obituary
Page: 33
S Club 7‘s Paul Cattermole died at his home in Dorset, England, on Thursday (April 6). He was 46 years old.
The singer’s bandmates announced the news on Friday (April 7) via the official S Club 7 social media channels. “We are truly devastated by the passing of our brother Paul,” the other six members wrote alongside a smiling black-and-white photo of Cattermole. “There are no words to describe the deep sadness and loss we all feel. We were so lucky to have had him in our lives and are thankful for the amazing memories we have. He will be so deeply missed by each and every one of us. We ask that you respect the privacy of his family and of the band at this time.”
Cattermole’s death is a devastating loss for the British pop act — whose members also included Rachel Stevens, Hannah Spearritt, Tina Barrett, Jon Lee, Jo O’Meara and Bradley McIntosh — who had just announced in February they’d be reuniting for a 25th anniversary tour of the U.K. and Ireland this fall, including three already sold-out performances at London’s O2 Arena. As of press time, there’s no word on how the singer’s death might affect those plans.
While S Club 7 earned only a single Top 10 hit on the Billboard Hot 100 over the course of their teen pop heyday with 2000’s “Never Had a Dream Come True,” their success was exponentially larger in their native U.K., scoring three top three albums on the Official Albums chart. Additionally, all 13 of their singles peaked within the top five on the U.K.’s Official Singles chart, including four No. 1 hits.
Over the course of the group’s first three studio sets, Cattermole provided lead vocals on fan-favorite album cuts such as “Love Train,” “Good Times” and “Summertime Feeling.” He also dated bandmate Hannah Spearritt — once in 2001 and again briefly in 2015 — with their relationship being written into the band’s TV series Hollywood 7.
Cattermole left the band in 2002 to start the short-lived nu-metal band Skua, while his former bandmates dropped the “7” from their name and continued on for another year as simply S Club before disbanding in June 2003.
For much of the next two decades, Cattermole continued dabbling in his pop roots, joining O’Meara, McIntosh and, eventually, Barrett to form the spinoff group known as S Club 3. In late 2014, he and the other six members officially reunited for their first reunion tour, Bring It All Back 2015. The pop star also struggled financially in the 2010s, even publicly auctioning off two of his BRIT Awards on eBay to keep himself afloat.
Read S Club 7’s tribute to Cattermole below.
Until gangster rap pioneer Ice-T signed with Sire Records in 1987, he was strictly DIY — “recording for small indie labels, mostly selling records out of mom-and-pop stores,” as he wrote in his 2012 memoir Ice: A Memoir of Gangster Life and Redemption, from South Central to Hollywood. By signing Ice-T to Sire, founder Seymour Stein, who died on April 2 at age 80, delivered hip-hop to a label mostly known for pop (Madonna), punk (The Ramones) and new wave (Talking Heads). The rapper produced three classic albums in a row for Sire: Rhyme Pays, Power and The Iceberg/Freedom of Speech … Just Watch What You Say, and went on to induct Stein at the A&R legend’s 2005 Rock & Roll Hall of Fame induction. Following a day of filming his longtime role as Sergeant Tutuola on Law & Order: Special Victims Unit in New York City, Ice-T remembered the late Stein in this as-told-to phone interview.
I was introduced to Seymour by a guy named Ralph Cooper, who presented Seymour with a compilation album, and Seymour picked me out of the compilation and said, “I just want to sign Ice-T.”
Me and [DJ-producer] Afrika Islam went up to his office and he was in his socks and dancing around. He told me he wanted to get involved. At that time, hip-hop was so new. First, he told me I sounded like Bob Dylan. I took that as a compliment because I knew Bob Dylan: “Subterranean Homesick Blues,” all that. I said, “OK, I get it.” Then he started talking to me about calypso music: “Do you know what they’re singing about in this song?” and “This is from Trinidad.” And I was like, “No.” Then he said one of the most genius things I’ve ever heard: “Just because you don’t understand it doesn’t make it any less valid. It just means you don’t understand it. I may not understand rap and hip-hop, but it doesn’t take any validity away from it. It just means I don’t understand it. But I know you’re singing to people that will understand it, so I want to give you a record deal.”
