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OSCARS

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The stars shined bright in their best looks on Hollywood’s Biggest Night on Sunday, March 10, as they descended upon the 2024 Oscars red carpet at the Dolby Theatre at Ovation Hollywood in Los Angeles. Among the early arrivals for the 96th annual Academy Awards were members of the Osage Nation, who are performing “Wahzhazhe […]

The Oscars Red Carpet Show host Vanessa Hudgens showed off a baby bump before the 2024 awards ceremony on Sunday (March 10). Hudgens, who wed professional baseball player Cole Tucker in December, cradled her belly while posing on the 2024 Oscars red carpet at the Dolby Theater in Hollywood Sunday afternoon. She accentuated her shape […]

At the 2024 Oscars on Sunday night (March 10), Oppenheimer leads the way with 13 nominations. But who will leave the night’s biggest winner?
Billboard will be following along with the full winners list all night, as Jimmy Kimmel hosts the awards ceremony for a fourth time. We’ll be paying special attention to the best original song category, where Diane Warren (“The Fire Inside” from Flamin’ Hot); Mark Ronson and Andrew Wyatt (“I’m Just Ken” from Barbie); Jon Batiste and Dan Wilson (“It Never Went Away” from American Symphony); Scott George (“Wahzhazhe (A Song For My People)” from Killers of the Flower Moon); and Billie Eilish and Finneas (“What Was I Made For?” from Barbie) will compete for the prize.

Find all the winners from the 96th Academy Awards, updating throughout the night, below.

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Best motion picture of the year

    American Fiction, Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers

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    Anatomy of a Fall, Marie-Ange Luciani and David Thion, Producers

    Barbie, David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers

    The Holdovers, Mark Johnson, Producer

    Killers of the Flower Moon, Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers

    Maestro, Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers

    Oppenheimer, Emma Thomas, Charles Roven and Christopher Nolan, Producers

    Past Lives, David Hinojosa, Christine Vachon and Pamela Koffler, Producers

    Poor Things, Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers

    The Zone of Interest, James Wilson, Producer

Performance by an actor in a leading role

    Bradley Cooper in Maestro

    Colman Domingo in Rustin

    Paul Giamatti in The Holdovers

    Cillian Murphy in Oppenheimer

    Jeffrey Wright in American Fiction

Performance by an actor in a supporting role

    Sterling K. Brown in American Fiction

    Robert De Niro in Killers of the Flower Moon

    Robert Downey Jr. in Oppenheimer

    Ryan Gosling in Barbie

    Mark Ruffalo in Poor Things

Performance by an actress in a leading role

    Annette Bening in Nyad

    Lily Gladstone in Killers of the Flower Moon

    Sandra Hüller in Anatomy of a Fall

    Carey Mulligan in Maestro

    Emma Stone in Poor Things

Performance by an actress in a supporting role

    Emily Blunt in Oppenheimer

    Danielle Brooks in The Color Purple

    America Ferrera in Barbie

    Jodie Foster in Nyad

    Da’Vine Joy Randolph in The Holdovers

Achievement in directing

    Anatomy of a Fall, Justine Triet

    Killers of the Flower Moon, Martin Scorsese

    Oppenheimer, Christopher Nolan

    Poor Things, Yorgos Lanthimos

    The Zone of Interest, Jonathan Glazer

Adapted screenplay

    American Fiction, Written for the screen by Cord Jefferson

    Barbie, Written by Greta Gerwig & Noah Baumbach

    Oppenheimer, Written for the screen by Christopher Nolan

    Poor Things, Screenplay by Tony McNamara

    The Zone of Interest, Written by Jonathan Glazer

Original screenplay

    Anatomy of a Fall Written by Justine Triet and Arthur Harari

    The Holdovers Written by David Hemingson

    Maestro Written by Bradley Cooper & Josh Singer

    May December Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik

    Past Lives Written by Celine Song

Achievement in music written for motion pictures (Original score)

