obituaries
Page: 2
Veteran entertainment attorney Kendall A. Minter, whose diverse range of past and present clients included songwriter-producers Jermaine Dupri, Bryan-Michael Cox and D’Mile, MC Lyte, Kirk Franklin, Lena Horne and the Backstreet Boys, has died. He passed away suddenly from medical complications on Dec. 6 in Atlanta. He was 71.
Explore
See latest videos, charts and news
See latest videos, charts and news
Minter, a longtime social advocate who also represented politicians, religious leaders, churches, authors and sports figures, was also the general counsel and an officer of the Living Legends Foundation. In 2015 Minter was presented with the 32-year-old organization’s Chairman’s Award.
“Kendall and I have been friends and colleagues for more than 30 years,” said Living Legends chairman David C. Linton in a statement released by the organization. “Kendall is one of the reasons why the Living Legends Foundation has maintained and survived as one of the leading and one of the few Black music organizations. We’re still standing because of his guidance. He helped us sustain the organization through some turbulent times, especially during the transition from the old model of the recording industry to today’s model, providing us with steady and sound legal counsel. We’re forever grateful for his service and leadership, not only to the Living Legends Foundation, but to the other Black organizations that he helped build during the past 40 years as well as his commitment to a long list of Black music and entertainment executives that he mentored and counseled.”
Before his death, Minter was Of Counsel with the entertainment & sports practice group at Greenspoon Marder LLP in Stone Mountain, Georgia. At Greenspoon Marder, he represented clientele in the areas of entertainment, corporate, intellectual property, sports and new media matters.
He also led and maintained his 43-year law practice, now known as Minter & Associates, based in Atlanta. Over the course of that period, his varied clientele past and present also included Archbishop Desmond Tutu, Miriam Makeba, Peter Tosh, Musiq Soulchild, Goodie Mob, Montell Jordan, Ashanti, Tasha Cobbs Leonard, Teddy Riley, Heavy D & The Boyz, radio pioneer Frankie Crocker, boxer Evander Holyfield, the Government of Jamaica and The Central Park Five, now known as The Exonerated Five, among others.
Minter also co-founded and served as the first executive director of the Black Entertainment and Sports Lawyers Association (BESLA) and was the former chairman of the Rhythm & Blues Foundation. He served as a board member as well for Sound Exchange, Georgia Music Partners and the DeKalb Entertainment Commission.
Born May 24, 1952 and raised in the Flushing section of Queens, NY, Minter earned his B.A. in political science from Cornell University in 1974 and his law degree from Cornell Law School in 1976. His first job out of law school was as association general counsel and corporate representative for broadcasting at Fairchild Industries. Over the course of his law career, Minter practiced with firms in Georgia, New York and the District of Columbia. He launched his first solo practice, the Law Firm of Kendall A. Minter, in 1980 and later opened affiliated offices in Los Angeles and London.
Minter’s other accomplishments include writing the book Understanding and Negotiating 3600 Ancillary Rights Deals: An Artist’s Guide to Negotiating 3600 Record Deals. He served as well as an adjunct professor at Georgia State University in the School of Music and the College of Law, where he taught copyright and music publishing.
Details about funeral services for Minter will be announced shortly.
Phil Quartararo, the former EMI, Virgin and Warner Bros. record mogul who helped break Paula Abdul, the Spice Girls, Linkin Park and numerous other pop megastars, died Wednesday morning in Los Angeles of cancer. He was 67.
Explore
See latest videos, charts and news
See latest videos, charts and news
“I loved helping an artist’s dream come true,” Quartararo told an interviewer in 2021. “I cannot press upon you the satisfaction of doing that.”
Known as “Phil Q,” the gregarious, Brooklyn, N.Y.-born Quartararo was a ubiquitous figure in the record industry, helping to break U2 on pop radio in the mid-’80s as senior vp of promotion at Island Records, engineering the Spice Girls’ marketing plan in the ’90s as CEO/president of Virgin Records America, and working over the years with Madonna, Coldplay, The Smashing Pumpkins, Faith Hill and Green Day. “Phil believed in me like no other,” Paula Abdul said in a statement. “His ceaseless support for me during my time at Virgin was unparalleled. I will miss him.”
In the early 2000s, when Napster, MP3s and digital piracy threatened to destroy the business, Quartararo was one of the executives in Steve Jobs’ office when the late Apple CEO promised to shift the business from $10 CDs to 99-cent downloads. “At the end of the day, 99 cents for a track is better than nothing for a track,” Quartararo would say.
