Pop

Sydney Sterlace Soars on ‘The Voice’ With Dramatic Cover of Billie Eilish’s ‘When the Party’s Over’: Watch

Sixteen-year-old New York native Sydney Sterlace made a strong case for a slot in the upcoming finals when the Team Gwen singer wowed the studio audience and viewers on Monday night (Dec. 2) during the launch of the live rounds on The Voice.

Dramatically backlit, Sterlace stood alone center stage in a black and tan lacy mini dress and crooned Billie Eilish’s When We All Fall Asleep, Where Do We Go hit “When the Party’s Over” as eight dancers spun and twisted in balletic accompaniment behind her. The hushed cover featuring subtle piano backing ending with Sterlace repeating the haunting lines, “I could lie, say I like it like that, like it like that” over and over as the dancers lined up behind her while she hit a final, emotional high note.

Buffalo, NY native Sterlace has made a strong run during the season by sticking to songs that fit her teen vibe, including covers of Olivia Rodrigo’s breakthrough 2021 hit “Drivers License,” as well as Eilish’s “Birds of a Feather” during the battle rounds, Lewis Capaldi’s 2017 hit “Bruises” during the knockout rounds and Taylor Swift’s “Betty” during last month’s playoffs.

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She also teamed up with Team Bublé’s Shye for a simmering cover of Sting’s “Fields of Gold” on Monday, with the former Police lead singer/bassist joining them on acoustic guitar for the duet on a night when he also performed other solo and Police songs with the top eight. Sterlace is vying for a slot in next week’s finale with the rest of the remaining singers, which include Team Snoop’s Christina Eagle and Jeremy Beloate, Team Gwen’s Jan Dan, Team Reba’s Adam Bohanan and Danny Joseph and Team Bublé’s Shye and Sofrino Vasquez.

The live semi-final eliminations will take place on NBC on Tuesday night (Dec. 3) at 8 p.m. ET. The first part of the live finale will air on Dec. 9 at 8 p.m., with a recap and of the top 5 performances airing on Dec. 10 at 8 p.m. ET, followed by the live finale at 9 p.m. ET.

Watch Sterlace’s performances below.

Taylor Swift’s ‘The Tortured Poets Department’ Certified 6x Platinum by RIAA

Taylor Swift has a new plaque to hang up behind her desk at the Tortured Poets Department, as the Recording Industry Association of America has announced that her blockbuster 11th studio album went 6x Platinum Nov. 30. 

In an Instagram post delivering the news Monday (Dec. 2), the RIAA revealed that the pop star’s The Tortured Poets Department had earned its sixth Platinum certification two days prior, just seven months after the sprawling 31-track LP was released via Republic Records in the spring. It marks Swift’s sixth album to sell a million U.S. units six times over, following her 2006 self-titled debut, 2008’s Fearless — her only LP to reach Diamond certification, or clear 10 million units, so far — 2010’s Speak Now, 2012’s Red and 2014’s 1989.  

“She can do it with a broken heart ?✨,” the organization wrote in its post. “Congratulations @taylorswift on #TheTorturedPoetDepartment earning an RIAA 6x Platinum certification!” 

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The new certification is just the latest feat in a breathless commercial run for Tortured Poets, which outperformed any of the “Anti-Hero” singer’s past albums on the Billboard 200 by spending 15 weeks at the top of the chart. It also comes just days after a massive sales push from Swift, who released CD and vinyl versions of the full Tortured Poets Department: The Anthology deluxe album for the first time ever on Black Friday. 

The physical copies were available only through Target, as was Swift’s new The Eras Tour Book. The 256-page memoir featured photos and commentary from the 14-time Grammy winner on her expansive global trek, which is set to wrap after nearly two years this weekend in Vancouver, B.C. 

See the RIAA’s announcement below.

Britney Spears Celebrates 43rd Birthday As She’s Declared Officially Single Following Divorce

Britney Spears celebrated her 43rd birthday on Monday (Dec. 2), the same day a California court declared her officially single. According to People, the declaration came seven months after her divorce from ex-husband Sam Asghari was finalized in Los Angeles.