    American Fiction, Laura Karpman

    Indiana Jones and the Dial of Destiny, John Williams

    Killers of the Flower Moon, Robbie Robertson

    Oppenheimer, Ludwig Göransson

    Poor Things, Jerskin Fendrix

Achievement in music written for motion pictures (Original song)

    “The Fire Inside” from Flamin’ Hot; Music and Lyric by Diane Warren

    “I’m Just Ken” from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt

    “It Never Went Away” from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson

    “Wahzhazhe (A Song For My People)” from Killers of the Flower Moon; Music and Lyric by Scott George

    “What Was I Made For?” from Barbie; Music and Lyric by Billie Eilish and Finneas O’Connell

Best animated feature film of the year

    The Boy and the Heron, Hayao Miyazaki and Toshio Suzuki

    Elemental, Peter Sohn and Denise Ream

    Nimona, Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

    Robot Dreams, Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

    Spider-Man: Across the Spider-Verse, Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Achievement in cinematography

    El Conde, Edward Lachman

    Killers of the Flower Moon, Rodrigo Prieto

    Maestro, Matthew Libatique

    Oppenheimer, Hoyte van Hoytema

    Poor Things, Robbie Ryan

Achievement in costume design

    Barbie, Jacqueline Durran

    Killers of the Flower Moon, Jacqueline West

    Napoleon, Janty Yates and Dave Crossman

    Oppenheimer, Ellen Mirojnick

    Poor Things, Holly Waddington

Best documentary feature film

    Bobi Wine: The People’s President, Moses Bwayo, Christopher Sharp and John Battsek

    The Eternal Memory Nominees to be determined

    Four Daughters, Kaouther Ben Hania and Nadim Cheikhrouha

    To Kill a Tiger, Nisha Pahuja, Cornelia Principe and David Oppenheim

    20 Days in Mariupol, Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Best documentary short film

    The ABCs of Book Banning, Sheila Nevins and Trish Adlesic

    The Barber of Little Rock, John Hoffman and Christine Turner

    Island in Between, S. Leo Chiang and Jean Tsien

    The Last Repair Shop, Ben Proudfoot and Kris Bowers

    Nǎi Nai & Wài Pó, Sean Wang and Sam Davis

Achievement in film editing

    Anatomy of a Fall, Laurent Sénéchal

    The Holdovers, Kevin Tent

    Killers of the Flower Moon, Thelma Schoonmaker

    Oppenheimer, Jennifer Lame

    Poor Things, Yorgos Mavropsaridis

Best international feature film of the year

    Io Capitano, Italy

    Perfect Days, Japan

    Society of the Snow, Spain

    The Teachers’ Lounge, Germany

    The Zone of Interest, United Kingdom

Achievement in makeup and hairstyling

    Golda, Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

    Maestro, Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

    Oppenheimer, Luisa Abel

    Poor Things, Nadia Stacey, Mark Coulier and Josh Weston

    Society of the Snow, Ana López-Puigcerver, David Martí and Montse Ribé

Achievement in production design

    Barbie, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

    Killers of the Flower Moon, Production Design: Jack Fisk; Set Decoration: Adam Willis

    Napoleon, Production Design: Arthur Max; Set Decoration: Elli Griff

    Oppenheimer, Production Design: Ruth De Jong; Set Decoration: Claire Kaufman

    Poor Things, Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

Best animated short film

    Letter to a Pig, Tal Kantor and Amit R. Gicelter

    Ninety-Five Senses, Jerusha Hess and Jared Hess

    Our Uniform, Yegane Moghaddam

    Pachyderme, Stéphanie Clément and Marc Rius

    WAR IS OVER! Inspired by the Music of John & Yoko, Dave Mullins and Brad Booker

Best live action short film

    The After, Misan Harriman and Nicky Bentham

    Invincible, Vincent René-Lortie and Samuel Caron

    Knight of Fortune, Lasse Lyskjær Noer and Christian Norlyk

    Red, White and Blue, Nazrin Choudhury and Sara McFarlane

    The Wonderful Story of Henry Sugar, Wes Anderson and Steven Rales

Achievement in sound

    The Creator, Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

    Maestro, Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

    Mission: Impossible – Dead Reckoning Part One, Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

