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Diddy Placed on ‘Procedural’ Suicide Watch While Awaiting Trial in Federal Custody: Reports

Sean “Diddy” Combs has been placed on a suicide watch as he awaits trial in federal custody on charges of sex trafficking and racketeering, NBC News and People reported on Friday (Sept. 20). 

The move is “procedural with high-profile clients,” the insider told NBC News. Sources also told People that the move was a preventative measure.

Billboard has reached out to Combs’ rep and lawyer for comment, as well as the Metropolitan Detention Center in Brooklyn, N.Y., where he is currently being held. 

The hip-hop titan was denied bail at his Sept. 17 arraignment for an alleged decades-long racketeering streak that the indictment indicates involved forced labor, kidnapping, arson and bribery. The U.S Department of Justice National Institute of Corrections defines “suicide watch”

as “supervisory precautions taken for suicidal inmates that require frequent observation” carried out by staff “trained in recognizing suicidal behavior.” 

The Bad Boy Records founder is currently facing up to life in prison for three felony charges following his grand jury indictment Sept. 16, after which he was arrested and placed in custody. The following day, Combs pleaded not guilty to all charges, and his lawyers requested that he be released on a $50 million bond, but Magistrate Judge Robyn F. Tarnofsky ruled that the mogul needed to stay behind bars, as he posed a flight risk and had the resources to intimidate witnesses if released. He was denied bail a second time on Wednesday (Sept. 18). 

The next step for Combs will be an initial pretrial conference next week before Judge Andrew L. Carter, Jr., the federal district judge who will oversee his trial. According to reports, the mogul’s attorneys have requested that their client be transferred to a facility in Essex County in New Jersey, arguing he might be unsafe at the hands of other inmates in the Metropolitan Detention Center. 

If you or anyone you know is in crisis, call 988 or visit the Suicide & Crisis Lifeline’s website for free, confidential emotional support and resources 24/7. 

Bad Bunny Unleashes Poignant ‘Una Velita,’ Reflecting on Puerto Rico’s Political Climate

It’s been seven years since Puerto Rico was devastated by Hurricane Maria, and Bad Bunny is taking this moment to reflect on the aftermath of the deadly Category 5 storm.

In “Una Velita,” released on Thursday (Sept. 19), the Puerto Rican hitmaker is brutally honest about how the island’s infrastructure, particularly its continued blackouts due to a weakened power grid, has yet to recover from the catastrophic hurricane, which resulted in thousands of deaths. “There were five thousand that they let die, and we will never forget that,” Bad Bunny sings in the powerful song.

The track not only comes on the heels of Hurricane Maria’s seventh anniversary, but also during election season, which he has been vocal about, using his social media platforms to encourage his millions of followers to make sure they’re registered to vote.

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“Obviously the light will go out, God knows if it’ll come back,” he continues singing in Spanish over a riveting folkloric beat that grows with intensity, matching the song’s urgency. “The bridge they took so long to build, the growing river will break. A few songs on the phone for when the reception goes out. The sign was sent and they don’t want to see it, it’s up to the Boricua to want to wake up … Remember that we’re all from here, the people will have to save its pueblo.”

It’s not the first time that Bad Bunny has used his music to shed light on topics that are important to him and the Puerto Rican community. In 2022, he released a nearly 23-minute-long documentary for his blunt track “El Apagón” from his blockbuster Un Verano Sin Ti, in which the chart-topping artist addresses blackouts and gentrification, among other topics, taking aim at the local government for its inaction when it comes to these social issues.

Listen to Bad Bunny’s poignant “Una Velita” below:

The Kiffness Performs Viral ‘Eating the Cats’ Track Live in Munich

South African artist The Kiffness has taken his viral, Donald Trump-inspired track to the stage.

The Kiffness (real name David Scott) shared a video to social media on Thursday (Sept. 19) in which he’s seen performing his viral “They’re Eating the Cats” track in Munich, Germany. “‘Eating the Cats’ live in Munich last night. Only a week ago I was in my studio in South Africa writing this song,” he captioned the clip alongside a laughing emoji.

