OSCARS
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Oppenheimer is the top nominee for the 2024 Oscars, with 13 nods.
All five of the films nominated for best film last week at the BAFTA Film Awards (Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer and Poor Things) were nominated for best picture Academy Awards, along with five additional films – Barbie, Past Lives, American Fiction, Maestro and The Zone of Interest.
This marks the first time in Oscar history that three films not in English – Anatomy of a Fall, Past Lives and The Zone of Interest – are in the running as best picture nominees. This also marks the sixth consecutive year that one or more films in a language other than English has received a best picture nomination.
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For the fifth consecutive year, at least one film nominated for best picture was directed by a woman. But that picture was not the box office blockbuster Barbie — directed by Greta Gerwig — but rather Anatomy of a Fall, directed by Justine Triet (Sibyl).
Two actors are nominated for lead acting honors and as producers of best picture contenders. Bradley Cooper achieved his double play for Maestro, while Emma Stone earned hers for Poor Things. Stone is the second woman to be nominated for acting and best picture for the same film, following Frances McDormand (Nomadland, 2020). This ups Cooper’s career nominations total to 12 and Stone’s to five.
Cooper was also nominated in the original screenplay category, but was passed over for a best director nod. Cooper becomes the fourth person to direct himself to an acting nomination on more than one film (A Star Is Born, 2018). He follows Laurence Olivier, Warren Beatty and Clint Eastwood.
Two songs from Barbie were nominated for best original song – “I’m Just Ken” (written by Mark Ronson and Andrew Wyatt) and “What Was I Made For?” (written by Billie Eilish and Finneas). A third song from the blockbuster film, “Dance the Night” (on which Ronson and Wyatt collaborated with Dua Lipa and Caroline Ailin) failed to advance to the finals. (Based on a 2008 rule change, no more than two songs from a film can be nominated.
Barbie is the first film to spawn two best song nominees since La La Land seven years ago. “City of Stars” and “Audition (The Fools Who Dream)” were both nominated in 2016, with “City of Stars” going on to win.
Oscar perennial songwriter Diane Warren was nominated for “The Fire Inside” from the Cheetos dramedy Flamin’ Hot. This is her 15th best original song nomination, a benchmark that only five songwriters have reached. This is the seventh consecutive year in which Warren has been nominated, the longest streak in this category since Sammy Cahn was nominated eight years running, from 1954-61.
John Williams received his record-extending 49th nod in a scoring category for Indiana Jones and the Dial of Destiny. His overall total of 54 nominations (including five for best original song) is the most for any living person, and second only to Walt Disney at 59. He is also the oldest nominee in a competitive award category at 91 years of age.
The late Robbie Robertson was also nominated for best original score for Killers of the Flower Moon. This was the 12th and last Martin Scorsese film that late Band leader Robertson worked on. Robertson, who died in June at age 80, is the first composer to be nominated in this category posthumously since the legendary Bernard Herrmann was cited in 1976 for both Obsession and Taxi Driver.
Jimmy Kimmel is set to host the 2024 Oscars, which will be held March 10 at its usual home, the Dolby Theatre at Ovation Hollywood. It will mark Kimmel’s fourth time as host.
The Oscar ceremony, which will air on ABC, will be executive produced by Raj Kapoor, Molly McNearney and Katy Mullan, with Kapoor also serving as showrunner. Hamish Hamilton will serve as director. The final round of voting extends from Feb. 22-27.
Here’s the full list of 2024 Oscar nominations.
