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obituary

Page: 33

Jim Stewart, the founder of Stax Records, the iconic Memphis, TN label that launched the careers of Otis Redding, Carla Thomas, the Bar-Kays and many others, and shaped the sound of soul music, died Monday (Dec. 5) at the age of 92.
Stax Records (formerly Satellite) was founded in 1957 by sibling Stewart and Estelle Axton, and would go on to trigger the “Soul Explosion,” a movement that rumbles on to this day.

Born July 29, 1930, in Middletown, TN, Stewart relocated to Memphis as a young man. He served for two years in the armed forces, then tried his hand at music.

Playing in a band wasn’t his strong suit, but Stewart would forge a home and career with music. An allrounder, he was a producer and engineer in the studio, a record label executive, a promotions man on the go, and, importantly, a team player.

As a producer, he oversaw sessions for Carla Thomas’ “Gee Whiz” (1961), Sam & Dave’s “Hold On, I’m Comin’” (1966) and Rufus Thomas’ “Walking the Dog” (1963), and worked on such albums as Booker T. & The M.G.’s Green Onions (1962), Redding’s Pain in My Heart and Albert King’s Born Under a Bad Sign (1967).

Stax Records — a combination of the first two letters of the owners’ last names — would rent the abandoned Capitol Theater on McLemore Avenue and, from there, make music history.

“Today we lost an important piece of American music history,” comments Michele Smith, vice president of estate & legacy brand management at Craft Recordings and Stax Records.

Stewart’s legacy “will live on through the Stax Records label that he founded, and the artists, musicians, and fans worldwide that love Stax music. I’m not sure if he ever realized the immense impact that he had on soul music across the globe, and he will be sorely missed. Our condolences go out to his friends and family, especially his children and grandchildren.”

The “Soul Explosion” and the Stax philosophy “wasn’t just about penetrating the market with as much music as possible, it was also about releasing the best music possible,” wrote Billboard in 2019, as Stax celebrated a milestone anniversary.

In the segregated south, Stax was something of an artistic oasis, a space for musicians to come together and create.

Among the many artists who bagged hits on Stax and its Volt subsidiary during the 1960s were Rufus and Carla Thomas, Booker T. & the MGs, Sam and Dave, Johnnie Taylor, Albert King, and Redding.

Following the untimely death of Redding in 1967, Stax would recalibrate and unearth a new fresh crop of stars, including Isaac Hayes, the Staple Singers, and the Dramatics.

Financial troubles would see Stax enter into involuntary bankruptcy in 1975. Its output during a 15-year golden period, however, would see Stax establish its reputation as a “critical” piece of “American music history,” reads a statement from the label, as “one of the most popular soul music record labels of all time – second only to Motown in sales and influence, but first in gritty, raw, stripped-down soul music.”

During that period, Stax placed more than 167 songs on the Billboard Hot 100 and 243 hits on the R&B chart, reads an official statement from the label.

Today, the original Stax property at East McClemore is home to the Stax Museum of American Soul Music, with the Stax Music Academy and Soulsville Charter School close by, and many of its classic recordings live on popular culture as samples.

In 2002, the Rock And Roll Hall of Fame celebrated Stewart’s career with the Ahmet Ertegun Award. Also, HBO Documentary Films is said to be in production on STAX, a multiple-part documentary series exploring the legendary label.

Stewart is survived by his wife Evelyn Stewart, sisters Estelle Axton and Mary Lucille McAlpin, three children — Lori Stewart, Shannon Stewart and Jeff Stewart — and by grandchildren Alyssa Luibel and Jennifer Stewart.

Plans for a memorial are pending. In lieu of flowers, the family asks that donations be made to the Stax Music Academy, which aims to inspire young people and enhance their academic, cognitive, performance, and leadership skills by utilizing music.

Kirstie Alley, who won an Emmy for her role on Cheers and starred in films including Look Who’s Talking, died Monday (Dec. 5).