    Oppenheimer, Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

    The Zone of Interest, Tarn Willers and Johnnie Burn

Achievement in visual effects

    The Creator, Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

    Godzilla Minus One, Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

    Guardians of the Galaxy Vol. 3, Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

    Mission: Impossible – Dead Reckoning Part One, Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

    Napoleon, Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

From pen to paper to film, five standout original songs are now on their way to the Oscars. The competition for best original song is as fierce as it is diverse in 2024, with ballads from the glitzy pink world of feminist dolls going head to head with music from films about Flamin’ Hot Cheetos, […]

This long awards season will come to an end on Sunday (March 10) when the 96th Oscars are presented at the Dolby Theatre at Ovation Hollywood. Oppenheimer is expected to be the night’s big winner, with eight or so awards. Barbie didn’t get as much awards season love as expected, but it is likely to finish second on the night with two Oscars. No other film is expected to win more than one award, though there are often surprises.
All five nominated songs will be performed on the show. Billie Eilish and Finneas will perform “What Was I Made For?,” which is expected to win best original song. It will be third Oscar performance in five years. They sang The Beatles’ poignant “Yesterday” as the In Memoriam song four years ago and their nominated “No Time to Die” two years ago. (That James Bond song went on to win the award).

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Becky G will perform “The Fire Inside” from Flamin’ Hot. It will be her second performance, but her first in the solo spotlight. She was one of eight artists featured on “We Don’t Talk About Bruno” from Encanto two years ago. That song wasn’t nominated, but it was a No. 1 hit on the Billboard Hot 100 for five consecutive weeks, so Oscar producers booked the performance anyway. (They’re no dummies.)

Ryan Gosling is set to perform “I’m Just Ken” from Barbie in tandem with the song’s co-writer, Mark Ronson. It will be Gosling’s first Oscar performance. He and Emma Stone declined to perform the nominated “City of Stars” from La La Land (the eventual winner) seven years ago.

If it seems like the presenters list is especially long this year, and includes an oddly high percentage of past Oscar winners, you’re on to something. The Oscars will revive a presentation tactic last used 15 years ago in which five former winners in each of the four acting categories will individually pay tribute to this year’s nominees and then award this year’s winners, in effect welcoming them to the club.

Ariana Grande and Cynthia Erivo, the stars of the upcoming Wicked, were both announced as presenters. It would not be a surprise if they did something together.

The Oscars have not yet announced who will perform in the In Memoriam spot.

Hosted by Jimmy Kimmel for the fourth time, the 96th Oscars will air live on ABC and broadcast outlets worldwide on Sunday, March 10 at the new, earlier time of 7 p.m. ET/4 p.m. PT.

Raj Kapoor is executive producer and showrunner. Molly McNearney and Katy Mullan are also executive producers. Hamish Hamilton is directing the show. Rickey Minor is music director.

Here are the performers and presenters who have been announced for the 2024 Oscars.

Performers

Ryan Gosling with Mark Ronson, “I’m Just Ken” from Barbie

Billie Eilish with Finneas, “What Was I Made For?” from Barbie

Jon Batiste, “It Never Went Away” from American Symphony

Becky G, “The Fire Inside” from Flamin’ Hot

Scott George with The Osage Singers, “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon

