Podcasts
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Though March might not have been as packed a month of pop stardom as February, we still ended the month with a whole lot to talk about: big comeback albums, long-anticipated singles (and music videos), award-show moments and performances, and a couple leftover pop stars from 2024 who just refuse to let up in their […]
Over her nearly two-decade career, Miley Cyrus has prepared her fans to expect the unexpected. And with her ninth studio album Something Beautiful — a self-described “one-of-a-kind pop opera” — Cyrus might be taking her most ambitious swing yet. The May 30 release is a visual album, and Cyrus unleashed the first two songs and […]
The Wonder of Stevie, a podcast about music legend Stevie Wonder, won best entertainment podcast at the fifth annual Awards for Excellence in Audio (The Ambies). The awards were presented on Monday (March 31) at McCormick Convention Center in Chicago, with comedian Tig Notaro serving as host. The awards are voted on by members of The Podcast Academy.
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Las Culturistas with Matt Rogers and Bowen Yang won best comedy podcast. Bowen Yang has received four Primetime Emmy nominations for his work on Saturday Night Live.
Hysterical, which explores a mass psychogenic illness that occurred in 2011 to some cheerleaders in Le Roy, N.Y., won podcast of the year and best reporting (for Dan Taberski).
Ira Glass was honored with the Governors Award, which recognizes a podcast or individual for the influence they’ve had on the industry; and Sam Sanders received the Impact Award, which recognizes an individual or podcast that has made a significant, positive effect on its listeners.
Ronan Farrow, Jon Cryer, Matt Rogers, and Meena Harris were among presenters and guests at the event.
Here are the nominees for The 2025 Ambies in categories most relevant to the music and entertainment industry, with winners marked.
Podcast of the year
99% Invisible: Not Built for This
Beyond All Repair
Cement City
Dragon Age: Vows & Vengeance
Empire City: The Untold Origin Story of the NYPD
Faraway
Fire Escape
Hot White Heist 2
WINNER: Hysterical, Wondery, Audacy’s Pineapple Street Studios
Throughline
Best entertainment podcast
Infamous
Lemme Say This
Rattled & Shook
Scamfluencers
Split Screen: Kid Nation
The Road to Joni
WINNER: The Wonder of Stevie, Audible, Higher Ground, and Pineapple Street Studios
Best podcast host or hosts
Diallo Riddle and Blake ‘LUXXURY’ Robin – One Song
Glennon Doyle, Abby Wambach and Amanda Doyle – We Can Do Hard Things
Jon Stewart – The Weekly Show with Jon Stewart
Rainn Wilson – Radio Rental
WINNER: Ronald Young Jr. – Weight for It, ohitsBigRon studios LLC
Sam Sanders – The Sam Sanders Show
Wesley Morris – The Wonder of Stevie
Best original score and music supervision
WINNER: Dan Leone – Ripple, Western Sound, APM Studios
Daniel Lloyd-Evans, Louis Nanke-Mannell and Toby Matimong – Extrasensory
Deron Johnson – Dungeon Masters
Jonathan Pfarr, Carson Graham and Bobby Mota – Celebrity Pets
Peter Nashel, Ross Hopman, Gio Lobato, Dana Hom, Brad Fischer, Jordan Lieb, Lucas Villemur and Lindsay Dievert – Hammerless: A True Crime Podcast in a Fantasy World
Skyler Gerdeman, Martin Lynabel, Nicholas Alexander, Max O’Brien and Caroline Thornham – Kill List
Stro Elliot and Eric Gersen – Historical Records
Best production and sound design
Casandra Tinajero and Andrés Bahena – Nocturno: Tales From the Shadows
Jeremy S. Bloom – Hot White Heist 2
Kenny Kusiak and George Drabing Hicks – The Confessions of Anthony Raimondi
WINNER: Michelle Macklem – Girl v. Horse, ESPN Podcasts, 30 for 30 Podcasts
Realm – Narcosis
Sagafilm and Skybound Entertainment – Impact Winter Season 3
Ted Bonnitt – Hindsight: The Day Before
Best society and culture podcast
Hysterical
In Retrospect with Susie Banikarim and Jessica Bennett
WINNER: Inheriting, LAist Studios
Mind Your Own with Lupita Nyong’o
My Divo
Sixteenth Minute (of Fame)
Weight For It
Best podcast for kids
Culture Kids
Grimm, Grimmer, Grimmest
Historical Records
Mysteries About True Histories
PJ Library Presents: Beyond the Bookcase
Skylar & Bones – Funny Stories for Kids!
WINNER: Wow in the World Wondery, Tinkercast
Best Spanish language narrative podcast – fiction or nonfiction
¡No Vengan!