Alley died of cancer that was only recently discovered, her children True and Lillie Parker said in a post on Twitter. Alley’s manager Donovan Daughtry confirmed the death in an email to The Associated Press.

Alley was 71.

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“As iconic as she was on screen, she was an even more amazing mother and grandmother,” her children’s statement said.

She starred as Rebecca Howe on the NBC sitcom Cheers from 1987 to 1993, after the departure of original star Shelley Long.

She had her own sitcom on the network, Veronica’s Closet, from 1997 to 2000.

Bob McGrath, the Sing Along With Mitch tenor who portrayed the friendly music teacher Bob Johnson for more than four decades as an original castmember on Sesame Street, has died. He was 90. 
“Hello Facebook friends, the McGrath family has some sad news to share,” McGrath’s family posted on his Facebook page Sunday (Dec. 4). “Our father Bob McGrath passed away today. He died peacefully at home, surrounded by his family.”

Born on a farm in Illinois, McGrath was one of the four non-Muppet castmembers when Sesame Street debuted on public television stations of Nov. 10, 1969.

With no acting experience, producers always told him to be himself. Over the years, he sang dozens of the show’s signature tunes, including “Sing, Sing a Song” and “The People in Your Neighborhood,” and shared many a scene with Oscar, the grouchy Muppet voiced by Caroll Spinney.

McGrath and Oscar “were sort of like The Odd Couple,” he told Karen Herman during a 2004 conversation for the TV Academy Foundation website The Interviews. “Oscar was always having a rotten day, and I’m ‘Mr. Nice Guy.’”

He remained with the legendary kids show until it was announced in July 2016 that he would not return for its 47th season, though he continued to represent Sesame Street at public events.

“It took me about two minutes before realizing that I wanted to do this show more than anything else I could ever think of,” he said in 2015. “I was so overwhelmed by the brilliance of … Jim and [fellow Muppeteer] Frank Oz and everything else that was going on.”

McGrath and Loretta Long (as nurse Susan Robinson), Matt Robinson (her husband, science teacher Gordon) and Will Lee (candy store owner Mr. Hooper) taped five one-hour pilots that were shown to hundreds of kids across the U.S., and they went on to shoot 130 one-hour episodes during Sesame Street‘s first season.

“We knew we were on to something good almost from the get-go,” he said.

One of five kids, Robert Emmett McGrath (named for an Irish patriot) was born on June 13, 1932, on a farm between the towns of Ottawa and Grand Ridge. His mother, Flora, was a pianist who could play by ear, and when he was 5, he began performing in local theaters. At 9, he won a talent contest at an NBC radio station in Chicago.

McGrath had his own local radio show while he attended Marquette High School, and as a voice major at the University of Michigan School of Music, he became the first freshman soloist of the glee club.

After graduation in 1954, he was attached to the Seventh Army Symphony in Stuttgart, Germany, during his two-year stint in the service. Then, while working on his master’s degree in voice at the Manhattan School of Music, he was hired to teach music appreciation and theory to youngsters at the St. David’s School.

For the next two years, McGrath sang Gregorian chants at funerals; recorded with Igor Stravinsky; performed in the chorus for Leonard Bernstein, Robert Shaw and Fred Waring; did jingles for commercials; and sang on such TV shows as the Hallmark Hall of Fame and The Bell Telephone Hour.

In 1961, McGrath joined the new series Sing Along With Mitch in the 25-man chorus. The NBC program was headlined by Mitch Miller, a classical oboe player and top Columbia Records A&R executive who conducted an orchestra and chorus performing old-time songs. Viewers were presented with lyrics at the bottom of the TV screen so they could sing along, which made for a “great family experience,” McGrath noted.

Two years into the show, McGrath sang “Mother Machree” for a St. Patrick’s Day telecast and was promoted to featured male soloist at double his salary. (Leslie Uggams, who started on the show when she was 17, was a featured female soloist.)

