Pop Shop

Miley Cyrus & Pharrell’s Revived Collab Is Just What the ‘Doctor’ Ordered

Miley Cyrus and Pharrell reportedly worked on their newly released song “Doctor (Work It Out)” circa her 2013 Bangerz era — and now, more than a decade later, they’ve gifted fans with the upbeat single and a feel-good video to match.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about where the song might live — on a new Pharrell album? Or a new Miley project? Or is it just a one-off treat? And why was it scrapped from Bangerz in the first place?

Listen to our full conversation below:

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Also on the show, we’re discussing Rihanna’s private, pre-wedding performance in India – which marked her first full concert since her Anti World Tour back in 2016. Could she be rehearsing for something bigger? Plus, we’ve got chart news on how the Korean pop girl group TWICE lands its first No. 1 album on the Billboard 200, and with fellow K-pop girl group LE SSERAFIM debuting in the top 10 as well, they team up for a big week for all-female groups in the top 10.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

One Queen to Another: Why Dolly Parton’s Co-Sign of Beyoncé’s Country Era Matters

Dolly has spoken!

Last week, Dolly Parton posted a message to social media congratulating Beyoncé for her first Hot Country Songs chart-topper with “Texas Hold ‘Em,” writing, “I’m a big fan of Beyoncé and very excited that she’s done a country album. So congratulations on your Billboard Hot Country number one single. Can’t wait to hear the full album! Love, Dolly.”

Parton is affectionately known as the Queen of Country, but she’s no stranger to crossing genre lines herself, from her pop music in the 1970s and ’80s to her most recent album Rockstar, which she made in response to her 2022 induction into the Rock & Roll Hall of Fame; the project topped Billboard’s Top Rock Albums and Top Country Albums charts.

On the new Billboard Pop Shop Podcast (listen below), we’re talking about why Parton’s endorsement of Beyoncé’s country era is so significant — and so fitting.

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Also on the show, we’ve got chart news on how “Texas Hold ‘Em” lassos the No. 1 spot on the Billboard Hot 100 songs chart, marking Beyoncé’s ninth chart-topper. Plus, Doja Cat scores her eighth No. 1 on the Pop Airplay chart as “Agora Hills” hits the top of the list, while Taylor Swift surpasses a Billboard 200 record long held by The Beatles.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Why Ariana Grande & Mariah Carey’s ‘Yes, And?’ Remix Is a Full-Circle Moment for the Diva Duo

With her dreamy pop songs and sky-high whistle tones, Ariana Grande has drawn comparisons to Mariah Carey since her music debut back in 2013. Of course, in the decade-plus since, Grande has made a massive, marquee name for herself — so it’s a bit of a full-circle moment that the two chart-topping divas have joined forces on the just-released remix of Grande’s “Yes, And?” single.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about why the remix makes so much sense, from the two artists’ longtime admiration for one another to the songs early-’90s-referencing production making sense for Carey’s early-’90s origin.

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Listen to the podcast below:

Also on the show, we’ve got chart news on how Beyoncé, Kanye West and Ty Dolla $ign shake up the charts in a big way, courtesy of their latest releases, and how Usher nabs his highest-charting album on the Billboard 200 in over a decade with his new album Coming Home. Plus, we’re also talking about Dua Lipa’s new “Training Season” single and video, two weeks after she live-debuted the song as part of a Grammys medley.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

New Beyoncé! First ‘Wicked’ Trailer! Usher’s Halftime! Super Bowl 2024 Delivers Epic Music Moments

When Usher was announced as the headliner back in September, we all knew the 2024 Super Bowl halftime show was going to be epic. What we couldn’t have possibly predicted is all the other epic music moments to go down on Sunday.

From Beyoncé starring in a Verizon Super Bowl commercial and then surprise-dropping two new songs from her seemingly country-themed “Act II” album coming in March to Ariana Grande and Cynthia Erivo starring in the first trailer for part 1 of the Wicked movie musical out in December, Usher wasn’t the only musician to take advantage of the NFL game’s record ratings.

On the new Billboard Pop Shop Podcast, we talk all about Sunday’s biggest music moments — including Katie being inside the game to shadow Kaskade as the first-ever Super Bowl DJ. Listen below:

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Also on the show, we’ve got chart news on how the late Toby Keith hits No. 1 on the Billboard 200 with 35 Biggest Hits, how 44 albums on the chart gain in the wake of exposure on the Grammy Awards, and how the Grammys send a number of songs racing up the Billboard Hot 100 chart — and back onto the chart, including Tracy Chapman’s “Fast Car.”

