obituary
Page: 23
Shane MacGowan, the legendarily shambolic, magnetic frontman of Celtic rock band The Pogues, died on Thursday (Nov. 30) at age 65 following a recent hospitalization. The band confirmed the passing of their notoriously hard-living vocalist, whose yearning, howling vocals super-charged the Pogues’ meld of traditional Irish music and punk rock spirit on such beloved songs as “Dirty Old Town” and “A Pair of Brown Eyes.”
The group issued a statement in honor of their beloved bandmate on behalf of MacGowan’s wife, Victoria Mary Clark, sister Siobhan and father, Maurice. “It is with the deepest sorrow and heaviest of hearts that we announce the passing of SHANE MACGOWAN. Shane died peacefully at 3am this morning (30 November, 2023) with his wife Victoria and family by his side. Prayers and the last rites were read which gave comfort to his family,” it read, alongside a picture of MacGowan in his prime, a cigarette and glass of wine in hand, flashing his signature infectious, crooked smile.
In an Instagram post, Clark wrote, “I don’t know how to say this so I am just going to say it. Shane who will always be the light that I hold before me and the measure of my dreams and the love ❤️ of my life and the most beautiful soul and beautiful angel and the sun and the moon and the start and end of everything that I hold dear has gone to be with Jesus and Mary and his beautiful mother Therese.”
The singer, who the BBC reported had been unwell for quite a while, struggled openly for many years with drugs and drink and was booted from the band in 1991 after his alcohol abuse made him unreliable; he returned to the fold in 2001 for a final thirteen-year stint before the band split for good in 2014. MacGowan was hospitalized in Dec. 2022 with viral encephalitis and spent several months in intensive care earlier this year as a result.
MacGowan was as mythical a figure on the British music scene as the grizzled characters he inhabited in the Pogues’ songs, which were inspired by figures from literature, the Bible, mythology and the hard-scrabble lives of working class heroes. His vocals, filled with a mix of anger, pugnaciousness and sad-eyed resignation, could swing from a howl and a growl to a grizzled tenderness in the span of a single track.
His death just weeks before Christmas added an extra layer of poignancy to the loss, as this is the season when the Pogues’ 1987 holiday standard, “Fairytale of New York,” is often in heavy rotation. The swaying, sentimental ballad featuring MacGowan trading vocals with the late singer/songwriter Kirsty MacColl has been in the UK’s top 20 19 times since its release, perennially charting around Christmastime and peaking at No. 2 on the UK charts during the year of its release.
After an opening scene in which MacGowan’s characer laments sleeping off a drinks binge in a New York drunk tank, the tune has the two trading (not-PC) insults as they lament dreams deferred by addiction, brought home by the crooned chorus, “The boys of the NYPD choir/ Still singing Galway Bay/ And the bells are ringing out/ For Christmas day.”
Born Shane Patrick Lysaght MacGowan on Dec. 25 1957, in Kent, England to Irish parents, MacGowan showed creative promise from a young age, earning a scholarship to the prestigious Westminster school for his literary skills, only to be expelled in his second year for drug possession. He burst onto the English music scene in an incident that was fittingly chaotic and tinged with punk-fueled violence when he was photographed covered in blood while attending a 1976 gig by The Clash at which his ear was ripped open, spawning the NME headline “Cannibalism at Clash Gig.”
After briefly joining a punk band called The Nipple Erectors (aka “the Nips”), MacGowan formed The Pogues in London in 1982 with tin whistle player Peter “Spider” Stacy, banjo player Jem Finer and former Nips accordion player James Fearnley; they were originally known as “Pogue Mahone,” a winking twist on a Gaelic phrase that roughly translates to “kiss my arse.”
With the addition of bassist Cait O’Riordan and drummer Andrew Ranken the band began playing London pub gigs and signed to punk label Stiff Records, which released their 1984 debut, Red Roses For Me. The album set the table for the Pogues’ signature sound from the very first song, “Transmetropolitan,” a rousing pub rocker featuring MacGowan’s excitable vocals, which fronted a collection of originals mixed with a number of traditional Irish songs.