Spears and actor/model Asghari, 30, separated in July 2023, 13 months after their wedding and six years after they first began dating; Asghari filed for divorce in August 2023 citing irreconcilable differences.

Back in October, thrice-wed Spears celebrated that time she “married” herself in a throwback video that appeared to be similar to one from 2022, in which she wrote, “The day I married myself … Bringing it back because it might seem embarrassing or stupid, but I think it’s the most brilliant thing I’ve ever done !!!”

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Spears was also briefly married to childhood friend Jason Alexander in 2004 before tying the knot with dancer Kevin Federline that same year; she and Federline had two sons, Sean Preston, 19 and Jayden James, 18 before breaking up in 2007. In 2022, the singer married actor/personal trainer Asghari, with whom she split less than two years later.

While Spears did not address her new state-sanctioned singledom on her socials, she did post a video on Instagram in which she lashed out at one of her persistent tormentors: the paparazzi. “It really hurts my feelings that the paparazzi make my face look like I’m wearing a white Jason mask,” Spears said in the birthday selfie video post in which she referred to the iconic white hockey mask worn by teen terrorizer Jason Voorhees in the Friday the 13th horror movie series.

“It doesn’t even look like me. They’ve always been incredibly cruel to me,” she added. “The way they’ve illustrated me to be. Some of it I know I’m not perfect at all by any means, but some of it is extremely mean and cruel and that’s why I’ve moved to Mexico.” While Spears has often vacationed in Mexico, the clip appeared to be the first time she mentioned moving to the country.

In an earlier video, Spears again lashed the paps for how they make her look and noted that she is not, in fact turning 42 (as noted above, she turned 43 on Monday), but instead said “I’m turning five… I’m turning five-years-old. I have to go to kindergarten tomorrow.” It was unclear at press time what the latter comment was referring to.

Watch Spears’ videos below.

Hear Jonathan Groff Sing For The First Time As Bobby Darin: Billboard Exclusive

Jonathan Groff has endeared himself to huge audiences playing some of the most beloved (and different) roles in modern musical theater: breaking hearts as the original Melchior in Spring Awakening; cracking up as King George in Hamilton; and most recently turning in his most complex performance yet as Franklin Shepard in Stephen Sondheim’s Merrily We Roll Along, for which he won his first Tony award.

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Now, Groff is adding to that diverse resume of roles with perhaps the most unexpected of all. In the new musical Just in Time, he’ll play Bobby Darin, the iconic crooner known for his renditions of songs like “Beyond the Sea,” “Dream Lover” and “Mack the Knife.” Developed and directed by Alex Timbers, the show features Groff anchoring a cast of 16 in one of Broadway‘s most unique and intimate theaters, the Circle in the Square. Previews begin March 28, 2025 in advance of an April 23 opening — but you can hear Groff singing as Darin for the first time here, as Billboard premieres his recordings of “Beyond the Sea,” “Dream Lover” and “Just in Time.”

As Groff tells Billboard, his preparation process for the role began seven years ago, when he was researching the singer while putting together a concert of his music for the 92nd St. Y in New York. “We’ve been developing this musical about his life ever since then,” Groff says. “Bobby Darin was the consummate performer. And he was way ahead of his time. He had this chameleon ability to jump styles and genres way before it became popular for pop artists to do that. Having this opportunity to play him, I get to push myself to places I’ve never gone before as a singer or performer. My heart races just thinking about it.”

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Timbers — who won a Tony for his direction of Moulin Rouge! The Musical and has brought his vision to shows ranging from Here Lies Love to The Pee-wee Herman Show — calls Darin “a singular talent whose music lives on today,” but notes that “what was so memorable to the people who knew him was his connection with an audience.” With Just in Time, “We’re doing everything we can to try to transform our Broadway theater to evoke a 1960s club,” he tells Billboard, “and allow our audience to experience what it was like to be in a room, up close, with one of that generation’s most electric performers.”