Virgin Records’ founder, Richard Branson, recruited Quartararo to help launch his American label in 1986, and over the years Quartararo rose to president and CEO. In 1997, according to The New York Times, Quartararo helped “turn Virgin into EMI’s crown jewel,” generating most of the parent label’s $5.9 billion in yearly sales.
Quartararo left Virgin that year to become president of Warner Bros. Records, where he worked with Madonna, Linkin Park, Josh Groban, Cher and Wilco, among others. In 2005, he made his way back to EMI, Virgin’s owner, as an executive, helping to shift the label’s focus from physical sales and distribution to marketing and launching Coldplay, Norah Jones, Keith Urban and others.
After leaving EMI in 2005, Quartararo became an entrepreneur and consultant, working with music-distribution startups, streaming services and talent managers and managed acts such as Japanese composer Yoshiki and metal band X Japan. He also ran Janet Jackson’s Rhythm Nation Records from 2016-2019. “Phil approached everything with a kind heart and a light spirit and sense of humor,” says Taylor Jones, a co-owner of music-focused multimedia company The Hello Group, where Quartararo was president and chairman. “He was incredibly stress-resistant. His values have been instilled in the very core and ethos of our company.”
Adds Evan Lamberg, president of Universal Music Publishing North America: “Phil Q was arguably the ‘’Mayor of Goodwill’ in our industry for decades. There is no one that he touched that was not better for having known him.”
In 2013, Quartararo told Billboard he didn’t miss major labels, but “I miss dealing with the artists. I miss sharing with young people, teaching them the music business. That’s the part I loved the most. I don’t miss the big company, per se. Because the big company is cumbersome and unfortunately can’t move as quickly as the consumer or artists need to move. It’s not as nimble as it used to be.”
Faye Fantarrow, a U.K. singer-songwriter whose debut came out earlier this year, has died at age 21, her publicist confirmed. The rising neo-soul talent died on Aug. 26, and her death was first announced on social media on Aug. 31 by her mother, Pam.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Fantarrow previously beat leukemia twice since being first diagnosed at eight years old. Nearly a year ago, doctors discovered a rare Glioma tumor in her brain. The release date of her debut EP, AWOL, was moved up to an earlier date (Feb. 10) to accommodate the grim prognosis; around the time of its release, Billboard hailed her distinctive vocal phrasing and the pulsing rhythm of the EP’s title track. AWOL came out on Dave Stewart’s Bay Street Records; following her passing, the Eurythmics member shared how “devastated” Fantarrow’s death left him in a statement.
“I can’t put into words how devastated I was when, just after spending an amazing creative time with Faye last summer making her debut album, Faye found out she had this very aggressive brain tumor,” Stewart said. “Faye was a joy to be around, full of fun, laughter and sharp as a razor — a true artist in every sense. Being with her and watching her at work is a diamond stuck in my head, moments I will never forget. I’m lucky to have met Faye and her Mum Pam, two humans together battling against all odds for Faye’s survival. It has been both traumatic and beautiful to witness their strength and dignity and I am so sorry the world only got to witness Faye’s genius for such a short time. She is one of the true greats, a northern girl on fire with her lyrics and melodies. I loved her deeply.”
“There is a gaping void in our lives that can never be filled, our beautiful, compassionate, intelligent and immensely talented girl has gone,” her mother Pam wrote in a social media post. “Faye fought with a strength and bravery that kept her with those she so desperately loved and who loved her beyond compare.”
Prior to her death, Fantarrow raised £235,000 (close to $300,000 USD) on Justgiving for an experimental treatment in California. She visited the U.S. for the first treatment but proved too sick for follow-ups. The extra money from the Justgiving campaign was “donated to a charity to fund further life-saving research in Faye’s memory,” per reps.
You can listen to her debut EP below.
On Sunday (Aug. 14), the music industry lost a titan when Clarence Avant — dubbed the “Godfather of Black Music” — died at his home in Los Angeles at age 92.
“Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come,” Avant’s family said in a statement. “The joy of his legacy eases the sorrow of our loss.”
That legacy looms large: In the wake of Avant’s passing, artists, executives and political leaders have been reacting to the loss of the legendary executive, who helped launch the careers of important talents such as Whitney Houston, Janet Jackson, Bill Withers, Jimmy Jam and Terry Lewis, Sean “Diddy” Combs and Kenny “Babyface” Edmonds. Avant also mentored younger executives who became industry heavyweights themselves — among them, Antonio “L.A.” Reid and Sony/ATV chairman/CEO Jon Platt.