After Sing Along With Mitch concluded its four-year run in 1964, Miller and company performed at the Desert Inn in Las Vegas and then on a 30-date tour of Japan, where the program had aired on NHK television.

“We had four and five thousand teenagers at every concert,” McGrath recalled. “We were quite amazed — why are these teenagers listening to all these old songs? They watched the show because they were very anxious to learn English; we sang clearly, and the [lyrics were on the screen].”

When he sang in Japanese, he was greeted with chants of “Bobu! Bobu!” and learned that there were McGrath fan clubs all over the country.

After the tour ended, he returned to open the Latin Quarter and Copacabana nightclubs in Tokyo and would come back often during the next three years for concerts, albums, commercials and TV shows. He even performed at a small private dinner for Japan prime minister Eisaku Sato.

In the U.S., “voices like mine are not really in season,” he told The New York Times in 1967. “But [in Japan], they say an Irish tenor is just right for sentimental Japanese songs.”

McGrath said he couldn’t “pretend to speak Japanese” but studied song lyrics “phonetically and then with the meaning matched to the words.”

In 1965, he performed “Danny Boy” in Japanese on The Tonight Show — that went over big in his concerts — and later appeared on the game shows To Tell the Truth and I’ve Got a Secret.

McGrath said that his two favorite moments on Sesame Street were the 1978 episode “Christmas Eve on Sesame Street” that riffed on The Gift of the Magi and a poignant 1983 segment that addressed the death of Lee’s Mr. Hooper. (Lee, with whom McGrath had shared a dressing room, had died in December 1982 of a heart attack while the show was on hiatus.)

“On recording day, we rehearsed everything for several hours, totally dry with no emotion, just saying the words,” he recalled. “When it was time to go to tape, we filmed with full, raw emotions, which were very difficult to contain. We were barely able to keep it together, with tears in our eyes, because we were really reliving Will’s wonderful life on Sesame Street for all of those years.”

“When we finished filming, [writer-director] Jon Stone wanted to redo one little section. We got about two minutes into the segment before Jon told us to forget it. We couldn’t take it, we were all just breaking up. So what you see in the episode is the first and only take of that whole show.”

The sweater-loving McGrath also appeared in Sesame Street specials as well as in the films Follow That Bird (1985) and The Adventures of Elmo in Grouchland (1999); wrote several children’s books, including 1996’s Uh Oh! Gotta Go! (about potty training) and 2006’s Oops! Excuse Me Please! (about manners); released albums like 2000’s Sing Along With Bob and 2006’s Sing Me a Story; and performed with symphony orchestras all over the country.

He also hosted the annual CTV telethon Telemiracle, which benefits people with special needs in the Canadian province of Saskatchewan, every year but one from 1977 until 2015.

Survivors include his wife, Ann, whom he married in 1958 — she was a nursery school teacher at St. David’s when they met — three daughters and two sons, and eight grandchildren.

In his TV Academy Foundation interview, he talked about the “fame” that Sesame Street brought him.

“I had a little boy in a store one time and he grabbed my hand, I thought he had mistaken me for his father,” he recalled. “I said, ‘Hi,’ he said, ‘Hi.’ I said, ‘Do you know my name?’ He said, ‘Yeah, Bob.’ I said, ‘Do you know where I live?’ He said, ‘Sesame Street.’ … I said, ‘Do you know any of my other friends on Sesame Street? He said, ‘Oh, the number seven.’ I figure, I’m right up there with the numerals.”

He also described his “all-time favorite letter” that came to the show: “This parent wrote in and said their little 4- or 5-year-old girl had come running into their room waking them up one morning startled and said, ‘Mommy! Daddy! My pillow!’ And they said, ‘What is it?’ And she said, ‘It’s a rectangle!’ It was the discovery of her life.”

This article originally appeared on The Hollywood Reporter.

Broadway actor Quentin Oliver Lee has died following a battle with stage 4 colon cancer. He was 34. 