Greal: El Secreto de las Ocho Llaves
Hechos Reales
WINNER: HUMO: Murder and Silence in El Salvador, Sonoro
No quieren que sepas
Pantallas & Mentiras [Screens & Lies]
Pétrea
Best sports podcast
30 for 30 Podcasts
WINNER: Broomgate: A Curling Scandal, Kelly&Kelly, CBC Podcasts, USG Audio, and Pacific Electric
Good Game with Sarah Spain
Pablo Torre Finds Out
Shadowball: The Rise of the Black Athlete
The Raven
The Rich Eisen Show
Best comedy podcast
Conan O’Brien Needs a Friend
Hot White Heist 2
WINNER: Las Culturistas with Matt Rogers and Bowen Yang, iHeartPodcasts, Big Money Player
Scam Goddess
SmartLess
We’re Here to Help
Who Replaced Avril Lavigne? Joanne McNally Investigates
Best indie podcast
Sightings
The Insurgence: Sheriffs
The Man Who Calculated Death
The Nightingale of Iran
The People’s Recorder
The TMI Project Story Hour
WINNER: What Happened in Skinner, Mazama Entertainment
Best indie podcast host or hosts
WINNER: Dallas Taylor – Twenty Thousand Hertz, Defacto Sound
Deja Perkins and Purbita Saha – Bring Birds Back
Jill Jonassen – The Cost of Extremism
Kate McCoy and Kevin Corbett – Horrorwood: True Crime in Tinseltown
Lisa Phillips – From Now On
Lisa Woolfork – STITCH PLEASE
Susan Lambert Hatem and Sharon Johnson – 80s TV Ladies
Best interview podcast
American Masters: Creative Spark
Apple News in Conversation
Overlooked: Women’s Health Can’t Wait
WINNER: Thanks Dad with Ego Nwodim, Headgum
The Assignment with Audie Cornish
The Integrated Schools Podcast
Tomorrow’s Cure
Best performance in audio fiction
Bowen Yang, Cynthia Nixon, Shannon Woodward, Jane Lynch, Jesse James Keitel, Sarah Steele, Ian McKellen, Raul Esparza, Sara Ramírez, Joel Kim Booster, Bianca Del Rio, Cheyenne Jackson, Abbi Jacobson, Stephanie Beatriz, Katya Zamolodchikova, Trixie Mattel, Yvie Oddly, Jane Krakowski, Sandra Oh, and Tony Kushner – Hot White Heist 2
WINNER: Caitlin Stasey, Jake ‘The Snake’ Roberts, David Yow, Caroline Morahan, Guinevere Turner, Elizabeth Halpern, Travis Harmon, Brad Griffith, James Bacon, Jameson Cush, Jonathan Shockley, Ayla Glass and Chris Goodwin – The Skies Are Watching, Goldhawk Productions
Fredi Bernstein, Cody Wilkins and Dana Domenick – The Box
Mikki Hernandez, Toby Meuli, Geri-Nikol Love, Rachel Kylian – Ominous Thrill
Ruth Righi – Winnie Taylor’s 4th & Inches
Sanaa Lathan – The Justice
Tisha Campbell – Snoriezzz
Posdnuos, founding member of hip-hop legends De La Soul, has the mind-set of a classic rock icon who continues to record and tour after most people that age opt for retirement.
Talking to Billboard‘s Behind the Setlist podcast after a session in the recording studio, Pos (born Kelvin Mercer) says that being mindful of his health is critical to the group’s longevity. “We’re in the gym, running, doing the cardio and staying healthy. I love to run around onstage like a fool. So I’m always in spin class and lifting weights so I can keep my cardio up, man. I want to be like [The Rolling Stones frontman] Mick Jagger, moving around until the grave.”
At this point, De La Soul is to hip-hop what British invasion bands are to rock & roll. The Stones’ debut album came out a quarter-century before De La Soul released its first album, 3 Feet High and Rising, in 1989. More than 35 years and eight more studio albums later, De La Soul is where The Stones were in 2000: respected elders and innovators with a historic catalog and an appetite to remain relevant.
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“I’m really happy that we have a brand that we can still put out there,” Pos says. “Whenever we raise the flag, people want to come in and partake in whatever we’re offering.”
De La Soul has remained busy since the death of bandmate Trogoy the Dove (born David Jolicoeur) in December 2023. After a long absence from digital platforms because of a legal dispute, the group’s celebrated catalog appeared at streaming services in 2023. “We carried on pretty well” while being absent from services such as Spotify and Apple Music, says Pos. “Did we not gain certain fans at a certain time? Definitely, because you gotta realize we missed the entire download era and streaming until about two years ago. But with us still putting out music, we saw how people were so engaged, and even younger people engaged in our music.”