Avant’s contributions to the industry were so profound that he was inducted into the Rock and Roll Hall of Fame in 2021 and was honored by the Recording Academy with the Grammy Salute to Industry Icons award in 2019, among numerous other honors. But his contributions to the culture extended beyond music into various other realms, including politics (he famously slept in the Lincoln Bedroom in the White House after he helped Bill Clinton get elected) and sports, working with athletes such as Jim Brown (whom he helped transition into a Hollywood acting career), Jackie Robinson and Muhammad Ali.
Unsurprisingly, Avant’s death prompted a flood of tributes from luminaries across multiple spheres. Below you can find them all.
Bill and Hillary Clinton: “Hillary and I are deeply saddened by the passing of our friend Clarence Avant, whose legendary career brought artists and their music to millions of people. He also used his success to open doors of opportunity to new generations of entrepreneurs and promoters. He was skillful, savvy, warm, and wise. It was impossible to spend time with him and not come away feeling more positive and wanting to follow his example. We just loved him.
“We give thanks for his long, good life and our decades of friendship, and we’re grateful that his legacy will endure in the music he helped bring into the world, and in all those who were touched by his compassion, mentorship, and generosity. Our hearts are with Nicole, Alex and everyone else who loved and will miss him.”
It was impossible to spend time with Clarence Avant and not come away feeling more positive and wanting to follow his example. Hillary and I just loved him. Our full statement on his passing: pic.twitter.com/qvNx5ncGtk— Bill Clinton (@BillClinton) August 14, 2023
Sir Lucian Grainge, chairman/CEO of Universal Music Group: “Clarence Avant’s extraordinary musical legacy has been felt for decades and will be felt for decades to come. He will be remembered as both a brilliant catalyst and protector of culture. His understated yet powerful influence transcended music, spanning the worlds of entertainment, sports and politics. I am profoundly grateful for his friendship and mentorship. We have lost an incomparable visionary whose brilliance, humor, irreverence, and love made the world a better place.
On behalf of everyone at UMG, we offer our deepest condolences to Nicole, Ted and Alex and to their entire family.”
Today we mourn the loss of legendary music executive Clarence Avant.🖤 On behalf of everyone at UMG, we offer our deepest condolences to Nicole, Ted and Alex and to the entire Avant family. pic.twitter.com/74X2SR1WWq— Universal Music Group (@UMG) August 14, 2023
Jon Platt, chairman/CEO of Sony Music Publishing: “It is difficult to process the loss of Clarence Avant. Clarence was an ally and mentor to me and many others who followed the trail he blazed. As one of the leading architects of the Black entertainment business, he expanded opportunities for executives of color and supported us along our journey. Clarence Avant positively impacted my life the moment he walked into it, filling a void that I did not know existed. Clarence is the closest person to a father that I ever had. He often would say, “Life is about numbers…you’re born with a number, and you leave earth with a number…”. And he was right, but what Clarence also showed me is life is about the number of lives you impact while you are here. I am forever grateful for Clarence’s tough love and encouragement. I am also thankful to Mrs. Avant, Nicole, Alex, and Ted for sharing Clarence with all of us.”
Sean “Diddy” Combs: “Clarence Avant was an irreplaceable force in the music industry. He was a mentor and a personal friend whose influence is unparalleled. His visionary approach and unwavering dedication broke barriers for black artists, propelling them to new heights. As we honor this trailblazer, we are reminded of his enduring legacy that continues to live on, inspiring a generation of artists and shaping the industry.”
Pharrell Williams: “Clarence Avant was a visionary and a transcendent spirit. He is the ultimate example of what change looks like, what architecting change looks like, and what the success of change looks like. He stared adversity in the face in climates and conditions that weren’t welcoming to people that looked like him. But through his talent and relentless spirit in the pursuit to be the best of the best, he garnered the support and friendship of people who otherwise wouldn’t look in our direction. He showed them what we can be, what we can do, and how much more we can all achieve if you give us opportunity. He has been behind so many musical greats, people in and across the entertainment industry, and I’m so honored to have known him. He was a Godfather, a Godfather to the Black dream and a Godfather to the American dream. There will never be another like him.
“It’s my hope and wish that others will see what he’s done and try to go even further, because that’s what he wanted and that’s why he did what he did. He wanted to inspire. While running an extraordinary race in his lifetime, he passed the baton to us. The question now is how we’re going to honor him and what we will we do with the baton. I give honor to GOD, my savior, and I give honor to his family, friends, and the countless people who have been impacted by his presence and time on this planet. Continued blessings and favor to Nicole, Alex, and Ted. Last but not least, his spirit is amongst the stars up in the heavens with The Master. Some people use the phrase “passed away.” I don’t because maybe the time has passed, but I don’t know that you’re away. Clarence went back up from whence he came…heaven. Blessings.”
