Podcasts
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Pop superstar Kylie Minogue says she made a “conscious decision to go for it” in terms of promoting her new album Tension – and indeed she has. Since mid-May, she’s been hard at work across the globe to tell the tale of Tension.
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“The entire team’s been working really hard,” she tells the Billboard Pop Shop Podcast (listen to her full interview, below). “I feel so grateful for this moment and so excited for the music and what is unfolding — people’s experience with the music and how they’re making it their own and really welcoming it into their lives, that how could I not give extra? I mean it’s kind of my default anyways.”
All that hard work paid off too. Tension debuted at No. 1 on Billboard’s Top Dance/Electronic Albums chart, scored her biggest sales week in the U.S. in early 20 years, and opened at No. 1 in the U.K. and in Australia.
Now that she’s broken the Tension, next up for Minogue is the launch of her residency at the Voltaire Belle de Nuit at the Venetian Resort in Las Vegas, which begins on Nov. 3. The intimate club, which will hold only 1,000 guests at each show, promises to offer a unique experience with Minogue, which the Voltaire advertises as “more than just a residency.”
Minogue says her performance within the club will feature a “selection of songs from throughout the years” and that the show, and its setlist, could evolve over time, since she has 20 shows currently scheduled “over a number of months,” on through next May.
Guests attending an evening at the Voltaire during Minogue’s residency will see their evening start around 9:30 p.m., while Minogue will take the stage a little after 11. “It’s late night,” she says. Will her Voltaire performance differ from a traditional touring show from Minogue? “It will be different to a normal concert,” she says. “My show’s normally two [hours], two [hours] and 15 [minutes long] … so it’s gonna be more snug [than a regular show]. I think it’s gonna feel, because we’re so close [she and the audience] … to be revealed. I mean, I haven’t done this kind of show before. But I think being that close and that intimate in that environment, I think it’s gonna feel kind of more than what it might appear on paper.”
Will her Voltaire residency preclude Minogue from going out on the road with her own tour? No! Does she have a desire to head back out for her own traveling show? Yes!
“I see [the Voltaire engagement] as a very specific show and experience, enhanced by and limited by its surrounds. It is a performance within the Voltaire club. And, to be this involved at the inception of this club — which will hopefully be there for many, many years with lots of different artists performing there — I do feel especially attached to it because I’ve known about it since its inception and I’m part of the opening. But, my tour? That would be different again. And a very different sensation for me and for the audience. So yeah, I would love to go on tour again, absolutely.”
Also in our chat with Minogue, the pop princess reveals how she “would love to be back in the studio” working on new music after the inspiring time she had making the Tension album. “I feel like we’ve just kind of tapped into something that I’d love to explore more.”
Also on the new edition of the Pop Shop Podcast, we’ve got chart news how *NSYNC returns to the Billboard Hot 100 for the first time in 20 years and makes a splashy entrance on Billboard’s airplay charts with “Better Place,” Pop Shop hosts Katie and Keith discuss their recent concert trips to see P!nk and Jessie Ware, respectively, and a chart stat of the week about Madonna’s debut on the Hot 100, 40 years ago this month.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
Podcasts by or about Doja Cat, Snoop Dogg, Björk, Meghan Trainor, Jill Scott, Questlove, Tobe Nwigwe and the late rapper Mac Dre are among the winners at the second annual Signal Awards. The winners were announced on Tuesday (Oct. 10) and will be celebrated with a reception at The Bowery NYC on Oct. 23.
Origins: Doja Cat won for music – individual episode. Snoop Dogg W + M won for music – limited series. Both were released by Audible, which won the inaugural award for company of the year. With 32 total wins, Audible also received nods for such podcasts as Origins – Tobe Nwigwe, Michelle Obama: The Light Podcast and The Sesame Street Podcast.
“2023 was a huge year for podcasts, as worldwide listenership continued to skyrocket and new trends emerged,” Signal Awards managing director Deondric Royster said in a statement. “The winners of the second annual Signal Awards represent the best of the industry: those who are pushing boundaries, telling important stories, encouraging laughter, and reaffirming the overall power of podcasting and its ability to connect to listeners all over the world.”
During the public voting stage, fans cast more than 130,000 votes for the Signal Listener’s Choice award. Michelle Obama: The Light Podcast, Conan O’Brien Needs a Friend, HBO’s The Last of Us Podcast, Mobituaries with Mo Rocca, Small Town Dicks, Barely Famous, And That’s Why We Drink and Good Night Stories for Rebel Girls were among the podcasts receiving the most public votes.
Signal Awards reports receiving nearly 2,000 entries this year. Winners were selected by the Signal Academy. To see the full list of winners, visit www.SignalAwards.com.
Here’s a selective list of winners from the 2023 Signal Awards, with a focus on music and comedy personalities.