Presenters

Mahershala Ali

Emily Blunt

Bad Bunny

Nicolas Cage

Jamie Lee Curtis

Cynthia Erivo

America Ferrera

Sally Field

Brendan Fraser

Ryan Gosling

Ariana Grande

Chris Hemsworth

Dwayne Johnson

Michael Keaton

Regina King

Ben Kingsley

Jessica Lange

Jennifer Lawrence

Melissa McCarthy

Matthew McConaughey

Kate McKinnon

Rita Moreno

John Mulaney

Lupita Nyong’o

Catherine O’Hara

Al Pacino

Michelle Pfeiffer

Ke Huy Quan

Issa Rae

Tim Robbins

Sam Rockwell

Octavia Spencer

Steven Spielberg

Mary Steenburgen

Anya Taylor-Joy

Charlize Theron

Christoph Waltz

Forest Whitaker

Michelle Yeoh

Ramy Youssef

Zendaya

Jimmy Kimmel undoubtedly has a list of names he plans on mentioning during his hosting duties at the 2024 Oscars, but are Taylor Swift and Travis Kelce‘s in red, underlined? The late-night juggernaut says it isn’t likely. In an interview with CNN two days ahead of the Sunday (March 10) ceremony, Kimmel said that jokes […]

In the 96-year history of the Academy Awards, just 15 films have won eight or more Oscars. Oppenheimer has a good chance of joining them when the 2024 Oscars are presented at the Dolby Theatre in Hollywood on Sunday (March 10). The three-hour drama is expected to win eight awards, including best picture, best director […]

Wolfgang Van Halen‘s career has been full of unlikely opportunities. After all, he started with playing bass alongside his father and uncle in Van Halen when he was just 16 years old. And his own band, Mammoth WVH, has become a stadium habituate opening for the likes of Metallica and Guns N’ Roses.

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But the son of the late Eddie Van Halen and actress Valerie Bertinelli never thought he’d be part of an Academy Award-nominated song — sung by a Barbie doll, no less.

Yet Van Halen was, in fact, part of the team that recorded “I’m Just Ken,” the Ryan Gosling-sung piece from Greta Gerwig’s hit film Barbie. He plays guitar on the track, which was co-written and produced by Mark Ronson and Andrew Watt and features Slash on guitar, current Foo Fighters drummer Josh Freese on drums and Jelly Fish/Imperial Drag keyboardist Roger Manning.

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“I’m honestly happy just to be a part of it, to have an opportunity to play a super small part in it,” Van Halen tells Billboard. “It was a really, really wonderful opportunity. I knew (the movie) was good just from being involved in it and seeing what I was able to see. But to see the song I played on blow up as much as it did was pretty crazy.”

Van Halen was recruited for the track after meeting Ronson at the Taylor Hawkins tribute concert in London during September 2022. “Mark Ronson and I hit it off,” Van Halen remembers, “and he reached out and hit me up and it was just a really good time. I spent two days in his studio and we just played around with ideas and it was a really good time. (Ronson) and his writing partner Andrew are such wonderful dudes and amazing at what they do that it was an honor just to see how they worked.”

“I’m Just Ken” was a top 5 hit on the Hot Rock & Alternative Songs chart during the summer and hit No. 87 on the Billboard Hot 100, while Barbie The Album reached No. 2 on the Billboard 200 and No. 1 on the Soundtrack Albums chart. During December, a “Merry Kristmas Barbie” version of the power ballad send-up was released, accompanied by a video boasting an in-studio performance. Gosling will perform the song at the 96th Academy Awards on Sunday (March 10); the band lineup for the show has not been announced, but Ronson, Watt and others who took part in the session are expected to be part of it. Mammoth WVH recently announced the postponement of three concerts this week which would have conflicted with the Oscars and rehearsals.

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“For Mark and Andrew to bring me into it, just to play some guitar in the movie, it was really, really wonderful,” Van Halen says. “I’d love to do something like that again, especially with those guys. They’re wonderful dudes and incredibly talented. Everybody in the movie, the whole production of it, are so deserving of every accolade they’re getting. It’s really exciting.”

Van Halen does not, however, see soundtrack composing in his future at the moment. “I’m still very much focused and driving on building Mammoth and seeing what is possible with that,” he explains. “But certainly, opportunities like the one that Mark gave me for Barbie, when they come up it’s very, ‘Okay, we can certainly make time for something like this.’ But I’m very much driven in terms of, ‘Let’s see where we can take Mammoth.’”