Lee’s wife, Angie Lee Graham, confirmed his death Thursday in an Instagram post, saying, “He had a smile on his face, and was surrounded by those he loves. It was peaceful, and perfect.” 

Lee’s Broadway credits included the 2017 production of Prince of Broadway and the 2021 revival of Caroline, or Change. He played the title role in a national tour of The Phantom of the Opera, and earlier this year was part of an Off-Broadway production of Oratorio for Living Things that had a two-month run after opening in March.

The Phantom of the Opera posted a tribute to Lee on its Instagram account: “The Phantom family is saddened to hear of the passing of Quentin Oliver Lee. Quentin brilliantly lead our North American tour in 2018. Our hearts are with Quentin’s family and friends.” 

In June, the performer shared in a Caring Bridge journal entry that he was diagnosed with colon cancer at the end of May. Lee said he had COVID-19 at the beginning of May, but after two weeks, his symptoms didn’t go away, which led him to see a doctor. After his cancer diagnosis, he continued to post updates about his health journey. 

After his death, Lee Graham took to the journal to post the same message she shared to Instagram to announce his passing. It read, in part, “He was an incredible man, husband, father, son, brother, friend, singer, actor, and disciple of Christ with great faith in his Father in Heaven. To say ‘he will be dearly missed’ doesn’t reflect the scope of the people and communities he has created and touched.” 

This article originally appeared on The Hollywood Reporter.

Christine McVie, beloved Fleetwood Mac musician and prolific lyricist, died on Wednesday (Nov. 30). She was 79 years old.
The late singer’s family shared the news via a statement posted to Facebook, which noted that she passed away at a hospital “following a short illness.”

“She was in the company of her family,” the statement continued. “We kindly ask that you respect the family’s privacy at this extremely painful time, and we would like everyone to keep Christine in their hearts and remember the life of an incredible human being, and revered musician who was loved universally.”

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Following the sad news, McVie’s bandmates shared a joint statement to the official Fleetwood Mac Twitter page. “There are no words to describe our sadness at the passing of Christine McVie,” the message read. “She was truly one-of-a-kind, special and talented beyond measure. She was the best musician anyone could have in their band and the best friend anyone could have in their life. We were so lucky to have a life with her.”

The statement concluded, “Individually and together, we cherished Christine deeply and are thankful for the amazing memories we have. She will be so very missed.”

McVie had an illustrious, respected career both as a soloist and as a member of Fleetwood Mac, which she joined in 1970. During her time in Fleetwood, the band had 25 Hot 100 hits, including nine top 10s and one No. 1 smash: “Dreams” in 1977.

The group also enjoyed 29 albums that charted on the Billboard 200, including seven top 10s and four No. 1s, including 1977’s Rumours, 1976’s Fleetwood Mac, 1982’s Mirage and 1997’s The Dance.

As a solo artist, McVie was known for hits such as 1984’s “Love Will Show Us How” and “Got a Hold on Me,” the latter of which peaked at No. 10 on the Hot 100.

Country singer Jake Flint died on Nov. 26 just hours after getting married. According to EW, publicist Clif Doyal confirmed that the 37-year-old up-and-coming singer died in his sleep, with a cause of death not announced at press time.

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The Oklahoma native’s death was announced over the weekend by manager Brenda Cline of Route 66 Entertainment, who wrote on Facebook, “With a broken heart and in deep grief I must announce that Jake Flint has tragically passed away. I’ve tried several times today to make a post, but you can’t comment on what you can’t process. The photo below is when Jake and I excitedly signed our artist management contract. That was the beginning of a wonderful friendship and partnership. Jake was even more than that to me, I loved him much like a son.”

Cline called Flint the “funniest, most hilarious, hardest working, dedicated” artist she’s ever worked with, noting that they were about to embark on some business together after his wedding to wife Brenda, which took place just hours before his passing.