Best host (current events) – shows: The Problem with Jon Stewart: The Official Podcast – Apple TV Podcast
Popular culture & variety – shows: Jill Scott Presents: J.ill the Podcast – Jill Scott Presents: J.ill the Podcast
Interview or talk show – shows: Gold Minds with Kevin Hart – Hartbeat (co-winner)
Comedy – shows: Gold Mind with Kevin Hart – Hartbeat
History – shows (listener’s choice): Mobituaries with Mo Rocca – Paramount
Best video podcast – branded shows & advertising (listener’s choice): Conan O’Brien Needs a Friend – Samsung Electronics – SXM Media
Best guest – individual episode: Questlove Supreme – The Oriel Co. (co-winner)
Arts & culture – individual episode: Origins – Tobe Nwigwe – Audible (co-winner)
Best conversation starter – individual episode: Did Mac Dre Really Go to Prison Because of His Lyrics – KQED (co-winner)
Interview or talk show – individual episode: Milk Drunk: The Podcast – Meghan Trainor & Emily Oster: Redefining “Best” Parenting – Bobbie (co-winner)
Music – individual episode: Origins: Doja Cat – Audible
Most innovative audio experience – limited series & specials: Björk: Sonic Symbolism – Archetype
Best original score or music – limited series & specials: Lake Song – Make Believe Association
Best writing – limited series & specials: Can You Dig It? – A Hip Hop Origin Story – PB & J Productions (co-winner)
Music – limited series & specials: Snoop Dogg W+M – Audible
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“Striking.” “Mind-blowing.” “Ambitious.” “Massive.” “Dazzling.” That’s just a sampling of adjectives used to describe U2’s opening night at the brand-new Sphere in Las Vegas on Friday night, with the legendary band sharing the bill with the $2.3 billion venue as the eye-catching orb sets out to revolutionize live music in Sin City. But once Bono […]
Juliana Hatfield made a name for herself in the era of ‘90s college rock with hooky, pop-laden rock songs that comfortably fell outside of the mainstream. Now, Hatfield is about to release an album of covers of one of the most celebrated mainstream pop bands of the ‘70s and ‘80s, Electric Light Orchestra.
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For Hatfield, ELO’s orchestral, multi-layered sound — a signature of its primary member, Jeff Lynn — has been an attraction since before she became a musician. “Growing up, ELO songs would come on the radio, and I was always mesmerized by the sound,” Hatfield tells Billboard’s Behind the Setlist podcast. “ELO just lit up the radio.”
Juliana Hatfield Sings ELO, out Nov. 17, is her seventh album for American Laundromat Records and the third of cover songs following tributes to Olivia Netwon-John in 2018 and The Police in 2019. “It’s like an escape back to a more innocent time,” Hatfield says of recording the cover songs. “I was full of hope back then. And the mystery and the magic of music was first enveloping me and I was just very excited about it. So when I’m playing these songs and singing the songs of The Police or ELO or Olivia Newton-John, I think part of it is I’m trying to recapture some kind of magical, innocent love of music. And it works. I’m getting those feelings back.”
Ahead of the album’s release, American Laundromat Records has released three tracks that are among ELO’s most popular and successful songs: “Telephone Line,” “Can’t Get It Out of My Head” and “Don’t Bring Me Down,” which reached No. 4 on the Billboard Hot 100 in 1979. The 10-track ELO album delves deep into the band’s repertoire and includes such songs as “Bluebird is Dead” from 1973’s On the Third Day and “Sweet Is The Night,” a deep cut from the 1977 album Out of the Blue that peaked at No. 4 on the Billboard 200 albums chart. Two additional songs, “I’m Alive” and “When I Was a Boy,” released as a separate 7” vinyl single.
“When I was choosing songs for the album, I definitely wanted to focus on some of the really well-known, catchy ones like ‘Telephone Line’ and ‘Don’t Bring Me Down’ just because they’re such great constructions and they’re so fun and well made. But then I wanted to highlight some of the more obscure stuff that maybe people hadn’t heard of like the later albums, like the Zoom album [from 2001] has the great song, ‘Ordinary Dream’ on it.”
Hatfield will begin a string of headlining shows beginning at City Winery in Pittsburgh on Oct. 4 and ending at POP in Providence, R.I., on Oct. 14. Performing the songs live requires Hatfield to translate ELO’s Phil Spector-like “wall of sound” production to a more modest setting. In concert, Lynn’s ELO has a full band — including strings and backing vocals — to bring the familiar recordings to life. Hatfield has less to work with. “It’s difficult to play,” she says. “It’s difficult to get my head around. How do you play an ELO song live when there’s so many layers on the recording? My recordings of ELO songs are slightly stripped down compared to ELO. I don’t have an orchestra or even the string quartet.”
She figured out some workarounds, though, such as substituting keyboards for strings and singing some of the string parts. Hatfield got a helping hand at some recent shows from some backup singers, including Kay Hanley, the singer for the band Letters to Cleo. “You need some extra vocals for sure,” Hatfield says.
Listen to the entire interview with Juliana Hatfield at Spotify, Apple Podcasts, iHeart, Amazon Music, Audible, Scribd.
When Usher was announced as the 2024 Super Bowl halftime show headliner over the weekend, the conversation on social media was a mixture of excitement and surprise — with some questioning whether it’s been too long since the R&B/pop superstar had a hit. While his last Billboard Hot 100 top 10 hit was more than […]
Apple Music Radio is coming to Apple Podcasts.