I was excited and we took the deal and I was never A&R’ed or anything. It was just like, “Turn the album in.”
They just let us go. There was no one there who was capable of input in what we were doing. They had nobody else who understood hip-hop, so they just had to go with it. The records were selling, so if it ain’t broke, don’t fix it, right?
By the time we got to Body Count, I was working mostly with Howie Klein [president of another Warner-owned label, Reprise Records]. Seymour was always having battles with health. Whenever you got to see Seymour, it was a great moment, but he was kind of off-deck. The whole time I was on Sire, there was never any conflict. People hate record labels, but I had a great experience. I didn’t have any problem — until after “Cop Killer,” when Warner got nervous. And I understand that. They let me go, no problem, no strings attached.
The last time I saw Seymour was at his [2005] Rock and Roll Hall of Fame induction. I always knew he was proud of us — he was proud of me, and what I did and what I stood for. Because that’s his character. He liked to make music that meant something and moved people. Even though they say he understood pop, and how to get involved with pop, he was more punk than pop.
He was as far from a record executive as you could imagine. A lot of record executives want to look like artists. They want to hang out in the studio and dress like the artist and be cool. Seymour looked more like a scientist or some shit! Nothing about him said “record exec.”
I don’t really know if a Seymour Stein can be reproduced, when you look at the catalog he had, from Ramones to Ministry to The Smiths. That’s the hallmark of a real A&R guy. He found them in the raw. Nowadays, you have to get a billion followers and a billion views before a record label would even look at you. All of us were basically nobodies when he picked us up. Big difference. Big difference.
When he signed Talking Heads, they were opening for the Ramones at CBGBs. They were the opening act. He was like, “Fuck that, I want them, too.” I mean, who does that!
Ryuichi Sakamoto, a Japanese musician who scored for Hollywood movies such as The Last Emperor and The Revenant, has died. He was 71.
Japan’s recording company Avex said in a statement that Sakamoto died on March 28.
Sakamoto, who had suffered from cancer in recent years, had also acted in films, including playing a Japanese soldier in Merry Christmas Mr. Lawrence.
He was a pioneer in electronics music of the late 1970s, founding the Yellow Magic Orchestra with Haruomi Hosono and Yukihiro Takahashi. He has been nominated several times for the Grammy Award, and won an Oscar for his work in The Last Emperor.
Brian “Brizz” Gillis, a founding member of the beloved ’90s boy band LFO, died on Wednesday (March 29). He was 47 years old.
His former bandmate Brad Fischetti shared the news in an Instagram post. “Every story is made up of chapters. Some develop naturally. Some you have to cut up in your mind. The first two chapters of the LFO story lost a main character yesterday. Brian ‘Brizz’ Gillis passed away,” he wrote alongside a black-and-white photo of the musician, noting that he did not have any “details” surrounding his cause of death.
“I am really struggling to process this tragic loss,” he continued. “I’ve said it before and I will continue to say it; the LFO Story is a tragedy. If you know what I’ve been doing, you know I’m trying to bring light into the darkness. Trying find redemption in pain and suffering. Trying to honor the legacy.”
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Fischetti added, “My relationship with Brian was complex. It contained moments of great tribulation but also of great joy. I learned a lot from him about the business of music and how to put together and rock a show. And it’s those positive aspects of our relationship that I will lean on now and forever.”
Gillis’ death comes almost five years after the 2018 death of LFO singer Devin Lima, who lost his battle with stage 4 cancer at age 41, making Fischetti the only surviving member of the group.
The pop trio formed in 1995 in Massachusetts as Lyte Funkie Ones, before Gillis left the band in 1998 to pursue his own ventures and was replaced by Lima. The group broke up in 2010, following the death of lead singer/songwriter Rich Cronin from leukemia, then reunited without Gillis in 2017 as a duo featuring Lima and Fischetti.
“I know that soon or maybe already, Brizz will be greeted by Rich and Devin,” Fischetti concluded his post. “And I hope that together, they will make some sweet sounds. I would really like that.”