Evan Lamberg, president of North America at Universal Music Publishing Group: “Clarence Avant was an incredibly positive life game changer for anyone that was lucky enough to be in his orbit. Besides being a great music man and entertainment executive, he was one of the greatest civil and human rights leaders of our time. The world is a much better place, for all of us, because of Clarence Avant. My deepest condolences to his beautiful family. May he rest in eternal peace.”
Irving Azoff: “We have lost the godfather. The business would look nothing like this if it weren’t for Clarence. He had the biggest heart of any of us despite him trying to hide it! What a great man.”
L.A. Reid: “In the wake of Clarence Avant’s passing, I find it difficult to put into words the depth of loss I feel. Clarence was not just a music executive and rights leader; he was one of a kind, a true original who possessed a genuine and profound care for others. My heart goes out to his beloved children, Nicole, and Alex, as well as to the memory of his late wife Jacqueline.
“Clarence’s legacy is etched in the indelible marks he left on the music industry and in his tireless efforts for the rights of us all. Yet, what truly sets him apart was his unwavering compassion and his ability to connect with all people on a personal level. He was the embodiment of sincerity, a rarity in a world often marked by pretense. His absence will leave a void that cannot be easily filled.
“As we come to terms with this loss, let us celebrate the impact he made on countless lives and the love he shared. My thoughts and sympathies are with Nicole and Alex, and I stand with them in this difficult time, offering my support and care. Clarence’s presence, his kindness, and his legacy will forever echo in our hearts. I will deeply miss him.”
Valerie Simpson, songwriter (Ashford & Simpson): “‘The Black Godfather’ I knew and I marveled at his deal making but during vacation times with Quincy he’d speak in his own way and say how much he loved Ashford & Simpson music. Clarence would let loose a vocabulary of cuss words – never before heard that would enlighten me and make me laugh – and I will miss that authenticity and life!”
Quincy Jones: “There will never be enough words to express how much Clarence Avant meant to me. He was my dearest friend, my brother, my confidant, my mentor, and my counsel for more than 60 years. Clarence always told me the truth in every aspect of my life, even when he knew I didn’t want to hear it…and in this business we all know what a rarity that is. There will never be another like Clarence Avant, and I will miss his presence every day.”
Clive Davis: “Clarence Avant was truly one of a kind. His passing is a great loss of someone who is irreplaceable. Clarence’s extraordinary contribution to music and the barriers he broke throughout his career are unrivaled. He was the mentor to all Black executives in the music industry for decades, providing invaluable guidance and support while always standing up for equal rights. Clarence was humane and fair and inspired love and respect from all who knew him. I personally loved him and will miss him forever.”
Kenny Gamble and Leon Huff (Gamble & Huff): “Clarence Avant was a great friend of ours. He definitely made his mark in the industry. He will be truly missed. We send our sincere condolences to his family.”
Berry Gordy: “With the passing of Clarence Avant the world has lost an icon, his family has lost their patriarch, and I lost a dear friend. Clarence earned his reputation as the Black Godfather for good reason. People, especially musicians and artists, went to him when they were in trouble and one way or another, he would fix the problem. Clarence was continuously engaged in the things that made a difference. He loved politics and was very involved with many charities.
“Of his numerous professional accomplishments – Clarence was most proud of his family – his beloved wife Jacqueline, his son Alex, his daughter Nicole and her husband Ted Sarandos. My heart goes out to them. Our Black Godfather may be gone – but he will never be forgotten.”
T.I.: “Maaaan, woke up this morning and couldn’t believe this news!! RIP to The Black Godfather Clarence Avant, thank you for all the wisdom you’ve shared and the path you paved for artists like myself.”
Maaaan, woke up this morning and couldn’t believe this news!! RIP to The Black Godfather Clarence Avant, thank you for all the wisdom you’ve shared and the path you paved for artists like myself🫡👑💔🕊️ pic.twitter.com/DNQ3KlNFFl— T.I. (@Tip) August 14, 2023
Roc Nation: “Clarence Avant isn’t just the “Godfather Of Black Music,” he is our cultural Godfather. Throughout his life, he burst through doors and tore down ceilings, changing lives and providing opportunities for generations. A true pioneer, a mentor and a champion, Clarence Avant is and always will be a giant among us.”