The song is a remix of a false claim Trump made during the presidential debate against Kamala Harris on September 10. “In Springfield, they’re eating the dogs—the people that came in. They’re eating the cats,” he said in reference to the Haitian migrants in the Ohio city.

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“My initial desire to remix the quote was because I thought it was amusing and outlandish, but I also recognized the melodic element to the statement. I decided to give it a shot and I had the basic idea for the song in a matter of minutes,” The Kiffness told Newsweek of his inspiration to remix the line from the debate.

The now-viral YouTube video has more than five million views at the time of publication. Listen to “They’re Eating the Cats” in full below.

Election Experts Say ‘Taylor Swift Effect’ Could Impact Presidential Election After Kamala Harris Endorsement & Trump ‘Hate’ Tweet

The White House race between former President Donald Trump and current Vice President Kamala Harris continues to be incredibly tight. With less than two months to go before Americans cast their votes, both candidates are doing everything they can to lock in their core constituents, amidst a desperate scramble to rope in crucial undecided and uninspired voters who could tip the scales in their favor.

And while the GOP has long hewed to the old saw that celebrity endorsements don’t move the needle on election day, this year has already shown how the right A-list seal of approval could be one of the decisive factors in the battle between twice-impeached convicted felon Trump and 11th-hour Democratic candidate VP Harris.

The proof is in the immediate impact felt by Taylor Swift throwing her hat into the ring two weeks ago with a strongly worded endorsement of Harris and VP pick Minnesota Gov. Tim Walz. After Swift encouraged young voters to register at Vote.gov following the Democratic National Convention, more than 405,000 people clicked through in strong example of Swift’s potential impact on the outcome in November, easily besting the site’s early September daily tally of 30,000 visitors.

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A week later, Trump lashed out at the megastar, who has been selling out stadiums around the world for the past year on her culture-dominating Eras Tour, while also getting weekly high-profile, multi-demo screen time during NFL season thanks to her romance with Kansas City Chiefs tight end Travis Kelce. “I HATE TAYLOR SWIFT,” the candidate raged on his Truth Social platform over the weekend.

According to a YouGov poll conducted last week, more than 53% of Americans — including 31% of Republicans — think Swift’s endorsement will help Harris; 4% thought it might hurt Harris. That poll came on the heels of a February survey by Change Research that found that 65% of Democrats had a favorable view of Swift, while 29% of independents and just 17% of Republicans felt the same. For now, though, it’s still unclear if Swift’s endorsement will actually help Harris — based on a recent ABC News/Ipsos poll, in which 81% of voters surveyed said Swift’s support for the VP will not influence how they vote. Only six percent said they are more likely to vote for Harris since Swift’s post, with 13 percent saying it makes them less likely to do so.

With the Nov. 5 election just 47 days away, Billboard spoke to a group of academics, political consultants, pollsters and music managers to see if they think Swift’s endorsement — and Trump’s lashing out — could help push Harris/Walz over the top, or turn the tide in Trump’s favor.

“People Will at Least Listen to Her”

“This election will be decided by a few thousand votes in three or four key states, so everything matters,” says veteran pollster and communications analyst Frank Luntz. “Will this be the deciding factor? Probably not. But will it have an impact? Most definitely.”

Luntz, who has done a series of stories asking the same group of young, undecided voters about the election for the New York Times since August, says before President Biden dropped out to make way for Harris, he polled voters about who would have the most influence on their vote. In first place was Trump at 38%, with Biden at 34% and Swift not far behind at 25%.

“I was really shocked by that,” he says. “At the time, Biden was so weak among younger women, and they are among the Democrats’ most reliable voting group — and [Swift] matters significantly, because she’s not seen as a politician and she’s not seen as a partisan. So people will at least listen to her.”

In addition, Luntz says, he thinks Swift handled the wording of her endorsement “quite well,” with language that explained “with some sophistication” why she did what she did. Among the reasons Swift cited for speaking out was her fear and anger over an incident last month in which Trump platformed fake AI-generated images of the singer falsely claiming she was supporting him.