“Yes-yesterday. Jake has a million friends and I’m not sure how everyone will cope with this tragic loss,” Cline wrote. “We need prayers- it’s all so surreal. Please please pray for his new wife Brenda, Jake’s precious mother, his sister and the rest of his family and friends. This is going to be incredibly difficult for so many. We love you Jake and in our hearts forever.”

New wife Brenda also mourned Flint, writing on FB, “We should be going through wedding photos but instead I have to pick out clothes to bury my husband in. People aren’t meant to feel this much pain. My heart is gone and I just really need him to come back. I can’t take much more. I need him here.”

According to “Cowtown” singer Flint’s website, he was born in 1985 and raised in Holdenville, Oklahoma and was best known for his songs Oklahoma Red Dirt-style songs “Fireline” and “Hurry Up and Wait.” Flint pursued music spurred by his late father’s wish to share something with his son. After his dad was diagnosed with ALS, he asked some friends to teach him how to play guitar, leading to the singer “float[ing] through life loving, hating, gaining, losing, experimenting, witnessing, missioning, sinning, breaking the law, paying the consequences while openly and candidly writing about it all.”

Flint’s friend and fellow musician, Mike Hosty, told The Oklahoman that the wedding took place on a remote Oklahoma homestead on Nov. 26, just hours before the singer’s death. “It was rainy, but he’d rented a 40-by-60 circus tent,” Hosty said. “They put up a bunch of carpets over the mud and then got two pieces of three-and-a-quarter-inch plywood and set it on the ground — and that was my stageJake goes, ‘Is that gonna be all right for you?’ And I go, ‘Jake, that’s perfect.’ A piece of plywood or a flatbed trailer is where I shine.”

Hosty called his late friend a “singer-songwriter, through and through, and just a big personality… a big heart, and [he’d] bend over backwards to do anything for you. When any musician asks you to play at their wedding it’s one of those most important days… and it’s always an honor.”

Flint’s most recent album was June 2021’s Live and Socially Distanced at Mercury Lounge, which included the songs “What’s Your Name,” “Drugged, Drunk and Alone/Your Cheatin’ Heart,” “Hard Livin’” and “Cold in This House.” Previous studio releases included a self-titled 2020 album and 2016’s I’m Not OK.

See Cline’s tribute below.

Al Mair, Canadian Music Industry Legend & Label Founder, Dead at 82 – Billboard Skip to main content ad Related Images:

Gene Cipriano, the always busy woodwind player who soloed on tenor sax for Tony Curtis in Some Like It Hot and recorded with everyone from Miles Davis, Rosemary Clooney and Frank Sinatra to Glen Campbell, Paul McCartney and Olivia Newton-John, has died. He was 94.
Cipriano died Nov. 12 of natural causes at his home in Studio City, his son Paul told The Hollywood Reporter.

Perhaps the most recorded woodwind player in show business history, Cipriano played soprano, alto, tenor, baritone and bass saxophones, all the clarinets and flutes, the oboe and bass oboe, the piccolo and the English horn.

Affectionally known as “Cip,” the session musician performed as a member of the Academy Awards Orchestra in the neighborhood of 60 times since 1958. (At the 1977 show, he exchanged “yo’s” with Barbra Streisand, who had just arrived at the podium after having won for “Evergreen.”) 

Cipriano on oboe is heard at the start of Sinatra’s melancholy “It Was a Very Good Year,” and he performed on several of Campbell’s early hits, including “Wichita Lineman” and “By the Time I Get to Phoenix.”  

Like Campbell, he was an occasional member of The Wrecking Crew, the fabled set of studio musicians who recorded with the likes of The Beach Boys, Jan & Dean, The Monkees, Nancy Sinatra and Sonny & Cher.

“It was a lot of fun because a lot of times the composer would say to the rhythm section, ‘Think of something wild that would fit this particular piece of music,’” Cipriano recalled in a 2019 interview for the website Making Life Swing. “They would think of something and then they’d ad lib and tell us what to play. Sometimes we’d make up music right on the spot.”