Clarence Avant isn’t just the “Godfather Of Black Music,” he is our cultural Godfather. Throughout his life, he burst through doors and tore down ceilings, changing lives and providing opportunities for generations. A true pioneer, a mentor and a champion, Clarence Avant is and… pic.twitter.com/nZYc311Wh3— Roc Nation (@RocNation) August 14, 2023
Rock & Roll Hall of Fame: “In Memoriam: 2021 Inductee Clarence Avant, known as “The Black Godfather,” was cool, savvy, confident, and fearless — someone who made the seemingly impossible possible. Avant served a variety of roles during his illustrious career, including manager, label owner, concert organizer, event producer, political fundraiser, and mentor. He was the quintessential impresario, with an uncanny ability to connect people, open doors, and provide opportunities for countless musicians, actors, and politicians. Hall of Famer Bill Withers perfectly summed up Avant’s impact: ‘He put people together.’”
(1/3) In Memoriam: 2021 Inductee Clarence Avant, known as “The Black Godfather,” was cool, savvy, confident, and fearless — someone who made the seemingly impossible possible. Avant served a variety of roles during his illustrious career, including manager, label owner, pic.twitter.com/Y7TSobxbZn— Rock Hall (@rockhall) August 14, 2023
Earvin “Magic” Johnson: “Rest in peace to the legendary, game-changing “Black Godfather”, and my great friend Clarence Avant. His accomplishments speak for themselves. As a former music manager, he founded two record labels and purchased the first fully black-owned radio station. He consulted many major studios in the 1970s and advised Presidents Jimmy Carter, Bill Clinton, George Bush and Barack Obama. He also served as chairman of the board at Motown Records, promoted Michael Jackson’s BAD tour and is responsible for discovering many of the most incredible music artists we know today.”
Kevin Liles, chairman/CEO of 300 Elektra Entertainment: “RIP Clarence Avant, Godfather of Black Music. You will be missed my friend. Rest in Peace.”
Ben Crump, civil rights attorney: “Clarence Avant — the Godfather of Black music — has died at 92. Known as the great connector in the industries of music, entertainment, and even in politics, he spent decades shaping Black culture and nurturing artists. His legacy will LIVE ON. Rest In Power, Godfather.”
Clarence Avant — the Godfather of Black music — has died at 92. Known as the great connector in the industries of music, entertainment, and even in politics, he spent decades shaping Black culture and nurturing artists. His legacy will LIVE ON. Rest In Power, Godfather 🙏🏾 pic.twitter.com/BynJDOPxle— Ben Crump (@AttorneyCrump) August 14, 2023
Sherrilyn Ifill, former president/director-counself of NAACP Legal Defense Fund: “‘The Godfather’ has left us. This man was singularly responsible for helping so many Black artists get paid their worth. Also was a wonderful supporter & former board member of @NAACP_LDF. Rest in Peace & Power #ClarenceAvant.”
Reverend Al Sharpton: “#ClarenceAvant was a revolutionary. When people in the entertainment world were delegated to a near master/slave relationship, he broke through that wall of exploitation and made us respected business people. I can’t count the enormous amount of situations that he negotiated.”
#ClarenceAvant was a revolutionary. When people in the entertainment world were delegated to a near master/slave relationship, he broke through that wall of exploitation and made us respected business people. I can’t count the enormous amount of situations that he negotiated pic.twitter.com/SyhKPTN8Xl— Reverend Al Sharpton (@TheRevAl) August 14, 2023
Los Angeles Mayor Karen Bass: “Mr. Avant gave so much to Los Angeles — producing a sound that Influenced generations while ceaselessly fighting for civil rights and equal treatment under the law.My thoughts are with the Avant family and all who mourn this massive loss.”
Mr. Avant gave so much to Los Angeles — producing a sound that Influenced generations while ceaselessly fighting for civil rights and equal treatment under the law.My thoughts are with the Avant family and all who mourn this massive loss.https://t.co/lk7czFUcdt— Mayor Karen Bass (@MayorOfLA) August 14, 2023
Barry Weiss, CEO of RECORDS: “RIP Clarence Avant. I can’t believe I’m actually writing this. This man was a true legend for real. A national treasure. He was like a second father to me. Complex, brilliant, a tough hard exterior but a beautiful soft thoughtful kind gentleman on the inside. He was always there for me and my father and we were always there for him. Nothing I can say here can come close to describing what an amazing person Clarence was. So I’II leave most of the words to the many others, the legions of industry executives and artists (not to mention the nation’s presidents) that Clarence helped. There’ll never be another like him. My last time hugging him in LA in February is a hug I’ll never forget. We all love you Clarence. Rest easy.”