Best motion picture of the year
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, Producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
“The Holdovers,” Mark Johnson, Producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, Producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, Producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
“The Zone of Interest,” James Wilson, Producer
Performance by an actor in a leading role
Bradley Cooper in “Maestro”
Colman Domingo in “Rustin”
Paul Giamatti in “The Holdovers”
Cillian Murphy in “Oppenheimer”
Jeffrey Wright in “American Fiction”
Performance by an actor in a supporting role
Sterling K. Brown in “American Fiction”
Robert De Niro in “Killers of the Flower Moon”
Robert Downey Jr. in “Oppenheimer”
Ryan Gosling in “Barbie”
Mark Ruffalo in “Poor Things”
Performance by an actress in a leading role
Annette Bening in “Nyad”
Lily Gladstone in “Killers of the Flower Moon”
Sandra Hüller in “Anatomy of a Fall”
Carey Mulligan in “Maestro”
Emma Stone in “Poor Things”
Performance by an actress in a supporting role
Emily Blunt in “Oppenheimer”
Danielle Brooks in “The Color Purple”
America Ferrera in “Barbie”
Jodie Foster in “Nyad”
Da’Vine Joy Randolph in “The Holdovers”
Achievement in directing
“Anatomy of a Fall,” Justine Triet
“Killers of the Flower Moon,” Martin Scorsese
“Oppenheimer,” Christopher Nolan
“Poor Things,” Yorgos Lanthimos
“The Zone of Interest,” Jonathan Glazer
Adapted screenplay
“American Fiction,” Written for the screen by Cord Jefferson
“Barbie,” Written by Greta Gerwig & Noah Baumbach
“Oppenheimer,” Written for the screen by Christopher Nolan
“Poor Things,” Screenplay by Tony McNamara
“The Zone of Interest,” Written by Jonathan Glazer
Original screenplay
“Anatomy of a Fall” Screenplay – Justine Triet and Arthur Harari
“The Holdovers” Written by David Hemingson
“Maestro” Written by Bradley Cooper & Josh Singer
“May December” Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
“Past Lives” Written by Celine Song
Achievement in music written for motion pictures (Original score)
“American Fiction,” Laura Karpman
“Indiana Jones and the Dial of Destiny,” John Williams
“Killers of the Flower Moon,” Robbie Robertson
“Oppenheimer,” Ludwig Göransson
“Poor Things,” Jerskin Fendrix
Achievement in music written for motion pictures (Original song)
“The Fire Inside” from “Flamin’ Hot”; Music and Lyric by Diane Warren
“I’m Just Ken” from “Barbie”; Music and Lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony”; Music and Lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon”; Music and Lyric by Scott George
“What Was I Made For?” from “Barbie”; Music and Lyric by Billie Eilish and Finneas O’Connell
Best animated feature film of the year
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
Achievement in cinematography
“El Conde,” Edward Lachman
“Killers of the Flower Moon,” Rodrigo Prieto
“Maestro,” Matthew Libatique
“Oppenheimer,” Hoyte van Hoytema
“Poor Things,” Robbie Ryan
Achievement in costume design
“Barbie,” Jacqueline Durran
“Killers of the Flower Moon,” Jacqueline West
“Napoleon,” Janty Yates and Dave Crossman
“Oppenheimer,” Ellen Mirojnick
“Poor Things,” Holly Waddington
Best documentary feature film
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory” Nominees to be determined
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath
Best documentary short film
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis
Achievement in film editing
“Anatomy of a Fall,” Laurent Sénéchal
“The Holdovers,” Kevin Tent
“Killers of the Flower Moon,” Thelma Schoonmaker
“Oppenheimer,” Jennifer Lame
“Poor Things,” Yorgos Mavropsaridis
Best international feature film of the year
“Io Capitano,” Italy
“Perfect Days,” Japan
“Society of the Snow,” Spain
“The Teachers’ Lounge,” Germany
“The Zone of Interest,” United Kingdom
Achievement in makeup and hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé
Achievement in production design
“Barbie,” Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
“Killers of the Flower Moon,” Production Design: Jack Fisk; Set Decoration: Adam Willis
“Napoleon,” Production Design: Arthur Max; Set Decoration: Elli Griff
“Oppenheimer,” Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
“Poor Things,” Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek
Best animated short film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“WAR IS OVER! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker
Best live action short film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales
Achievement in sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn
Achievement in visual effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould
Want to be among the very first to know how many Oscar nominations Barbie and Oppenheimer collect? You can tune into the 96th Oscars nominations announcement on Tuesday, Jan. 23, and hear them the very moment Hollywood’s top stars and most powerful executives get the news. Just one catch: You have to get up early, especially if you’re on the West Coast. The live presentation begins at (gulp) 5:30 a.m. PT/8:30 a.m. ET.
Actors Zazie Beetz and Jack Quaid will host the announcement of the nominations in all 23 categories in a live presentation from the Academy’s Samuel Goldwyn Theater in Beverly Hills, Calif.
The brief program will stream globally on Oscar.com, Oscars.org and the Academy’s digital platforms (TikTok, Instagram, YouTube, Facebook), and will be seen on national broadcast and streaming news programs, including ABC’s Good Morning America, ABC News Live and Disney+. The Oscars have aired on ABC since 1976.
