Official U.K. Singles Chart
Sabrina Carpenter is on course to secure her third consecutive week at No. 1 on the U.K. Official Singles Chart with her sweet single “Taste.”
According to the latest midweek chart blast, Carpenter continues to dominate the chart landscape, but Linkin Park is proving to be a formidable contender with their new single “The Emptiness Machine,” which currently holds the No. 2 position.
Should it hold on, “The Emptiness Machine” would mark Linkin Park’s highest chart position in the U.K., surpassing their previous peak of No. 6 with the 2007 single ‘What I’ve Done.’
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The track marks the band’s first release in seven years and introduces new vocalist Emily Armstrong alongside original members Mike Shinoda, Brad Delson, Phoenix, and Joe Hahn.
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In a recent interview with Billboard, Armstrong reflected on her newly-appointed position as co-vocalist for Linkin Park, saying, “There is so much to this band — this is a very, very important band to this world. And the integrity of the band was really helpful in keeping me grounded.”
“There were so many of those moments where it was like, ‘Holy s–t,’ when you talk about the size of the shows, stuff like that. I’m on cloud nine, but then it hits you that there’s a lot of work to be done.”
Linkin Park’s strong midweek performance has garnered attention, but Carpenter’s grip on the charts remains strong.
In addition to “Taste” at No. 1, her singles “Espresso” and “Please Please Please” are also holding firm in the Top 5, sitting at No. 3 and No. 4, respectively.
Elsewhere in the chart, Lady Gaga and Bruno Mars’ ballad “Die With A Smile” has made notable progress, climbing into the Top 5 for the first time, now sitting at No. 5. Meanwhile, Sonny Fodera’s dance anthem “Somedays” has seen a rise to No. 9, marking its first entry into the Top 10.
Despite Linkin Park’s impressive debut, it seems increasingly likely that Carpenter could secure another week at the summit of the U.K. Official Singles Chart, continuing her reign as a chart-topping pop star.
Stay tuned when all is revealed on the U.K. Official Charts on Friday, Sept. 13.
Finally! We’re well into August and it took up until this week for a British act to reach No. 1 on the Official U.K. Singles Chart in 2024.
Charli XCX achieves the feat as her remix of “Guess,” featuring Billie Eilish, debuts at No. 1. It’s the first song by a British artist to top the Official U.K. Singles Chart since Wham!’s 1984 holiday perennial “Last Christmas” wrapped up a four-week run at No. 1 over the 2023 holidays. Since then, the No. 1 spot on the U.K. chart was held by seven American acts and one Irish act (Hozier, who led for two weeks with “Too Sweet”).
Sabrina Carpenter has held the top spot on the Official U.K. Singles Chart for a total of 12 weeks (so far) in 2024 – seven for “Espresso” and five for “Please Please Please.” The other hits by American acts that have topped the U.K. chart so far in 2024 are Noah Kahan’s “Stick Season” (seven weeks), Beyoncé’s “Texas Hold ’Em” (five weeks), Benson Boone’s “Beautiful Things” (two weeks), Taylor Swift feat. Post Malone’s “Fortnight” (one week) and Eminem‘s “Houdini” (two weeks).
“Guess” becomes Charli’s second No. 1 in the U.K. — and her first as a lead artist. She first topped the chart in 2013 as the featured artist on Icona Pop’s “I Love It.”
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“Guess” is the third U.K. chart-topper for Eilish, which is two more than she has had in her home country. (“Bad Guy” remains her only No. 1 on the Billboard Hot 100 to date.) Moreover, “Guess” is Eilish’s first U.K. No. 1 that wasn’t from a film. Her two previous U.K. No. 1s are “No Time to Die” (2020) and “What Was I Made For?” (2023), her Oscar-winning songs from the James Bond film of the same name and Barbie, respectively.
“Guess” first appeared on the deluxe edition of Charli XCX’s album Brat, dubbed Brat and It’s the Same but There’s Three More Songs So It’s Not.