Quickly establishing a reputation for high-energy, chaotic live shows, the group’s profile was kicked up several notches when Elvis Costello signed on to produce their breakthrough 1985 album, Run Sodomy & the Lash, which featured such classics as the lament “A Pair of Brown Eyes,” “Sally MacLennane,” “The Old Main Drag” and the frenetic pirate tune “Billy’s Bones,” all written by MacGowan.
Their next album, 1987’s If I Should Fall From Grace With God, (which featured “Fairytale”) was their best-seller and their most eclectic, swapping some of the traditional Irish sounds with more world music touches, including a epic take on the the Australian anti-war lament “And the Band Played Waltzing Matilda.”
That was followed by 1989’s Peace and Love and 1990’s Hell’s Ditch, whose U.S tour was scotched due to MacGowan’s unreliability, which led to his sacking in 1991. The singer quickly formed the solo band Shane MacGowan and the Popes, with whom he released two studio albums and a live album. In 2000, Sinead O’Connor reported MacGowan to the police for heroin possession, which angered the singer at first, though he later thanked her for helping him kick the drug; when O’Connor’s son Shane, 17, died in 2022, MacGowan paid tribute to the “Nothing Compares 2 U” singer, writing, “You have always tried to heal and help.”
MacGowan returned to the Pogues in 2001 and the group toured for much of the next decade while stories of MacGowan’s life and times were chronicled in the autobiography A Drink With Shane MacGowan and the 2020 film Crock of Gold: A Few Rounds with Shane MacGowan.
Hailed by late Clash singer Joe Strummer — who briefly joined the band in 1991 — as one of England’s greatest songwriters, MacGowan won the prestigious Ivor Novello songwriting award in 2018. His passing was honored by Irish president Michael Higgins, who said, “His words have connected Irish people all over the globe to their culture and history … The genius of Shane’s contribution includes the fact that his songs capture within them, as Shane would put it, the measure of our dreams – of so many worlds, and particularly those of love, of the emigrant experience and of facing the challenges of that experience with authenticity and courage, and of living and seeing the sides of life that so many turn away from.”
See the family’s statement and listen to some MacGowan’s most beloved songs below.
[embedded content]
[embedded content]
[embedded content]
Longtime Nashville music and radio industry executive and former Country Radio Broadcasters/Country Radio Seminar executive director Bill Mayne died on Tuesday (Nov. 28) at age 72 following a battle with a long-term illness.
Mayne’s career spanned nearly five decades. He began performing in a band before transitioning into radio, with his career including on-air and programming roles at various radio formats including top 40, rock and country. His radio career began in 1970 in an on-air role at KRLY in Houston; he would go on to serve in roles at KASE in Austin, KZLA/KLAC in Los Angeles and KSCS/WBAP in Dallas.
Mayne then spent 15 years at Warner Bros./Nashville, where he held a variety of roles, rising through the ranks from a regional role to senior vp/GM and vp of promotion. He was also a member of the Country Radio Broadcasters board, eventually becoming board vp before taking on the role of executive director at Country Radio Broadcaster in 2010 — a role he held until his retirement in 2019.
Current Country Radio Broadcasters/Country Radio Seminar (CRB/CRS) executive director RJ Curtis said in a statement, “The passing of Bill Mayne marks a profound loss for the entire country music community. Bill was a true giant in every sense of the word. His fifty years of passionate work positively impacted everyone he met, in nearly every segment of our business, through his time in radio, the music industry, artist management, entrepreneurialism, and, of course, his decade of leadership as Executive Director for CRB. Bill Mayne navigated the organization through a period of great adversity, ultimately reestablishing CRS as the premier industry event that it is today.”
In 2019, Mayne received CRB/CRS’ President’s Award in recognition of the significant contributions he made to the radio industry.
Mayne also founded Mayne Entertainment, an artist management company, and Mayne Street Consulting, a private entertainment consulting firm that offered insight and guidance to clients in the entertainment field.
