State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm


OSCARS

Page: 11

The late Robbie Robertson was shortlisted for an Oscar on Thursday (Dec. 21), when the Academy of Motion Picture Arts & Sciences revealed the shortlists in 10 categories. Robertson’s name was shortlisted under best original score for his work on Killers of the Flower Moon. A total of 148 scores were eligible, from which this shortlist was culled by members of the music branch, who will also vote to determine the nominees.
This was the 12th and last Martin Scorsese film that Robertson worked on. Robertson, who died in June at age 80, is vying to become the first composer to be nominated in this category posthumously since the legendary Bernard Herrmann was cited in 1976 for both Obsession and Taxi Driver.

The nominations for the 2024 Academy Awards will be announced on Jan. 23. The awards will be presented on March 10. Should Robertson win, he would be the first composer to win posthumously in the category since Larry Russell and Raymond Rasch won for Limelight in 1973, two decades after the film was released.

John Williams was shortlisted for Indiana Jones and the Dial of Destiny. This would be Williams’ record-extending 49th nod in a scoring category and his fourth for a film in the Indiana Jones franchise. In total, it would be Williams’ 54th Oscar nomination (the other five are for best original song), which would pull him closer to Walt Disney’s all-time record of 59 for an individual.

Ludwig Göransson was shortlisted for his score for Oppenheimer. The Swedish composer won in this category five years ago for scoring Black Panther. He was nominated for an Oscar last year for co-writing a song for the sequel. 

Mica Levi was shortlisted for the critically-acclaimed The Zone of Interest.The English composer was nominated in this category seven years ago for Jackie.

Kris Bowers was shortlisted for The Color Purple, but fell short with his equally touted score for Origin.

Other highly-touted scores that failed to make the shortlist include Past Lives (Christopher Bear, Daniel Rossen), The Peasants (Lukasz Rostowski), The Killer (Trent Reznor & Atticus Ross), Nyad (Alexandre Desplat) and Rustin (Branford Marsalis).

Five films were shortlisted for both best original score and best original song – American Symphony, Barbie, The Color Purple, Killers of the Flower Moon and Spider-Man: Across the Spider-Verse.

Here’s a complete list of the scores that were shortlisted for best original score.

American Fiction (Orion Pictures/Amazon MGM)Laura Karpman

American Symphony (Netflix)Jon Batiste

Barbie (Warner Bros.)Mark Ronson, Andrew Wyatt

The Boy and the Heron (GKids)Joe Hisaishi 

The Color Purple (Warner Bros.)Kris Bowers

Elemental (Pixar)Thomas Newman

The Holdovers (Focus Features)Mark Orton

Indiana Jones and the Dial of Destiny (Disney)John Williams

Killers of the Flower Moon (Apple)Robbie Robertson

Oppenheimer (Universal Pictures)Ludwig Göransson

Poor Things (Searchlight Pictures)Jerskin Fendrix

Saltburn (Amazon/MGM)Anthony Willis

Society of the Snow (Netflix)Michael Giacchino

Spider-Man: Across the Spider-Verse (Sony Pictures)Daniel Pemberton

The Zone of Interest (A24)Mica Levi

Three songs from Barbie are on the Oscar shortlist for best original song, which the Academy of Motion Picture Arts & Sciences released on Thursday (Dec. 21). Mark Ronson and Andrew Wyatt co-wrote two of the songs, “I’m Just Ken” and “Dance the Night” (collaborating with Dua Lipa and Caroline Ailin on “Dance the Night”). Billie Eilish and Finneas co-wrote the other shortlisted Barbie song, “What Was I Made For?”
Based on a 2008 rule change, no more than two songs from a film can be nominated. The nominations will be announced on Jan. 23. The awards will be presented on March 10.

“Dance the Night” and “What Was I Made For?” were nominated for Grammys for song of the year on Nov. 10. Two other pairs of writers who were nominated for song of the year Grammys are shortlisted for Oscars, but with different songs. Olivia Rodrigo and Daniel Nigro, Grammy-nominated for “Vampire,” are shortlisted for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds & Snakes. Jon Batiste and Dan Wilson, Grammy-nominated for “Butterfly,” are shortlisted for “It Never Went Away” from American Symphony.