“Guess” has yet to appear on the Billboard Hot 100, but, writing in the weekly Trending Up column, Jason Lipshutz suggests that that will soon change: “Don’t be shocked if ‘Guess’ crashes the top 20 of the Hot 100 next week.”
Chappell Roan’s first full-length album, The Rise and Fall of a Midwest Princess, reaches No. 1 on the Official U.K. Albums Chart in its 17th week. That’s higher than the album has climbed on the Billboard 200, where it inches up to No. 4 this week, its highest ranking to date.
Roan is the ninth American artist to reach No. 1 on the Official U.K. Albums chart in 2024, following Green Day, Kahan, Ariana Grande, Beyoncé, Swift, Eilish, Gracie Abrams and Eminem.
It looks like Sabrina Carpenter’s reign on the Official U.K. Singles Chart with “Please Please Please” isn’t ending anytime soon.
Projections indicate she’ll hold the No. 1 spot for a fourth consecutive week. Meanwhile, her former chart-topper “Espresso” remains steady at No. 2 in the midweek update.
But watch out Sabrina — Shaboozey is shaking things up! His single “A Bar Song (Tipsy)” – which famously interpolates J-Kwon’s 2004 smash “Tipsy” – is currently just over 1,000 chart units behind Carpenter, sitting pretty at No. 3.
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With such a narrow gap, could Shaboozey finally sip his way to the top?
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The track debuted at No. 41 on the Official Singles Chart, climbed to No. 16 the following week, and gave Shaboozey his first U.K. Top 10 single a week later when it rose to No. 6.
Shaboozey
Daniel Prakopcyk
Meanwhile, British breakout star Myles Smith is aiming high with his track “Stargazing.” The single is set to leap two spots to No. 4, marking his highest chart position to date. Smith first appeared on the Official U.K. Singles Chart with his 2024 single “Solo,” which peaked at No. 69. His debut EP, You Promised A Lifetime, reached No. 30 on the Official Albums Downloads Chart.
Following their show-stopping headline slot at Glastonbury Festival, Coldplay’s latest track “feelslikeimfallinginlove” is on a sky-high trajectory, projected to reach a new peak in the top 20, landing at No. 12.
Meanwhile, Shady’s back (back again), as Eminem returns with his new track “Tobey” featuring Big Sean and Babytron, from his forthcoming album The Death of Slim Shady. “Tobey” is climbing a whopping 59 places to No. 17.
It follows the success of Eminem’s previous single “Houdini,” which marked his 11th U.K. No. 1 single in June 2024.
“Houdini” was the Detroit rapper’s first fully solo No. 1 since “Toy Soldiers” in 2005 and his first U.K. chart-topper since 2020’s “Godzilla,” featuring Juice WRLD.
Dave and Central Cee do it again as “Sprinter” (via Live Yours/Neighbourhood) wins the U.K. chart race for a second week.
“Sprinter” opened its account with an all-time volume of streams for a rap song in the U.K., and the biggest opening week so far in 2023.
The British hip-hop collaboration secures another week in charge with the Split Decision release, while tracks from the EP, “Trojan Horse,” up 14-12, and “UK Rap,” up 17-14, are on the climb for new peaks.
“Sprinter” outpaces J Hus and Drake’s “Who Told You” (Black Butter/OVO/Republic), new at No. 2 for the highest debut this week. That’s a new career-best and fourth top 10 single for British rapper J Hus (real name: Momodou Lamin Jallow), and a 13th top tier appearance for Drake. “Who Told You” had briefly taken the lead during the early phases of the chart cycle.
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The podium is completed by Calvin Harris and Ellie Goulding’s former chart-dominating rave monster “Miracle” (Columbia), down 2-3.
Elsewhere on the latest Official U.K. Singles Chart, published June 16, British drum ‘n’ bass act Rudimental grab their highest-charting single since 2018, as “Dancing is Healing” (Room Two) featuring Charlotte Plank and Vibe Chemistry, lifts 8-6. It’s Rudimental’s fifth U.K. top 10.