Shortly after moving from New York to California in the 1950s, Cipriano was hired by Henry Mancini to play flute on the new NBC crime series Peter Gunn. The pair then collaborated on CBS’ Mr. Lucky and in films including The Days of Wine and Roses (1962), Hatari! (1962), Charade (1963) and The Hawaiians (1970).

Cipriano worked alongside Johnny Mandel on The Sandpiper (1965) and with Michel Legrand on The Thomas Crown Affair (1968) and was heard on West Side Story (1961), Cleopatra (1963), The Americanization of Emily (1964), Point Blank (1967), The Wild Bunch (1969), The French Connection (1971), Marathon Man (1976), One From the Heart (1981), The Karate Kid (1984), Up (2009) and more.

Born on July 6, 1928, in New Haven, Connecticut, Cipriano started taking clarinet lessons from his father, Fred, who played on Broadway and with the New Haven Symphony.

“He put a clarinet in my hands when I was 8 years old,” he said. “I began to listen to Benny Goodman and Artie Shaw, and I said, ‘That’s what I want to do.’”

As a junior in high school, Cipriano landed a gig with Ted Fio Rito’s orchestra, where he met trumpeter Doc Severinsen. After he finished school, he worked with Clooney and her sister Betty in The Tony Pastor Band, with pianist Mancini in The Tex Beneke Band and with singer Frances Irvin, his soon-to-be wife, in the Tommy Dorsey Orchestra.

After he relocated to California, Mancini gave him his big break on Peter Gunn. “That got me started because it became such a hot item and then all the other leaders said, ‘Well, get me those guys who played with Henry Mancini,’” he noted in another 2019 interview.

Cipriano also performed on Elvis Presley’s NBC comeback special in 1968. Over the years, he recorded with Shorty Rogers, Harry Nilsson, Neil Diamond, Thelonious Monk, Elton John, Frank Zappa, Gerry Mulligan, Helen Reddy, Barry Manilow and Seth MacFarlane. He also played on many Emmy and Grammy telecasts.

In 2006, Cipriano recorded his own CD, First Time Out, a collection of jazz tunes.

In addition to his son Paul, survivors include his other children, Genie, Suzanne and Fred; grandchildren Grant and Alicia; great-grandchildren Natalie and Emily; and sister Marie.

His wife of 43 years, Frances, died in 1996. Four years later, Cipriano met singer Catherine “Cat” Conner, and they performed all over Los Angeles in a small band. She cared for him until his death.

This article originally appeared on The Hollywood Reporter.

Jonathan “Hovain” Hylton, who was recently honored as one of Billboard’s 2022 R&B/Hip-Hop Power Players, has died.
“It is with deep regret that we message to all family, friends and colleagues that Jonathan ‘Hovain’ Hylton passed away while at his home on Friday, November 25. He was a beloved and devoted father, husband, son, brother and a proud Brooklyn representative,” read a statement posted Saturday (Nov. 26) on Hylton’s verified social media accounts.

The statement continued, “We’d like to thank all of his close friends for all of the love and support that you have shown during this difficult time. We ask that you all continue to keep his family in your prayers and respect their privacy at this time.”

A cause of death has not been disclosed.

On Friday morning, Hylton had last tweeted, “Good morning and thank GOD for another day,” a message he had been putting out into the world daily.

Hylton, a Brooklyn native who was a vp at Cinematic Music Group, was named alongside founder Jonnyshipes on this year’s R&B/Hip-Hop Power Players list.

“I’ve always prided myself on just being a good person and a hard worker. Never was big on awards. The way I came in this game was the independent route so I always knew caring too much about the politics wasn’t going to help me. But it feels good to be honored as one of Billboard’s Power Players alongside my brother and partner @jonnyshipes,” Hylton wrote on Instagram on Nov. 17. He added, “I think the biggest lesson is this is you don’t have to be a sucka or do corny s— to be recognized. Just be a good person and do your job and God will make the rest happen on his time.”