Charles “Chuck” Martin Flood Jr., a longtime Nashville business manager who served as a founding owner at FBMM, has died, Billboard has learned. He was 78. Flood was a prominent figure in Nashville for more than 40 years. Early in his career, Flood worked on the label side of the business, serving in A&R and […]
Each year, the music industry inevitably loses some of its most influential behind-the-scenes players — corporate executives, agents, managers, songwriters, producers, engineers, lawyers, promoters, visionaries and more who shaped the business in a multitude of ways. So far in 2023, the industry has lost people like Alba “Albita” Eagan, the public and talent relations executive […]
Polito Vega, the larger-than-life radio personality and longtime programming director of New York City’s WSKQ (Mega 97.9 FM) — the top-rated Spanish-language station in the country — who for decades reigned as the most powerful man in that corner of radio, has died, the station confirmed on Thursday. He was 84.
Vega spent more than 50 years on the air in NYC, earning the moniker “El Rey de la radio” (The King of Radio). He was known as much for his deep booming bass, which anchored numerous popular shows through the years, as for his trademark starched white outfits and baseball cap.
Vega was so well-known in the city that there was an oft-told joke that went like this: Two friends are standing on Fifth Avenue in New York as Polito Vega and the Pope stroll by, talking together. One of them asks, “Who’s that?” The other replies, “I don’t know who the old guy with the white robe is, but he must be important if he’s that friendly with Polito!”
Vega’s importance to Latin music cannot be overstated. He was the most influential tastemaker in the country’s top market dating back to when tropical music first became popular in the city in the 1960s and 1970s and stretching all the way to the 21st century.
“The architect of Hispanic radio at a global level,” wrote DJ Alex Sensation on his Instagram feed.
In 2009, Vega celebrated 50 years on the air with two shows at Madison Square Garden featuring performances by a group of A-list talents – Enrique Iglesias, Laura Pausini and Luis Fonsi, among many others. The shows were meant to signal his imminent retirement.
Three years later, in 2012, he celebrated 53 years on the air with “El Megatón Mundial de Polito Vega” (The Polito Vega World Megathon), a show at Citi Field in Queens featuring performances by Gloria Estefan, Don Omar, Alejandro Sanz, Juanes, Ricardo Arjona, Daddy Yankee, Paulina Rubio and Tito “El Bambino,” among others.
“I’ve only done radio in New York; I belong to the city,” he told Billboard at the time. “I go out on the street and people go crazy saying ‘Polito, Polito, Polito.’ I still have the same enthusiasm I had at the beginning; the same positive attitude in front of a microphone.”
Born in Hipólito Vega Torres, Puerto Rico, Vega came to the Big Apple harboring more artistic ambitions. He wanted to become a singer, but instead found his calling behind the microphone inside a radio booth rather than on stage. It was the early 1960s, and in NYC and around the country, Spanish-language radio was a fledgling business where broadcasts mostly lived part-time on AM stations. Vega’s first job was as a DJ on a half-hour show called “Fiesta Time,” which aired on the now-defunct WEVD-AM.
“The radio station was part time, but they decided to program 24 hours and they gave me a shift that went from midnight to 6 a.m. I felt I was in heaven,” he said. “The show was so successful and I felt that liberty to express myself that I’ve maintained to this day.”
Vega eventually landed at WBNX, where he met the senior program director Raúl Alarcón. It was the beginning of what would be a life-changing relationship. Alarcón, who’d had radio stations in Cuba before fleeing after the revolution and had big ambitions of his own, would soon acquire his first station in the U.S., launching what would become SBS. Forty years ago, he hired Vega, who never left.
As for Vega, he developed his signature voice and a reputation for defending the music he was passionate about. Vega was the first to play a record by a Fania artist on the radio, the first to play bachata, the first to play reggaetón.
“I grew up listening to Polito,” Prince Royce told Billboard a decade ago. “He was one of the first to support my music, and the first time I heard one of my songs on the air it was on his show.”
“He has that rare and unique combination of personal assets and experiences that make him a veritable expert where Latin music is concerned,” remarked SBS president and CEO Raúl Alarcón, who took over the business his father founded. “He has seen – and heard – it all, and he retains an uncanny ability to judge what’s good and what’s lacking, despite the constant change in musical trends and the whims of an extremely fickle public. He has a golden ear that can’t be fooled and he is as unfailingly relevant today as he was 50 years ago.”
Over the course of the past year, the music industry has lost some of its brightest behind-the-scenes stars: corporate executives, songwriters, managers, producers, engineers, lawyers, promoters, inventors and more.