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Will Usher Bring Out Super Bowl Guests? What’s On the Setlist? Our Burning Halftime Questions

With nine Billboard Hot 100 No. 1 hits from 18 top 10s, Usher has no shortage of material to pick from when choosing the setlist for Sunday’s Super Bowl halftime show. He’ll have his work cut out for him in trimming things down to a mere 13-minute set.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking all about the songs we need to hear from Usher on Sunday and what guests he might bring along for the ride. Will he skip “OMG” because he already played it during the Black Eyed Peas’ 2011 halftime show? Are Lil Jon and Ludacris guaranteed to pop up for “Yeah!” and/or “Lovers and Friends”?

Listen below for our full discussion:

Also on the show, we’re chatting about all the winners and performers at this past Sunday’s 2024 Grammy Awards, where Taylor Swift won album of the year and announced her next new album, The Tortured Poets Department. We’ll talk about everything we know so far.

Plus, we have chart news on how Megan Thee Stallion’s “Hiss” debuts at No. 1 on the Hot 100, Benson Boone’s “Beautiful Things” goes top 10, and a bevy of songs debut in the top 40 from Ice Spice, Morgan Wallen, Nicki Minaj, Justin Timberlake and Tom MacDonald & Ben Shapiro. Plus, Wallen ties Garth Brooks for a longevity record at No. 1 on the Billboard 200 albums chart, while the Grateful Dead break the record for the most top 40-charting albums with the arrival of its latest release.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Ariana Grande & Lil Nas X Kick Off the Year in Pop With a Pair of Buzzy Bops

The year in pop has officially kicked into high gear.

On Friday, pop fans got a pair of new songs and videos from two Billboard Hot 100 chart-toppers: Ariana Grande and Lil Nas X. Grande released the ’90s-pop-inspired “Yes, And?” alongside a music video that paid tribute to Paula Abdul’s “Cold Hearted,” while Nas dropped the melodic rap song “J CHRIST” alongside an expectedly controversial video loaded with Christian imagery and celebrity look-alikes.

On the new Billboard Pop Shop Podcast, Katie & Keith are chatting about the pair of high-profile bops and whether either has a chance to debut atop next week’s Hot 100.

Also on the show, we’ve got chart news on how Teddy Swims gets his first top 10 on the Hot 100 as “Lose Control” jumps 12-8 while Jack Harlow’s “Lovin’ on Me” nets a third week atop the chart. Plus: Morgan Wallen’s One Thing at a Time returns to No. 1 on the Billboard 200 albums chart for a 17th nonconsecutive week, and its first week at No. 1 in three months.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

How High Can Sophie Ellis-Bextor’s ‘Murder on the Dancefloor’ Shimmy Up the Hot 100 After ‘Saltburn’ Bump?

Just how high can Sophie Ellis-Bextor dance up the Billboard Hot 100 with her resurgent, Saltburn-powered hit “Murder on the Dancefloor,” 20 years after the song’s initial release?

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about the buzzy early-aughts song, which this week debuts at No. 98 on the Hot 100 and rebounds to No. 8 on the Official U.K. Singles Chart (on which it peaked at No. 2 back in 2001). The “Murder” renaissance is all thanks to a scene in the Emerald Fennell-directed film in which star Barry Keoghan dances naked to the nu-disco track around the title English estate.

Listen to the new Pop Shop Podcast below for our discussion:

Also on the show, we’re recapping the music wins at Sunday’s 2024 Golden Globes, and we’re also talking about new Ariana Grande music coming this Friday. Plus, we’ve got chart news on how the holidays are fully gone from the Billboard 200 albums chart and the Hot 100 songs chart, as things get back to normal post-Christmas. And with that, two familiar faces return to the top slot on each list: Taylor Swift on the Billboard 200 and Jack Harlow on the Hot 100. Plus, Tate McRae’s “Greedy,” Tyla’s “Water” and Doja Cat’s “Agora Hills” all hit new highs in the top 10.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Robbie Williams on ‘Trauma Watch’ of His Netflix Docuseries & Toll of 3-Hour Concerts: ‘Taylor, Whoever — Why Would You Do That?’