The Hunger Games franchise has yet to receive an Oscar nod in any category, so this would be first for the franchise if the Rodrigo/Nigro song is nominated.

Two songs are shortlisted from both The Color Purple and Flora and Sons, so seven of the 15 shortlisted songs came from just three films.

Lenny Kravitz was shortlisted with “Road to Freedom” from the film Rustin. “Glory” from Ava DuVernay’s Selma, which also dealt with the civil rights struggles of the 1960s, won in this category nine years ago.

Oscar perennial Diane Warren was shortlisted with “The Fire Inside” from Flamin’ Hot. Warren is seeking her 15th best original song nomination, a benchmark that only five songwriters have reached.

Several high-profile stars were turned back in their bids to make the shortlist. Justin Timberlake fell short with “Better Place” from Trolls Band Together (which he co-wrote with Karl Schuster and Amy Allen). Bruce Springsteen missed with “Addicted to Romance” from She Came to Me (which he co-wrote with his wife, Patti Scialfa). Jack Black fell short with “Peaches” from The Super Mario Bros. Movie (which he co-wrote with Aaron Horvath, Michael Jelenic, Eric Osmond, John Spiker).

Springsteen’s and Black’s tracks are nominated for Golden Globe Awards for best original songs, which makes their failure to make the Oscar shortlist even more surprising.

Other highly touted songs that failed to make the shortlist include “I Am” from Origin, “This Wish” from Wish and “Live That Way Forever” from The Iron Claw.

Here’s a complete list of the songs that were shortlisted for best original song.

“It Never Went Away”Jon Batiste, Dan WilsonAmerican Symphony, Netflix

“Dear Alien (Who Art in Heaven)”Jarvis Cocker, Richard Hawley, Wes AndersonAsteroid City, Focus Features

“Dance the Night”Caroline Ailin, Dua Lipa, Mark Ronson, Andrew WyattBarbie, Warner Bros.

“I’m Just Ken”Mark Ronson, Andrew WyattBarbie, Warner Bros.

“What Was I Made For?”Billie Eilish, FinneasBarbie, Warner Bros.

“Keep It Movin’”Halle Bailey, Denisia Andrews, Brittany Coney, Morten RistorpThe Color Purple, Warner Bros.

“Superpower (I)”The-DreamThe Color Purple, Warner Bros.

“The Fire Inside”Diane WarrenFlamin’ Hot, Hulu/Searchlight Pictures

“High Life”Gary Clark, John Carney, Eve HewsonFlora and Son, Apple

“Meet in the Middle”Gary Clark, John Carney, Eve Hewson, Joseph Gordon-Levitt, John ArdiffFlora and Son, Apple

“Can’t Catch Me Now”Dan Nigro, Olivia RodrigoThe Hunger Games: The Ballad of Songbirds & Snakes, Lionsgate

“Wahzhazhe (A Song for My People)”The Osage TribeKillers of the Flower Moon (Apple Original Films/Paramount Pictures)

“Quiet Eyes”Zach Dawes, Sharon Von EttenPast Lives, A24

“Road to Freedom”Lenny KravitzRustin, Netflix

“Am I Dreaming”A$AP Rocky, Metro Boomin, Michael Dean, Peter Lee Johnson, Roisee, ScriptpluggSpider-Man: Across the Spider-Verse, Sony Pictures

12/14/2023

The Screen Actors Guild’s Life Achievement Award joins a long list of major honors.

12/14/2023

12/12/2023

Many of these films also got some Oscar love in this category — but not all.