On Tuesday (Sept. 26), Apple announced that Apple Music subscribers will now be able to stream more than 2,500 “musically rich” episodes from Apple Music Radio on its podcasts app.
Apple Music’s original shows air across three global stations — Apple Music 1, Apple Music Hits, and Apple Music Country — and feature such top talent as Zane Lowe (The Zane Lowe Show), Ebro Darden (The Ebro Show, Hip-Hop DNA) and Kelleigh Bannen (Today’s Country Radio, The Kelleigh Bannen Show). It additionally airs artist-hosted programs including Angel Hour Radio with Reneé Rapp, Time Crisis hosted by Vampire Weekend’s Ezra Koenig, OTHERtone featuring Pharrell Williams and Deep Hidden Meaning Radio hosted by Nile Rodgers.
Apple Music’s coverage of the 2024 Apple Music Halftime Show featuring Usher will also be available to Apple Music subscribers on Apple Podcasts.
In addition to Apple Music Radio shows, Apple Podcasts will now also include audio programming for subscribers to other connected apps, including Apple News+, meditation app Calm and “playlearning” app Lingokids. Starting next month, subscribers to several more apps — including Bloomberg, Curio, L’Équipe, Mamamia, Sleep Cycle, The Economist, The Times, The Wall Street Journal, The Washington Post, WELT News and Zen with Apple Podcasts — will be able to connect their subscriptions as well.
Listeners with subscriptions to any of these apps will have those subscriptions automatically connected the next time they open Apple Podcasts. They can also connect their subscriptions manually by signing into their accounts from each app’s channel page on Apple Podcasts. Subscribers will be able to listen across Apple devices, including iPhone, iPad, Mac, HomePod, CarPlay and Apple Watch with AirPods. The company notes that Apple’s latest operating systems — iOS 17, iPadOS 17 and macOS Sonoma — are required to connect subscriptions.
Once subscriptions are connected, listeners can browse all podcasts available to them from the Library tab. They can also learn more information about each show and follow any show for free to automatically download and be notified about new episodes. They will also receive personalized recommendations in Up Next on the Listen Now tab.
Maren Morris has been a country hitmaker since her 2016 breakthrough “My Church.” But last week, she released a pair of new songs — “The Tree” and “Get the Hell Out of Here” — along with a mission statement that makes it clear she’s no longer interested in playing by the rules of country music. […]
*NSYNC returned to a stage that they know well on Tuesday night (Sept. 12), making an unannounced appearance at the MTV Video Music Awards to present an award to Taylor Swift. There was a lot of buzz ahead of the awards show about what the group’s reported appearance could entail. Some fans wondered whether they […]
PodcastOne debuted its long-awaited listing Friday (Sept. 8), with officials from parent company LiveOne ringing the opening bell on the trading floor of the NASDAQ to celebrate what CEO Rob Ellin says is first ever spinoff of a minority stake in a publicly traded company. Shares of the new LiveOne subsidiary Courtside Group, better known as PodcastOne, fell 45% shortly after trading opened, dropping from $8 per share to close at $4.39.
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The tumble came amid growing criticism of one of PodcastOne’s acquisition targets — California-based Kast Media — by major podcasters like comedian Theo Von who accused Kast of failing to pay out $4 million in advertising fees collected by Kast on behalf of its podcaster clients.
In a video viewed more than 1 million times, titled “This Man Defrauded Our Podcast,” Von alleges that Kast Media founder and CEO Colin Thomson did not pay his show This Past Weekend with Theo Von for the advertisements it sold and booked for Von’s show. Von claimed This Past Weekend eventually cut ties with Kast Media, only to later be approached by Thomson and Ellin and was told on a phone call, “If you come over to our new network PodcastOne, we’ll pay some of what you’re owed in stock,” Von said, adding “it felt like to me they’re trying to leverage our podcast and other podcasts to then make their stock do well and if that happens, then we’ll get a share of our money.”
Von told viewers he declined the offer.
Ellin addressed the Kast Media scandal on Friday during a post-market opening interview with Yahoo News. He noted that PodcastOne is no longer hiring Thomson to join his the publicly traded company, but noted he hoped to help creators hurt by the Kast Media controversy.
“We’ve bought a distressed asset called Kast Media, a very distressed, troubled asset (that) owed a lot of money to its podcasters and couldn’t really afford to pay them. And the banks pulled out. And that host pulled out. So we acquired those and have added some very serious revenues to it,” he said.
Von isn’t the only podcaster to go public about the Kast Media scandal. Pro Wrestling podcaster Jim Cornette and cohost Brian Last have detailed their own experience with Kast Media and PodcastOne in a series of at least seven podcast episodes over the last two months. Former Sirius XM host Jason Ellis has also spoken out against Kast Media in a recent viral video.
Von said he will continue pursuing Thomson for the money he is owed by Kast Media.
“You f—ed with the wrong rat, homie” Von said while a picture of Thompson aired on the screen. “You can’t get me to shut up.”
Thomson did not respond to multiple requests for comment.