Songwriter Keith Reid — the lyricist for Procol Harum, who co-wrote the band’s highest-charting hit, “A Whiter Shade of Pale” — has died at age 76, his family and the band announced Wednesday (March 29).
“We are sad to hear of the death of Keith Reid,” a statement on Procol Harum’s Facebook page read. “An unparalleled lyricist Keith wrote the words to virtually all Procol Harum songs, as well as co-writing the John Farnham hit ‘You’re the Voice.’ His lyrics were one of a kind and helped to shape the music created by the band. His imaginative, surreal and multi-layered words were a joy to Procol fans and their complexity by design was a powerful addition [to] the Procol Harum catalogue. Our thoughts go out to his family and friends.”
The news was initially revealed in an email from Reid’s wife, Pinkey, to friends of the lyricist, according to BestClassicBands.com. The cause of death was cancer.
Reid co-founded the band with his friend Gary Booker, Procol Harum’s lead singer, pianist and composer who died last year, also at age 76.
The band is likely best known for their 1967 debut single “A Whiter Shade of Pale,” which was inducted into the Rock and Roll Hall of Fame’s Singles category in 2018. The track sold 10 million copies worldwide, spent six weeks atop the U.K. singles chart, and reached No. 5 on the Billboard Hot 100. Procol Harum had two other top 40 Hot 100 hits, both co-written by Reid: “Homburg” (No. 34 in 1967) and “Conquistador” (No. 16 in 1972).
Tom Leadon, co-founder of Tom Petty‘s band Mudcrutch and brother of Eagles guitarist Bernie Leadon, died on March 22 at age 70. The musician’s family confirmed the news, while Petty’s official fan club released a statement regarding Leadon’s passing.
“It is with great sadness, but profound love and gratitude for his life, that the family of Tom Leadon (Thomas Joseph Leadon) of Nashville, Tenn., and Gainesville, Fla., announce his passing on March 22, 2023 peacefully of natural causes. He was 70,” the statement read.
Mike Campbell, former Mudcrutch and Tom Petty and the Heartbreakers member, also shared his thoughts regarding Leadon’s loss. “Tom Leadon was my deepest guitar soul brother, we spent countless hours playing acoustic guitars and teaching each other things,” he wrote. “A kinder soul never walked the earth. I will always miss his spirit and generosity. Sleep peacefully my old friend.”
Leadon’s music career dates back to high school, during which he was a member of the Epics and met Petty (who played bass in the group, while Leadon was on lead guitar). The duo then formed Mudcrutch, which Campbell joined to play guitar, and members Randall Marsh and Jim Lenahan joined for drums and vocals, respectively. Leadon would ultimately leave the band in 1972 following a fight with Petty, but later played in Linda Rondstadt’s band on bass, and joined Silver in 1976. (Silver earned a Billboard top 20 hit with its track “Wham-Bam.”)
Leadon also wrote the Eagles’ “Hollywood Waltz” in 1975; the band released it as part of its One of These Nights. Leadon is credited on the song alongside his brother Bernie, Glenn Lewis Frey and Don Henley.
Mudcrutch would see a reconciliation in 2007, when Petty got the group back together with Leadon, Marsh, Campbell and the Heartbeakers’ Benmont Tench. The reunited group would record two albums — Mudcrutch and Mudcrutch 2, which charted at Nos. 8 and 10 on the Billboard 200, respectively. The group disbanded upon Petty’s death in 2016.
“He was a dear friend of Tom and the fellas in the band and our entire family. He was part of the brotherhood,” Petty’s daughter, Adria, also shared in a statement on the late rocker’s official Instagram account. “He was an excellent and accomplished musician and was the reason Tom reformed Mudcrutch, so that the band could enjoy more time and more music together. Tom loved him deeply.”
Wayne Swinny, guitarist and co-founder of hard rockers Saliva has died at 59 after suffering a brain hemorrhage while on tour with the group. The news was confirmed by the band in a Facebook post on Wednesday (March 22) in which they wrote, “It is with great sadness that we report the passing of our brother Wayne Swinny. Wayne passed away this afternoon from a Spontaneous brain hemorrhage while we were out on tour. Details for the funeral arrangements will be announced shortly. Wayne will be missed by all those who knew him.”
