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Robbie Williams’ song “Forbidden Road” was removed from the 2025 Oscar shortlist for best original song on the grounds that song incorporates material from an existing song that was not written for the film in which it appears, Better Man (Paramount Pictures). Williams co-wrote the song with Freddy Wexler and Sacha Skarbek.
The Academy of Motion Picture Arts & Sciences will not replace the song on the shortlist. Members of the music branch will choose the five nominees from a shortlist of 14 songs, rather than the customary 15.
The song is nominated for a Golden Globe for best original song. It is still listed on the Globes site as a nominee, though it has already been removed from the list of shortlisted songs that appears on the Oscars site.
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Here’s the text of a letter sent to Academy’s music branch members from the branch’s executive committee, explaining the decision:
“Dear Music Branch members,
The shortlisted Original Song achievement, “Forbidden Road,” from the film BETTER MAN, incorporates material from an existing song that was not written for this film.
The Music Branch Executive Committee has met and reviewed materials. It was determined the achievement does not meet the 97th Awards Rules criteria for eligibility in the Original Song category: An original song consists of words and music, both of which are original and written specifically for the motion picture. [Rule Eighteen, Section 1-B].
Therefore, the song has been deemed ineligible for award consideration for the 97th Oscars and will be removed from the Academy’s shortlist in the Original Song category.
This is a decision that both honors our rules and protects the special nature of the Original Song and Score categories.
Sincerely,
The Music Branch Executive Committee”
The Oscars run a very tight ship. Eleven years ago, a nominated songwriter, Bruce Broughton, was overzealous in promoting his song, running afoul of Academy regulations. The Academy rescinded the nomination. The explanation of what happened still appears on the Oscar site all these years later: “After the nominations were announced on January 16, 2014, it was determined that Mr. Broughton had taken actions in promoting the song that were inconsistent with the Academy’s campaign regulations. The Board of Governors voted to rescind the nomination on January 29, and only four songs were included on the final ballot.”
Better Man will have a limited release opening on Christmas Day. It will go wide on Jan. 10. Williams is portrayed by a computer-generated monkey in this film about his life which was co-written, produced and directed by Michael Gracey.
Eno, a documentary about legendary British musician Brian Eno, is shortlisted for an Oscar for best documentary feature. Gary Hustwit directed the film.
Eno, 76, has won seven Grammys for producing records by U2 and Coldplay. In 1993, he and his partner Daniel Lanois won a Grammy for producer of the year (non-classical) in a tie with Babyface & L.A. Reid. Eno was inducted into the Rock and Roll Hall of Fame in 2019 as a member of Roxy Music.
The documentary feature shortlist also includes Soundtrack to a Coup d’Etat, a film about the political activities of jazz musicians Abbey Lincoln and Max Roach during the Cold War. Johan Grimonprez directed the film.
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Will & Harper, the Netflix film about a cross-country road trip starring Will Ferrell and Harper Steele is also on the shortlist. The film, directed by Josh Greenbaum, features Kristen Wiig’s “Harper and Will Go West,” which is shortlisted for best original song.
The Academy of Motion Picture Arts & Sciences released shortlists in 10 categories, including best original song, best original score and best documentary feature on Tuesday (Dec. 17).
A total of 169 features vied to make the shortlist for documentary feature film. Just 15 made it. Among the music-focused films that failed to make the shortlist: Elton John: Never Too Late; The Greatest Night in Pop, about the recording session that produced “We Are the World”; I Am: Celine Dion; Indigo Girls: It’s Only Life After All; Luther: Never Too Much (about Luther Vandross); Mad About the Boy – The Noel Coward Story; Music by John Williams; Piece by Piece, about and featuring music by Pharrell Williams; and The World According to Allee Willis.
Also passed over: Following Harry, about Harry Belafonte’s social justice work; Studio One Forever (about the L.A. nightclub that is described as “America’s first gay disco”) and Flipside (about a comical attempt to save a New Jersey record store).
Here’s a complete list of this year’s 15 shortlisted films for documentary (feature).
Shortlisted Films
The Bibi FilesBlack Box DiariesDahomeyDaughtersEnoFridaHollywoodgateNo Other LandPorcelain WarQueendomThe Remarkable Life of IbelinSoundtrack to a Coup d’EtatSugarcaneUnionWill & Harper
Nominations-round voting runs from Jan. 8-12. Nominations will be announced Jan. 17. Final-round voting runs from Feb. 11-18. The 97th Oscars will be held on Sunday, March 2 at the Dolby Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. The show will also stream live on Hulu for the first time.
Two composing teams are on the Oscar shortlist for best original score, along with 18 individual composers.