Starting with his teenage days in the U.K. boy band Take That, Robbie Williams was thrust into the spotlight, with cameras following his every move. That constant presence of cameras offered the British pop superstar a unique opportunity: to sit down and revisit his decades as an entertainer, watching footage of himself over the years and his rollercoaster ride of a career, from the euphoric highs to the traumatic lows.

In a new interview with the Billboard Pop Shop Podcast (listen in full below), Williams talks about the four-episode Netflix docuseries Robbie Williams — from director Joe Pearlman and Ridley Scott Associates — that finds the singer/songwriter sitting on his bed in his undies, watching his life back through eye-opening archival footage.

“When Netflix and Ridley Scott’s company come and say, ‘We’d like to do a documentary about you and have it be on the platform Netflix,’ you know, I’m an attention seeker by trade,” Williams says. “And I’m honored. What else would an attention seeker say other than: ‘Yes, please’”

Even though it was an easy yes for Williams, that doesn’t mean it was an easy process, with filming taking place over 25 straight days for up to six or seven hours a day. “Not many people on the planet have done anything like that, so there’s no support groups for, you know, a trauma watch,” he says. “But it was very interesting, sort of leaving the room each day and then going to get in bed with my wife and trying to explain how it feels. It’s only become therapeutic since it’s been released. It wasn’t therapeutic at the time. It was just, it was traumatic.”

One of the biggest takeaways from the film is how much Williams battled mental health issues over the years and how his struggles often fell on deaf ears.

“Mental health wasn’t really talked about,” he says. “And when I talked about it back then, I was derided for moaning or complaining. And that isolated me even more in a place of isolation and depression and anxiety and body dysmorphia. And agoraphobia. And all of the obias, you know, to then on top of that be told that you shouldn’t talk about it, because how dare you? It made it even worse.”

Williams’ biggest challenges came when he was touring the world, often taking frequent steroid shots just to survive the physical toll that performing took on his body — and then dealing with the aftermath of those drugs the next day. We asked him about artists like Taylor Swift taking that challenge a step further by playing three-hour-plus concerts, and he was flabbergasted at the length of those shows.

“Why would you do three-and-a-half-hour sets?” he asks. “Listen, I love Taylor Swift. But if you take Taylor out of the equation, and whoever — Bruce Springsteen, Paul McCartney, Taylor, whoever — why would you do that to yourself? And why would you do that to an audience?

“It’s mind-blowing that they’re able to do that, especially people in their 80s,” he adds. “But, you know, what do I want, as a fan? I want to hear all of the hits. And I want to be entertained for 90 minutes to 100 minutes. And then I want to go home happy. I haven’t got the attention to watch anything for three hours. If I look at a film that is now a two-and-a-half-hour, three-hour film, I don’t watch it. I haven’t got it in me.”

The Robbie Williams docuseries ends with Williams heading back out on the road for his XXV World Tour — which, along with a new greatest-hits collection, celebrates 25 years of his solo career and just wrapped last month — and the artist says he’s still coming to terms with life as a performer. “This tour that I’ve just done has been the most successful for me mentally and emotionally,” he says. “And I think that a great deal has to do with the fact that I can override or make friends with the anxiety. But I’m still not there. When it comes to touring. I don’t know how to not let it damage me in some sort of way. Now listen: It’s not complaining, because financially, it’s incredible. Emotionally, it’s incredible. Physically and mentally, it’s no wonder that people sort of end up in emergency rooms or rehab after tour or during tours. The toll that it takes out of you is still a phenomena that I’m trying to overcome.”

Our interview also addresses his new perspective as a father of four (“When my kids are 16 … I think there will be a stark realization of exactly what I should and shouldn’t have been going through at that particular moment,” he says of his Take That days), his life of relative anonymity in America (“I could be Bruce Wayne in Los Angeles and Batman in the rest of the world”) and his New Year’s resolutions heading into 2024.

Speaking of New Year’s resolutions, for the first Pop Shop Podcast of the year, Katie & Keith are also sharing some of our pop music resolutions, including our hopes for Dua Lipa, Madonna, Taylor Swift, Ariana Grande, Barbra Streisand and more.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Pentatonix Talk Curating Their ‘Greatest Christmas Hits’ Album & Why ‘Kiss From a Rose’ Works as a Holiday Song

When you’ve released nearly 100 holiday songs, as Pentatonix has, it’s no easy task having to narrow down that hefty list to a concise greatest hits album. But that’s just what the vocal group has done on its latest release, the 31-track The Greatest Christmas Hits.