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The post was accompanied by a black and white picture of Swimmy on stage wearing one of his signature black cowboy hats while strumming his guitar.
Swinny’s death was announced just hours after the band reported that he’d been hospitalized. “Our dear brother Wayne Swinny was discovered Tuesday morning in medical distress and paramedics were called,” read an earlier FB post. “He was transported to a hospital where he was diagnosed with a Spontaneous Hemorrhage in his brain. He is currently in the ICU as we await further news.”
Saliva was formed in Memphis in 1996 by singer Josey Scott, bassist Dave Novotny, drummer Todd Poole and guitarists Swinny and Chris D’Abaldo. Their Island Records debut, Every Six Seconds, was released in 2001 and spawned the thundering hits “Click Click Boom” and “Your Disease.” They followed up with 2002’s Back Into Your System and 2004’s Survival of the Sickest. Singer Scott left he group in 2011 and was replaced by Bobby Amaru; the group’s most recent album was 2018’s 10 Lives.
In a statement to TMZ, singer Amaru said, “I’m not even sure what to think or how to feel right now. My heart aches for Wayne’s family, his friends, and anyone who had the joy of being around him. My heart aches for his daughter Nikki. He loved that little girl so much … He would go out of his way to make sure you had a good time. I’m grateful that I got to share almost 12 years of my life with Wayne on the stage and most importantly off the stage.”
Amaru referred to Swinny — the only remaining original member of the group — as the older brother he never had in his statement. “I learned so much from him and we had a f—ing blast together!,” he said. “I will cherish it all for the rest of my life! God Bless you Wayne. I know we’ll meet again!!”
Saliva is in the midst of a U.S. tour, with the next scheduled date on March 29 in Colorado Springs, Colorado.
Check out the band’s tribute to Swinny below.
Clarence “Fuzzy” Haskins, an original member of Parliament-Funkadelic, has died. He was 81.
P-Funk frontman/producer George Clinton announced the singer and Rock and Roll Hall of Fame inductee’s death through social media on Friday (March 17). A cause of death was not provided.
“We are saddened to announce the passing of an original Parliament Funkadelic member Clarence Eugene ‘Fuzzy’ Haskins (born June 8, 1941-March 17th, 2023),” Clinton wrote on Instagram alongside photos of Haskins. He added in a Facebook post, “Give up the Fuzz, Fly on.”
Former Parliament-Funkadelic member Bootsy Collins also paid tribute to his former bandmate on Twitter.
“Prayer’s going out to Clarence ‘Fuzzys’ Haskins family & friends. We lost his frequency today 3-17- 23,” Collins wrote on Friday. “He was an original Parliament/Funkadelic inducted in the RHOF. We will miss u my friend, bandmate & Soul brother! Thx u for ur guidance in my pup year’s. Bootsy baby!!”
Born in 1941 in West Virginia, Haskins was a member of the Gel-Airs before joining group originally known as the Parliaments, first formed in the 1960s as a doo-wop quintet with Clinton, Calvin Simon, Grady Thomas and Ray Davis. The group that later became known as Parliament-Funkadelic.
Haskins is credited for his contributions to P-Funk tracks like “I Got a Thing” and “I Wanna Know If It’s Good to You,” according to a post about Haskins on Clinton’s website.
“He was a good drummer as well, as he proved on ‘Can You Get to That,’ which he also co-wrote,” Clinton’s site says. “Some of Fuzzy’s best vocals appeared on Funkadelic’s 1972 LP America Eats Its Young, most notably on ‘Ms Lucifers Love.’ But singing wasn’t the only thing that Fuzzy brought to P-Funk. He was known, during live P-Funk shows, to don skin-tight bodysuits and gyrate against the microphone pole as he whipped the crowd into a frenzy, especially when they performed ‘Standing on the Verge of Getting it On.’”
Haskins remained a full-time member of P-Funk through the late 1970s. He released his first solo album, A Whole Nother Thang, in 1976 through Westbound Records. The set featured collaborations with Bernie Worrell, Donald Austin and Collins. Haskins dropped his second solo album, Radio Active, in 1978.
