Podcasts
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Olivia Rodrigo had one of the splashiest arrivals in recent pop history, with her eight-week Billboard Hot 100 chart-topper “Drivers License” and her five-week Billboard 200 No. 1 album Sour culminating in her best new artist win at the 2022 Grammys. We haven’t heard any new music from Rodrigo since she released her blockbuster debut […]
Music streaming giant Spotify is making a new round of cuts to its podcast division following a broad round of layoffs in January and job cuts in October. In a memo to staff Monday morning from Sahar Elhabashi, the head of Spotify’s podcast unit, the company said that it would be reducing its workforce by […]
Dua Lipa took the first fuzzy-stilettoed step toward the release of the Barbie film soundtrack last week when she dropped “Dance the Night,” the maiden song from the Greta Gerwig-directed summer movie. In addition to Lipa’s disco-ready song and a sparkling video to match, we also learned that the soundtrack is executive produced by Mark […]
Before Bear Rinehart co-founded the band NEEDTOBREATHE and became a platinum-selling, arena-filling rock musician, he was inspired to pick up a guitar by one of the great Southern rock bands of the last few decades: the Black Crowes. The son of a Christian pastor, Rinehart grew up around gospel music. The Black Crowes had an uplifting sound — with a swagger — that made sense to him. “It’s like such a gospel-soul-rock and roll mesh,” he tells Billboard’s Behind the Setlist podcast.
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Rinehart lives outside of Nashville — the center of country, Americana and the Christian music businesses in the U.S. — but grew up in South Carolina, not far from the Black Crowes’ home of Atlanta. Rinehart was surrounded by “a well-rehearsed, very talented” church band with “all kinds of great gear,” he recalls. He picked up the music of great soul singers like Joe Cocker, Ray Charles and Otis Redding too. And growing up in the South left him surrounded by bluegrass and mountain music, where banjos and mandolins are standard instruments.
A youth spent listening to bluesy roots music and uplifting church music comes through in Rinehart’s second solo album, FEVER/SKY, released on March 24 by Dualtone Records under the name Wilder Woods. No Depression called FEVER/SKY “a party in a bottle, an ode to the sweaty intensity of old-time rock and roll.” Across its 11 tracks, FEVER/SKY also captures the uplifting emotions that drawn listeners to NEEDTOBREATHE.
“It always felt like you’re trying to sing songs that you can lean on, you know what I mean?” Rinehart says. “I feel like that’s where gospel comes from. It’s almost like the thing that you need to survive with. And I think as I’ve grown up and got into a ton of different styles of music, I would say, that’s probably the thread that I still feel as important. The music I listen to mostly meets me in that place it needed to meet me.”
Wilder Woods opens for the Avett Brothers on July 8 at Red Rocks Amphitheatre in Morrison, Colo., and will perform at the Moon River Music Festival in Chattanooga, Tenn., on Sept. 10. NEEDTOBREATHE will play three dates in mid-July before starting a string of dates on Aug. 11 in Green Bay, Wis., that concludes at the Kansas State Fair in Hutchinson, Kan., on Sept. 8.
Listen to the entire Behind the Setlist interview with Rinehart at Spotify, Apple Podcasts, Stitcher, iHeart, Amazon Music or Audible.
Three hours or bust! On their ambitious new tours, Beyoncé and Taylor Swift are setting the bar impossibly high for treks to come, playing three-hour (or longer!) concerts that each cover more than 3 dozen songs from their respective catalogs. Rock fans have come to expect marathon concerts from the likes of Bruce Springsteen or […]
Luke Combs made his Billboard Hot 100 debut back in 2017, but in the six years since, the country hitmaker isn’t likely to be called a “pop star.”
That all might change, thanks to his new cover of Tracy Chapman‘s 1988 classic “Fast Car,” which is featured on his latest album, Gettin’ Old, and marks his very first song to cross over to the pop and adult contemporary charts.
This week, “Fast Car” debuts on Pop Airplay at No. 39, Adult Pop Airplay at No. 40, and Adult Contemporary at No. 30 — marking the first time the country star has appeared on any of those charts. On the new Billboard Pop Shop Podcast, Katie & Keith are talking all about the song’s longevity. We even get a little help from Billboard‘s own Gary Trust — who manages the Hot 100, Pop Airplay, Adult Pop Airplay and Adult Contemporary charts — to ask why he thinks the song is catching on with pop radio.