“Bill had great passion for Country Music going back to his days in radio,” Country Music Association CEO Sarah Trahern said in a statement. “I first worked with him in 1996 on a TV special when he was with Warner Bros. Nashville. I was struck by his enthusiasm for the format and ability to get things done. Years later, we were both officers of the ACMs, where his great knowledge of board governance and organization was a huge asset to our leadership team. Most recently, we got to work together when he joined the CMA Board of Directors, where he served from 2016 to 2018. My deepest condolences to Sallie and his sons.”
Beyond his professional accolades, Mayne previously served as a board member of the Country Music Association and spent over 35 years on the Academy of Country Music board of directors, including roles as chairman and chairman of the board at the ACM’s charitable arm, Lifting Lives. He also co-founded the St. Jude Country Cares for Kids Program, an initiative that has raised over $700 million for St. Jude since its inception in 1989. Additionally, he held the role of national vp for the Muscular Dystrophy Association and was a member of the Nashville non-profit Leadership Music as well as the mayor’s Nashville Music Council.
“On behalf of our membership and Board of Directors of the Academy and ACM Lifting Lives, I am deeply saddened by the loss today of Bill Mayne, a true giant of the country music industry, an invaluable champion of the Academy of Country Music, and one of our longest serving board members,” said Academy of Country Music CEO Damon Whiteside in a statement.
“Bill dedicated more than 35 years of service to the ACM Board, including serving as the Chairman for both the Academy and ACM Lifting Lives,” Whiteside continued. “I am comforted that we were able to celebrate his phenomenal legacy this summer by presenting him with our ACM Service Award at the 16th ACM Honors. Bill had a huge heart, as evidenced by his incredible philanthropic work, including his service to ACM Lifting Lives. His impact, passion, and devotion to the Country Music industry and community will live on forever. On behalf of all of us at the ACM, we send our love and prayers to his family, friends, and all who have been lucky enough to work with and know him.”
Mayne is survived by his wife of 46 years, Sallie Mayne; sons Bryant Mayne and Christopher Mayne; his grandchild, Everleigh Mayne; and mother-in-law Helen Wood. Plans for a public service honoring Mayne’s life have yet to be announced.
Jean Knight, the R&B singer best known for her 1971 hit “Mr. Big Stuff” died at 80 on Wednesday (Nov. 22). “New Orleans and the music world mourns the loss of one its most treasure musical daughters, Jean Knight,” her family said in a statement shared with USA Today. Rolling Stone also confirmed the singer’s […]
Kevin “Geordie” Walker, founding guitarist for English industrial rockers Killing Joke died on Sunday (Nov. 26) at age 64. The band confirmed the news on their official Instagram page, writing, “It is with extreme sadness we confirm that at 6:30am on 26th November 2023 in Prague, Killing Joke’s legendary guitarist Kevin ‘Geordie’ Walker passed away after suffering a stroke, he was surrounded by family. We are devastated. Rest In Peace brother.”
Explore
See latest videos, charts and news
See latest videos, charts and news
Born in County Durham, UK in 1958, Walker joined Killing Joke in 1979 after responding to an ad in Melody Maker placed by singer Jaz Coleman, with the two men serving as the band’s only consistent members over the next four decades. Known for a distinctive low-end guitar turning that gave the band’s songs a massive sound, Walker’s playing was key to the post-punk group’s success, which folded grinding industrial sounds, dub reggae, new wave melodies and a goth sensibility into a roiling mix.
The band’s self-titled, self-produced debut full-length album was released in October 1980 and featured the singles “Wardance” and “Requiem.” The prolific act released six more albums in the 1980s, followed by three more in the 1990s (Extremities, Dirt and Various Repressed Emotions, Pandemonium, Democracy). The band briefly split in the early 1990s, then reunited and split again in 1996 before reuniting once more in 2002. A reformed version of the band released a self-titled album in 2003 featuring superfan Foo Fighters leader Dave Grohl on drums; since their get-back, KJ have released five more albums, with the most recent, Pylon, dropping in 2015.