Haskins briefly rejoined Parliament-Funkadelic for the group’s P-Funk Live Earth Tour in 1977 before leaving the group again for good. “By this time, he claimed he was through with singing all the ole dirty songs and began studying the Lord’s Word,” Clinton’s site says.
In 1981, Haskins joined former P-Funk members Simon, Davis and Thomas to release the Connections & Disconnections album under the Funkadelic name, which prompted a lawsuit by Clinton. In his later years, Haskins became a preacher and recorded gospel music.
Along with other members of Parliament-Funkadelic, Haskins was inducted by Prince into the Rock and Roll Hall of Fame in 1997.
“Funk is a force that tore the roof off the sucker that is modern music,” Prince said in their Rock Hall introduction.
Clinton and the other members of Parliament-Funkadelic received a lifetime achievement award from the Recording Academy in 2019.
Mexican singer and saxophonist Rodolfo “Fito” Olivares has died. He was 75 years old.
Olivares passed away at his home in Houston on Friday (March 17), according to his wife, Griselda Olivares, The Associated Press reports. He was diagnosed with cancer in 2022.
Born in Tamaulipas, Mexico in 1947, Olivares spent the last 50 years as a musician making back-to-back hits that soundtracked households from weddings to quinceañeras and multigenerational households in Latin America and the U.S.
He was best known for his saxophone-powered cumbia anthems such as “Juana La Cubana,” “El Colesterol,” “Aguita de Melón,” “Cumbia de la Cobra” and “La Gallina.” Olivares got his start in music as a teenager playing with and writing music for groups such as Duet Estrella, Tam and Tex. He later formed his own band called Fito Olivares y su Grupo La Pura Sabrosura in Houston in 1980.
With his band, he scored 10 entries on Billboard‘s Hot Latin Songs chart, including one top 10. “El Colesterol” peaked at No. 4 on the tally (dated Dec. 24, 1994). Fito Olivares y su Grupo also entered seven titles in the Top Latin Albums chart.
Mexican norteño singer Ramón Ayala took to social media to honor Olivares with a heartfelt post.
“It is with great lament that I am finding out about your passing, my dear colleague, but more than anything my friend The King of Cumbia. Thank you for your music, your dedication and professionalism onstage. La Pura Sabrosura as your unique rhythm with your saxophone, with which you’re now serenading God. From king to king, rest in peace my brother. Light to your soul and your eternal rest.”
In the comments, fans reacted to the news with comments such as “only good memories thanks to his music” and “childhood memories, in all parties and in all homes we’d listen to cumbia by Fito Olivares.”
See Ayala’s tribute below.
Paul Beasley, tenor for The Blind Boys of Alabama, has died at 78, a representative for the singer announced on Thursday (March 16). While a cause of death was not disclosed, the statement revealed that Beasley died on Monday, March 13.
Beasley spent years with Gospel Keynotes and the Mighty Clouds of Joy prior to joining the Blind Boys in 2013 after losing his sight. Known for his unique falsetto tone, Beasley first recorded with the Blind Boys on the group’s 2013 album, I’ll Find a Way, which was produced by Justin Vernon of Bon Iver.
After Beasley joined the group, the Blind Boys would go on to record four more albums: Talkin’ Christmas! with Taj Mahal, Almost Home, Work to Do with Marc Cohn and I Wish I Knew How It Would Feel to Be Free with Bela Fleck. Talkin’ Christmas! peaked within the top 10 on the Top Gospel Albums chart at No. 9, and charted five spots higher at No. 4 on the Blues Albums chart. Work to Do peaked at No. 24 on the Independent Albums chart. During his time with the Blind Boys, Beasley earned a total of five Grammy nominations.
“In life there are some things that only come once, and the legacy and voice of Paul Beasley is one of those things. Thank God for him. He was often imitated, but never duplicated,” remaining Blind Boys members Ricky McKinnie, Jimmy Carter, Joey Williams, Rev. Julius Love and Sterling Glass said in a statement. “The Blind Boys have been friends and soulmates with Paul for many years. The memories that we shared are unsurpassed. Our deepest sympathy goes out to all of his family and friends. God bless you all.”