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Polish composer Jan A.P. Kaczmarek, who won a 2005 Oscar for the musical score of Finding Neverland, died on Tuesday (May 21). He was 71. Kaczmarek’s death was announced by Poland’s Music Foundation, which had been informed of his passing by the composer’s wife. Kaczmarek had suffered from MSA, a rare degenerative neurological disorder. He […]

Jon Wysocki, the founding drummer of rock band Staind has died at 53. The news was confirmed on Saturday, when Wysocki’s current band, Lydia’s Castle, posted about his passing on Instagram, writing, “On 5/18/2024 at 8:02pm, @jonwysocki4 passed away surrounded by family and friends that loved him dearly.”

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Staind also paid tribute to Wysocki in an Instagram post on Sunday, in which they wrote, “We first met Jon through mutual friends in 1994. We came together with Mike, Aaron, and Johnny April in 1995 and founded Staind. The 17 years that followed were some of the best memories of our times together. From practice in Ludlow, Mass to touring around the world, Jon was integral to who we were as a band. Our hearts go out to Jon’s family, and fans around the world who loved him.”

At press time no information on the cause of death had been announced. Lydia’s Castle member Shawna Hornbeck wrote on Saturday that Wysocki, was, “currently in the ICU. He has been having issues with his liver that requires him to be under the attention of medical professionals to ensure that he is treated properly. While he has been struggling, there are signs that he is recovering slowly.”

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Born on Jan. 17 ,1971 in Westfield, Mass., Wysocki co-founded second-wave grunge band Staind in Springfield, Mass. in 1995 with singer/rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok and bassist Johnny April. The band self-released their debut album, Tormented, in 1997, followed by their 1999 major label debut, Dysfunction, which was co-produced by Limp Bizkit singer Fred Durst and featured the singles “Mudshovel” and “Home.”

After co-headlining the Family Values tour with Limp Bizkit in late 1999, the band dropped their third LP, Break the Cycle, in May 2001, which debuted at No. 1 on the Billboard 200 album chart and spawned their signature No. 5 Hot 100 hit “It’s Been Awhile.” Wysocki played on seven on the band’s eight studio albums — through 2011’s self-titled seventh LP — before taking his leave in 2011, reportedly due to friction with singer Lewis; he was replaced by drummer Sal Giancarelli.

In a statement on his X account on Sunday, Lewis wrote, “I’m so sad. I lost my friend. A friend I loved like a brother… fought with like a brother… cared for like a brother… worried about like a brother… cried over like a brother… because he was my brother in arms. My journey would’ve been different without him… The battles we fought together. The battles we fought against each other. The battles we fought side by side alone with our own demons. The battles we won and the battles we lost. He was my friend. He was our brother. My heart is broken. My world has changed. I’ll see you on the other side my friend. My brother. Godspeed. My heart, my love, and my condolences go out to his family and loved ones. I’m so fu–ing sad. He will be missed.”

After leaving Staind, Wysocki briefly joined Chicago hard rock group Soil, but never recorded with them. On Sunday they also paid tribute to their late bandmate, writing on FB, “Today we lost one of the greats. Jon Wysocki was not only a great friend, a great drummer, but a great human being. It was an honor to have him in SOiL for the time we did. We had so many laughs, so many good times. You will be missed dearly. Until we meet again dear friend…..”

See the statements about Wysocki’s death below.

I’ll see you on the other side my friend. My brother. Godspeed. My heart, my love, and my condolences go out to his family and loved ones. I’m so fucking sad. He will be missed.— Aaron Lewis (@Aaronlewismusic) May 19, 2024

Jimmy James, the beloved frontman of The Vagabonds and the voice behind the enduring ballad “Come to Me Softly,” died on Wednesday (May 15). He was 84 years old. The musician died in London at Northwick Park Hospital, his family told Jamaica Observer. James reportedly had Parkinson’s disease and a heart condition that ultimately led […]

David Sanborn, beloved jazz saxophonist who is credited on songs for Stevie Wonder, David Bowie and many more, died on Sunday (May 12). He was 78 years old.
A message posted to the musician’s social media page confirmed the news, noting that Sanborn had been battling prostate cancer for the past few years. “Mr. Sanborn had been dealing with prostate cancer since 2018, but had been able to maintain his normal schedule of concerts until just recently. Indeed he already had concerts scheduled into 2025,” the message reads. “David Sanborn was a seminal figure in contemporary pop and jazz music. It has been said that he ‘put the saxophone back into Rock ’n Roll.’”