According to the Guardian, in 2013 Walker reflected on what made the band such a powerful, unique presence during their long run. “When we started making records, playing gigs wasn’t that much different. You’d rehearse, you wrote the songs, you mic’d it up and you played it! And now if you’re not careful, you might not even see the f–king drummer and the maker of the f–king record. It’s all bits of this, cut-and-paste. It can sound impressive on first listen but after subsequent listens, it’s lacking human imperfection. The imperfection is what makes it magical somehow.”
In addition to his decades of touring and recording with Killing Joke, Walker was also a member of the industrial music supergroups Murder, Inc. and The Damage Manual.
Check out the band’s tribute to Walker and some of Killing Joke’s best-known tracks below.
[embedded content]
[embedded content]
Marty Krofft, the TV producer known for imaginative children’s shows such as H.R. Pufnstuf and primetime hits including Donny & Marie in the 1970s, has died in Los Angeles, his publicist said. Krofft was 86.
Explore
See latest videos, charts and news
See latest videos, charts and news
He died Saturday (Nov. 25) of kidney failure, publicist Harlan Boll said.
Krofft and his brother Sid were puppeteers who broke into television and ended up getting stars on the Hollywood Walk of Fame. Along the way, they brought a trippy sensibility to children’s TV and brought singing siblings Donny and Marie Osmond and Barbara Mandrell and her sisters to primetime.
The Osmonds’ clean-cut variety show, featuring television’s youngest-ever hosts at the time, became a lasting piece of ‘70s cultural memorabilia, rebooted as a daytime talk show in the 1990s and a Broadway Christmas show in 2010. The Kroffts followed up with Barbara Mandrell and the Mandrell Sisters, centered on the country music star; it ran from 1980-82.
“I am so saddened by the passing of my dear friend, Marty Krofft,” Donny Osmond wrote Sunday in a statement posted on social media. “He and his brother, Sid, created the whole format of The Donny and Marie show. Together, they put my sister and me on the map and both of us will be forever grateful for their vision and creativity. Marty Krofft’s television legacy is incredible. His fingerprint is on generations of entertainment and the impact he’s had in connecting people around the world is an astonishing legacy he leaves behind. Our best wishes and love go out to his family and loved ones. As Marie and I sang at the end of every show, ‘May God keep you in His tender care, ’till He brings us together again.’”
Like the Osmonds, H.R. Pufnstuf proved to have pop culture staying power. Despite totaling just 17 episodes, the surreal show, featuring an island, a witch, a talking flute, a shipwrecked boy and a redheaded, cowboy boot-wearing dragon, came in 27th in a 2007 TV Guide poll ranking of all-time cult favorites.
More than 45 years after the show’s 1969 debut, the title character graced an episode of another Krofft brothers success, Mutt & Stuff, which ran for multiple seasons on Nickelodeon.
“To make another hit at this time in our lives, I’ve got to give ourselves a pat on the back,” Marty Krofft told The Associated Press ahead of the episode’s taping in 2015.
Even then, he was still contending with another of the enduring features of H.R. Pufnstuf — speculation that it, well, betokened a certain ‘60s commitment to altering consciousness. Krofft rebuffed that notion: “If we did the drugs everybody thought we did, we’d be dead today,” he said, adding, “You cannot work stoned.”
Born in Montreal on April 9, 1937, Krofft got into entertainment via puppetry. He and his brother Sid put together a risqué, cabaret-inspired puppet show called Les Poupées de Paris in 1960, and its traveling success led to jobs creating puppet shows for amusement parks. The Kroffts eventually opened their own, the short-lived World of Sid & Marty Krofft, in Atlanta in the 1970s.
They first made their mark in television with H.R. Pufnstuf, which spawned the 1970 feature film Pufnstuf. Many more shows for various audiences followed, including Land of the Lost; Electra Woman and Dyna Girl; Pryor’s Place, with comedian Richard Pryor; and D.C. Follies, in which puppets gave a satirical take on politics and the news.