Throughout his career Hylton helmed projects for prominent New York rappers including Cam’ron, Styles P and Lloyd Banks, and alongside Jonnyshipes at Cinematic Music Group worked with artists including T-Pain and Flipp Dinero.

Hylton was also a professor at Kingsborough Community College in Brooklyn, where he taught “The Business of Music,” an eight-week course offering students in-depth knowledge on publishing deals, business positions needed for an artist’s success and more.

“It’s an amazing opportunity to come from where I come from and to be asked to teach at such a fine institute,” Hylton told Billboard in 2021, when the course launched. “To share my love for music with the young minds who are looking to learn [will be a great experience].”

The music community mourned the death of Hylton on Saturday.

“Maaannnn we lost my brother in drip @hovain love you brother you always showed nothing but love and positivity. My condolences to your family,” Fat Joe wrote on Instagram. “Till we meet again RIP.”

“Damn Hov… Rest Up… Appreciate your knowledge & your positive energy… May God Bless your family with peace. Love & Light from my family to yours. Long Live Hovain,’ T.I. wrote on Twitter.

“Hovain had just hit me up about doing some music with lloyd banks,” Hit-Boy tweeted. “God bless his family.”

Charles Koppelman, former music executive and Martha Stewart chairman, died on Friday (Nov. 25). He was 82. A cause of death was not given at the time.
His son, showrunner Brian Koppelman, announced the loss on his social media, saying, “I’ll write more about my dad, Charles Koppelman, when I can. But the only thing that matters is how much I loved him. And how much he taught me about every single thing that matters.”

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The Billions co-creator continued, “He lived exactly the life he wanted to live. And he spent his last days surrounded by those he loved the most. Pop, thank you.”

Koppelman began his career in entertainment as a member of musical trio The Ivy Three, which had a Top 10 hit in 1960 called “Yogi.” Shortly after, the singer and his bandmate, Don Rubin, joined Aldon Music’s songwriting staff alongside Carole King, Neil Sedaka, Barry Mann and Cynthia Weil.

From there, they went on to form Koppelman and Rubin Associates, an entertainment company that signed The Lovin’ Spoonful the same year it opened. When Commonwealth United purchased the company in 1968, the two business partners stayed on to run it, before Koppelman moved on to CBS Records where he held multiple positions. While there, Koppelman signed acts like Billy Joel, Dave Mason, Janis Ian, Journey and Phoebe Snow.

In 1975, he was ready for another change, creating The Entertainment Company with Martin Bandier and Bandier’s father-in-law, New York real estate developer Samuel LeFrak. Together, they administered and promoted song catalogs, as well as produced iconic artists like Barbra Streisand, Dolly Parton, Diana Ross and Cher. A few years later, his son, Brian, discovered Tracy Chapman in college and introduced her to his father, who then gave her a record deal.

Koppelman, Bandier and Stephen C. Swid took things to the next level in 1986 when they formed SBK Entertainment World, Inc., and bought 250,000 songs owned by CBS for $125 million. The company eventually became one of the biggest independent music publishers, playing a major role in the careers of Michael Bolton, Robbie Robertson, New Kids on the Block, Grayson Hugh, Icehouse and more.

In 1989, Koppelman and Bandier create a partnership with EMI Music Worldwide and begin their own label, SBK Records. One year later, they landed their first platinum album with Technotronic’s Pump Up the Jam. They went on to sign talent like Jesus Jones, Wilson Phillips, Waterfront and Vanilla Ice, to name a few.

Koppelman remained in the music business for quite a few years before becoming the chairman of Steve Madden in 2000, leading the company while its founder served jail time for securities fraud. In 2005, Koppelman moved on to Marth Stewart Living Omnimedia, where he also served as chairman.

He’s survived by his son Brian, daughter Jenny Koppelman Hutt and his wife, Gerri Kyhill Koppelman.

This article was originally published by The Hollywood Reporter.