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It is with sad and heavy hearts that we convey to you the loss of internationally renowned, 6 time Grammy Award-winning, saxophonist, David Sanborn. Mr. Sanborn passed Sunday afternoon, May 12th, after an extended battle with prostate cancer with complications. pic.twitter.com/VyW56OCkfc— DavidSanborn (@DavidSanborn) May 13, 2024

Throughout his career, Sanborn played alongside some of rock’s most iconic figures, both in the studio and onstage. Most notably, he toured with Wonder and played on his 1972 album, Talking Book. He also performed on Bowie’s classic, “Young Americans,” and toured with the late star.

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However, that’s just the tip of the iceberg of Sanborn’s illustrious career. Throughout his life, he’s recorded with musicians including B.B. King, Paul Simon, Cat Stevens, Bruce Springsteen, Elton John, Chaka Khan, Ron Carter, George Benson, Kenny Loggins, The Eagles, Aretha Franklin, Billy Joel, Roger Water, Eric Clapton, Mick Jagger and more.

Outside of recording music, Sanborn hosted a syndicated radio program, The Jazz Show, as well as a podcast called As We Speak. He also worked on a YouTube series called Sanborn Sessions with his nephew and brother-in-law.

Dennis Thompson, the high energy drummer for influential Detroit band MC5, died on Thursday (May 9). He was 75 years old. The rocker died at MediLodge of Taylor in Michigan, where he had been recovering following a heart attack in April, according to local news station Detroit Free Press. Thompson was the last surviving member […]

Steve Albini, the legendarily exacting producer/engineer and frontman of the noisesome indie rock bands Shellac and Big Black has died at 61. According to a staff member at Albini’s Electric Audio Recordings studio in Chicago, Albini died of a heart attack on Tuesday night (May 7).
Though he disdained the term “producer,” preferring “engineer” instead, Albini said in a 2018 interview that worked on more than 2,000 albums, mostly for underground or indie bands, but also notably on projects by two of the most important and influential bands of the late 1980s and early 1990s.

In addition to recording Nirvana’s final full studio album, 1993’s In Utero, he also worked on the beloved 1988 album Surfer Rosa by one of late Nirvana singer Kurt Cobain’s favorite bands, the Pixies. Constantly toggling between albums by A-list major label acts (PJ Harvey’s lashing 1993 album Rid of Me, Bush’s Razorblade Suitcase) and beloved indie bands from his native Chicago (Urge Overkill, The Jesus Lizard, Tar), Albini was also a prolific musicians in his own right with a series of hardcore and noise bands, including Big Black, Rapeman and Shellac.

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Born in Pasadena, Calif. on July 22, 1962, Albini positioned himself as a staunch outsider in the mainstream music industry, which he considered exploitative, refusing to accept the traditional producer royalties for any of the albums he recorded at his Chicago studio.

Shellac were poised to release their first album in a decade, To All Trains, next week, and had booked a series of shows in England in June, followed by a run of U.S. dates in Chicago, New York and Los Angeles in July.

Often working on dozens of albums per year, Albini kept up his torrid pace recently, re-teaming with frequent collaborator folk singer Nina Nastasia in 2022, as well as working on albums by Black Midi, Spare Snare, Liturgy and Code Orange over the past two years.

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Susan Buckner, the actress and dancer best known for her turn as the bubbly and often-teased Rydell High cheerleader Patty Simcox in the 1978 blockbuster musical Grease, has died. She was 72.

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She died Thursday in Miami, family spokesperson Melissa Berthier announced. No cause of death was revealed.

Buckner portrayed Hollywood bad girl Jean Harlow alongside Tommy Lee Jones in the 1977 CBS telefilm The Amazing Howard Hughes and was one of the dancers/synchronized swimmers known as the Kroffettes on The Brady Bunch Hour (the 1976-77 ABC variety show was created by Sid and Marty Krofft). She also starred opposite Sharon Stone in Wes Craven’s Deadly Blessing (1981).

In Grease, directed by Randal Kleiser at Paramount, Buckner’s Patty convinces Olivia Newton-John’s Sandy Olsson, a new student, to try out for the cheerleading squad. She often is the butt of jokes from the Pink Ladies and T-Birds and called the “bad seed of Rydell High” by Stockard Channing’s Betty Rizzo.