Van Halen has mostly been taking Mammoth on the road this year, supporting last August’s Mammoth II. The group is wrapping up the first leg of a U.S. headlining tour and will be playing Europe supporting Slash Featuring Myles Kennedy & the Conspirators during March and April. The group will also be supporting Metallica and Foo Fighters during the summer. Van Halen is also “tinkering” with new song ideas, though he says any plans for a third Mammoth WVH album are “super preliminary.”

In May, Van Halen and his father’s EVH instrument company will roll out a new line of SA-126 guitars, which he designed along with EVH masterbuilder Chip Ellis and Matt Bruck.

Amidst all the good news, Van Halen is still fighting off some haters, an ongoing battle that he’s addressed in songs such as “I’m Alright” and “Better Than You.” Most recently it was former Van Halen frontman David Lee Roth, who posted a lengthy video diatribe that referred to Van Halen as “this f–kin’ kid” and a “schlemiel kid” and accused him of kicking some of Roth’s guests out of the backstage area during shows. “I’m honored he thinks about me as much as he does, I guess,” Van Halen says in response, though quickly adding that, “I would sure love to not have to be part of some sort of Van Halen drama at all, so I think I’m just gonna continue to sit in my no-comment zone…’cause at the end of the day it’s just not worth it.”

But, he continues, “It’s one thing when there’s some due on Twitter saying a lie about me. But when there’s other people trying to lie about me and make me look bad? It’s just like, you can believe whatever you want, I guess. The people who hate me are gonna continue to hate me, and I’m just gonna be over here doing my thing.”

The creative team behind the 2024 Oscars is lifting an idea from the 2009 Oscars, when they had five past winners in each of the four acting categories pay tribute to the current nominees before announcing this year’s winner.
In a press conference Wednesday (March 6) on Zoom, four days before the Oscars telecast on March 10, Raj Kapoor, executive producer and showrunner of the Oscars, said “I think one of the things we’re most excited about is what we call Fab Five. We did a deep dive into so many of the past Oscar shows, and even though we’ve been a part of previous shows, even though I think all of us have watched the show since we were kids, we always feel like we learn.

“So, we went back, we did a deep dive into Oscars history, and one of the best moments that we loved, and has not been repeated till this year, was the year that Bill Condon [screenwriter of Gods and Monsters and Chicago] did it, and it was this lovely storytelling. And, again, it came down to connection. It was past winners speaking to present nominees, and just that lovely connection and that human interaction.

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“And so we thought we’d love to try it again. So, we tasked Erin [Irwin], who is one of our other producers, and she’s done an amazing job. … And so during the show in our acting categories, five former winners will present to the five nominees, and we think it’s just going to be a great piece of storytelling and connection at home that you will maybe get to hear these personal stories and these personal interactions, and you get to root for your favorite actor or actress in this really personal way. So, we’re really excited to have that come to life.”

If you missed the 2009 show, Whoopi Goldberg, Goldie Hawn, Anjelica Huston, Eva Marie Saint and Tilda Swinton presented the nominees for best supporting actress.

Alan Arkin, Cuba Gooding Jr., Joel Grey, Kevin Kline and Christopher Walken presented the nominees for best supporting actor.

Halle Berry, Marion Cotillard, Nicole Kidman, Sophia Loren and Shirley MacLaine presented the nominees for best actress.

Adrien Brody, Michael Douglas, Robert De Niro, Anthony Hopkins and Ben Kingsley presented the nominees for best actor.

While the Academy has not yet announced who will be presenting which awards this year, these announced presenters have won in these categories. (Jessica Lange and Al Pacino have won in both lead and support. We put them where they seemed likeliest to land on Sunday).