We will learn which two of the three shortlisted Barbie songs – “Dance the Night,” “I’m Just Ken” and “What Was I Made For?” – are nominated for best original song. Oscar rules allow just two songs from a film to be nominated.
We will learn if Diane Warren lands her 15th nomination – and seventh in a row – for “The Fire Inside” from Flamin’ Hot.
We will learn if the late Robbie Robertson becomes the first composer in 47 years to receive a posthumous nomination for best original score. Robertson is likely to be nominated for his work on Martin Scorsese’s Killers of the Flower Moon. The last composer to be nominated in this category posthumously was the great Bernard Herrmann, on the 1977 telecast. He had two of the five nominations, for Taxi Driver and Obsession.
We will learn which eight films will go up against “Barbenheimer” for best picture. (There are 10 nominees in this category.) The films that are expected to face Barbie and Oppenheimer are American Fiction, Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Maestro, Past Lives, Poor Things and The Zone of Interest.
The 96th Oscars will air on Sunday, March 10, with the funny and genial Jimmy Kimmel hosting for the fourth time.
The nominations will be announced in two clusters on Tuesday. The Academy cautions that these categories are not listed in order of presentation and are subject to change, but this will give you a rough idea of what to expect.
5:30 a.m. PT
Actor in a supporting role
Actress in a supporting role
Animated short film
Costume design
Live action short film
Makeup and hairstyling
Original score
Adapted screenplay
Original screenplay
5:41 a.m. PT
Actor in a leading role
Actress in a leading role
Animated feature film
Cinematography
Directing
Documentary feature film
Documentary short film
Film editing
International feature film
Original song
Best picture
Production design
Sound
Visual effects
You may not be able to catch her now, but the Oscars just might be able to.
As awards season kicks into high gear, Olivia Rodrigo has her sights set on the Academy Awards. At the Academy’s 14th annual Governors Awards on Tuesday, the Grammy-winner dished on the Oscar chances for her song “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes and her plans for her upcoming 21st birthday.
“It’s so incredible,” Rodrigo gushed to Access Hollywood of her Hunger Games prequel track making the Academy’s shortlist for best original song. “There’s just so many people on that list who I’m inspired by, so many songs that I think are incredible, so it’s an honor.”
Rodrigo, alongside go-to collaborator Dan Nigro, co-wrote and performed “Can’t Catch Me Now” for the box-office-topping Hunger Games prequel starring Rachel Zegler, Viola Davis, Hunter Schafer and Tom Blyth. The haunting Americana-inflected track reached No. 56 on the Billboard Hot 100. At the 2023 Hollywood Music in Media Awards, “Can’t Catch Me Now” won best original song in a sci-fi, fantasy or horror film.
In addition to “Can’t Catch Me Now,” other notable songs on the Academy’s shortlist include Billie Eilish‘s “What Was I Made For?” (from Barbie) — which won the equivalent Golden Globe Award on Sunday — Fantasia‘s “Superpower (I)” (from The Color Purple), The Osage Tribe’s “Wahzhazhe (A Song for My People)” (from Killers of the Flower Moon) and Jon Batiste‘s “It Never Went Away” (from American Symphony).
Although she finds herself among stiff competition, Rodrigo didn’t write her Hunger Games track with the intention of entering the Oscar race. “I think that if I was writing a song and thought about how other people were gonna hear it, I just would be so overcome by anxiety that I couldn’t write at all,” she told Access Hollywood. “So I try to kind of block that all out and just write for me.”
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Later on the red carpet, the “Traitor” singer spilled her birthday plans to Entertainment Tonight. “It is a big birthday,” she said. “I think I’m gonna have a party with my friends and pop some champagne, you know? It’s the 21st!” The multihyphenate turns 21 next month (Feb. 20), but she says Vegas isn’t quite in her line of sight yet. “I’ll save that. I’ll save that for later,” she said.
Shortly before her birthday, Rodrigo will enjoy the 66th annual Grammy Awards, where she boasts six nominations, including in album of the year (Guts) and record and song of the year (“Vampire”). The High School Musical: The Musical: The Series alum already has three Golden Gramophones to her name; she took home best new artist, best pop vocal album (Sour) and best pop solo performance (“Drivers License”) at the 2022 ceremony.
