)
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Lady Gaga and Bruno Mars’ “Die With a Smile” soars onto the Global 200 at No. 2 with 75.1 million streams and 31,000 sold worldwide following its release Aug. 16. The former adds his third top 10 since the chart began, while the latter lands her first.
Sabrina Carpenter’s “Espresso” slips 2-3 on the Global 200, following three nonconsecutive weeks at No. 1 beginning in June; Post Malone’s “I Had Some Help,” featuring Morgan Wallen, jumps 12-4, following a week at No. 1 upon its debut in May — as parent album F-1 Trillion debuts at No. 1 on the U.S.-based Billboard 200; and Shaboozey’s “A Bar Song (Tipsy)” tumbles to No. 5 from its No. 3 high.
“Birds of a Feather” concurrently leads Global Excl. U.S. with 64.1 million streams (up 2%) and 5,000 sold (down 30%) outside the U.S. Aug. 16-22.
“Die With a Smile” starts at No. 2 on Global Excl. U.S. with 48.2 million streams and 13,000 sold outside the U.S. It’s Bruno Mars’ second top 10 and Lady Gaga’s first on the chart.
Karol G’s “Si Antes Te Hubiera Conocido” retreats to No. 3 from its No. 2 Global Excl. U.S. best; Carpenter’s “Espresso” falls 3-4, following eight nonconsecutive weeks at No. 1 beginning in May; and Jimin’s “Who” backtracks 4-5 after logging two weeks at No. 1 earlier in August.
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Plus, LISA’s “New Woman,” featuring Rosalía, launches at No. 6 on Global Excl. U.S. with 54.5 million streams and 10,000 sold outside the U.S. Aug. 16-22, following its Aug. 15 release. LISA earns her fourth top 10 on the chart – the most among BLACKPINK members; Jennie boasts three, and Jisoo and Rosé have one each. Meanwhile, LISA matches the four top 10s that BLACKPINK has achieved as a group. Rosalía adds her fifth top 10 on the chart.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 31, 2024) will update on Billboard.com Tuesday, Aug. 27. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” adds a seventh nonconsecutive week at No. 1 on the Billboard Hot 100. The single, which became the singer-songwriter’s first leader on the list in July, claims outright 2024’s longest reign, surpassing the six nonconsecutive weeks on top for Post Malone’s “I Had Some Help” featuring Morgan Wallen. The latter, […]
Coldplay closed out their four-night run at Vienna’s Ernst Happel Stadium on Sunday (August 15) with yet another tribute to Taylor Swift. Performing in the same venue that Swift had to abandon earlier this month after local police uncovered an alleged terror plot to attack Swifites, Coldplay singer Chris Martin and opening act Maggie Rogers paid homage to Swift with a meditative song from the singer’s 2020 pandemic album Folklore.
Again posted up on the smaller satellite b-stage in the midst of the audience on the stadium floor, Martin played piano on the “beautiful song” co-written by Swift and producer Aaron Dessner. “I’m doing good, I’m on some new s–t/ Been saying yes instead of no/ I think I saw you at the bus stop, I didn’t though,” Martin sang in a fan video of the performance.
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The 65,000-plus fans were remarkably hushed during the quiet, keyboard-and-voice cover, with Rogers coming in to sing the refrain, “I guess you never know, never know/ And if you wanted me, you really should’ve showed,” before the two singers joined voices for the wistful chorus, “But it would’ve been fun/ If you would’ve been the one.” As usual, Martin brought a pair of fans up on stage for the tribute, one of whom was rocking a Coldplay concert tee along with a colorful sign that read: “Dear Chris, Swifties Will Remember You. Thank you!”
The thanks came after Coldplay opened their run last Wednesday with a cover of Swift’s “Love Story,” and then performed “Shake It Off” twice, once with the band on Thursday and a second time with two fans on Saturday.
Swift wrapped up her five-show run at London’s Wembley Stadium last week, bringing a close to the European leg of her Eras Tour. The triumphant final run came after officials in Vienna said they’d arrested three suspects in the alleged plot to attack the stadium during what was planned to be a three-show run by Swift in an effort to “kill as many people as possible.”
The main 19-year-old suspect, reportedly radicalized online, had allegedly pledged fealty to the Islamic State, while a another suspect, an 18-year-old man, had also allegedly pledged allegiance to the terror group ISIS. A 17-year-old young man who has been detained was reportedly hired by a company providing services to the venue for the shows just a week prior. None of the men have been formally charged yet.
Watch video of Martin and Rogers performing “The 1” below.