Pop/Rock
In May of 2020, Travis Barkerâs label DTA announced its first signee: a relatively unknown artist named jxdn. Since then, the rising rocker scored two top 10 hits on the Hot Rock & Alternative Songs chart, opened for Machine Gun Kelly on tour and became a key player in pop-punkâs next wave.Â
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But now, after a particularly trying few years â during which his best friend Cooper Noriega died of an accidental drug overdose, he struggled with his own mental health and ultimately entered rehab this summer â the artist is ready for his fresh start.Â
In July, he returned to social media after a brief hiatus, captioning a fresh-faced smiling selfie: âI finally feel like Jaden Hossler so thatâs who Iâm going to be.â In September, he announced his new single âChrome Heartedâ to be released under his full name for the first time. The single is not only a reintroduction, but also a redirection for the artist, as the trap-pop song more prominently features his vocals than previous singles and steps away from the punk and rock roots through which he launched his career.Â
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âIâve always wanted to be a pop star,â says Hossler while sipping chamomile tea (since prioritizing his sobriety, heâs cut out caffeine). âAnd I think I couldnât be the pop star without being the rockstar that I was.â
And while his rockstar persona led Hossler to career highs, it also paved the way for personal lows. He recalls his breaking point this summer, when he âlost itâ in London just before he was about to go onstage with MGK. Instead, he booked a ticket home and soon after checked himself into a treatment center for his mental and physical health as he battled anxiety, depression and addiction.Â
âThis past year has been by far the hardest time of my lifeâŚand itâs all finally catching up to me,â wrote Hossler in a June Instagram post. âI am trusting my gut that this will put me in the best possible position to be who I want to be, feel how I want to feel and go where I want to go.â
Jaden Hossler
Hunter Moreno
When we meet in mid-July at the Sherman Oaks staple Sweet Butter Kitchen, itâs only been a couple of weeks since he finished his 21-day treatment â and itâs clear his manifesto held strong. Hossler wrote âChrome Heartedâ before entering rehab, saying âI think it was a big reason why I felt comfortable going, because I felt like I had a glimmer of hope. Like I wasnât coming out to nothing.âÂ
âI wasnât coming out having to change everything, I had already started this process for myself,â he continues. âAnd if I came out of rehab and just wanted to drop all of it, I could. But being in rehab and leaving rehab, I felt even more [confident] about it. This song was really the first moment where I was proud of myself again in a really, really long time. And it felt the same way as soon as I got out.â
âJaden has always had pop tendencies in his music, so it felt like a natural evolution,â says Johnny Minardi, SVP of A&R at Elektra (through which DTA signed a joint venture). âItâs been super exciting for me to witness Jadenâs [growth] both as an individual and as an artist.â
Below, Hossler opens up about his year of change, revealing what encouraged his reintroduction and why he finally feels like the artist, and person, he was always meant to be.
How did the idea for âChrome Heartedâ come about â and why was this the right song to venture more into pop music with?
Iâve been playing with pop for about a year, but I could never find the right sound. It was either too bubble gummy or just didnât feel like me â I really wanted to find a sound of my own. Iâve always leaned towards ballads, but then I was like, âI want to make [a song] that is uplifting and could go on radio.â I kind of got obsessed with [luxury brand] Chrome Hearts at the time so it came into my mind to use it as an adjective. I had this melody and as soon as I sang it, I was like, âThis is gonna be one of my biggest songs.â
We [Hossler and songwriter-producer Andrew Goldstein] made a demo of the hook in 15 minutes. I was showing everybody â I even went up to the president of Elektra, Greg [Nadel], because we were at the Blink-182 concert, and I was like, âI just wanted to let you know I just made a hit.â Once we finished the song, I woke up the next morning and [Greg] called me, my A&R called me, my manager and everyone called me, and they were like, âHoly shit, you were right.â Iâve really struggled with trusting my instincts over the past two-three years, especially when Cooper died, I felt like I lost my identity. And this was the first time where I trusted myself, so that was the start of this whole new process for me.
Thereâs a bit of attitude to âChrome Hearted,â which is very different from your prior single âElevated Heartbreak.âÂ
I kind of wanted to talk my shit a little bit, you know what I mean? I havenât really shown off my voice as much as I could because of the style of music I was making. This song isnât the focus track of my album or anything â Iâm working on my album separately â but this song is to let everyone know, âHey, Iâm Jaden Hossler now.â It felt like a complete 180 shift, but still felt like me.
Some of the lyrics are a little pointed, like âyou donât hold me down, you just watch me drownâ and âsheâs so obsessed with herself.â As someone who launched their career online, how do you deal when fans want to know who or what your music is about?