Australia’s “Princess of Pop” Kylie Minogue claims her first top 10 in over a decade, as “Padam Padam” (BMG) lifts 11-9, for her 35th top 10 appearance.
With that effort, Kylie becomes just the fourth female solo artist to snag a U.K. top 10 single across five consecutive decades, doing so in the ‘80s, ‘90s, ‘00s, 2010s and ‘20s. She now draws level with Cher, Lulu and Diana Ross, all of whom bagged 10 hits in the ‘60s, ‘70s, ‘80s, ‘90s and ‘00s.
The catchy EDM number is Kylie’s first appearance in the top 10 since her 2011 collab with Taio Cruz and Travie McCoy, “Higher,” which reached No. 8. Her last solo song to get there was 2010’s “All The Lovers,” which peaked at No. 3.
Kylie’s hitmaking prowess is legendary. In November 2020, when her 15th studio album Disco shimmied its way to No. 1 on the Official U.K. Albums Chart, Minogue became the first female artist to lead the tally in five consecutive decades.
Dave and Central Cee’s “Sprinter” (via Live Yours/Neighbourhood) does just like its namesake, as it bolts to the U.K. No. 1 in record-setting fashion.
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The hip-hop collaboration scores the biggest streaming week ever for a rap song in the U.K., the Official Charts Company reports, for Dave’s third leader and Central Cee’s first.
The outright leader at the midweek point, “Sprinter” races to 108,200 chart sales, according to the charts compiler, for the biggest opening of 2023. That sum includes 13.4 million streams, for the biggest-ever week for a rap single, beating Stormzy’s “Vossi Bop” which accumulated 12.7 million streams in one cycle back in May 2019.
That’s the biggest opening week for streams since Adele’s “Easy On Me” posted 24 million plays in its first seven days in October 2021.
Previously, Dave hit the summit with 2018’s “Funky Friday” with Fredo and in 2022 with “Starlight,” while Central Cee’s previous best was a No. 2 peak for 2022’s “Doja.”
“Sprinter” also nabs a piece of chart history in Australia, by coming the first U.K. rap single to debut at No. 1 on the ARIA Chart.
It’s one of three top 20 U.K. debuts from Dave and Central Cee’s surprise EP drop, Split Decision, as “Trojan Horse” gallops to No. 14 and “UK Rap” is new at No. 17.
Meanwhile, Sweden’s 2023 Eurovision champ Loreen taps a well of energy on the Official U.K. Singles Chart, published Friday, June 9, as “Tattoo” (Polydor) bounces 10-7 in its fourth week on the tally, while Rudimental improves 11-8 with “Dancing Is Healing” (Room Two) featuring Charlotte Plank and Vibe Chemistry, for the British drum & bass act’s first top 10 single in five years.
Kylie Minogue is within a whisker of the top 10 with her comeback track “Padam Padam” (BMG). The Aussie pop princess’ electro-pop cut lifts 23-12 for her highest-charting single in the U.K. since “Higher with Taio Cruz” went to No. 8 in 2011.
The queen of pop, Madonna, bags a 72nd top 40 appearance with “Popular” (Republic Records/XO), her collaboration with the Weeknd and Playboi Carti. Lifted from HBO’s The Idol, the new cut bows at No. 21 for Madonna’s highest-charting U.K. single since “Celebration” reached No. 3 in 2009. It’s the Weeknd’s 34th top 40 appearance, and Playboi’s second.
Finally, Dundee, Scotland DJ Hannah Laing and vocalist RoRo has the biggest gainer in the U.K. with “Good Love” (WUGD), up 63-22.
Loreen very nearly made it two wins in the space of a week.
Sweden’s representative at the 2023 Eurovision Song Contest won by a landslide with “Tattoo”. And in the U.K., “Tattoo” (via UMG International) has made a big impression with music fans, as it gathered momentum through the chart week.