12/12/2023

Jada Pinkett Smith is crediting Will Smith‘s Oscars slap of comedian Chris Rock with saving the couple’s marriage. The Daytime Emmy-winning talk show host and actress opened up in an interview with the Daily Mail about how her husband’s infamous slap during the 2022 Academy Awards helped her realize that they will always be together. […]

At least 15 music docs are among 167 features that are eligible for consideration in the documentary feature film category at the 2024 Oscars. These include films that tell the stories of such varied musicians as Jon Batiste, Carlos Santana, Syd Barrett and Pink Floyd, Joan Baez, Little Richard, Ladysmith Black Mambazo, Thelonious Monk and […]

East Coasters, rejoice! You can finally watch the Oscars to their conclusion and turn in at a reasonable hour. ABC announced on Thursday (Nov. 30) that the 2024 Oscars will air live coast-to-coast on Sunday, March 10, in a new earlier time slot (7-10:30 p.m. ET/4-7:30 p.m. PT). A 30-minute pre-show will lead into the […]

Barbie is likely to be well represented when the Academy Award shortlists are revealed Dec. 21. At least two (and maybe even three) songs from the box-office juggernaut could be in contention for best original song (though only two from a film can be nominated, according to a 2008 rule change).
Diane Warren and Alan Menken are each looking to score their 15th best original song nominations, a benchmark that only five songwriters have reached. If John Williams and the late Robbie Robertson are nominated for best original score, each could make history.

“I’m Just Ken”Mark Ronson, Andrew WyattBarbie, Warner Bros.

[embedded content]

Ronson and Wyatt won in this category five years ago for co-writing “Shallow” from A Star Is Born. “I’m Just Ken,” sung by Ryan Gosling, provided one of the funniest sequences in Barbie. Ronson and Wyatt could have a second Barbie song on the shortlist — the bubbly “Dance the Night,” which they co-wrote with Dua Lipa and Caroline Ailin.

“What Was I Made For?”Billie Eilish, FINNEASBarbie, Warner Bros.

[embedded content]

The siblings won in this category two years ago for their title song to the James Bond film No Time To Die. They’re likely to be nominated for this tender ballad, which Barbie director Greta Gerwig has described as her movie’s “heart” song. Barbie is vying to become the first film with two best original song nominees since La La Land seven years ago.

“Keep It Movin’”Halle Bailey, Denisia Andrews, Brittany Coney, Morten RistorpThe Color Purple, Warner Bros.

[embedded content]

Bailey (as young Nettie) and Phylicia Pearl Mpasi (as young Celie) sing this song onscreen in this new iteration of The Color Purple. “Miss Celie’s Blues (Sister),” from the original 1985 film, was nominated in this category. Quincy Jones, who co-wrote that song with Rod Temperton and Lionel Richie, served as a producer of both films.

“Out Alpha the Alpha”Marius de Vries, Josh Sharp, Aaron Jackson, Karl Saint LucyDicks: The Musical, A24

[embedded content]

Megan Thee Stallion sings this ribald song onscreen in Dicks: The Musical, which is based on an off-Broadway show with an even more risqué title, F–king Identical Twins. The rap star is also in the cast, along with another famous Megan (Mullally), as well as Bowen Yang and Nathan Lane. Megan Thee Stallion took part in an all-star performance of “We Don’t Talk About Bruno” on the Oscar telecast two years ago.

“The Fire Inside”Diane WarrenFlamin’ Hot, Hulu/Searchlight Pictures

[embedded content]

Warren has been nominated in this category the last six years in a row. If she makes it again this year, she’ll have the longest consecutive streak of best original song nods since Sammy Cahn was nominated eight years running (1954-61). The indefatigable Warren has a second song in play, “Gonna Be You” from 80 for Brady.

“High Life”Gary Clark, John CarneyFlora and Son, Apple

[embedded content]

In addition to co-writing this song, Carney wrote and directed the film. Two of Carney’s previous films, Once and Begin Again, yielded best original song nominees (and a winner in the case of Once). Clark, a Scottish musician-songwriter, was the frontman of 1980s pop band Danny Wilson. Eve Hewson, Joseph Gordon-Levitt, Orén Kinlan and Jack Reynor sing “High Life” onscreen in Flora and Son.