Just in Time features a book by Tony-winner Warren Leight (Side Man) and Isaac Oliver (The Marvelous Mrs. Maisel); music supervision and arrangements by Andrew Resnick (Parade); choreography by Shannon Lewis; and is based on an original concept by Ted Chapin. Along with Groff, the cast includes Joe Barbara (A Bronx Tale The Musical), Tony-winner Michele Pawk (Wicked), Lance Roberts (The Music Man), Caesar Samayoa (Come From Away), Christine Cornish (Kiss Me, Kate), Julia Grondin (Funny Girl), Valeria Yamin (Moulin Rouge!), John Treacy Egan (My Fair Lady), Tari Kelly (Mr. Saturday Night), Matthew Guy Magnusson, Khori Michelle Petinaud (Lempicka), and Larkin Reilly (Bad Cinderella).  

Goo Goo Dolls ‘Heartbroken’ About Postponing Tour After Singer John Rzeznik Hospitalized With Pneumonia

The Goo Goo Dolls apologized to fans on Tuesday (Dec. 3) after announcing that they’ve been forced to cancel a planned run of headlining shows in South Africa after singer John Rzeznik was hospitalized with pneumonia.

“We’re heartbroken to postpone our South Africa shows. This country means so much to us, and we were so excited to create more memories with you,” they said in an Instagram post that featured a video of Rzeznik from his hospital bed. “Sadly, my doctor has advised rest and recovery. Thank you for your understanding — we’ll make it worth the wait when we return in March 2025!”

The Dolls were slated to perform in Cape Town, Durban and Pretoria this week, shows that have now been pushed to late March 2025.

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“I’m truly sorry that I cannot be there, but I wound up going to the doctor and I have pneumonia, and they checked me into the hospital. I’m stuck here for a day or two. But we’re working on getting back down there as fast as we can,” Rzeznik said in the video. “I’m just really sorry that we couldn’t do this. I apologize that this happened.”

The rescheduled dates: Cape Town (March 25), Durban (March 27) and Pretoria (March 29). All tickets for the original dates will be valid for the rescheduled dates, with the band saying ticketholders will receive instructions on how to confirm their attendance or request a refund soon.

The band’s next scheduled show is a Dec. 14 gig at the Naples, FL Live Fest 2024, followed by a Jan. 4 stop at the Event Center at Turning Stone Resort Casino in Verona, NY before they kick off a February-March run of shows in Australia.

Check out Rzeznik’s video below.

Band Aid’s ‘Do They Know It’s Christmas?’ Fronts Race For U.K. No. 1

Band Aid’s “Do They Know It’s Christmas?” is leading the way for No. 1 on the U.K.’s Official Singles Chart midweek update (Dec. 2), following the release of its 2024 Ultimate Mix.

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Released to mark Band Aid’s 40th anniversary, the new version was produced by Trevor Horn [Spandau Ballet, Pet Shop Boys] and features vocalists from the 1984 original, 2004’s Band Aid 20, and 2014’s Band Aid 30. All three versions have topped the charts in the U.K., as did 1989’s Band Aid II.

Over the past few decades, the charity single has raised over £140 million ($178 million) for the Band Aid Charitable Trust, which seeks to benefit causes such as poverty in Africa. It was written by Bob Geldof and Ultravox’s Midge Ure following a BBC report into famine in Ethiopia, and has since become one of the U.K.’s best-selling singles of all-time.

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All three previous incarnations of the song contribute to the Ultimate Mix, which features a wealth of artists including ​​George Michael, Sting, Chris Martin, Ed Sheeran, Sam Smith, One Direction, Bono and Sinead O’Connor, among others.

The push for the top spot follows the release of “Do They Know It’s Christmas?” on physical formats this past Friday (Nov. 29), with proceeds benefitting the Band Aid Charitable Trust. The CD and vinyl variants also feature the original, 20th and 30th anniversary editions and 1985’s Live Aid version from Wembley Stadium.