Brilliant Corners Artist Managment (Death Cab For Cutie, Postal Service, Best Coast) co-founder Jordan Kurland knows a bit about speaking out during crucial elections, thanks to his time serving on the Entertainment Advisory Committee for both former two-term Democratic President Barack Obama and the unsuccessful 2016 Clinton presidential campaign against Trump. He also was impressed with the way Swift made it more about voting than herself.

“I appreciate that she talks about doing her research and encouraging people to not just vote for the candidate because your favorite pop star said so, but to really get to know the issues,” says Kurland.

“The icy peak of dumbf–k mountain”

While an older generation of artists, such as Bruce Springsteen, Oprah Winfrey and Barbra Streisand, have been reliable democratic party boosters and endorsers in the past, Luntz and Lincoln Project co-founder Rick Wilson (author of Everything Trump Touches Dies) say that Swift is a new kind of political force — with a massive, multi-media reach that could rope in sometimes unreliable, unmotivated young voters.

“Taylor Swift represents a different category of celebrity than almost anyone under the sun,” says the former Republican and political strategist Wilson, who co-founded the Lincoln Project Super PAC in 2019 in an effort to prevent Trump from being re-elected. “She’s sui generis in terms of the reach she has and her impact on young women, not to mention their fathers and mothers.”

Swift not only rules the Billboard charts on an almost constant basis, as well as having a culture-dominating Eras Tour and accompanying movie, but also makes headlines every weekend from the sky box as she cheers on Kelce. NFL games averaged 17.9 million viewers each in 2023, a year when 45 NFL games were among the 100 most-watched prime-time telecasts, with the league hogging 14 of the top 15 slots.

Add in 4.35 million tickets sold for her 60 Eras Tour U.S. shows in 2023, and Wilson says you have an artist whose reach — and influence — is virtually unmatched in modern pop history.

“Some of those girls who first loved her are now young women whose mothers took them to see Swift 10-15 years ago,” says Wilson. “And she has a relationship to those women and girls that Republicans are trying to make fun of — [they say] ‘her music is about bad choices, that’s why this is a bad choice’ — but her candor about her life, and the way it plays through her art, makes her relatable and engages people and makes them feel connected to her beyond her music and entertainment.”

In addition to being major pop culture moments and serious financial boosters for every city Swift visits, Wilson wryly notes that “nobody leaves a Taylor Swift show early or cranky, which is exactly the opposite of a Trump rally. They stay until the last minute and come away feeling happy and empowered.” (Wilson says he joked on MSNBC last week that he’d devised a new spin on the traditional warning about the historically biggest mistakes a politician can make: invading Moscow in the winter, launching a land war in Asia… and screwing with Swifties.)

As for Trump’s “HATE” tweet, Wilson came up with a new description of what he said was an unfathomably stupid self-own targeting a potentially crucial group of voters. “It wasn’t just a stupid idea,” he says. “If there was an Olympian level of stupidity, a mountain in the far distance of stupid ideas, it’s the very pinnacle, the icy peak of dumbf–k mountain.”

“They got Kid Rock and you have Taylor Swift”

Renowned political consultant and pundit James Carville, the lead strategist for Bill Clinton’s winning 1992 campaign, maintains that the evidence that celebrity endorsements have a significant impact on voting behavior is “pretty thin.” But, he adds, at the very least Swift’s endorsement will “drive [Trump] crazy” — as evidenced by the billionaire real estate mogul’s all-caps tweet and running mate JD Vance’s (somewhat) tempered double-down on Fox News last week. “We admire Taylor Swift’s music — but I don’t think most Americans, whether they like her music, are fans of hers or not, are going to be influenced by a billionaire celebrity who I think is fundamentally disconnected from the interests and the problems of most Americans,” opined the former venture capitalist, multi-millionaire Ohio senator.