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So, when exactly did Emma Stone fall in love with longtime friend Taylor Swift? When the two superstars were just teenagers, as it turns out! In a New Year’s Day The Graham Norton Show interview (Jan. 1), Oscar-winning actress Emma Stone opened up about her friendship with Swift, her Eras Tour experiences and Speak Now (Taylor’s Version) vault track “When Emma Falls In Love.”
Stone, who won the best actress Oscar for her performance in 2016’s La La Land, revealed that she has attended the Eras Tour “three [times] so far,” including the tour’s opening show in her hometown of Phoenix, Ariz. “Mandy Moore, who was the choreographer of La La Land, was [Taylor’s] choreographer for the tour,” Stone explained. “So it was a bunch of lovely things all come together, and it was incredible to see.”
Moore’s choreography and Stone’s performance were two key elements that resulted in La La Land’s resounding success. At the 2017 Academy Awards, the Damien Chazelle-helmed film won six awards from 14 total nominations, a haul that helped the movie join All About Eve (1950) and Titanic (1997) as the most nominated films in Oscar history. Thanks to the La La Land soundtrack, Emma Stone is a Billboard-charting artist; “City of Stars,” her duet with co-star Ryan Gosling, reached both Digital Song Sales (No. 45) and the Bubbling Under Hot 100 (No. 8).
Nonetheless, Stone and Swift’s story stretches back years prior to their high-profile successes. According to Stone, the two met “at the Young Hollywood Awards when [she] was 18 in L.A.” She continued, “We just kept in touch ever since and became great friends.”
The most devoted Swifties have been well aware of the Stone-Swift friendship, and that knowledge provided the basis of fan theories regarding “When Emma Falls In Love,” a vault track from Speak Now (Taylor’s Version). Some fans believe that Stone is the titular Emma, but, for her part, the Easy A actress says, “You have to ask [Taylor]!” Naturally, her response drew hearty laughs from both the audience and her fellow Graham Norton guests, including Poor Things co-star Mark Ruffalo.
Watch Emma Stone spill all the Taylor Swift tea above.
Winning a Golden Globe for best original song is often a stepping-stone to winning an Oscar in that category. Seven of the last 10 Globe winners went on to win the Oscar. Whoever wins when this year’s Golden Globes are presented on Sunday (Jan. 7) no doubt hopes that pattern continues. But it doesn’t always work out […]
American Symphony, which explores a year in a life of musician Jon Batiste; Still: A Michael J. Fox Movie, which traces the life story of the beloved actor who is living with Parkinson’s disease; and Desperate Souls, Dark City and the Legend of Midnight Cowboy, about the making of the classic film which won the 1969 Oscar for best picture, are among 15 documentaries shortlisted for best documentary feature film.
Batiste has won five Grammys and an Oscar in the past few years – and is nominated for six more Grammys at the Feb. 4 ceremony. Matthew Heineman directed the film. Fox received a honorary Oscar at last year’s Governors Awards.
A total of 167 films were eligible for best documentary feature. Members of the documentary branch of the Academy of Motion Picture Arts & Sciences voted to determine the shortlist, which was announced on Thursday (Dec. 21). They will vote again to determine the nominees, which will be announced on Tuesday, Jan. 23. The 96th Oscars will be held on Sunday, March 10 at the Dolby Theatre at Ovation Hollywood.
The shortlist also includes 32 Sounds, which explores the phenomenon of sound; Going to Mars: The Nikki Giovanni Project, about the famed poet; and Bobi Wine: The People’s President, which follows Ugandan opposition leader, activist and musical star Bobi Wine, who used his music to fight the regime led by Yoweri Museveni.
Many music docs failed to make the shortlist, including Carlos (about Carlos Santana); Elis & Tom – It Had to Be You (about the 1974 album by Elis Regina and Antônio Carlos Jobim); Have You Got It Yet? The Story of Syd Barrett and Pink Floyd; Immediate Family (about musicians who played behind Carole King and James Taylor, among others); Joan Baez I Am a Noise; Little Richard: I Am Everything; Mr. Jimmy (about a Japanese guitarist who is a superfan of Jimmy Page); Music Is My Life – Dr. Joseph Shabalala and Ladysmith Black Mambazo; Rewind & Play (about Thelonious Monk); What the Hell Happened to Blood, Sweat & Tears?; and Yoshiki Under the Sky (about the Japanese composer and artist)
Films submitted in the documentary feature film category may also qualify for Academy Awards in other categories, including best picture. Documentary features that have been submitted in the international feature film category as their country’s official selection are also eligible in this category.