The pair were honored with a Daytime Emmy for lifetime achievement in 2018. They got their Walk of Fame star two years later.
Sid Krofft said on Instagram that he was heartbroken by his younger brother’s death, telling fans, “All of you meant the world to him.”
While other producers might have contented themselves with their achievements far earlier, Marty Krofft indicated to The AP in 2015 that he no had interest in stepping back from show business.
“What am I gonna do — retire and watch daytime television and be dead in a month?” he asked.
Mars Williams, illustrious saxophone player who played a significant role in bands like The Psychedelic Furs and The Waitresses, died on Monday (Nov. 20). He was 68 years old. Explore Explore See latest videos, charts and news See latest videos, charts and news The Chicago Tribune revealed the news, noting that the Chicago area native died […]
Nashville songwriter and musician Abe Stoklasa, known for writing songs for Tim McGraw, Charlie Worsham, Chris Lane and trio Lady A, has died at age 38, Billboard has confirmed. He passed away on Nov. 17 of undisclosed causes.
Explore
See latest videos, charts and news
See latest videos, charts and news
The Princeton, Missouri, native found his passion for music early, playing in his father’s band by the age of six.
“I have always been a musician,” Stoklasa previously told The Shotgun Seat of his musically formative years. “My dad had a little ransom style show in the midwest — we did like 70 shows a year — so from two years old I was singing on the stage. At like six years old my dad threw me in the band as the keyboard player, sink or swim. So that’s how I learned to play music.”
He grew up immersed in the music his father loved — music from 1950s through 1970s — soaking in the influence of Elvis, Merle Haggard, The Beatles and James Taylor.
Stoklasa’s family moved to Tennessee when he was a teen, and he soon enrolled at Nashville’s Belmont University. After graduation, he joined David Nail’s road band as a steel guitar player. He briefly spent time pursuing a graduate degree at the University of Miami’s Frost School of Music in Coral Gables, Florida — though soon, his passion for doing music, not just studying it, drew him back on the road. He joined Billy Currington’s band for three years, including a stint opening for Kenny Chesney’s 2011 Goin’ Coastal stadium tour.
In 2013, Stoklasa decided to leave the road to focus on songwriting. His writing talents would catch the ears of Nashville mainstays such as Mike Reid (a writer on Ronnie Milsap’s “Stranger in My House”) and Mark D. Sanders (Lee Ann Womack’s “I Hope You Dance,” Reba McEntire’s “The Heart is a Lonely Hunter”).
Stoklasa was a writer on Chris Lane’s 2016 No. 1 Country Airplay hit “Fix” and crafted songs recorded by Tim McGraw (“Portland, Maine”), David Nail (“Lie With Me”), Billy Currington (“Give It To Me Straight”), Charlie Worsham (“Call You Up,” “The Beginning of Things”), Scotty McCreery (“Here and Ready”), Blake Shelton (“A Girl”) and Lady A (“Ocean”).
Stoklasa told Music Row in 2016, “For a long time, ‘Beginning of Things’ was my favorite song that I was very proud of. I wrote it with Donovan Woods and Charlie Worsham just cut it. It’s so songwriter-y, in that there are two or three levels and meanings to the lyrics that you will not get on one or two listens, which is a fun puzzle to put together. The whole story is made up with some influences in real life, but it was just an exercise in a certain way to be Shakespearean in a way. But I would feel confident handing that to Paul Simon, and I wouldn’t do that with any of my other songs.”
At the time, Stoklasa also expressed his gratitude for artists including Currington, Nail and Kelley working with him, saying, “Billy Currington, he was the first person to care about my songwriting. David Nail is a good friend, we don’t even have to talk about music. We both experienced a lot of firsts together on a tour bus. Charles Kelley has always been like a brother to me. He’s an amazing writer. We’ve written songs other people have cut… and he likes to cut my songs!”