In addition to her endorsement potentially distracting Trump, and his hate in response turning off many 18-34 young female voters who could be crucial to a win in November, Carville says Swift’s urge to register to vote could definitely make a difference. “It’s impressive that people did an affirmative act [in registering to vote], and he knows that,” says Carville. “They got Kid Rock and you have Taylor Swift. How is that gonna work out?”

Despite political veteran Carville’s on-the-fence status about celebrity endorsements, Penn State University associate professor of political communications and gender Dr. E. Michele Ramsey says that there is “all kinds of research” showing that the “perceived authenticity” of a celebrity’s thumbs-up does move the needle for “either a product or a candidate.”

Ramsey, who teaches the “Taylor Swift, Gender and Communication” course, says Swift’s action could make a difference among low-information voters, a crucial demo this year. She says we’re a moment now where women’s stories are loudly taking center stage on playlists, in the movies and on social media thanks to massive exposure for projects from not only Swift, but also such pop culture juggernauts as Beyoncé, Chappell Roan, Olivia Rodrigo and Billie Eilish, and even last year’s billion-dollar Barbie movie. And while Swifties are generally more likely to vote for Democrats according to a recent YouGov poll, she is so hugely popular that it’s likely she has fans across a broad political, and geographic spectrum.

“We’re in a unique moment in history where women’s stories are at the top of the food chain, where all these performers are speaking in a very vulnerable situation and expressing feelings that I think many women [and others] can relate to,” Ramsey says about an era when a woman’s right to choose has taken center stage. That state-by-state battle of course follows the overturning of Roe V. Wade two years ago, thanks to Trump’s elevation of three new conservative Supreme Court justices ,who helped overturn a woman’s federally protected right to abortion.

So far, in addition to Swift, a raft of other musicians and stars who appeal to the young female demo have endorsed Harris, including Beyoncé, Eilish, Roan, Rodrigo, Ariana Grande, Cardi B, Charli XCX, Katy Perry, Demi Lovato, Kesha, Megan Thee Stallion and P!nk. Trump has gotten endorsements from a less pop-culture-relevant group: one that includes Kid Rock, Billly Ray Cyrus, Kanye West, Lil Pump, Jason Aldean, Kodak Black and Azealia Banks.

“I’ve never seen a political party that just wants to poke the bear as much as they can,” Ramsey adds about the GOP’s decades-long drive to make abortion illegal, as well as attempts to limit the availability of IVF treatments and contraception, and Vance’s now-infamous put-down of Harris (and other Democrats) as “childless cat ladies.” (Swift sharply signed her endorsement as a member of the latter group, while posting a picture of her holding one of her cats.)

Ramsey notes that while young voters don’t tend to trust dusty institutions or traditional politicians, they do put faith in idols they want to emulate — as evidenced by the quickly formed Swifties for Kamala group that pulled together the day Biden dropped out. “If I was a campaign consultant to Republicans, I would tell them to stop saying anything about Taylor Swift,” he counsels.

At the end of the day, Luntz thinks “everything” makes a difference when you’re talking about an election measured in inches, not miles. He points out the Harris campaign’s potential to lean into Swift’s pop culture pull, as they already have with Taylor-themed campaign friendship bracelets and political ads. “You’re seeking any kind of momentum, any kind of edge,” he explains.

In Luntz’s mind, if the singer doubled-down against Trump’s childish “if you don’t like me, I don’t like you more” “HATE” post and turned his ire against him, it could be a key brick in Harris’ firewall: “She [Swift] could easily turn that into, ‘you don’t like me, WE don’t like you and we’re gonna have the last laugh!’”

At press time spokespeople for the Trump and Harris campaign had not returned Billboard‘s request for comment.

George Clooney Praises Taylor Swift’s Kamala Harris Endorsement: ‘What a Beautiful Thing to Do’

George Clooney is loving Taylor Swift‘s style. Following the pop star’s recent emphatic endorsement of Kamala Harris‘ presidential campaign, the actor praised her for getting involved in the 2024 election during a red carpet interview with the Associated Press Wednesday (Sept. 18). 