In the Internet age, De La Soul is never more than a Google search away. The group found a new wave of admirers after collaborations with Gorillaz that produced the hit song “Feel Good Inc.” in 2005 and “Crocadillaz” in 2023. Thanks to an abundance of metadata about music, people curious about the musicians on the tracks could easily find information about group — although they got to know him as Kelvin Mercer. “I’m a government name with young people,” says Pos.
The interview focused on De La Soul’s Jan. 16 show at Lincoln Center in Manhattan and also covered the group’s album and EP reissues. Listen to the entire conversation with Posdnuous using the embedded Spotify player below or go to Spotify, Apple Podcasts, iHeart, Amazon Music, Podbean or Everand.
Back in 2017, Selena Gomez was coming off her greatest commercial hot streak, having just released 2015’s Billboard 200-topping Revival — which scored a trio of smash pop singles — and keeping her momentum going with a run of successful collabs. Then, she released “Bad Liar,” the most sophisticated, ambitious and generally surprising single of her career to that point, co-written alongside a pair of hitmakers with whom she had an obvious connection. The song was rapturously received by pop fans and critics alike, but the commercial response to it was distinctly muted — seemingly leaving Gomez unsure of what to do next.
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On this week’s Great Moments in Pop Star History episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Billboard‘s executive director of music, Jason Lipshutz, to talk about one of the most fascinating pop songs of the last decade. We look at why the song worked in so many unlikely ways, why it won over so many listeners who’d previously disregarded Gomez but still couldn’t find its footing at radio or streaming — and whether or not the song, which felt like a major turning point in Selena Gomez’s career upon its release, actually ended up being such a pivotal release for her.
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Along the way, of course, we ask all the important questions about Selena Gomez and “Bad Liar”: Why was lifting the bassline from a 1977 Talking Heads song the key to this 2017 pop single? What made Julia Michaels and Justin Tranter such perfect collaborators for Gomez at this point in her career? Why does she love playing multiple characters in the same project so much? Was there really nothing subtle about the Battle of Troy? Can we hear any of “Bad Liar” in Gomez’s new I Said I Love You First album, recorded with longtime producer (and now-fiancé) Benny Blanco? And perhaps most importantly: Would we still name “Bad Liar” the best song of 2017?
Check out our discussion above, and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights. (Selena would want you to!)
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.
Before we celebrate our Billboard Women in Music honorees this Saturday night — including 2025 Woman of the Year Doechii — the Billboard charts team put together the Top 100 Women Artists of the 21st Century chart (encompassing women soloists, all-women groups and groups with prominent women’s vocals). On the new Billboard Pop Shop Podcast, […]
As 1995 began, Madonna was still an A-plus-list superstar and one of the most famous people in the world — but she was no longer at the absolute center of pop music. A half decade of increasingly controversial (though often brilliant) albums, singles, videos, movies and appearances had left the public divided and unsure about the Queen of Pop’s standing, while the dance-pop she’d conquered the world with in the ’80s had fallen out of fashion in a top 40 landscape dominated by alt-rock, hip-hop and R&B. But ’95 saw her reclaim her radio supremacy, while still taking huge artistic chances and pivoting to a more mature cross-platform star persona — though hardly all at the same time.
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In this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Keith Caulfield, Billboard‘s Managing Director of Charts & Data Operations (and co-host of the Billboard Pop Shop Podcast, and longtime M disciple) to express ourselves and not repress ourselves about Madonna’s incredibly fascinating 1995. We pick up mid-Bedtime Stories rollout with Madonna, as she improbably scores the biggest Billboard Hot 100 hit of her entire storied career, and we make it through her LP’s experimental final two singles (and their rather notable music videos), through getting cast in the film role of a lifetime, through the ’95 Video Music Awards, and finally end with her Something to Remember era, while she preps the world for a year of Oscar campaigning.
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In the meantime, we brace the most important questions about La M as she reached the midpoint of her 1990s: Which super-cool-and-acclaimed European act made for better Madonna collaborators, Björk or Massive Attack? Why does nobody remember that “Take a Bow” was her longest-running No. 1? Should “Human Nature” have been a bigger hit? Was Evita worth shutting down her mid-’90s touring plans for? Did she really deserve a Razzie for her Four Rooms appearance? And of course: How did she fare in her infamous interview showdown with Courtney Love following the ’95 VMAs?
Check it out above — along with a YouTube playlist of some of the most important moments from Madonna’s 1995, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights. (Madonna would want you to!)
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.
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Diddy’s sex trafficking trial is a little more than two months away from getting underway and already ABC News is looking to capitalize off the attention it will no doubt get with a new podcast centered around the allegations lobbed at the Bad Boy Records founder.