The Academy today announced shortlists in nine other categories: documentary short film, international feature film, makeup and hairstyling, best original song, best original score, animated short film, live action short film, sound and visual effects.Here are the 15 films that are shortlisted for the 2024 Oscar for best documentary feature film. The films are listed in alphabetical order.American SymphonyApolonia, ApoloniaBeyond UtopiaBobi Wine: The People’s PresidentDesperate Souls, Dark City and the Legend of Midnight CowboyThe Eternal MemoryFour DaughtersGoing to Mars: The Nikki Giovanni ProjectIn the RearviewStamped from the BeginningStill: A Michael J. Fox MovieA Still Small Voice32 SoundsTo Kill a Tiger20 Days in Mariupol
When Bruce Springsteen’s “Addicted to Romance” from She Came to Me and Jack Black’s “Peaches” from The Super Mario Bros. Movie were nominated for Golden Globe Awards for best original song 10 days ago, many expected them to be nominated for Oscars in that category too – or at least make the shortlist of 15 […]
The late Robbie Robertson was shortlisted for an Oscar on Thursday (Dec. 21), when the Academy of Motion Picture Arts & Sciences revealed the shortlists in 10 categories. Robertson’s name was shortlisted under best original score for his work on Killers of the Flower Moon. A total of 148 scores were eligible, from which this shortlist was culled by members of the music branch, who will also vote to determine the nominees.
This was the 12th and last Martin Scorsese film that Robertson worked on. Robertson, who died in June at age 80, is vying to become the first composer to be nominated in this category posthumously since the legendary Bernard Herrmann was cited in 1976 for both Obsession and Taxi Driver.
The nominations for the 2024 Academy Awards will be announced on Jan. 23. The awards will be presented on March 10. Should Robertson win, he would be the first composer to win posthumously in the category since Larry Russell and Raymond Rasch won for Limelight in 1973, two decades after the film was released.
John Williams was shortlisted for Indiana Jones and the Dial of Destiny. This would be Williams’ record-extending 49th nod in a scoring category and his fourth for a film in the Indiana Jones franchise. In total, it would be Williams’ 54th Oscar nomination (the other five are for best original song), which would pull him closer to Walt Disney’s all-time record of 59 for an individual.
Ludwig Göransson was shortlisted for his score for Oppenheimer. The Swedish composer won in this category five years ago for scoring Black Panther. He was nominated for an Oscar last year for co-writing a song for the sequel.
Mica Levi was shortlisted for the critically-acclaimed The Zone of Interest.The English composer was nominated in this category seven years ago for Jackie.
Kris Bowers was shortlisted for The Color Purple, but fell short with his equally touted score for Origin.
Other highly-touted scores that failed to make the shortlist include Past Lives (Christopher Bear, Daniel Rossen), The Peasants (Lukasz Rostowski), The Killer (Trent Reznor & Atticus Ross), Nyad (Alexandre Desplat) and Rustin (Branford Marsalis).
Five films were shortlisted for both best original score and best original song – American Symphony, Barbie, The Color Purple, Killers of the Flower Moon and Spider-Man: Across the Spider-Verse.
Here’s a complete list of the scores that were shortlisted for best original score.
American Fiction (Orion Pictures/Amazon MGM)Laura Karpman
American Symphony (Netflix)Jon Batiste
Barbie (Warner Bros.)Mark Ronson, Andrew Wyatt
The Boy and the Heron (GKids)Joe Hisaishi
The Color Purple (Warner Bros.)Kris Bowers
Elemental (Pixar)Thomas Newman
The Holdovers (Focus Features)Mark Orton
Indiana Jones and the Dial of Destiny (Disney)John Williams
Killers of the Flower Moon (Apple)Robbie Robertson
Oppenheimer (Universal Pictures)Ludwig Göransson
Poor Things (Searchlight Pictures)Jerskin Fendrix
Saltburn (Amazon/MGM)Anthony Willis
Society of the Snow (Netflix)Michael Giacchino
Spider-Man: Across the Spider-Verse (Sony Pictures)Daniel Pemberton
The Zone of Interest (A24)Mica Levi
Three songs from Barbie are on the Oscar shortlist for best original song, which the Academy of Motion Picture Arts & Sciences released on Thursday (Dec. 21). Mark Ronson and Andrew Wyatt co-wrote two of the songs, “I’m Just Ken” and “Dance the Night” (collaborating with Dua Lipa and Caroline Ailin on “Dance the Night”). Billie Eilish and Finneas co-wrote the other shortlisted Barbie song, “What Was I Made For?”