The song and music video’s depiction of Africa, however, has drawn criticism over the years. 

Following his decision to turn down featuring on the 2014 version of Band Aid, earlier today (Dec. 3), British-Ghanian Afrobeats artist Fuse ODG further clarified his stance via The Guardian. “While the British public’s generosity in 1984 was genuine, and the aim of Band Aid was to address a specific humanitarian crisis, the way it depicted Africa did more long-term harm than good,” he wrote. “It inadvertently contributed to a broader identity crisis for Africans, portraying the entire continent as one monolithic, war-torn, starving place.” Ed Sheeran previously said that Band Aid were using his vocals without permission and that he otherwise would have declined to be involved again.

Elsewhere, Gracie Abrams’ “That’s So True” – which has remained at the summit for the past four weeks – stands at No.2, followed closely by ROSÉ and Bruno Mars’ “APT” at No. 3. “Defying Gravity” by Cynthia Erivo and Ariana Grande, the emotional centerpiece of the recent Wicked soundtrack, comes in at No. 6.

A festive theme continues throughout the Top 10, with three more Yuletide hits heading towards the top of the chart. Wham!’s “Last Christmas” is on track for its first Top 5 appearance of 2024 at No. 5, Mariah Carey’s “All I Want For Christmas” appears at No. 7, and Brenda Lee’s “Rockin’ Around The Christmas Tree” is currently at No. 9.

Flavor Flav Shares Thoughts on Chappell Roan Speaking Out on Fan Interactions, Says It’s ‘One of the Biggest Mistakes’

Flavor Flav is providing a different perspective on how Chappell Roan has handled fans who don’t respect her boundaries.

During an appearance on TMZ‘s Merry Elfin’ Christmas special looking back at 2024, the Public Enemy star addressed Roan’s headline-making statements about her interactions with fans. “Honestly, I do think it’s one of the biggest mistakes she can make because it’s all of the people that make her who she is to society. If people can take their time out for you, you should be able to take your time out for them,” he shared, adding, “I get scared when nobody come up asking for a selfie. I get nervous! I’m like, ‘What did I do? I got on the right clock today?’”

Earlier this year, Roan made headlines when she called out behavior from her fans via social media posts. In a pair of TikToks, the “Pink Pony Club” singer made it clear that regardless of whether or not “abuse and harassment, stalking, whatever, is a normal thing to do to people who are famous,” she will not tolerate the behavior. “That doesn’t make it OK. That doesn’t make it normal. That doesn’t mean I want it, doesn’t mean I like it.”

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Shortly after, she canceled two shows just one day before they were due to take place, saying that she felt overwhelmed and needed to take a break to prioritize her mental health.

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While Flav thinks that Roan should reconsider how she perceives her fan interactions, a number of celebrities have praised her, including Daniel Craig, who said he admires “the guts to say those things.” Additionally, Miley Cyrus said that she wished people would “not give her a hard time,” adding that “it’s probably really hard coming into this business with phones and Instagram.”

MUNA’s Katie Gavin Puts an Acoustic Spin on Madonna’s ‘Like a Prayer’: Watch

MUNA fans, rejoice — your “Prayer” has been answered by Katie Gavin.

On Monday (Dec. 2), Gavin appeared on SiriusXM’s The Coffee House, where the MUNA frontwoman delivered a pared-down, acoustic rendition of Madonna‘s hit single “Like a Prayer.” Putting her own spin on the beloved track, Gavin’s new rendition swaps out Madonna’s high-energy gospel stylings for a folksy, singer-songwriter sound. Highlighting the song’s tender lyrics, the singer crooned the inimitable chorus, singing “In the midnight hour, I can feel your power/ Just like a prayer, you know I’ll take you there.”