Stoklasa contributed heavily to Lady A member Charles Kelley’s 2016 solo album, The Driver, including “Leaving Nashville,” “Your Love,” “Dancing Around It” and the Grammy-nominated title track, which also featured vocals from Dierks Bentley and Eric Paslay.
“Abe was otherworldly,” Kelley said in a tribute posted on his Instagram page. “I always knew his mind moved at a pace I could never comprehend. He was confidence and self doubt all wrapped in one. He frustrated me and inspired me all at the same time. He was a true enigma in every sense of the word, but aren’t the most talented musicians and artists that way? He was a musician’s musician and carried one of the most authentic voices in this town. I’ll never listen to the songs we shared together the same or forget the moments we had onstage and on the late night bus rides. Nashville will never see another Abe Stoklasa. I’ll miss you my soft spoken friend.”
Nail said of Stoklasa in an Instagram post, “He was beyond unique, and beyond talented. He was a true genius. That word gets tossed around a lot these days, but he was the definition! In the early years of me touring, many of you will remember we had a steel guitar player. That was Abe. He could make it sound like anything you needed. He was brilliant. We weren’t meant to be on the road together, and once he left The Well Ravens, we got closer than ever before. I was so proud when he got off the road for good, to focus on songwriting, something that he was a natural at. He immediately became a hit in the songwriting community. His voice? Oh, he sang like a 50 year old. Soulful, and weathered beyond anything I’d ever heard from a 25 year old young man.”
Worsham also offered up heartfelt memories of his friendship with Stoklasa, saying in a social media video, “I first met Abe Stoklasa through Derek Wells, when I was putting a band together to play the Ernest Tubb Record Shop Midnight Jamboree. He was wickedly hilarious and wickedly talented. I’d never met anyone who could play steel guitar and saxohone really well, and who loved Vince Gill and Aretha Franklin with equal depth … he was so principled and so kind and caring.” Worsham recalled that the last time they wrote together, they penned a song inspired by the television series The Golden Girls, called “Dorothy and Rose.” “It was probably the best song I wrote in six months,” Worsham said, “’cause that’s just how good Abe was … I loved him dearly, as we all did, who knew him.”
Heath, the bassist of legendary Japanese rock band X Japan, died on Oct. 29 after a battle with colorectal cancer. He was 55 years old.
The news of his death was announced in a statement issued by the band on Friday (Nov. 19). “His cancer was found during an examination in June of this year. Despite his efforts to battle the disease, his condition declined suddenly in October, and he took his last breath in the hospital,” the statement reads. Additionally, the band notes that Heath’s funeral will be private and attended by immediate family members only, and that his family asks for any visits, donations or flowers to be withheld.
Heath played bass for X Japan from 1992 up until the band’s split in 1997, and reunited with the group in 2007. He was with the group through the releases of albums like 1993’s Art of Life and 1996’s Dahlia. In 2018, the group performed at Coachella Valley Music and Arts Festival.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
X Japan’s frontman Yoshiki Hayashi also shared a personal statement of mourning to his Instagram page, writing, “He was such a wonderful bass player, a band member, and a wonderful human being.
“Heath and I got closer than ever over this past year,” he continued. “On my birthday last year, he appeared as a guest on my program, and we talked endlessly afterwards in my dressing room. There was also a time after that when we talked on the phone for hours until daybreak. This summer, on August 20th, Heath performed as a guest at my dinner show. How could I have known that that would be my last performance with him? I couldn’t help make Heath’s wishes come true, and for that I feel fully responsible. I apologized to him when I bid farewell.”
Yoshiki’s statement continues, “Speaking as Yoshiki personally, I am so mentally and physically drained, so drenched in sorrow, that I don’t know what to say right now. I feel that if I stop now, I won’t be able to go any further, so I’m immersing myself in my busy schedule. But as the leader of the band, there are still some things that I must do. Heath’s family conveyed his words to me: ‘Don’t be sad,’ he said. ‘Cheer up, and say goodbye to me with a smile.’ Heath also requested that I, Yoshiki, be in charge of his memorial concert. I will discuss this further with his family to make sure that that is accomplished. There are also several things I need to fight for in order to make that happen.”