I kind of love it because now Iâm in a position where I donât really care. I think itâs awesome to leave it up to the interpretation of the listener because even when I listen to music Iâm like, âWhat is this about?â I do the same thing. People want a story associated with it. But thatâs the best part, a little bit of a mystery. Before, I thought I had to put everything on the table for people to accept me. Now I feel very different. I feel very confident and secure in who I am and my story.
Itâs also important to not only have but protect your private life.Â
And I never understood that. And I havenât really had one. Especially with social media and TikTok. Itâs overtaken everything, and some people lean into it, but I know why they do, itâs because either side hurts. Either side is very invasive and anxiety-ridden and I just am not dealing with that anymore.
Is âChrome Heartedâ indicative of what your next album will sound like?
I havenât completely put my project together but I made 25 songs, so my plan is to make around 40 and pick from there. Iâm itching to make music. Thatâs all I can do right now. Iâm genuinely obsessed with it, which is such a good feeling because for a while I just wasnât in the studio. I wasnât really present.Â
Iâm reaching far and wide on the landscape of pop music and trying to center it on my voice. And more than that, center the songs on my story. I feel like Iâve been through a lot of shit and I really want to talk about it. Itâs cool for me to express myself in a lot of different ways. Itâs a lot of trap-pop, thereâs an 80s pop vibe, like The Weeknd, which is really cool. And then R&B, these past few weeks Iâve been making a lot of SZA and Bryson Tiller [inspired] songs. This albumâs gonna be a conglomeration of a few different sounds, I never want to put myself in a box again.
The Weeknd recently told W Magazine he wants to kill off his artist character. Do you see your own shift being as dramatic?Â
Oh itâs incredibly dramatic for me. When I decided to be jxdn, I just wanted to be anything but Jaden Hossler because I couldnât live with myself from high school and my past. I felt like there was an opportunity to be someone different, and quite literally it was. And a lot of amazing things came from being jxdn, but then thereâs a point where the pendulum comes back and I hit that wall of, âI canât be this person anymore.â Iâve come to terms with all my trauma and all the things that Iâve hated about myself before and all my insecurities. Thatâs why Iâm proud to be Jaden Hossler. I think itâs gonna be the key to open the door for everything that Iâve been dreaming of my entire life.
What is that dream?
I watched Justin Bieber: Never Say Never, when I was nine years old. I can see it clear as day, I was sitting in front of my parents bed and I just started bawling my eyes out throughout this documentary. I saw myself on the stage like he was. And so that was the beginning of manifesting that entire journey for myself. And that night I literally went and found a camera in my house, put on purple because that was his color, and started singing. That was the first time I realized I had a voice. I [always] knew what I wanted, but I didnât know who I was. Having both is very important.
Who are some other pop stars youâre a fan of?
I didnât listen to Taylor Swift really at all my entire life but recently Iâve been listening to her because sheâs such an amazing writer. And listening to these different styles of music, I have a lot to learn. Iâm excited about that. So I listen to anyone and everyone that I can right now, itâs almost like I have homework. Thereâs this guy named Brakence who I really love. Olivia Rodrigo is amazing; I love âVampire.â Funny enough, I never listened to the radio before, but I listen to the radio a lot now because I want to see what theyâre playing. I want to understand, because as much as people donât want to believe, it is sort of an algorithm. And so I want to infiltrate it and then fuck everything up.Â
And Travis [Barker] has always been so supportive of what I want. Heâs always believed in me, even when he really had no reason to. And so thatâs really the biggest blessing, is to be able to have someone like him that no matter what I do, he backs me because he knows that Iâm doing this for the right reasons.
How did the rollout of âChrome Heartedâ compare to previous releases?
I directed my first music video, which is pretty cool. Iâm more invested in this project than Iâve been in anything else. Also, Iâm fully sober. I thought that I would be less creative before I got sober, but Iâm more creative than Iâve ever been in my life. Like, I needed sobriety to fulfill my dreams, and I never knew that.Â
In a weird way, it almost feels like restarting. Right now, Iâm not thinking about 10 years down the line, because one of the things about being sober is trying to be present, but I do know that Iâm building a career thatâs lifelong.Â
What did you learn in rehab that youâre still implementing in your daily life now?
Itâs the structure that I miss the most. The waking up, making your bed, going to breakfast. I eat three meals a day now, minimum, and I ate one meal every two days before. And obviously it has to do with sobriety, but even more so I meditate, I do things that actually help me throughout the day, that no matter if anything else changes, I have that structure, and thatâs what I got to take from the treatment center.Â
I donât drink caffeine because I know that if I start drinking caffeine enough it gives me anxiety, and then that anxiety makes me want to smoke, and that makes me want to drink. Little things that make a big difference.Â
Leading up to this reintroduction, why was it so important to be open about how you ended up here?