Clément Ducol and Camille are shortlisted for their work on Emilia Pérez (Netflix); Trent Reznor and Atticus Ross are shortlisted for Challengers. A second Reznor/Ross score, Queer, didn’t make the cut. The Nine Inch Nails members have won two Oscars in this category, for The Social Network and Soul, the latter a collaboration with Jon Batiste.
The Academy of Motion Picture Arts & Sciences released shortlists in 10 categories, including best original score, best original song, and best documentary feature on Tuesday (Dec. 17). The number of shortlisted scores jumped from 15 to 20 this year, on the grounds that there are so many entries in this category. This year, 145 scores were eligible in the category, compared to 89 songs in the best original song category. (The number of shortlisted songs remained at 15.)
Hans Zimmer in on the score shortlist for his work on Steve McQueen’s Blitz. Zimmer might have had two scores on the shortlist, but his score for Dune: Part Two was ruled ineligible due to exceeding the Academy’s limit on pre-existing music. Academy rules state: “In cases such as sequels and franchises from any media, the score must not use more than 20% of pre-existing themes and music borrowed from previous scores in the franchise.” Zimmer’s score for Dune: Part Two incorporates substantial elements from his Oscar-winning score for 2021’s Dune.
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Dune: Part Two was nominated for both a Golden Globe and a Critics Choice Award for best original score. The other scores that are nominated for those two awards were all shortlisted for Oscars – Daniel Blumberg’s The Brutalist, Reznor & Ross’ Challengers, Volker Bertelmann’s Conclave, Ducol & Camille’s Emilia Pérez and Kris Bowers’ The Wild Robot.
John Powell’s score for Wicked made the shortlist. The film is closing in on Mamma Mia! as the top-grossing film ever adapted from a Broadway musical.
Andrea Datzman is shortlisted for Inside Out 2. With this release, Datzman became the first woman to score a Pixar feature film.
Here’s a complete list of this year’s 20 shortlisted scores for best original score:
Shortlisted
Alien: Romulus (20th Century Studios) – Benjamin Wallfisch
Babygirl (A24) – Critobal Tapia de Veer
Beetlejuice Beetlejuice (Warner Bros. Pictures) – Danny Elfman
Blink Twice (Amazon MGM Studios) – Chanda Dancy
Blitz (Apple Original Films) — Hans Zimmer
The Brutalist (A24) — Daniel Blumberg
Challengers (Amazon MGM) — Trent Reznor and Atticus Ross
Conclave (Focus Features) — Volker Bertelmann
Emilia Pérez (Netflix) — Clément Ducol, Camille
The Fire Inside (Amazon MGM) — Tamar-kali
Gladiator II (Paramount Pictures) — Harry Gregson-Williams
Horizon: An American Saga Chapter 1 (New Line Cinema) – John Debney
Inside Out 2 (Pixar) — Andrea Datzman
Nosferatu (Focus Features) – Robin Carolan
The Room Next Door (Sony Pictures Classics) — Alberto Iglesias
Sing Sing (A24) — Bryce Dessner
The Six Triple Eight (Netflix) – Aaron Zigman
Wicked (Universal Pictures) – John Powell
The Wild Robot (DreamWorks Animation) — Kris Bowers
Young Woman and the Sea (Walt Disney Pictures) — Amelia Warner
And here are some of the highly-touted scores that were passed over for the shortlist.
Not Shortlisted
Deadpool & Wolverine (Marvel Studios) — Rob Simonsen
Drive-Away Dolls (Focus Features) — Carter Burwell
Flow (Janus Films/Sideshow) — Gints Zilbalodis, Rihards Zalupe
Hard Truths (Bleecker Street) — Gary Yershon
Here (Sony Pictures) — Alan Silvestri
IF (Paramount Pictures) — Michael Giacchino
I’m Still Here (Sony Pictures Classics) — Warren Ellis
Memoir of a Snail (IFC Films) — Elena Kats-Chernin
Mufasa: The Lion King (Walt Disney Pictures) — Nicholas Britell, Dave Metzger, Pharrell Williams
Moana 2 (Walt Disney Pictures) — Mark Mancina, Opetaia Foaʻi
The Piano Lesson (Netflix) — Alexandre Desplat
Queer (A24) — Trent Reznor and Atticus Ross
Saturday Night (Sony Pictures) — Jon Batiste
September 5 (Paramount Pictures) — Lorenz Dangel
The Substance (Mubi) — Raffertie
Transformers One (Paramount Pictures) — Brian Tyler
We Live in Time (A24) — Bryce Dessner
Nominations-round voting runs from Jan. 8-12. Nominations will be announced Jan. 17. Final-round voting runs from Feb. 11-18. The 97th Oscars will be held on Sunday, March 2 at the Dolby Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. The show will also stream live on Hulu for the first time.