“Tattoo” debuts at No. 2 on the Official U.K. Singles Chart, published last Friday (May 19), in a tight race won by Calvin Harris and Ellie Goulding’s “Miracle” (Columbia).
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According to the Official Charts Company, “Miracle” clocked up a market-leading 5.1 million U.K. streams during the latest seven-day stretch, for its sixth non-consecutive week at No. 1.
Meanwhile, Loreen lands a new career high, beating the No. 3 best for “Euphoria,” her winning entry from the 2012 Eurovision.
“Tattoo” leads a “record-breaking” charge for Eurovision songs in the U.K. top 10, the OCC reports, as Finland act Käärijä’s “Cha Cha Cha” (No. 6 via WM Finland), U.K. entry Mae Muller’s “I Wrote A Song” (up 45-9 via Capitol) and Norway singer Alessandra’s “Queen of Kings” (No. 10 via Universal Music AS) all enter the top tier for the first time, following the recent song contest, the final of which took place held at May 13 at Liverpool’s M&S Arena.
Further down the list, Chicago hip-hop artist Lil Durk bags his third U.K. top 40 appearance as “All My Life” (Ministry of Sound) featuring J Cole starts at No. 17, while east coast drill rapper Lil Mabu cracks the top 40 for the first time with “Mathematical Disrespect” (Lil Mabu), new at No. 27.
Finally, two songs are enjoying revivals for totally different reasons. Florence + The Machine’s “Dog Days Are Over” (Island), which appeared on the English act’s 2009 album Lungs, is on the rise following its sync to Guardians Of The Galaxy Vol. 3. It’s up 27-21.
And as the U.K. leg of her Renaissance World Tour gets underway, Beyonce’s “Cuff It” (Columbia/Parkwood Ent) reenters the chart at No. 24.
It’s another chart miracle in the U.K., as Calvin Harris and Ellie Goulding’s throwback rave number bags a fifth non-consecutive week at No. 1. According to the Official Charts Company, “Miracle” (via Columbia) is once again the most-streamed track of the week in the U.K., with 5.1 million plays, to lord over the chart published May 12. […]
With Fifty Fifty’s “Cupid” soaring into the U.K. top 10, South Korea’s latest pop export snags a slice of U.K. chart history.
On the latest Official U.K. Singles Chart, published May 5, “Cupid” improves 18-9, giving Fifty Fifty honors as the first K-pop girl group to appear in the top 10.
True, BlackPink has smashed various records, and chalked up eight U.K. top 40 appearances along the way.
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In the U.K., however, their best showing on the national singles tally is No. 17 for “Sour Candy” their 2020 collaboration with Lady Gaga. BlackPink does, however, boast a No. 1 on the U.K. Albums Chart with 2022’s Born Pink, and a No. 2 peak for 2020’s The Album.
Comprising Aran, Keena, Saena and Sio, Fifty Fifty was formed in 2022 by South Korean entertainment agency ATTRAKT.
The track caught fire on TikTok, where it has generated more than 8 million TikTok videos, and views on the short-video platform are at about 12 billion.
As “Cupid” opened its wings and took flight on sales and consumption charts last month, Warner Records/Warner Music Group Korea announced a partnership for the group.
Australians, meanwhile, are officiallysmitten with “Cupid”. The track zooms 6-2 on the latest ARIA Chart, also published last Friday. Blackpink already has its flag planted in the land Down Under; their Born Pink hit “Pink Venom” blasted to No. 1 there last August.
Calvin Harris and Ellie Goulding keep the good times rolling, as “Miracle” (via Columbia) rules the U.K. survey for a fourth non-consecutive week.
The throwback ‘90s club tune continues to rack-up a market-leading volume of streams, bagging 5.4 million over the latest chart cycle, the Official Charts Company reports.
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“Miracle” matches Goulding’s 2015’s release “Love Me Like You Do” for her longest reigning U.K. leader. It’s still a month off equalling Harris’ eight-week reign with “One Kiss,” his 2018 collaboration with Dua Lipa.
