politics

Soul Asylum frontman Dave Pirner is a proud Minnesotan again after having spent 25 years living in New Orleans. So it’s not surprising he’s watching this year’s presidential campaign with even more interest since a home state horse, Gov. Tim Walz, is representing as Vice President Kamala Harris’ running mate on the Democratic ticket. (Pirner was born in Green Bay, Wisc., but grew up in Minnesota.)

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“I’m excited about it,” Pirner, who launched his music career in the North Star state drumming for the punk band Loud Fast Rules, tells Billboard from a stop during Soul Asylum’s recent Jubilee Tour with Stone Temple Pilots and Live. “There’s a certain amount of excitement in Minnesota going on. It’s funny to have a dude like that representing Minnesota ’cause he does remind you of a sports dad. There’s that, ‘Oh gosh’ kind of ‘aw shucks’ thing going on. I think it was a good choice because he seems like a nice complement to (Harris) in that good ol’ boy way or something. But he’s progressive and he’s well-liked.”

Pirner does not recall ever having met Walz, a music fan who signed a bill renaming a stretch of the state’s Highway 5 after the late Prince. But Pirner says he’s “ready to go out there and support the home team. Put my name in the hat.”

He’ll have to fit any support appearances into a busy schedule, however. Soul Asylum has concert dates booked into early November, including with the Juliana Hatfield Three, but most importantly the quartet’s 13th studio album, Slowly But Shirley, comes out Sept. 27. The 12-song set is the follow-up to 2020’s Hurry Up and Wait, its debut with Blue Elan Records, and reunites Pirner and company with Steve Jordan, the current Rolling Stones drummer who helmed Soul Asylum’s 1990 album And the Horse they Rode In On, a highly regarded set that was eclipsed two years later by the double-platinum Grave Dancers Union.

“When we first worked with Steve, we weren’t that great,” recalls Pirner, Soul Asylum’s only remaining founding member. “We were still learning how to play together. And since then I’ve sort of embraced most of the things that Steve had passed on to me from back then. So I kinda knew what he wanted and I wanted to give it to him, and I think it came together in a really organic sort of way that I think you can feel on the record — I hope you can, at least. It did mark a progression.”

Pirner adds that what Jordan and the band were looking for was “just excitement and not too much thinking about what you’re doing. It was more like capturing the band playing the songs off of each other and really listening to the other people in the band and trying to come across in a way that it felt new, fresh.” To that end Jordan had the group — Pirner, drummer Michael Bland, guitarist Ryan Smith and bassist Jeremy Tappero — tracking together in the studio to capture the energy and attitude of live music.

“We’ve tried just about every single way to record something over the years,” Pirner notes. “Working on the previous records the home studio became part of the picture, and you could also take things home and work on them. It depends on the song…but in this situation each song was approached with the same sort of method, which was ‘Get out there and play it!’ It was great ’cause watching Steve and Michael work together was one of those musical experiences I kinda live for. Steve is such a player’s player, and he’s such a vibe guy in a way that he understands the concept of trying to capture lightning in a bottle, and I think that’s what we were going for. We didn’t overplay anything and we tried to get things on the third take or so. It came together pretty quickly.”

Pirner says Slowly But Shirley‘s songs came together in a variety of fashions — some jammed out by the band in rehearsals, others that he “had been working in in ProTools and computers and messing around and cutting pieces of songs together.” One track, “High Road,” has been around “forever” before being finished off this time. The album is a mélange of Soul Asylum styles, from the jangle of “Freak Accident” to the punchy rock of “Freeloader,” “Trial By Fire,” “The Only Thing I’m Missing” and “Makin’ Plans,” to the cool groove of “Waiting on the Lord” and the mellow melodicism of “You Don’t Know Me.” There’s also a funky edge to “Tryin’ Man” and “Sucker Maker,” which Pirner credits to his time in the Big Easy and having Bland, who spent seven years playing with Prince, in the band.

“I think I was subconsciously trying to take things in a direction that was a little more funky or groovy or swingy or whatever — without forgetting that I’m dealing with a four-piece punk rock band,” Pirner explains. “That’s what’s always made punk rock so interesting is it does have this kind of ‘ignorance is bliss’ adventure to it, where it’s gonna come out sounding like your sh-tty band. But sometimes people try things they probably shouldn’t be trying, and something new comes out of that. It’s discovery, which is the beauty of music.”

Pirner is planning on a long cycle for Slowly But Shirley, including more headlining dates before the end of the year and into 2025. “We’ll play at the opening of a letter, as we used to say,” he notes. This year, meanwhile, also marks the 40th anniversary of Say What You Will…, Soul Asylum’s Bob Mould-produced debut album, and Pirner says that the passage of time has not been lost on him.

“It doesn’t get easier,” he acknowledges. “It feels exactly like 40 years. It’s kind of a grind. It’s different when you’re starting out because you’re just excited about everything and you have a much higher tolerance level because everything is new. You’re living a fairly miserable experience, but it’s an adventure. I’m grateful for all of it; it’s just what I do and what I’ve always done and what I love doing. Sometimes it’s not fun at all, but I’m like, ‘Well, this is what I wished for my whole life, so shut up.’ And I much prefer this to digging a hole, I’ll tell ya that.”