Listen to the podcast here:
Also on the show, we’ve got chart news on how SEVENTEEN, Eslabon Armado and Jack Harlow all debut in the top 10 on the Billboard 200 albums chart and how Morgan Wallen’s “Last Night” becomes the first song to concurrently be No. 1 on both the all-genre Billboard Hot 100 and the Country Airplay chart. Plus, we’re talking all about Taylor Swift announcing Speak Now as her next re-recorded album, and big news across the pond this week with Beyoncé launching her Renaissance Tour in Sweden and the Eurovision Song Contest kicking off in the U.K.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
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Welcome back to New And Making Noise, your source for the hottest new artists making waves in music right now. In this episode, Memphis rapper and Young Dolph protégé, Key Glock, joins hosts Incognito, DJ Misses and A-Plus in the studio to talk about his latest album Glockoma 2 as he goes back on tour.
Fresh off the success of his album Glockoma 2, the first project he released since the tragic loss of his cousin and mentor Young Dolph, Glock is back on the road performing live with “bigger venues” and “more energy” than his last tour. “The energy is going to be there anyway, but we might cause a little earthquake,” he says.
Glock came up as a young artist under Dolph, the Memphis icon tragically lost to gun violence in his hometown in 2021.
The late rapper found success in creating music for his Memphis community and achieved mainstream success with chart-topping tracks like “Major” featuring Key Glock and “RNB” featuring Megan Thee Stallion. Dolph has collaborated with Gucci Mane, 2 Chainz, O.T. Genasis and T.I.—all while operating his own independent record label Paper Route Empire (PRE).
Key Glock released his debut mixtape Glock Season in 2017 under PRE. Since his debut, the young artist released more projects including the first Glockoma mixtape and the Dum and Dummer joint album series that he made with Dolph.
Glock, who is still a PRE artist, is keeping the legacy of Dolph’s empire alive by setting his sights on future projects as he continues to perform and make music. “I ain’t got [the music] where I want it yet. I’m still on the music but I’m slowly but surely going to work onto other things,” Glock says.
The Memphis-born artist is not limiting himself to music. “I thought about [acting],” he says. “I’m still thinking about it.”
The young rapper also touches on the making of Glockoma 2, his favorite food, the music he’s currently listening to and his favorite piece of jewelry—his first PRE chain gifted to him by Dolph. “My first chain I ever got, my first PRE chain,” Glock says. “It was my first chain Dolph gave to me, so it’s probably my favorite chain.”
So far, the 25-year-old artist is in no rush to define his career. When asked, “What’s your proudest moment right now?” Glock candidly answers, “I ain’t got one yet.”
Listen to the full conversation with Key Glock below or here.
Joe Bonamassa is widely regarded to be one of the best blues musicians in the business. In 2019, a Guitar Player reader poll named him the top blues guitarist in the world — ahead of Eric Clapton, Derek Trucks and Buddy Guy. That respect has translated to a heavy touring schedule and a string of successful recordings. In April, Bonamassa reached No. 1 on the Billboard Blues Chart for an astounding 26th time with Tales of Time, a live recording of his 2021 album Time Clocks recorded last year at Red Rocks Amphitheatre in Colorado.
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But the upstate New York native — a former child prodigy who opened for blues great B.B. King when he was just 12 years old — speaks with humility and admiration about his bandmates.
“[They’re] better than me — all of them,” he tells Billboard‘s Behind the Setlist podcast. Keyboard player Reese Winans “gets a standing ovation every night,” says Bonamassa before a recent concert in Charlotte, N.C. “He gets the biggest ovation of the night. He’s a living legend [who has] played with Stevie Ray [Vaughan] and Delbert McClinton. He’s a Rock and Roll Hall of Fame inductee [as a member of Vaughan’s band, Double Trouble]. Every band has to have a Hall of Famer. He’s our’s.”
Guitarist Josh Smith is a “better player than I am,” he continues. “He’s killer.” He calls both drummer Lamar Carter (Raphael Sadie, Demi Lovato) and bass player Calvin Turner (Marc Broussard, Troy “Trombone Shorty” Andrews) “amazing” musicians. Backup singers Jade MacRae and Danni D’Andrea, who have worked with Liam Gallagher and Prince, respectively, are “saints” for tolerating his singing voice, he says self-effacingly.
The great musicians tend to attract talented musicians to their touring bands. That gives Bonamassa a superb cast to help re-create his songs and transform the studio recordings for the live setting. “We have some fun with it,” he says. “Bring it up, bring it down. Like in the case of ‘Self-Inflicted Wounds,’ our great vocalist Jade MacRae takes a vocal solo at the very end and it brings the house down.”