He concluded, “My story with Heath keeps going on and on. I wish I knew how to express the depth of my feelings here, but first I need to learn how to live with this profound loss. I will have more to say in the future. Thank you for everything, Heath. And may you rest in peace. I hope that someday we can play music together again.”
Read Yoshiki’s full statement here.
Puerto Rican artist Alexio “La Bruja,” who also went by Alexio “La Bestia,” has lost to his battle with breast cancer at the age of 34, and was pronounced dead on Tuesday (Nov. 14). Daddy Yankee, Farruko, Arcángel and more stars of the reggaetón scene expressed their grief in social media posts. The artist, known for hits such as “Tumba la Casa,” was diagnosed in 2017.
The news of Alexio’s deteriorating health surfaced on Sunday (Nov. 12) when fellow Puerto Rican stars reached out for support via social media, appealing for blood, platelet and plasma donors. The urgency of the request hinted at the severity of his condition. He was hospitalized in Guaynabo, Puerto Rico.
Arcángel pleaded on Instagram at the time: “My brother from another mother is fighting like a warrior for his life!!!!! We URGENTLY need platelet donors! If you have nothing to do and you want to SAVE the life of an excellent human being who has given you moments of joy and joy as an artist then we NEED YOU MORE THAN EVER! I’m rooting for you my bro, I know you can. I’m in MEXICO, but right now I’m going to 🇵🇷 RESIST. I want to see you again.”
Producer Pepe Quintana confirmed the news of Alexio’s death on social media. On Tuesday (Nov. 15), Quintana wrote: “My brother we did not expect this. This caught us by surprise. Although we knew your condition, your attitude of a WARRIOR camouflaged that pain that you carried day by day … as I told you when I saw you, I LOVE YOU BROTHER. You fulfilled your dream of being an artist […] Rest in peace my brother.”
Born Víctor A. Riverain on Dec. 11, 1988, in Carolina, Puerto Rico, Alexio rose to fame in 2015 with songs including “Tumba la Casa” and “Tarara.” Throughout his career, he collaborated with prominent artists of the música urbana scene such as Daddy Yankee, Nicky Jam, Zion, Ozuna, Farruko, De La Ghetto, Ñengo Flow and others.
Daddy Yankee shared a heartfelt message on Instagram. “Brother, thank you for your friendship. The silent legacy you left in me will last a lifetime. Because every time we talked, without realizing it, it was you who healed me with your testimony and courage,” he captioned his post. “The way you fought, seeing you with a smile until the end there in the hospital, taught me a lot about how to face the trials we go through in this life. You never complained, I saw you with the best attitude, always in DRIVE no matter what! That’s what I take from you.”
Farruko posted on IG, “😔🥲fly high, goldo 🕊️ I don’t even know what to say I don’t have words only. God knows I thank you for giving me the opportunity to be your friend and for allowing me to be part of your dreams. I will always remember you. You were a warrior until the end legend.”
[embedded content]
DJ Luian wrote: “THANK YOU for being that friend who fights for you, wherever you are not, THANK YOU for ALWAYS unconditionally being with me, you were that friend who was with me in a hospital, in a cemetery saying goodbye to a family member, but also that friend with whom I traveled, drank, fucked around with and enjoyed a dream together. I LOVE YOU gordo!”
Puerto Rican YouTube channel Molusco TV also created an episode to honor Alexio’s legacy.
In a 2017 interview, the year he was diagnosed with the disease, Alexio said, “My biggest fear is to leave the world without finishing all the goals I have, to leave my family without my presence, without my protection.”
Despite his battle with cancer, Alexio “La Bruja” remained active in music. In July, he released his full-length debut album, El Origen.
C-Knight, a founding member of Long Beach G-funk rap crew Dove Shack, has died at age 52. The news was confirmed by TMZ on Tuesday (Nov. 7), when a member of the rapper’s family reportedly told the gossip site that the MC born Arnez Blount had died that day after being taken off life support […]