“Can’t Catch Me Now”Dan Nigro, Olivia RodrigoThe Hunger Games: The Ballad of Songbirds & Snakes, Lionsgate

[embedded content]

The Hunger Games franchise has yet to receive an Oscar nod in any category, but the red-hot Rodrigo is at the point in her career that the music branch of the Academy of Motion Picture Arts and Sciences is likely to pay notice. She and Nigro have received two Grammy nods for song of the year, for “drivers license” and “Vampire.” Will the moody and atmospheric “Can’t Catch Me Now” find favor here?

“For the First Time”Alan Menken, Lin-Manuel MirandaThe Little Mermaid, Disney

[embedded content]

Menken is an EGOT winner, and Miranda will be one as soon as he wins an Oscar. Menken won his first of four Oscars in this category for “Under the Sea” from the original 1989 iteration of The Little Mermaid. Halle Bailey sings “For the First Time” onscreen in the film. Two other Menken-Miranda songs from the film, “Wild Uncharted Waters” and “The Scuttlebutt,” are also in play.

“Find a Way”Linda PerryNyad, Netflix

[embedded content]

This would be the first Oscar nod for Perry, a two-time Grammy nominee for song of the year. Annette Bening and Jodie Foster star in the film, which tells the story of Diana Nyad who, at age 64, undertook a 110-mile swim from Cuba to Florida. Perry named her song after the title of Nyad’s book, on which the movie is based.

“Road to Freedom”Lenny KravitzRustin, Netflix

[embedded content]

Kravitz, a four-time Grammy winner for best male rock vocal performance, could score his first Oscar nod for this song from a biopic about Bayard Rustin, a lesser-known but crucial figure in the civil rights struggle. The film’s director, George C. Wolfe, helmed the 2020 movie Ma Rainey’s Black Bottom, which received five Oscar nods.

“Addicted to Romance”Patti Scialfa, Bruce SpringsteenShe Came to Me, Vertical Entertainment

[embedded content]

Springsteen won an Oscar in 1994 for “Streets of Philadelphia” and was nominated again two years later for “Dead Man Walkin’.” This would be his first nomination with a collaborator — his wife, Scialfa. The original score was composed by The National’s Bryce Dessner. Peter Dinklage and Marisa Tomei star in the film.

“Am I Dreaming”A$AP Rocky, Metro Boomin, Michael Dean, Peter Lee Johnson, Roisee, ScriptpluggSpider-Man: Across the Spider-Verse, Sony Pictures

[embedded content]

Spider-Man: Into the Spider Verse won an Oscar for best animated feature film five years ago, though its biggest hit, “Sunflower” by Post Malone and Swae Lee, missed out on a best original song nod. Metro Boomin curated the soundtrack to this film, which reached No. 5 on the Billboard 200 in June. A$AP Rocky’s partner, Rihanna, was nominated in this category last year.

“Peaches”Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, John SpikerThe Super Mario Bros. Movie, Illumination/Nintendo/Universal

[embedded content]

This was the year’s second-­biggest hit at the box office, behind Barbie. In addition to co-writing and performing the song, Black was in the animated film’s voice cast as Bowser. This would be the first Oscar nomination for Black, who won a Grammy for best metal performance nine years ago for a track he recorded with Tenacious D for a Ronnie James Dio tribute album.

“Better Place”Amy Allen, Shellback, Justin TimberlakeTrolls Band Together, DreamWorks Animation

[embedded content]

Animated characters portraying *NSYNC perform this song onscreen in the movie. Timberlake was nominated in this category seven years ago for co-writing “Can’t Stop the Feeling!” for the first Trolls film. He and the other members of *NSYNC are in the voice cast, along with Anna Kendrick, Kid Cudi, Troye Sivan, Camila Cabello and Anderson .Paak, among others.

“This Wish”Julia Michaels, Benjamin Rice, JP SaxeWish, Disney

[embedded content]

Michaels and Saxe received a Grammy nod for song of the year three years ago for their collaboration “If the World Was Ending.” It was Michaels’ second nod in that category; her first was for co-writing her breakthrough hit, “Issues.” Ariana DeBose, an Oscar winner for the West Side Story remake, sings “This Wish.” She’s also in the voice cast, along with Chris Pine and Victor Garber.