People like to talk about the story of starting from nothing and getting to the top. But thereâs another story that I think a lot of people can resonate with: I started from nothing and I got success and then I lost myself in that success. I got lost in even good things, too much of anything can kind of turn you the wrong way, but itâs never too late to be who you really want to be, itâs never too late to make a change for yourself. I chose not to give up on myself. Iâm here to remind people that you control what happens now and what happens next. And Iâm really grateful for that. I feel like this is the start of a brand new life for me.

Pop-punk trio Meet Me @ the Altar arrived during the pandemic as a vibrant newcomer to the scene â and has been eager to release its debut album ever since. âIâm done waiting,â vocalist Edith Victoria tells Billboard in late February, in a tone that fuses excitement with exasperation. âIâm really over it.âÂ
Fortunately, the wait is over as Past // Present // Future arrives today (March 10) on Fueled by Ramen. Itâs the culmination of an effort that the band â comprised of Victoria and guitarist/bassist TĂŠa Campbell, both 22, and drummer Ada Juarez, 24 â began writing in mid-2021.Â
With a tense-themed title that nods to the genreâs pivotal players throughout the past few decades and teases where the band will take it from here. Single âKool,â backed by crunchy guitar, turns its title into an approximately nine-syllable word; âThx 4 Nothinââ could fit seamlessly onto the Jonas Brothersâ 2008 album, A Little Bit Longer; and album closer âKing of Everythingâ rolls its grunge-based production into a head-banging chorus. âWe didnât want to trap ourselves in the box of genre,â Campbell says. âItâs our art at the end, and we want to make the music that makes us happy.â
And though the group is intent on providing more than just nostalgia, its members arenât afraid to tug on heartstrings: During its tour opener at New Yorkâs Gramercy Theatre at the top of March, the band performed a medley of Alanis Morissetteâs âYou Oughta Knowâ into Avril Lavigneâs âComplicatedâ into the Freaky Friday battle of the bands classic, âTake Me Away.â (Plus, Victoria noted during the show that the vulnerable âT.M.Iâ draws inspiration from P!nkâs 2001 hit âDonât Let Me Get Me.â)
Over the course of the roughly hourlong set (Meet Me @ the Altarâs first headlining show, and its first of 23 stops on tour), the trio took turns marveling at the crowd and offering an early listen of some Past // Present // Future hits.
âThatâs such a big aspect in releasing anything. People really come to understand [new music] after they see it played live,â Victoria says. âIâve even experienced that as a music lover. Not really liking a song, and then after I see it live, Iâm like, âI love that song.â Iâm really excited for that.â
Below, Victoria, Campbell and Juarez discuss how they made an experimental â yet cohesive â body of work, wanting to tour arenas with the Jonas Brothers and more.
The release of Past // Present // Future comes just before the fifth anniversary of your first EP as a trio, Changing States. How has your creation process evolved since?
Campbell: I always forget that we even have Changing States. As time goes on, you understand each otherâs visions, and weâre always communicating and talking about what we want for this band and what directions we want to go. Weâve gotten a lot better at visualizing our vision. Before, we were kind of just doing whatever. Now, weâre really locking in on what we want to be making.
What conversations inspired the sonic direction of this debut?
Victoria: We wanted for it to be a little bit experimental because itâs our first record. If fans end up liking those songs, we have so many different avenues we can take for the second [album] â and not have our fan base be so confused as to where the heck it came from.
Campbell: Right. We didnât want to trap ourselves in the box of genre, which a lot of artists do and a lot of fans inflict on bands, too, which is kind of messed up. Itâs our art at the end of the day, and we want to make the music that makes us happy. If other people like it, that is great. But if they donât, itâs still music for us. Like Edith said, we want to be able to go any direction [while] still keeping it rock-based. An example of a band who did it perfectly was Paramore: Their records all sound different, but itâs still them. Some people take a while to get with it, and thatâs alright. That happens any time anyone changes anything. But theyâll get over it.
Victoria: One thing Iâve always hated about the music industry is that fans donât see their favorite artists as lovers of music that can like multiple things. Itâs so unfortunate because I remember when Paramore released After Laughter everyone was freaking out and I was like, âThis is so good, though!â
Youâve previously discussed wanting to create an album that sounded like a cohesive body of work. Why was that an important focus?
Victoria: [With] us being huge music-lovers and listening to a lot of different types of records, itâs always really hard to find the sweet spot between having a diverse record but also keeping it cohesive. Because you can listen to an album and then four songs in youâll be like, âWell, Iâve already heard this.â We had to find out how to keep it diverse but also keep it cohesive. Thatâs what we would like to see in other artists, so we want that for our band, too.
Were there moments when you thought the project was finished and then youâd listen back later and think, âYou know, weâve heard this song alreadyâ?