Numerous music stars are on the best original song shortlist for the 2025 Oscars, including Elton John and Brandi Carlile, Lainey Wilson, Pharrell Williams, Maren Morris, Robbie Williams, and Trent Reznor and Atticus Ross.
John and Carlile are shortlisted for co-writing “Never Too Late” from Elton John: Never Too Late; Wilson for co-writing “Out of Oklahoma” from Twisters; Williams for writing “Piece by Piece” from the Netflix film Piece by Piece; Morris for co-writing Kiss the Sky” from The Wild Robot; Williams for co-writing “Forbidden Road” from Better Man; and Reznor and Ross for co-writing “Compress/Repress” from Challengers.
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The Academy of Motion Picture Arts & Sciences released shortlists in 10 categories, including best original song and best original score on Tuesday (Dec. 17).
While music stars were well-represented on the shortlist, several others fell short, including Luke Combs, Miley Cyrus, Lady Gaga, Ed Sheeran and Megan Thee Stallion, Reneé Rapp and Ryan Tedder.
Two songs from Emilia Pérez appear on the shortlist for best original song. The songs are “El Mal” and “Mi Camino,” both co-written by Clément Ducol and Camille, with the film’s director, Jacques Audiard, co-writing “El Mal.”
Diane Warren is shortlisted for writing “The Journey” from The Six Triple Eight. If Warren is nominated, she’ll tie midcentury lyricist Sammy Cahn for the longest streak of consecutive nominations (eight) in the history of the category. (Cahn was a contender every year from 1954 to 1961.) This would be Warren’s 16th overall nod in this category, more than any other woman. Among women, she’s currently tied with the late Marilyn Bergman.
Lin-Manuel Miranda is shortlisted for writing “Tell Me It’s You” from Mufasa: The Lion King. Miranda has been just an Oscar away from an EGOT since 2014, when he won his first Primetime Emmy. He has been Oscar-nominated twice for writing “How Far I’ll Go” from Moana and “Dos Oruguitas” from Encanto.
“El Mal” and “Mi Camino” are both nominated for both the Golden Globe and Critics Choice Awards for best original song. Three other songs that are nominated for both of those awards are on the Oscar shortlist “Beautiful That Way” from The Last Showgirl, “Compress/Repress” from Challengers and “Kiss the Sky” from The Wild Robot.
The sixth nominee for the Golden Globe is “Forbidden Road” from Better Man. The sixth nominee for the Critics Choice Award is “Harper and Will Go West” from Will & Harper. Both are shortlisted here.
Kristen Wiig co-wrote the latter song with Sean Douglas. (The multitalented performer and writer was Oscar-nominated for best original screenplay for the 2011 hit Bridesmaids.) “Harper and Will Go West” has elements of humor, as have such recent nominees as “Husavik,” from the 2020 comedy Eurovision Song Contest: The Story of Fire Saga, and “I’m Just Ken,” from last year’s Barbie.
Here’s a complete list of this year’s 15 shortlisted songs for best original song.
Shortlisted Songs
“Beyond” from Moana 2 (Walt Disney Pictures) — Abigail Barlow, Emily Bear
“Compress/Repress” from Challengers (Amazon MGM) — Trent Reznor, Atticus Ross, Luca Guadagnino
“El Mal” from Emilia Pérez (Netflix) — Clément Ducol, Camille, Jacques Audiard
“Forbidden Road” from Better Man (Paramount Pictures) — Robbie Williams, Freddy Wexler, Sacha Skarbek
“Harper and Will Go West” from Will & Harper (Netflix) — Sean Douglas, Kristen Wiig, Josh Greenbaum
“The Journey” from The Six Triple Eight (Netflix) — Diane Warren
“Kiss the Sky” from The Wild Robot (DreamWorks Animation) — Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“Like a Bird” from Sing Sing (A24) — Abraham Alexander, Brandon Marcel, Adrian Quesada
“Mi Camino” from Emilia Pérez (Netflix) — Clément Ducol, Camille
“Never Too Late” from Elton John: Never Too Late” (Walt Disney Pictures) — Elton John, Brandi Carlile, Andrew Watt, Bernie Taupin
“Out of Oklahoma” from Twisters (Universal Pictures) — Lainey Wilson, Luke Dick, Shane McAnally
“Piece by Piece” from Piece by Piece (Focus Features) — Pharrell Williams
“Sick in the Head” from Kneecap (Sony Pictures Classics) — Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T
“Tell Me It’s You” from Mufasa: The Lion King (Walt Disney Pictures) – Lin-Manuel Miranda
“Winter Coat” from Blitz (Apple Original Films) — Nicholas Britell, Steve McQueen, Taura Stinson
And here are some highly-touted songs that were passed over for the shortlist.