Based on a 2008 rule change, no more than two songs from a film can be nominated. The nominations will be announced on Jan. 23. The awards will be presented on March 10.
“Dance the Night” and “What Was I Made For?” were nominated for Grammys for song of the year on Nov. 10. Two other pairs of writers who were nominated for song of the year Grammys are shortlisted for Oscars, but with different songs. Olivia Rodrigo and Daniel Nigro, Grammy-nominated for “Vampire,” are shortlisted for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes. Jon Batiste and Dan Wilson, Grammy-nominated for “Butterfly,” are shortlisted for “It Never Went Away” from American Symphony.
The Hunger Games franchise has yet to receive an Oscar nod in any category, so this would be first for the franchise if the Rodrigo/Nigro song is nominated.
Two songs are shortlisted from both The Color Purple and Flora and Sons, so seven of the 15 shortlisted songs came from just three films.
Lenny Kravitz was shortlisted with “Road to Freedom” from the film Rustin. “Glory” from Ava DuVernay’s Selma, which also dealt with the civil rights struggles of the 1960s, won in this category nine years ago.
Oscar perennial Diane Warren was shortlisted with “The Fire Inside” from Flamin’ Hot. Warren is seeking her 15th best original song nomination, a benchmark that only five songwriters have reached.
Several high-profile stars were turned back in their bids to make the shortlist. Justin Timberlake fell short with “Better Place” from Trolls Band Together (which he co-wrote with Karl Schuster and Amy Allen). Bruce Springsteen missed with “Addicted to Romance” from She Came to Me (which he co-wrote with his wife, Patti Scialfa). Jack Black fell short with “Peaches” from The Super Mario Bros. Movie (which he co-wrote with Aaron Horvath, Michael Jelenic, Eric Osmond, John Spiker).
Springsteen’s and Black’s tracks are nominated for Golden Globe Awards for best original songs, which makes their failure to make the Oscar shortlist even more surprising.
Other highly touted songs that failed to make the shortlist include “I Am” from Origin, “This Wish” from Wish and “Live That Way Forever” from The Iron Claw.
Here’s a complete list of the songs that were shortlisted for best original song.
“It Never Went Away”Jon Batiste, Dan WilsonAmerican Symphony, Netflix
“Dear Alien (Who Art in Heaven)”Jarvis Cocker, Richard Hawley, Wes AndersonAsteroid City, Focus Features
“Dance the Night”Caroline Ailin, Dua Lipa, Mark Ronson, Andrew WyattBarbie, Warner Bros.
“I’m Just Ken”Mark Ronson, Andrew WyattBarbie, Warner Bros.
“What Was I Made For?”Billie Eilish, FinneasBarbie, Warner Bros.
“Keep It Movin’”Halle Bailey, Denisia Andrews, Brittany Coney, Morten RistorpThe Color Purple, Warner Bros.
“Superpower (I)”The-DreamThe Color Purple, Warner Bros.
“The Fire Inside”Diane WarrenFlamin’ Hot, Hulu/Searchlight Pictures
“High Life”Gary Clark, John Carney, Eve HewsonFlora and Son, Apple
“Meet in the Middle”Gary Clark, John Carney, Eve Hewson, Joseph Gordon-Levitt, John ArdiffFlora and Son, Apple
“Can’t Catch Me Now”Dan Nigro, Olivia RodrigoThe Hunger Games: The Ballad of Songbirds & Snakes, Lionsgate
“Wahzhazhe (A Song for My People)”The Osage TribeKillers of the Flower Moon (Apple Original Films/Paramount Pictures)
“Quiet Eyes”Zach Dawes, Sharon Von EttenPast Lives, A24
“Road to Freedom”Lenny KravitzRustin, Netflix
“Am I Dreaming”A$AP Rocky, Metro Boomin, Michael Dean, Peter Lee Johnson, Roisee, ScriptpluggSpider-Man: Across the Spider-Verse, Sony Pictures
12/14/2023
The Screen Actors Guild’s Life Achievement Award joins a long list of major honors.
12/14/2023