Still, Bonamassa knows he’s the reason people buy tickets to his shows. “You’re never gonna see me go, ‘Well, I don’t really feel like playing guitar, and I’m just gonna let Josh take all the solos, or I’ll we’ll just we’ll just cut all the guitar, so I’m just gonna sing and play acoustic guitar.’ There will be a revolt, you know? There will be 2,500 people revolting tonight, leaving. And that’s because I know the audience. They want to hear a big guitar solo. So they want to they want to hear me shred over blues changes. And it’s something I get criticized for doing. But it’s also what people want to hear. I don’t question that.”
Bonamassa is currently on tour in Europe and will perform in Germany on May 5-6, Luxembourg on May 7 and France on May 10. He will play five dates in the U.K. from May 9-14 before returning to the U.S. to perform at the Capitol Theatre in Yakima, Wash., on May 26 and the Backroad Blues Festival with Kenny Wayne Sheppard in Bend, Ore., on May 27.
Listen to the entire interview with Bonamassa at Spotify, Apple Podcasts, Stitcher, iHeart, Amazon Music or Audible.
Jessie Ware had a straightforward goal with her new album That! Feels Good! (released April 28) – “The goal was to make people dance and make them feel sexy and romantic,” the pop singer-songwriter tells the Billboard Pop Shop Podcast (listen to her full interview, below).
The new 10-track set, with production by Stuart Price and longtime collaborator James Ford, is a “delicious disco opus” and follows her warmly received 2020 album What’s Your Pleasure. The latter marked her highest-charting effort on the Official U.K. Albums chart (peaking at No. 3) and garnered Ware her first BRIT Award nomination for British album of the year.
“I wanted [the new album] to feel more live than What’s Your Pleasure?,” Ware continues, “but I still wanted there to be groove, and funk and soul dictating it – and elements of disco, of course. But to feel like a dance record, but a looser dance record, with a bit more color. That was the intention.”
So what’s changed for Ware in the nearly three years between What’s Your Pleasure? and That! Feels Good!? “I feel really centered and excited about putting music out,” she says. “I don’t kind of have that fear like I had before. What else has changed? The podcast [her hit show Table Manners, co-hosted with her mother Lennie Ware] has carried on. I’ve got another baby… I don’t know! I feel like a changed artist since the reception of What’s Your Pleasure?”
Ware will take That! Feels Good! on the road in the United States later this year, with a string of dates beginning in Chicago on Oct. 5. Before that, she’ll play the OUTLOUD @ WeHo Pride festival on June 2 in West Hollywood, Calif. in celebration of Pride Month.
Also on the new edition of the Pop Shop Podcast, we’ve got chart news on how Morgan Wallen continues to lead the Billboard 200 albums chart for an eighth week with One Thing at a Time, how Taylor Swift makes a splash on the list with a stunning 10 albums in the top 100 of the chart, and how for the first time ever, there are two regional Mexican songs in the top five (and 10!) of the Billboard Hot 100 songs chart.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
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It looks like NORE doesn’t want any podcast smoke. The Drink Champs co-host and rapper denies making fun of Cam’ron’s show on the Joe Budden Podcast.
As spotted on Complex, the Queens, New York native was almost caught in the crossfire between the Diplomats rapper and Joey Jumpoff. Last week Killa took to social media and posted a clip of the Drink Champs host talking rather greasy with Joe Budden about other rappers launching shows.
“You know what’s crazy? I’m looking at these rappers trying shows now—you know, rappers from our era—and they are so failing,” he said during the interview. “They doing sports shows, they doing comedy shows. They talkin’ about, ‘Yo, I’m up. I’m just doing this for fun.’ No, you are not!”
While N.O.R.E. did not put a name on the slander it was widely perceived that Cam was one of the “failed” rappers the two were poking fun at. Since then Killa’s sports show has gained incredible momentum and a cult following online. In an Instagram caption Cam’ron revealed that he is still cool with N.O. but referred to Joe Budden as a “crackhead”. This caused a rather spicy back and forth between Cam and Joe but it seems N.O.R.E. wants no parts of it.
“Me and you are friends from the 90s. You have my real life phone number. You hung out with me for days before you did Drink Champs just to make sure I was the same yalla that you know” N.O.R.E. wrote. “If you thought at any time I was going at you, Why would you go to the internet 1st?”
He also went on to say that he was not talking about Cam’ron in that “failed rappers” clip. “That footage from Joe Budden show is old footage. Ya show wasn’t created yet!!! I never saw a single footage of ya sh*t so there’s no way I could’ve been talking bout u !!!”
But under further investigation N.O.R.E.’s timing is way off. His appearance on the Joe Budden Podcast episode 600 was released in early February 2023 but Cam’ron had been promoting It Is What It Is on his Instagram since December of 2022. Cam has yet to respond to N.O.R.E.