“We put all the bangers” on the album, says the group’s Scott Hoying. And there’s “basically a whole new album [on Hits] as well, with eight new songs” added. In total, the album sports 23 previously released favorites plus eight new tunes. The set has found chart success on Billboard’s tallies, as it marked the act’s 10th top 10-charting effort on the Top Holiday Albums chart and its 12th top 20-charting set on the all-genre Billboard 200.

The vocal group (comprising Hoying, Mitch Grassi, Kirstin Maldonado, Kevin Olusola and Matt Sallee) has supported the new album on the road with The Most Wonderful Tour of the Year, which wraps on Dec. 21 in Austin, Texas. Fans who missed the trek can tune in to The Most Wonderful Tour of the Year: Live From Orlando on Dec. 22, exclusively on Veeps.

With so many holiday albums in its discography, how does Pentatonix select songs when planning a new holiday project?

“Honestly, there’s only so many Christmas songs, and we’ve released 94 of them,” Hoying tells the Billboard Pop Shop Podcast (listen to our interview, below). “So we do the ones that are popular that we haven’t done yet. But then also we like to get creative and do songs that are more wintry and have lyrics that involve the wintertime, like ‘Kiss From a Rose.’ I don’t think anyone’s ever thought of that as a holiday song, but in the pre-chorus it does say ‘when it snows,’ and we were like, ‘That sounds good to us!’ So we get creative like that.

“When curating [the songs on] The Greatest Christmas Hits … from so much touring and releasing so many albums, we’ve [done] subconscious internal research of what moves people and what moves us and what we love to sing, and what we feel would make the best soundtrack for people’s Christmas festivities and opening presents.”

Among the new songs on The Greatest Christmas Hits is the original song “Please Santa Please,” co-written by Karen Kosowski and Emma Lee along with the group’s Olusola and Maldonado. The song, which served as the lead single from the album, recently hit the top 10 on Billboard’s Adult Contemporary chart, landing the group its seventh top 10 hit.



Classics They’ve Yet to Record: While Pentatonix has recorded nearly 100 holiday songs, there are still familiar favorites they haven’t put their spin on… yet. “I have this new obsession with ‘A Holly Jolly Christmas,’” Hoying says, “because I realized it’s one of the top streaming [and] selling Christmas songs of all time, in the top five or something, and we haven’t done that song yet, weirdly.”

“Or like ‘Silver Bells,’” Olusola adds. “We’ve never done that one either. There’s definitely songs we haven’t done, but you know we also have to pace ourselves, because there are only so many Christmas songs left. [Laughs] And we also want to get creative about how we go about Christmas songs.”

Looking to the future, Olusola says, “We’ve done pop Christmas albums, and so we’re thinking ‘are there different directions we can go that create a theme that allows for us to have a different feel on Christmas than we normally do?’ Which I think will be cool, so, I think we’re thinking about that right now, as we think about the future.”

A Dozen Years of Hits & a New Grammy Nom: 2023 marks the 12th consecutive year Pentatonix has released at least one new album, stretching back to its chart debut with PTX: Volume 1 in 2012. Through those years, the act has topped the Billboard 200 twice (with its self-titled full-length album and A Pentatonix Christmas) and won three Grammy Awards (among four nominations). The act scored its fifth Grammy nomination just last month for best traditional pop vocal album for its 2022 album Holidays Around the World. The set saw Pentatonix collaborate with a bevy of guest artists to highlight sounds and voices from all over the globe.

“We put so much heart and time and effort into this album,” Hoying says, “and we got to collaborate with the most iconic artists from all over the world. It was just such a beast to make … the logistics alone. It was such a creatively fulfilling project — to see it honored in this way [with a Grammy nomination] is really beautiful.”

“You never go into an album project thinking about Grammys,” Olusola adds. “You just want to make the best possible product that you feel speaks to your heart at that time and hopefully reaches people. … So I feel so thankful and honored and blessed that we could even have that opportunity to be recognized by the Recording Academy again.

‘Candy Cane Lane’ & Home for the Holidays: Pentatonix makes an appearance in the new holiday film Candy Cane Lane, starring Eddie Murphy, which premiered Dec. 1 on Prime Video. In the comedy, Pentatonix portray, naturally, carolers. But there’s magic afoot, and the group is seen mostly as enchanted miniature figurines in the film.