Juarez: So many times.
Campbell: We thought we were done in April and didnât get done until November. In the beginning, there were so many swaps because we werenât really sure of what specific sound we wanted this album to have. As we had more writing sessions and fell in love with more songs, we started to really understand, so then those would beat out some of the other ones that we didnât really feel fit that cohesive vibe. We recorded the album in April and then we had a last-minute session and flew out to L.A., wrote a couple more songs and had to put them on the album. We swapped those out last second.
How many songs do you think were written for the album in total?
Victoria: Around 30? There are some songs that I refuse to ever ⌠weâre taking those to our grave.
Juarez: Those our deepest, darkest secrets. Itâs just going to be us knowing those songs.
John Fields (Miley Cyrus, Jonas Brothers, Demi Lovato) helmed the albumâs production. How did that come together?
Victoria: I made a playlist of early 2000s throwback pop-rock songs â Kelly Clarkson, Demi Lovato, Jonas Brothers, all those people. We were all listening to it during the process, and when we were seeing how the record was going to shape up, we had to decide who [was going] to produce it. I was looking through that playlist and I saw John Fieldsâ name under âGet Backâ by Demi Lovato, and thatâs one of our favorite songs. I was like, âHeâs probably going to be a million dollars a song, itâs not going to work out.â But we had dinner with our A&R and he was like, âIâll just reach out and see what happens.â John really liked us and it all worked out.
Juarez: Long live John Fields. He was the perfect person for this album.
The first line on the album opener and lead single, âSay It (To My Face),â immediately addresses being an industry plant. Why did you decide to kick it off with that?
Victoria: Thatâs the leading insult that people say to us, and we wanted to start this album rollout with an in-your-face moment. Weâve heard it so much since signing to the label; just people saying sh-t for no reason. We still get that. We get that more now than I think we ever have.
Campbell: In between [August 2021 EP] Model Citizen and âSay It,â we had all that time to see what people were saying. It was like, âWeâve been gone for a while, but weâre back. We saw what you were saying while we were gone! Weâre going to address it and weâre moving on.â
Youâve been signed to Fueled by Ramen for a few years now. What are some of the bigger goals the label has helped you accomplish?
Campbell: First of all, we have the best publicists in the world. That has contributed to so much of our blowup. Everyone on the label genuinely cares, and itâs so nice to feel taken care of and listened to because thatâs hard to come by, especially in our experience.Â
Itâs also funny because â Iâve seen this recently â people assume that when a band changes anything, itâs because a label is making them. Itâs all us. If you donât like that, that sucks because itâs our idea. The label never forces us to do anything. Everything is our choice.Â
Victoria: Itâs so funny. Especially since we kind of shifted gears with our sound, everyone is like, âOh, the label is changing them.â Theyâre not.
Juarez: Funny enough, we wouldâve done it sooner. Almost did.
Victoria: We almost did. Model Citizen almost sounded more like this.
Youâre on your first headlining tour. As a band that has supported so many icons on the road, what were you eager to apply to your own shows?
Campbell: Every time we tour with someone, weâre out there [in the crowd]. To be able to tour with bands like Coheed and Cambria, The Used and Green Day who have been doing this for so long, we really studied those acts because they alter their songs around the show and alter their show around the songs. It makes you think of, like, âOh, I could be doing this kind of momentâ â whether it be a clapping thing or whatever â in our own songs. We really tried to absorb as much as we could.
Now that the album is out, what are the bandâs biggest goals moving forward?
Juarez: Taking over the world.Â
Campbell: I want to tour with the Jonas Brothers!
Juarez: I want to do a big arena tour so bad. Manifesting.
Victoria: Yeah, Iâd really want us to open up for an arena tour. The Green Day shows that we played in Europe were amazing. But Jonas Brothers, yes. They have a new album coming out, tooâŚ
If you had to designate one song on the album in each of the âpast,â âpresentâ and âfutureâ categories, which would you choose?
Campbell: I would say âT.M.Iâ is past because I feel like that song has a vibe most similar to âBigger Than Me.â Like, that era of MMATA.
Victoria: I feel like âTry,â too.
Juarez: For future, âKoolâ has to be there. Thatâs that futuristic type sh-t. People havenât even thought of it yet.
Campbell: Present would probably be âSay It.â
Victoria: Also, it could be âRocket Scienceâ from a lyrical sense. Weâre experiencing so many new things and I think weâre going to have to remind ourselvesâ
Campbell: It isnât rocket science!
Victoria: Yeah! Itâs a whole new era for us, in every single way. First album, new sound, new vibes. We might have to remind ourselves a couple of times to chill and not overthink [things]. Like, âOh yeah. We did that.â
A version of this story originally appeared in the March 11, 2023, issue of Billboard.
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