Not Shortlisted
“Ain’t No Love in Oklahoma” from Twisters (Universal) – Jessi Alexander, Luke Combs, Jonathan Singleton
“Beautiful That Way” from The Last Showgirl (Roadside Attractions) — Miley Cyrus, Lykke Li, Andrew Wyatt
“Folie à Deux” from Joker: Folie à Deux (Warner Bros.) — Lady Gaga
“Leash” from Babygirl (A24) — Sky Ferreira, Jorge Elbrecht
“Not My Fault” from Mean Girls (Paramount Pictures) — Alexander 23, Nell Benjamin, Jasper Harris, Megan Thee Stallion, Reneé Rapp, Jeff Richmond, Ryan Tedder, Billy Walsh
“Under the Tree” from That Christmas (Netflix) — Ed Sheeran
“Vaster Than Empires” from Queer (A24) — William Burroughs, Trent Reznor, Atticus Ross
Nominations-round voting runs from Jan. 8 to 12. Nominations will be announced Jan. 17. Final-round voting runs from Feb. 11 to 18. The 97th Oscars will be held on Sunday, March 2, at the Dolby Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. The show will also stream live on Hulu for the first time.
For the first time since the Oscars were first televised in 1953, the 2025 edition of the granddaddy of all award shows will stream live on Hulu for all subscribers, in addition to airing live on ABC. Many award shows, even those still airing on broadcast networks, have taken on streaming partners in recent years. […]
If Morgan Wallen watched the 2024 CMA Awards on TV last week, for most of the show, he probably felt he’d made the right decision to stay away from the proceedings at Bridgestone Arena in Nashville. He lost six awards in a row, including male vocalist, single and song of the year. The night was shaping up to be a replay of the 2022 CMA Awards, where he went 0-2 or the 2023 show, where he went 0-3. Voters, it seemed, were reluctant to honor an artist who had been caught on video using a racial slur.
Then Jeff Bridges came onstage to present the evening’s final award. This time, Wallen won. Bridges mispronounced Wallen’s last name, but that clumsy move didn’t change the fact that Wallen had just won the biggest award in country music – and he wasn’t there to accept it.
Suddenly, Wallen’s decision to stay away looked very different. He had just been received an award that has gone to many of the greatest country stars of the past six decades – and he wasn’t there to accept it. If he had shown up, he could have thanked his fans and the country music community for their loyalty and for giving him a second chance. Instead, all we remember from that moment is an actor’s botched pronunciation of his last name.
Several previous CMA entertainer of the year winners were also no-shows. Eddy Arnold wasn’t present when he became the inaugural winner at the 1967 show, nor was John Denver in 1975 or Garth Brooks in 1997 or 1998. (A CMA official notes: “Good reminder that CMA does not know winners in advance.”)
This happens at all awards shows, where a top winner isn’t there in person to accept. It happened fairly often in the early years of the Grammy telecast, which launched in 1971. At the 1973 telecast, the only “Big Four” recipient who was on hand to accept was Ringo Starr, a featured artist on album of the year winner The Concert for Bangla Desh. No-shows happen much less often than they used to, especially at top-level shows like the Oscars and the Grammys. The coinage of the term EGOT in 1984 makes winning at these shows even more consequential than it used to be.
Three years ago, most thought the late Chadwick Boseman would win best actor at the Oscars for Ma Rainey’s Black Bottom. The producers of the Oscar telecast even positioned that award last in the show – after best picture – thinking they would end the show with a powerhouse emotional moment. But the award instead went to previous winner Anthony Hopkins for The Father, who wasn’t even there to accept. Hopkins was the first best actor winner not to be there to accept since Paul Newman in 1987.
It’s a similar story in the best actress category at the Oscars. The last best actress winner who wasn’t on hand to win in person was Katharine Hepburn in 1982.
Here are 20 times a big winner at an awards show was a no-show. This being Billboard, naturally we focus on music.
John Barry, 1967 Oscars
Numerous music documentaries are among 169 features that are vying for Oscar nominations for documentary feature film.
Music docs on the entry list include Elton John: Never Too Late; Eno (about Brian Eno); I Am: Celine Dion; Indigo Girls: It’s Only Life After All; Luther: Never Too Much (about Luther Vandross); Mad About the Boy – The Noel Coward Story; Music by John Williams; Piece by Piece (about Pharrell Williams); and The World According to Allee Willis.