Best actress: Sally Field, Charlize Theron, Jessica Lange, Jennifer Lawrence, Michelle Yeoh

Best actor: Ben Kingsley, Forest Whitaker, Nicolas Cage, Brendan Fraser, Matthew McConaughey

Best supporting actress: Mary Steenburgen, Jamie Lee Curtis, Regina King, Rita Moreno, Lupita Nyong’o, Octavia Spencer

Best supporting actor: Christoph Waltz, Mahershala Ali, Ke Huy Quan, Sam Rockwell, Al Pacino

In addition, the show has booked Ariana Grande and Cynthia Erivo, stars of the upcoming film Wicked, as presenters. It’s a good bet they’ll do something together.

Rickey Minor, who is serving as music director of the Oscars for the fourth time in the past six years, was also on the panel. He was asked how he picks the music to play on the show, and explained some of the obvious factors – looking for a range of emotions and a diversity of source material. “But it’s about the energy of the room,” he said. “So, we have a plan, but I’ll call an audible just like that. You know, if I feel the audience needs something that needs to pump them up, I’ve got it right in the pocket. And so the band’s always ready. And I think they love it, too, because they never know what’s coming.”

Kapoor added, “This year, the orchestra is live on our stage. So, we are celebrating 42 incredible musicians that will be seen throughout the evening. … And we are treating the music performances very different. Sometimes, it’s full orchestration. Sometimes, they may be a little bit more intimate. And that will lend itself when we get to the In Memoriam performance.”

In response to a question from the session’s moderator, Rotten Tomatoes’ awards editor Jacqueline Coley, Kapoor spoke highly of Jimmy Kimmel, who is hosting the Oscars for the fourth time.

“I could not speak more highly of anybody than Jimmy,” he said. “He’s been an amazing partner, and he has just been so involved from the very beginning in the summer. He’s involved in all our creative decisions, from the presenters to pairings to the pace of the show to musical performances. Like, Jimmy’s touch, he is a producer on this show. He is one of our partners, and he has a really strong creative vision. And I think what makes him so great is just his investment. We don’t just get him for rehearsals this week. We get him for months before.”

The panelists were asked which was their favorite Oscar show they had worked on. Molly McNearney, executive producer of the Oscar telecast and an executive producer of Jimmy Kimmel Live!, had a surprising answer – the show seven years ago that was capped by the biggest debacle in Oscar history, when La La Land was named best picture before the award was presented to the rightful winner, Moonlight.

“This might be an unpopular answer, but when there was the mix-up with the envelope, I actually enjoyed the spontaneity of a moment because when Jimmy is in an uncomfortable situation, that’s where he’s most comfortable,” McNearney said. “And I think that when there’s moments you don’t expect in a live television broadcast, I think we’re in really great hands with this team.”

McNearney also spoke to the process of writing the monologue. “You know, the monologue is scripted,” she said. “It gets reworked up until the very last minute. He will obsess now over every joke. He has pages and pages and pages. He has a rough outline of the monologue that I read this morning that I think is brilliant. I know it will change six more times before Sunday. But then there are those moments in the show that are completely unscripted. There have been several in every show he’s ever hosted. And those are the moments I love the most because we get to be surprised.”

Katy Mullan, executive producer, spoke to an interactive portion on this year’s show involving a QR code. “One of the really successful parts of last year’s show was profiles of a lot of the nominees, and they got huge, huge views from global audiences. So, at the end of each act, there will be a QR code, and people can scan that and go to the Academy website where they can watch profiles of a ton of the people that are nominated. They’re beautifully made by The Academy team and really insightful.”

“And there’s also an ability to go and watch the speeches from the Governors Awards, which happened earlier this year. … It was a really, really memorable night. So, if you want to go and do a deep dive during the commercial breaks or after the Oscars, all of that content will be there.”

Vanessa Hudgens and Julianne Hough are set to host The Oscars Red Carpet Show, ABC’s official lead-in to the 96th Oscars on Sunday, March 10, airing at 6:30 p.m. ET/3:30 p.m. PT. This marks Hudgens’ third consecutive year hosting the pre-show, and Hough’s inaugural year. The 30-minute special, executive produced by David Chamberlin, will highlight […]