Elsewhere on the broadcast, Gavin also performed three songs from her debut solo album What a Relief; lead single “Aftertaste” as well as “Inconsolable” and “Today.” Released in October, Gavin’s latest album saw the singer moving away from her work with MUNA in order to pursue a “Lilith Fair-core” sound. “There is a tonal difference that speaks to the scale of things — MUNA has become so ambitious, so the songs have to be scalable to a certain size,” she told Billboard. “A lot of these songs feel like they live in a much smaller world.”

This isn’t the first time Gavin has made headlines for a cover in 2024 — during MUNA’s headlining set at All Things Go NYC in September, the band performed an acoustic rendition of Chappell Roan’s “Good Luck, Babe” after the singer pulled out of the festival just one day prior. “We just want to say that we love Chappell so much,” Gavin told the crowd before her cover. “We started as a queer band in 2014, and we’ve really been given the time and the grace that we needed to be nourished as artists. We wish nothing but that times a million for her.”

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Watch Gavin’s full cover of Madonna’s “Like a Prayer” above.

Taylor Swift Way Sign Auction Raises More Than $200,000 for Daily Bread Food Bank

Taylor Swift‘s Eras Tour continues to spread positivity.

When the record-breaking trek made its way to Canada last month, the city of Toronto and Rogers Communications renamed Blue Jay Way — the street in front of the Rogers Centre that is usually home to its hometown Major League Baseball team — as Taylor Swift Way, complete with 22 ceremonial street signs that were set to be auctioned in support of the Daily Bread Food Bank. Rogers also announced that it would be matching donations to the Daily Bread Food Bank up to $113,000 — a nod to Swift’s favorite number, 13.

Now that Swift completed her six shows at the Rogers Centre, the auction of the Taylor Swift Way street signs raised an impressive $216,842.96 for the Daily Bread Food Bank, which works to eliminate food insecurity and end poverty. The total monetary value included $103,842.96 from successful bidders, and Rogers rounding up its matching contribution to $113,000.

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“As presenting sponsor of Taylor Swift | The Eras Tour in Canada, Rogers is proud to partner with the City of Toronto and Daily Bread Food Bank to help raise funds for the critical mission of the food bank. We know every dollar matters so we’ve rounded up the donation to contribute $113,000, Taylor’s favorite number,” said Jana Masiewich, head of partnerships at Rogers, in a press statement.

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Swift is just days away from performing the final three shows of her Eras Tour, which will take place at the BC Palace in Vancouver, B.C., beginning Dec. 6 and ending on Dec. 8.

LISA Gets Festive With ‘Santa Baby Remix’ of ‘Moonlit Floor’: Stream It Now

LISA is getting in the holiday spirit! The singer released a festive, “Santa Baby” remix of her latest single, “Moonlit Floor (Kiss Me),” on Monday (Dec. 2).

In the holiday version of the track, the BLACKPINK star switches up the lyrics to fantasize about Santa Claus. “Kiss me, under the Christmas twilight/ Kiss me, out on the moonlit floor,” she sings in the chorus, which samples Sixpence None the Richer’s “Kiss Me,” before declaring in the outro, “Santa Baby got me trippin’.” The original version of “Moonlit Floor,” released in October, reached No. 24 on the Billboard Global 200 songs chart.

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The new track comes shortly after LISA announced that her first-ever solo album, Alter Ego, will be released on Feb. 28. The project follows a run of three singles in 2024, beginning with “Rockstar” — which reached No. 70 on the Billboard Hot 100 — and followed by “New Woman” with Rosalía and “Moonlit Floor (Kiss Me).” According to the press release, the five locations represent the five characters LISA emulates on the LP, “each representing a unique personality.” “They are represented by the five points on a star, which has become a key emblem in the campaign,” the description adds.

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In her Billboard cover story, she opened up about her perfectionism when it came to the upcoming project. “I’m trying to figure it out, the tracklist and everything, what I can change in there,” she explained. “Everything’s there. I think they’re going to be shocked at how capable I am [at] doing so many things.”

Listen to LISA’s “Moonlit Floor (Kiss Me) (Santa Baby Remix)” below.