John Williams is a five-time Oscar winner for his scores. Pharrell Williams has been nominated twice – best original song for “Happy from Despicable Me 2 and as a producer of best picture nominee Hidden Figures. Elton John is a two-time Oscar-winner for best original song.
The Greatest Night in Pop, the Netflix film about the 1985 recording session that produced “We Are the World,” is also on the eligible list. The much-decorated film was nominated for a Primetime Emmy for outstanding documentary or nonfiction special and is a current Grammy nominee for best music film.
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Also eligible: Following Harry, about Harry Belafonte’s social justice work; Studio One Forever (about the L.A. nightclub that is described as “America’s first gay disco”) and Flipside (about a comical attempt to save a New Jersey record store).
Non-music, but music-adjacent, docs that are eligible in the category include Bob Mackie: Naked Illusion, Jim Henson Idea Man and Remembering Gene Wilder.
The Academy of Motion Picture Arts & Sciences notes that “Some of the films have not yet had their required qualifying release and must fulfill that requirement and comply with all the category’s other qualifying rules to advance in the voting process.”
Members of the documentary branch vote to determine the shortlist and the nominees. The shortlist of 15 films will be announced on Tuesday, Dec. 17.
The Academy also announced feature films eligible for consideration in the animated feature film and international feature film categories.
Thirty-one features are eligible for consideration in the animated feature film category. To determine the five nominees, members of the Animation Branch are automatically eligible to vote in the category. Academy members outside of the Animation Branch are invited to opt in to participate and must meet a minimum viewing requirement to be eligible to vote in the category.
Eighty-five countries or regions have submitted films that are eligible for consideration in the international feature film category. An international feature film is defined as a feature-length motion picture (more than 40 minutes) produced outside the U.S. with a predominantly non-English dialogue track. Academy members from all branches are invited to opt in to participate in the preliminary round of voting and must meet a minimum viewing requirement to be eligible to vote in the category.
Preliminary voting for the 97th Academy Awards will begin on Monday, Dec. 9, and end on Friday, Dec. 13. Shortlists in select categories will be announced on Tuesday, Dec. 17. Nominations will be announced on Friday, Jan. 17.The 97th Oscars will be held on Sunday, March 2, at the Dolby Theatre at Ovation Hollywood, and will be televised live on ABC and in more than 200 territories worldwide.
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Denzel Washington spoke candidly about having issues with alcohol, detailing his reasons and his sobriety in an interview.
Veteran actor Denzel Washington revealed his past issues with alcohol in a far-ranging interview for Esquire Magazine’s Winter 2024 issue. The interview was released in conjunction with promotion for his starring role in Gladiator II.
The Academy Award-winner detailed how he had a preference for wine and talked about drinking due to being “bitter” after losing out on the Oscar in 1999 for his portrayal of wrongly-imprisoned boxer Ruben “Hurricane” Carter in The Hurricane to controversial actor Kevin Spacey for his role in American Beauty. “Wine is very tricky,” Washington said. “It’s very slow. It ain’t like, boom, all of a sudden. And part of it was we built this big house in 1999 with a ten-thousand-bottle wine cellar, and I learned to drink the best. So I’m gonna drink my ’61s and my ’82s and whatever we had.”
The Equalizer actor stressed that it never interfered with his acting work because of his self-imposed restraint. “I’d call Gil Turner’s Fine Wines & Spirits on Sunset Boulevard and say, Send me two bottles, the best of this or that. And my wife’s saying, Why do you keep ordering just two? I said, Because if I order more, I’ll drink more. So I kept it to two bottles, and I would drink them both over the course of the day,” he recalled, continuing: “I never drank while I was working or preparing. I would clean up, go back to work—I could do both. However many months of shooting, bang, it’s time to go. Then, boom.Three months of wine, then time to go back to work.”
Denzel Washington Reveals He Is Now Sober
Washington would remark that the fifteen-year period until he gave up alcohol altogether did “a lot of damage to the body.” But he stated that he’s been sober for ten years as of next month. “I haven’t had a thimble’s worth since,” he said. Washington cited his faith and getting more health-conscious with the help of Lenny Kravitz, who helped him get a physical trainer.
The annual Governor’s Awards, where honorary awards are presented by The Academy of Motion Picture Arts & Sciences, are usually a celebration. This year’s 15th edition was a happy occasion too, but it was muted by the fact that one of the honorees, Quincy Jones, died on Nov. 3, just two weeks before the awards […]