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Born in Seattle on Jan. 28, 1952, Buckner won the Miss Washington pageant in 1971 and competed for the Miss America crown, then appeared as a Golddiggers dancer and sketch performer on NBC’s The Dean Martin Show in 1973. That led to becoming part of an all-girl group called Fantasy and half of a musical duo known as Buckner & Pratt.

She played one of the construction workers alongside Tim Rossovich and others on the 1980 ABC comedy When the Whistle Blows, which lasted just 10 episodes.

She also appeared on episodes of Police Woman, Switch, Starsky and Hutch, The Hardy Boys/Nancy Drew Mysteries — as Georgia “George” Fayne — B.J and the Bear and The Love Boat and had roles in the films The First Nudie Musical (1976) and Police Academy 6: City Under Siege (1989). 

Buckner left Hollywood to raise her family and went on to direct kids theater and teach dance.

Survivors include her children, Adam and Samantha; grandchildren Oliver, Riley, Abigail and Ruby; sister Linda; daughter-in-law Noel and son-in-law Adam; and her longtime partner, Al. 

Donations in her memory can be made to Fairchild Tropical Botanic Garden in Miami.

This article was originally published by The Hollywood Reporter.

Duane Eddy has died at age 86. The Grammy-winning guitarist was known for his influential style as well as hits such as “Rebel-‘Rouser” and “Peter Gunn.” Eddy died Tuesday (April 30) of cancer in Franklin, Tenn., according to his wife, Deed Abbate. He is survived by his four children and wife. Explore Explore See latest […]

Mario Olvera Acevedo, an event promoter specializing in Regional Mexican music, has died at the hands of unknown assailants in a direct attack that occurred in the early morning hours on Saturday (April 27).
According to a statement issued by the Secretaría de Seguridad Ciudadana (or Secretariat of Public Safety) of the Government of San Pedro Cholula, Puebla, Mexico, police officers responded to the scene after receiving a report of gunshots.

Paramedics from the Municipal Civil Protection confirmed that Olvera, age 42, no longer had vital signs when he was found. They proceeded to cordon off the area while awaiting forensic experts from the State Attorney General’s Office.

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Initial investigations indicate that it was a “presumed direct attack.” According to the press release from Seguridad Ciudadana, after “a motorist hit the rear of the truck of the deceased to force him to get out and shoot him, at that moment a third person on a motorcycle arrived and both subjects fled in the direction of Periférico Ecológico, where they finally abandoned the vehicle.” The authorities are still looking for the perpetrators.

The death of Olvera shocked the world of Regional Mexican music. For more than two decades, Olvera was a promoter of events in the states of Tlaxcala and Puebla with his company, Ranch Music Sinaloa, and countless artists and managers had working relationships and friendships with him.

Over the weekend, misinformation circulating in several media outlets about Olvera’s relationship with big stars of the genre suggested he acted as their representative and was a direct part of their teams, neither of which is true.

Last Wednesday (April 23), Olvera attended a meeting in Guadalajara, Mexico, of the ADEEM (Association of Entertainment Entrepreneurs in Mexico), of which he was once a member of the board of directors.

Multiple artists took to social media to express their condolences, including Los Tucanes de Tijuana, El Flaco Elizalde and El Yaki. The latter artist said he was close to Olvera and considered him an older brother, though the two were not biologically related.

“This is how I say goodbye to you my brother! Because I know you would have liked me to share it… and I do it from my heart,” wrote El Yaki on Instagram below a photo of the two together. “You taught me some really bitchin’ things and opened my eyes to something that today little by little I’m still building […] Fly high compa!”

In Puebla, Olvera was also known for his activities in the restaurant business. At the time of his death, he owned three establishments: Humo Gris, Ostería Humo and Puerto Marisco.

On Monday (April 29), Olvera’s body will be buried at the Valle de Los Angeles Funeral Home in Puebla.

Mike Pinder, the last surviving original member of psychedelic rock of 1960s/70s prog rock band the Moody Blues has died at 82. The pioneering keyboardist/singer credited with helping to introduce the mellotron into the rock arena passed away on Wednesday (April 24) at his home in Northern California of undisclosed causes.
Moody bassist John Lodge shared a statement from Pinder’s family on Facebook, in which they wrote, “Michael Thomas Pinder died on Wednesday, April 24th, 2024 at his home in Northern California, surrounded by his devoted family. Michael’s family would like to share with his trusted friends and caring fans that he passed peacefully. His final days were filled with music, encircled by the love of his family. Michael lived his life with a childlike wonder, walking a deeply introspective path which fused the mind and the heart.”