American Fiction (Orion Pictures/Amazon MGM)Laura Karpman

Karpman could be headed for her first Oscar nod for her score to this satirical film that was written and directed by Cord Jefferson (in his feature directorial debut). The film stars Jeffrey Wright, Tracee Ellis Ross, Issa Rae and Sterling K. Brown. Karpman won a Primetime Emmy three years ago for scoring The Discovery Channel’s Why We Hate.

Barbie (Warner Bros.)Mark Ronson, Andrew Wyatt

Ronson and Wyatt, who executive-produced the hit soundtrack album — and were involved in writing and producing several of its tracks — could be headed for their first nod in this category. Wyatt has co-written songs for several Ronson albums. In 2012, the two musicians collaborated on a ballet score for The Royal Ballet of London.

Elemental (Pixar)Thomas Newman

If Newman is nominated, this would be his 15th nod in the category, a total so far achieved by only eight composers in Oscar history. Unlike them, though, he has yet to win. Newman is the youngest son of the late Alfred Newman, who amassed 41 nominations in this category, winning a record nine times.

Indiana Jones and the Dial of Destiny (Disney)John Williams

This would be Williams’ record-extending 49th nod in a scoring category and his fourth for a film in the Indiana Jones franchise. In total, it would be Williams’ 54th Oscar nomination (the other five are for best original song), which would pull him closer to Walt Disney’s all-time record of 59 for an individual.

The Killer (Netflix)Trent Reznor & Atticus Ross

This would be the fourth nod in this category for Reznor and Ross following The Social Network, Mank and Soul (a collaboration with Jon Batiste). David Fincher, who directed The Social Network and Mank, also directed The Killer. Reznor and Ross won for both The Social Network and Soul. Michael Fassbender and Tilda Swinton star in The Killer.

Killers of the Flower Moon (Apple)Robbie Robertson

This was the 12th and last Martin Scorsese film that Robertson worked on. Robertson, who died in June at age 80, would become the first composer to be nominated in this category posthumously since Bernard Herrmann was cited in 1976 for both Obsession and Taxi Driver. Two other Scorsese regulars, Leonardo DiCaprio and Robert De Niro, star in the film.

Nyad (Netflix)Alexandre Desplat

This would be Desplat’s 12th nomination in this category, all since 2006. That’s more than anyone else has accumulated in that period. The French composer has won twice, for The Grand Budapest Hotel and The Shape of Water. This would be Desplat’s first nod in the 2020s, following three in the 2000s and eight in the 2010s.

Oppenheimer (Universal Pictures)Ludwig Göransson

The Swedish composer won in this category five years ago for scoring Black Panther. He was nominated for an Oscar last year for co-writing a song for the sequel. Oppenheimer was the year’s fifth-biggest box-office hit, a strong showing for a three-hour adult drama. The Christopher Nolan film was based on the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.

Clockwise: Elemental, Killers of the Flower Moon, Spider-Man: Across the Spider-Verse and Oppenheimer.

Disney/Pixar; Melinda Sue Gordon; Sony Pictures.

Origin (Neon)Kris Bowers

Origin is the fifth feature film directed by Ava DuVernay. Her 2014 historical drama, Selma, yielded the Oscar-winning song “Glory” by Common and John Legend. Bowers was nominated for documentary (short subject) three years ago for co-directing A Concerto Is a Conversation, which centered on his conversations with his jazz pianist grandfather. This would be his first nod in a scoring category.

Past Lives (A24)Christopher Bear & Daniel Rossen

Past Lives was written and directed by Celine Song in her feature directorial debut. The film, which stars Greta Lee, Teo Yoo and John Magaro, follows the relationship between two childhood friends over 24 years. Bear and Rossen are members of veteran indie rock band Grizzly Bear, which has landed two top 10 albums on the Billboard 200.

Rustin (Netflix)Branford Marsalis

This would be the first Oscar nomination for jazz saxophonist Marsalis, who is a three-time Grammy winner. Marsalis received a Primetime Emmy nod two years ago for outstanding music composition for a documentary series or special for Tulsa Burning: The 1921 Race Massacre, which aired on the HISTORY Channel.