Meanwhile, David Kushner’s “Daylight” (Miserable Music) holds at No. 2 on the Official U.K. Singles Chart, published May 5, while Libianca’s Afrobeats sensation “People” (5K) lifts 4-3.
Another club tune dances up the chart this week — Switch Disco’s “React” (Relentless) featuring Ella Henderson, and sampling Robert Miles’ mid-’90s dream-house classic “Children”. “React” lifts 8-7, for a new high.
Close behind, “Cupid” (Attrakt) opens its wings and gives K-pop girl group Fifty Fifty a new chart high — and a piece of history. The slick pop production flies 18-9, giving the four-piece honors as the first K-pop girl group to crack the U.K. top 10.
Blackpink has set all manner of records, and accumulated eight U.K. top 40 appearances along the way. However, their best effort on the national singles tally is No. 17 for “Sour Candy,” their 2020 collaboration with Lady Gaga. Blackpink does, though, boast a No. 1 on the U.K. Albums Chart with 2022’s Born Pink, and a No. 2 best for 2020’s The Album.
Finally, London rapper Nines grabs his first U.K. top 10 as “Tony Soprano 2” (Warner Records) lifts 11-10. It’s one of three numbers from his new album Crop Circle 2 to make an impression on the top 40, as “Calendar” opens at No. 19 for the highest debut on the latest survey, while “Favela” featuring J Styles is new at No. 34, lifting Nines’ tally of U.K. top 40 hits to five.
You can call it a tight, a nail-biter, or “miraculous,” but the result is the same — Calvin Harris and Ellie Goulding are back at the U.K. chart summit.
Harris and Goulding’s “Miracle” (via Columbia) lifts 2-1 on the Official U.K. Singles Chart for a third non-consecutive week, doing so just 267 chart units ahead of David Kushner’s “Daylight” (Miserable Music), according to the Official Charts Company. Kushner’s viral hit lifts 3-2 for a new high, while Lewis Capaldi‘s former leader “Wish You The Best” (Vertigo) is down 1-3, completing the podium.
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The close call for “Miracle” is one for the record books, placing it in the all-time list.
You won’t find many narrower margins in the 68 years of Official Chart history, though few races have come down to the wire quite like the 2007 photo-finish which saw Timbaland’s “The Way I Are” pull ahead of Kate Nash’s Foundations by just 16 copies.
Also notable on the latest chart, published April 28, is Switch Disco’s “React” (Relentless), which lifts 12-8 for the dance act’s first appearance in the U.K. top 10. The track features vocals from Ella Henderson and samples from Robert Miles’ classic mid-‘90s house number “Children.”
Just missing out on the top 10 is London rapper Nines with “Tony Soprano 2” (Warner Records), new at No. 11. It’s his first top 20, and third top 40 appearance overall. And it’s the week’s top debut.
Further down the list is The Weeknd and Future‘s latest collaboration, “Double Fantasy” (Republic Records), lifted from the Weeknd’s HBO show The Idol. It’s new at No. 14.
K-pop girl group Fifty Fifty is flapping it wings with “Cupid” (ATTRAKT) up 26-18, while David Guetta, Anne-Marie and Coi Leray’s “Baby Don’t Hurt Me” (Parlophone), which interpolates Haddaway’s ‘90s club classic, improves 23-19.
Meanwhile, HStikkytokky and General G bag a top 40 debut with “Twust” (Hstikkytokky & General G), new at No. 21 and Raye’s Flip A Switch” (Human Re Sources) leaps 48-35, thanks to new remix featuring Coi Leray.
Finally, Kim Petras and Nicki Minaj crack the top 40 with “Alone” (Republic Records), sampling Alice Deejay’s 1999 house track “Better Off Alone.” It’s new at No. 37, for Petras’ second top 40, following last year’s leader “Unholy,” with Sam Smith; and Minaj’s 42nd.