“The director [Reginald Hudlin] had been a fan of ours for a while,” Olusola says. “He gave us the premise of what he wanted us to do and we were in. … I don’t think we realized the magnitude of what we were creating. … It was really cool to see the end product. It was cool how they actually created us [as figures].”

“Because we’re figurines,” Hoying says, “it was a really easy process. We just went into the studio and sang these 10-second clips, knocked it out in a couple hours. But then we get to be in so much of the movie because we’re animated. It was a perfect scenario too, because we obviously would want to be on set and have our real likeness in the movie, and we got to do that at the end. So it was so special all around, and I’m just so happy it’s doing so well and people are loving it. The whole cast and crew and director and everyone were so kind and such good vibes. You just want good things to happen to good people, so it’s awesome to see it thriving.”

As families watch Candy Cane Lane during get-togethers this season, certainly many will also be playing holiday songs by Pentatonix around the house too. With so many households soundtracking their holidays with Pentatonix’s tunes, what does Pentatonix itself play around the house during the season?

“When I go home,” Hoying says, “my parents always put on Pentatonix, because they just are so excited that I’m home. I honestly listen to a lot of Pentatonix too during the holidays. But my go-to is a playlist of classic old songs from old Christmas movies, [like] Bing Crosby’s White Christmas. Anything that’s orchestral and one-track, mono. It really puts me in the Christmas spirit. If I’m looking at Christmas lights with [my husband] Mark or we’re driving around or something, we’ll put on the oldies.”

Olusola, too, has Pentatonix playing around the house at home, but for a different reason. “I have a 2-and-a-half-year-old and she’s obsessed with our band. Truly obsessed. She loves watching [the videos for] ‘You’re a Mean One, Mr. Grinch,’ ‘Please Santa Please,’ ‘12 Days of Christmas.’ She asks for it all the time during this time of the year. So in our house, it really is mainly Pentatonix during this time of the year. … I think also its kind of subliminally a way for her to stay in contact with dad, especially while he’s gone on tour. So I really love that. My wife has texted me so many times, where she goes, ‘She said, ‘I miss daddy, play Pentatonix.”‘ I love that. That really means something to me that I have such a close bond with her that she actually yearns for me, and so I’m very very thankful to be playing Pentatonix in our household because that keeps the connection.”

Also on the new edition of the Pop Shop Podcast, we’ve got chart news on how Nicki Minaj lands her third No. 1 album on the Billboard 200 chart, becoming the female rapper with the most chart-toppers in history, and how Mariah Carey’s “All I Want for Christmas Is You” jingles its way back to No. 1 on the Billboard Hot 100.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)  

Cher, Brandy, Sabrina Carpenter & More Make Our Christmas List With Fresh Holiday Hits

We all know and love the Christmas classics, but you might need to find some extra room on your decorated mantel for some new holiday hits this year.

On the latest episode of the Billboard Pop Shop Podcast (listen below), Katie & Keith are chatting about five brand-new Christmas songs for 2023: Cher‘s “DJ Play a Christmas Song,” Jason & Travis Kelce’s “Fairytale of Philadelphia,” Jimmy Fallon & Meghan Trainor‘s “Wrap Me Up,” Sabrina Carpenter‘s “Santa Doesn’t Know You Like I Do,” and Brandy‘s “Christmas Party for Two.” All these songs or their parent albums are already making moves on Billboard‘s charts — including Cher hitting No. 1 on the Holiday Digital Song Sales, Adult Contemporary and Dance/Electronic Digital Song Sales charts with “DJ” and Top Holiday Albums with Christmas. (The football-playing Kelce brothers have a chart-topper too: “Fairytale of Philadelphia” — their update of the Pogues’ “Fairytale of New York” from the charity album A Philly Special Christmas Special — hit No. 1 on Rock Digital Song Sales.)

Listen to the new episode below:

Also on the show, we’ve got chart news on K-pop boy band ATEEZ scoring their first No. 1 album on the Billboard 200 and Brenda Lee’s “Rockin’ Around the Christmas Tree” decorating the No. 1 spot on the Billboard Hot 100 for a second week. Plus, could Nicki Minaj get her first No. 1 on the Billboard 200 in more than a decade with her new album Pink Friday 2?

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)