Saltburn (Amazon/MGM)Anthony Willis

This would be the Australian composer’s first Oscar nod after building a reputation with his scores for How To Train Your Dragon: Homecoming (2019), Promising Young Woman (2020) and M3GAN (2022). Saltburn is the second film to be written, directed and co-produced by Emerald Fennell following Promising Young Woman. Barry Keoghan, Jacob Elordi and Rosamund Pike star in the psychological thriller.

Society of the Snow (Netflix)Michael Giacchino

This would be Giacchino’s third nomination in this category following Ratatouille (2007) and Up (2009). He won for the latter. Society of the Snow is a 2023 survival thriller about a 1972 flight disaster in Argentina’s Andes Mountains. The cast comprises Uruguayan and Argentine actors, most of whom are newcomers to the craft. The film is scheduled to be released in theaters on Dec. 15.

Spider-Man: Across the Spider-Verse (Sony Pictures)Daniel Pemberton

The English composer has yet to be nominated in this category. His only Oscar nod is for co-writing “Hear My Voice” from The Trial of the Chicago 7, a best original song nominee three years ago. This film is a sequel to 2018’s Spider-Man: Into the Spider-Verse, which Pemberton also scored.

The Zone of Interest (A24)Mica Levi

The English composer was nominated in this category seven years ago for Jackie. The Zone of Interest, based on a Martin Amis novel, revolves around Auschwitz commandant Rudolf Höss and his wife and their plans to build a dream life next to the concentration camp. The film, which was written and directed by Jonathan Glazer, is set to be released in the United States on Dec. 15.

Additional reporting by Melinda Newman.

This story will appear in the Nov. 18, 2023, issue of Billboard.

Jimmy Kimmel is set to host the 2024 Oscars, which will be held March 10, 2024, at its usual home, the Dolby Theatre at Ovation Hollywood. It will mark Kimmel’s fourth time as host. “I always dreamed of hosting the Oscars exactly four times,” Kimmel quipped in a statement.
Kimmel first hosted the Oscars in 2017, the year of the debacle in which La La Land was announced in error as the best picture winner, before Moonlight was declared the actual winner. Kimmel returned to host the show in 2018 and 2023.

Kimmel will become only the sixth person to host the Oscars four or more times. Bob Hope hosted the show 19 times, followed by Billy Crystal (nine), Johnny Carson (five), and Whoopi Goldberg, Jack Lemmon and now Kimmel (four each).

Molly McNearney, who serves as executive producer and co-head writer for Jimmy Kimmel Live!, will return for the second consecutive year to serve as an executive producer for the Oscars.

“We are thrilled about Jimmy returning to host and Molly returning as executive producer for the Oscars,” Academy CEO Bill Kramer and Academy president Janet Yang said in a joint statement. “They share our love of movies and our commitment to producing a dynamic and entertaining show for our global audience.”

McNearney is nominated for two Primetime Emmys this year as an ep of Jimmy Kimmel Live! (which is up for outstanding talk series) and the 2023 Oscars (which is up for outstanding variety special (live).

Kimmel, 56, has hosted Jimmy Kimmel Live! since it debuted on ABC in January 2003, making him the longest-running of all current late night television hosts in the U.S. He is also an executive producer of the show. He also hosted the Primetime Emmy Awards in 2012, 2016 and 2020.

Kimmel received back-to-back Primetime Emmys in 2019-20 for outstanding variety special (live) as an executive producer of Live in Front of a Studio Audience: Norman Lear’s ‘All in the Family’ and ‘The Jeffersons’ and Live in Front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’

The Oscar ceremony, which will air on ABC, will be executive produced by Raj Kapoor and Katy Mullan, with Kapoor also serving as showrunner.

“Jimmy has cemented himself as one of the all-time great Oscars hosts with his perfect blend of humanity and humor, and Molly is one of the best live TV producers around,” Kapoor and Mullan said in a joint statement.