According to Variety, ABC News will be launching Bad Rap: The Case Against Diddy on May 25, the day that Diddy’s trial is set to begin and will be hosted by legal contributor and attorney Brian Buckmire. Bad Rap will be the first true-crime series supported by 20/20 and ABC’s news gathering squad and “will trace how whispers of abuse came to light and led to the stunning federal charges and civil lawsuits that Diddy now faces.”
The first six episodes of Bad Rap are set to cover the background on the allegations that have been thrown at Diddy, which will be followed by “twice-weekly episodes during Combs’ trial with ‘real-time updates’.”
Per Variety:
“Bad Rap: The Case Against Diddy” is one of the anchor shows on ABC Audio’s new podcast slate in collaboration with “20/20,” which it says will provide “always-on true crime content.” The new podcasts will join ABC News’ flagship daily news podcast “Start Here” and the popular “20/20” podcast. Also available today, ABC Audio is launching a new “20/20 True Crime” channel on Apple Podcasts.
Launching Monday (March 17) is “20/20: The After Show,” a weekly show hosted by “20/20” co-anchor Deborah Roberts. It’s a companion podcast to the TV newsmagazine, which airs Fridays on ABC. In “20/20: The After Show,” listeners can hear the story behind each week’s episode and access exclusive bonus material.
We low-key wish Barbra Walters was hosting this podcast if for no other reason than for nostalgia sake. Just sayin’.
Will you be listening to ABC’s Bad Rap: The Case Against Diddy podcast when it premiers on May 25? Will you be checking in on the trial? Let us know in the comments section below.
Just as Chappell Roan has cemented herself as one of pop’s most promising new stars, winning best new artist at last month’s 2025 Grammys amid a crowded field, she’s taken a left turn toward Nashville for her new country single “The Giver.” On the new Pop Shop Podcast (listen below), Katie & Keith are chatting […]
Take it from Dax Shepard: Dancing to Sabrina Carpenter‘s music with your kids is super fun. The PG-13 conversations that her songs might inspire afterward? Not so much.
On the latest episode of his Armchair Expert podcast, the actor — who shares 13-year-old Lincoln and 10-year-old Delta with wife Kristen Bell — started out by saying that despite being “so late to the party,” he’s now “an enormous Sabrina Carpenter fan.”
“It started with ‘Bed Chem,’” he shared, referencing one of the steamier tracks on the Girl Meets World alum’s Billboard 200-topping album Short n’ Sweet. “I was driving with Delta to school today, and we listen to it every morning … If a song, it hits, you can’t resist dancing with your shoulders. We were really getting our shoulders active this morning, it was a blast.
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“It’s really fun now that I love her favorite artist,” he added. “It’s fun for her. ‘Cause now I’m on the Sabrina train.”
That said, Shepard isn’t quite as big a fan of one of the other tracks on Carpenter’s LP: “Juno,” the aphrodisiacal chorus of which is inspired by the 2007 film of the same name about a high schooler, played by Elliot Page, who gets pregnant. “I don’t wanna tell [Delta] it wasn’t my favorite, ’cause it’s her favorite — but I’m not gonna lie to her,” he said before explaining the awkward parenting moment the racy song’s lyrics inspired.
“She goes, ‘But do you know what Juno is?’ and I go, ‘No…,’” Shepard recalled. “And she’s like, ‘Well, it’s a movie,’ and I go, ‘The movie Juno? Yes, I know.’ She goes, ‘Yeah … It’s a story about a girl who gets pregnant.’”
“I go, ‘That’s a little nasty,’” he continued. “And she goes, ‘What’s nasty about wanting to have a baby with somebody?’ I go, ‘Well, it’s a teenager. She’s in high school.’”
“The way she phrased it was like, ‘Wait, what’s nasty about wanting to have a baby with someone you love?’” Shepard added. “And I was like, ‘Oh no, there’s nothing nasty about that, I’m just saying, ‘I wanna get pregnant in high school’ is kind of a nasty, fun lyric. It’s a positive ‘nasty,’ I’m saying.”
Full of NSFW lyrics and double entendres, “Juno” is one of the biggest fan favorites on Short n’ Sweet. That’s thanks in part to the fact that each night on Carpenter’s ongoing tour in support of the album, she strikes a different pose on stage to coincide with the suggestive lyric, “Wanna try out some freaky positions?/ Have you ever tried this one?”
At one of her recent shows in Paris, for instance, she paid tribute to the city by contorting her body into the shape of the Eiffel Tower with the help of two male backup dancers.
Listen to Shepard recount his and Delta’s conversation about Carpenter on Armchair Expert below.