Between them, these individuals penned hit songs (“Crazy for You,” “Elvira,” “My Whole World Is Falling Down,” “The Way We Were”); helped launch important careers (Metallica, Prince, Little Richard); masterminded iconic cultural events (Woodstock); founded enduring labels (Stax, Impulse!); built empires (Clear Channel); created and/or produced iconic Broadway musicals (Hair, Dear Evan Hansen); helped popularize burgeoning musical genres (hip-hop, alternative rock); and even changed the way people listened to music.
While they may not have enjoyed the high profile or public adoration of their artist counterparts, these individuals played just as important a role in keeping the business humming – or at least dissecting it, in fire-breathing fashion. Some worked in the industry across decades and eras; others passed on far too soon, but left their mark nonetheless. Some created new and important spaces for underrepresented voices; others paved the way for those who came after them. They have been remembered as dreamers, visionaries and jokesters, and described as “magnetic,” “legendary” and possessing “a rock and roll heart” by those who knew and loved them.
To celebrate those who have passed on, Billboard is highlighting these often-unsung movers and shakers, all of whom made a difference in the music industry in ways both large and small, across every aspect of the business.
Here are the behind-the-scenes players we lost in 2022.
Shirley Ann Watts, a former art student and prominent breeder of Arabian horses who met drummer Charlie Watts well before he joined the Rolling Stones and with him formed one of rock’s most enduring marriages, has died. She was 84.
“Shirley died peacefully on Friday 16th December in Devon after a short illness surrounded by her family,” her family announced Monday (Dec. 19). The Rolling Stones’ Ronnie Wood was among those mourning her.
“We will miss you so much, but take comfort that you are reunited with your beloved Charlie,” Wood wrote on Facebook.
While Wood, Mick Jagger and Keith Richards all have had multiple wives and girlfriends, Charlie and Shirley Watts remained together for more than 50 years, until Charlie died in 2021. Their only known crisis happened in the mid-1980s, when Charlie Watts struggled with heroin addiction, a time he would later say nearly cost him his marriage. He was otherwise regarded as so devoted to his wife, and daughter Seraphina, that journalists essentially left him alone.
“I’ve always wanted to be a drummer [and] as long as it’s comfortable with my wife, I’ll continue to do it,” he told Rolling Stone magazine in 1996.
When Charlie wasn’t touring or recording, he and his family lived on a 600-acre, 16th century estate in Devon, where they were better known for their Polish Arabian horses and for rescuing animals than for the drummer’s singular place in rock history. Stories about the Watts were as likely to appear in Arabian Horse World as they were in a music publication.
According to Charlie, his wife had warm relations with Jagger and Richards and, unlike him, would play the Stones’ music around the house. But Shirley herself expressed ambivalent feelings, telling Vanity Fair in 1989 that the band’s drug use affected her life “very, very deeply” and that she otherwise had little use for the rock star world.
“It was quite appalling being pitched into the life of the Rolling Stones,” she said. “I really got lost for about 25 years and I’ve never been able to cope with it. There’s been lots of anger, much of it very, very deep. I like the people in the group — up to a point. But I’ve always hated the way rock music and its world treat women and particularly the Rolling Stones’ attitude. There is no respect.”
Shirley Ann Shepherd was born in London in 1938 and was studying sculpture at the Royal College of Art in the early ’60s when she first saw her future husband, who at the time was part of the emerging blues and jazz scene in England that also included Jagger and Richards. They were already dating when Watts joined the Stones early in 1963, and married the following year, just as the band had established itself as second only to the Beatles in local popularity.
“She was so funny and clever, and she had the most infectious laugh you’d ever heard,” Charlie Watts said of her when interviewed by The Guardian in 2000. “And I loved the world she was in, the world of art and sculpting. I just admired Shirley very, very much.”
The biggest scandal about their marriage was their decision to get married. Rock star weddings were considered bad business at the time, a turnoff to young female fans — the Beatles’ John Lennon was among those who hedged when reporters asked him about his domestic life.
Without informing the other Stones, the Watts married in Bradford and had a quiet lunch at a nearby pub. According to Paul Sexton’s Charlie’s Good Tonight, a 2022 biography of the late drummer written with his family’s cooperation, Charlie Watts initially denied reports that he was married, telling the Daily Express that “it would do a great deal of harm to my career if the story got around.” But Shirley happily confirmed the news, saying they could not “bear to live separately any longer.”
Neither Charlie nor Shirley liked drawing attention to themselves, but at times they did so anyway. Shirley Watts was arrested at the Nice airport in 1971 for attacking customs officials after they had reportedly singled out her husband for attention. In 2016, she threatened to sue Polish government officials over the alleged mistreatment of two Arabian mares at a state-run farm.