Hamish Hamilton will serve as director. This will be the first Oscars to include new eligibility rules to “improve diversity and inclusion.”

Today (Nov. 15) is the submission deadline for general entry categories. Preliminary voting runs from Dec. 18-21. Oscar shortlists will be announced on Dec. 21. The eligibility period ends Dec. 31.

Nominations-round voting runs from Jan. 11-16, 2024. Nominations will be announced on Jan. 23, 2024. The final round of voting extends from Feb. 22-27.

Raj Kapoor, who has served as a producer and executive producer of numerous Grammy Awards telecasts, has been named executive producer and showrunner of the 96th Oscars, which are set to air live on ABC on Sunday, March 10, 2024.
Katy Mullan has been tapped as executive producer, and Hamish Hamilton as director.

This will be Kapoor and Mullan’s first time executive producing and Hamilton’s fourth time directing the Oscars. Kapoor has worked on the show for the past seven years and most recently served as producer for the 95th Oscars.

Kapoor has received six Primetime Emmy nominations – four of them for outstanding variety special (live) for The Grammys in 2019, 2021 and 2022 and Oscars in 2023. His other two Emmy nods are for outstanding variety special (pre-recorded). He won in 2022 for Adele: One Night Only and is a current nominee for Norman Lear: 100 Years of Music & Laughter. (The long-delayed 2023 awards will be presented on Jan. 15, 2024.)

“As a Canadian boy of South Asian descent and a girl from London who grew up watching the Oscars, dreaming of being part of it, this is a ‘pinch me’ moment!” Kapoor and Mullan said in a joint statement. “This has been an exceptional year for the movies, and it’s an absolute privilege to be leading the team celebrating the global film industry and the astounding talents that bring these cinematic stories to life. We’re dedicated to making it a remarkable celebration for all.”

“Raj and Hamish have been incredible Oscars collaborators, and we are delighted to welcome them and Katy to lead the 96th Oscars,” Academy CEO Bill Kramer and Academy president Janet Yang said in a statement. “Their deep love of cinema, fresh vision, and tremendous live television expertise is perfect for our reinvigorated show.”

Several people from the creative team behind the 95th Oscars are returning to work on the 96th Oscars, including creative director Kenny Gravillis, production designers Misty Buckley and Alana Billingsley, red carpet show executive producer David Chamberlin, and red carpet creative consultants Lisa Love and Raúl Àvila.

In addition to his Emmy-nominated work, Kapoor’s credits include the ACM Awards, the Latin Grammys, The Emmy Awards, Beauty and the Beast: A 30th Celebration and The Disney Family Singalong.

Mullan is an executive producer, showrunner and partner in the global live event production company Done + Dusted. Her work in live entertainment ranges from producing the London Olympics opening and closing ceremonies to The Little Mermaid Live! Her recent credits include Beauty and the Beast: A 30th Celebration, Step Into…The Movies and the Disney Family Singalong franchise.

Hamilton made his Oscars debut directing the 82nd Academy Awards telecast in 2010 and subsequently directed the 86th and 87th Oscars. He has received 11 Primetime Emmy nominations, for directing four Super Bowl half-time shows, two Oscar telecasts, two Grammy telecasts, Lizzo: Live in Concert and the opening ceremonies of the 2012 London Olympics.

Hamilton, who has directed 14 Super Bowl halftime shows, was Emmy-nominated for the ones starring Justin Timberlake, Jennifer Lopez & Shakira and Rihanna as well as the all-star hip-hop celebration starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent. He received two Emmy nods for the one starring Rihanna, one as a producer and one as a director. That and Lizzo: Live in Concert are pending, so Hamilton has three chances to win his first Primetime Emmy in January.

Hamilton, a partner in the global live event production company Done + Dusted, has received a Peabody Award and a BAFTA Award. He was also a 2002 Grammy nominee for Robbie Williams – Live at the Albert, a contender for best long-form music video.

The 96th Oscars will be held on Sunday, March 10, 2024, at the Dolby Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide.

The Grammys have not yet announced their production team. The 66th Annual Grammy Awards will be held on Feb. 4, 2024.