It continued, “He created his music and the message he shared with the world from this spiritually grounded place; as he always said, ‘Keep your head above the clouds, but keep your feet on the ground.’ His authentic essence lifted up everyone who came into contact with him. His lyrics, philosophy, and vision of humanity and our place in the cosmos will touch generations to come.”

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Born in Erdington, Birmingham England on Dec. 27, 1941, Rock and Roll Hall of Famer Pinder co-founded the group in May 1964 with multi-instrumentalist/singer Ray Thomas, singer/guitarist Denny Laine, drummer Graeme Edge and bassist/singer Clint Warwick; Laine and Warwick left the band in 1966 after the release of 1965’s debut album, The Magnificent Moodies, and were replaced by guitarist Justin Hayward and bassist Lodge. Pinder and Laine co-wrote all the original songs on Moodies, which included the band’s wistful, R&B influenced breakthrough single, “Go Now.”

The new lineup released one of the landmark early prog rock albums, Days of Future Passed, in 1967, on which Pinder made his recorded debut playing the mellotron, a keyboard that used prerecorded three-track tapes to reproduced a variety of orchestral instrumental sounds and special effects. “The Mellotron enabled me to create my own variations of string movements. I could play any instrument that I wanted to hear in the music. If I heard strings, I could play them with the Mellotron. If I heard cello, brass, trumpets or piano, I could play them,” Pinder told Rolling Stone in an oral history of the album’s enduring hit single, “Nights in White Satin.”

Pinder took lead vocals on the majestic, symphonic opening instrumental, “The Day Begins,” and is credited with writing “Dawn: Dawn Is a Feeling” and the “Sunset” portion of the trippy “Evening” suite. The album also featured what would become the group’s signature mind-trip single, “Nights in White Satin,” which ran up to No. 2 on the Billboard Hot 100 when it was re-released in 1972.

Pinder’s experimentation with the then-new keyboard helped it become a staple of prog and psychedelic recordings by groups including Yes, Genesis and King Crimson. His explorations continued on the Moody’s 1968 album In Search of the Lost Chord, another concept LP which explored the concepts of inner exploration and discovery. He contributed vocals to the propulsive single “Ride My See-Saw” and is the credited songwriter on the mind-tripping psychedelic journey through the universe “The Best Way to Travel,” featuring the acid-tinged lyrics, “Speeding through the universe/ Thinking is the best way to travel/ And you can fly, high as a kite if you want to.” He also wrote the Indian-influenced album ender “Om,” which incorporates Pinder’s mellotron, as well as sitar, tambura, tabla and cello.

The rock group that fully embraced the flower power Woodstock vibe of the late 1960s further explored the deepest recesses of their consciousness on 1969’s On the Threshold of a Dream, which again featured Pinder’s vocal contributions and songwriting on four tracks, the incense-spiced blues raga “So Deep Within You,” as well as floaty “Have You Heard (Part 1)” (and “Part 2”) and the roiling instrumental “The Voyage.”

The keyboardist would continue to be a key creative force in the band on 1969’s moon landing-inspired To Our Children’s Children’s Children album, 1970’s more straight-ahead rocking A Question of Balance — which featured the quickstep Billboard Hot 100 No. 21 hit “Question” — and 1971’s similarly concept-free Every Good Boy Deserves Favour.

The group’s 1972 LP, Seventh Sojourn, found Pinder blazing a trail with another new instrument, the Chamberlin, another electro-mechanical keyboard that also used a tape-like device that would later be featured on recordings by Stevie Wonder, James Taylor and Edgar Winter.

After a long break, the Moodys returned in 1978 with their ninth album, Octave, on which Pinder traded his mellotron and Chamberlin for synthesizers on what would be his final studio recording with the band. It featured just one track credited to Pinder, the meditative ballad “One Step Into the Light,” on which he also provides lead vocals.

Before his passing, Pinder the was the last living member of the original lineup following the death of bassist Warwick in 2004, singer/flautist Thomas in 2018, drummer Edge in 2021 and guitarist Laine in 2023. “Mike your music will last forever. Rest in peace on your travels to heaven,” Lodge wrote on Twitter. The band, including Pinder, were inducted into the Rock and Roll Hall of Fame in 2018.

Pinder released his debut solo album, The Promise, on the band’s label, Threshold, in 1976, followed by a second one, Among the Stars, in 1994 and 1995’s A Planet With One Mind.

See the statement from Pinder’s family and listen to some of his contributions to the band below.

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