Shirley Watts also endured a battle with alcoholism, one she helped overcome by hours of sculpting horses and dogs. The Watts’ shared interest in horses grew from collecting figurines to raising hundreds of Arab horses, a passion that began after Charlie purchased a part-bred stallion for his wife.
“I much prefer my life here with the horses. I love the hunt. The sense of power one gets on a horse,” she told Vanity Fair. “It’s a very primeval instinct. When you hear the hounds — they call it the music — when you hear the hounds’ music, it’s bloodcurdling it’s so thrilling. And it affects both you and the horse. There’s nothing like it. It’s dangerous. It’s exciting.”
She added, with a laugh, “It sounds rather like a rock ‘n’ roll concert.”
In the 1970s, Louis Messina visited the Houston Astrodome to check out the events his new business partner, Allen J. Becker, was putting on. “He’s doing boat shows and having Evel Knievel jump over 150 cars and thrill shows and demolition derbies,” Messina recalls. “I went, ‘Holy crap, there are 60,000 people here!’ A guy jumped from the top of the Astrodome into the air bag.”
Becker, 90, who died Monday (Dec. 12) at his Houston home, first approached Messina, then a New Orleans rock promoter, in 1975 to form a concert-promotion partnership. Their company, PACE Concerts, went on to dominate Texas and much of the South for more than 20 years, booking stars from The Who to Bruce Springsteen to Rush.
“Allen had an old saying: ‘I’d rather lose money with you than you make a dime without me’ — meaning that if you had a good idea and you truly believed in it, he’ll be there with you,” says Messina, today an Austin-based promoter who has represented acts from George Strait to Taylor Swift. “He saw something in me that no one else in my whole life saw in me.”
Becker had been a life insurance agent in 1965 when a banker friend suggested they promote a consumer boat show at the new Astrodome. The show was a success and led to years of monster-truck rallies and tractor pulls. In 1975, the New Orleans Superdome approached Becker about producing entertainment events for acts such as Bob Hope and The Temptations, which is where he met Messina. A Glenn Miller fan, Becker recognized he had a blind spot in rock acts and reached out to Messina to partner on shows throughout the South.
It was Messina who suggested moving to Houston to create the partnership that became PACE Concerts: “We’ll make a go of it and we’ll see what happens,” he told Becker.
Like other promoters in the U.S., Becker and his son, Brian, soon recognized the money in the concert business wasn’t in ticket sales but in beer, hot dogs and popcorn. They steered PACE into building amphitheaters for $8 million to $10 million apiece — “They were affordable,” Messina says — in Nashville, Atlanta and elsewhere. “The concert promoters who have really prospered have been the ones that stepped out and got involved in facilities,” Becker told Billboard in 1998, about controlling sheds and their revenue streams. “You need those other revenue streams.”
“That created 10, 12, 13 amphitheaters,” says Gary Becker, Allen’s son, a former top PACE exec who was 16 when his father employed him to shuttle bus and truck drivers to their hotels and purchase batteries and guitar strings for touring artists. “You go to an Elton John and book him 13 times around those amphitheaters and it was a win for everybody, including the bands.”
In 1998, PACE was on track to gross nearly $250 million in revenue when Robert Sillerman‘s company SFX bought it for $130 million. Two years later, Silllerman then sold SFX to radio giant Clear Channel Entertainment for $3.3 billion in stock — Brian Becker, Allen’s son, served as CEO of that company for the next five years. “It was definitely emotional,” Gary Becker recalls. “It was time for my dad. Things can’t stay the same. It gets too big, I guess.”
Born in Houston, Becker was the son of a shoe salesman and a homemaker. He graduated from the University of Texas at Austin with a marketing degree. He served in the Air Force, then started his career in 1957 with Kansas City Life Insurance Company. When he began working in entertainment, he told Texas Monthly in 1996, it was a “real street business.”
After the SFX sale, Becker continued to be active in that business. He oversaw the ACE Theatrical Group, whose holdings included the Kings Theatre in Brooklyn and the Mahalia Jackson Theater for the Performing Arts in New Orleans, before selling them in 2018.
“He liked to compete, and he liked to win, but he liked to do it in the best way possible,” Gary Becker recalls. “You don’t need to go for the jugular. You don’t need to press real hard. You want the people you do business with to know you are honest and fair.” In 1998, Allen Becker told Billboard: “I’m proud of what we’ve accomplished. We have a reputation in the marketplace, and people trust us. It has been a hell of a career.”
Becker’s survivors include his sons, Brian and Gary; daughter, Sunni Markowitz; 11 grandchildren; and one great grandchild. His wife of 54 years, Shirley, died in 2008.