“It was beautiful,” Clooney told the news agency at the Los Angeles premiere of new movie Wolfs, in which he stars opposite Brad Pitt. “What a beautiful thing to do.”  

“She’s a real phenomenon right now,” he continued as Pitt, standing next to him, nodded. “It’s exciting to see all of these young people engaged in the national discourse. I think it’s exciting. I’m very excited to see her engaged.” 

Clooney’s remarks come more than a week after Swift broke her silence on the election with a post-presidential debate Instagram post emphasizing her support of the Democratic ticket, calling Harris a “steady-handed, gifted leader” and a “warrior” for LGBTQ+ and women’s rights. She also called out Donald Trump’s campaign for circulating AI-generated images falsely painting her as a MAGA supporter. 

The Gravity star is just the latest public figure to praise the 14-time Grammy winner for speaking out, with everyone from Stevie Nicks to Hillary Clinton also backing her up over the past week. But Swift’s post has also prompted backlash from conservatives, including Megyn Kelly, Lil Pump and Trump’s running mate, JD Vance

Trump himself also hit back at Swift for endorsing his opponent, writing on Truth Social, “I HATE TAYLOR SWIFT.” 

Clooney has been active throughout the 2024 election, at first endorsing President Joe Biden’s re-election campaign before penning a polarizing op-ed for The New York Times urging the POTUS to drop out of the race. Biden eventually did just that in July, endorsing his second-in-command for the role instead.  

Watch Clooney talk about Swift’s endorsement below.

Shyne Reacts to Diddy’s Arrest: ‘This Is Someone That Destroyed My Life’

Former Bad Boy rapper Moses “Shyne” Barrow has spoken out following Diddy’s arrest earlier this week on racketeering and sex-trafficking charges.

Shyne, who serves as the Leader of the Opposition in the Belize House of Representatives, shared his thoughts regarding his former boss’s legal troubles with the media on Wednesday (Sept. 18).

“When I was an 18-year-old kid just wanting to do nothing other than make my mother proud and make Belize proud and be recognized for my talent and take over the world,” he said. ‘I was defending him, and he turned around and called witnesses to testify against me. He contributed … he pretty much sent me to prison. That is the context by which you must always describe that [relationship]. I forgave. I moved on. But let us not pretend as if I was in Miami for Thanksgiving and Christmas.”

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Shyne is referencing the case surrounding a December 1999 NYC nightclub shooting at he, Diddy and Jennifer Lopez (the mogul’s girlfriend at the time) were all present during; Shyne ended up being charged with assault and sentenced to 10 years behind bars in June 2001. He was ultimately released in 2009 and deported to Belize.

He continued: “So, let us not lose sight of what the cold, hard facts are. This is not someone who I vacationed with and who he and I enjoyed this great, intimate relationship of brotherhood. This is someone who destroyed my life and who I forgave and who I moved on and for the better interest of Belize, because he was in a position at that time to give scholarships and to maybe invest, I would not deny attempting to bring the investment to Belize and contribution to education to Belize.”

“Don’t distort it as if he and I were boom bally. This is someone that destroyed my life,” he continued. “But do I take any joy with what he is going through? Absolutely not. I am different than other people — no one needs to fail for me to succeed.”

While Shyne has forgiven Diddy for their past, earlier this year, he admitted that the 1999 shooting case that sent him to prison still “opens wounds” when brought up.

Sean “Diddy” Combs was arrested earlier this week on federal sex trafficking and racketeering charges in New York City. He was once again denied bail on Wednesday (Sept. 18) after a federal judge cited concerns that the embattled music executive would pose a flight risk and might intimidate witnesses if he was released.

Diddy’s legal team drew up a $50 million bond package featuring strict requirements, but the judge was not moved. The rapper will remain in a Brooklyn federal prison until trial.

Lincoln Project Slams Trump in Taylor Swift-Themed ‘Bad Blood’ Ad: ‘Not the First Successful Woman Donald Trump Has Attacked’

The Lincoln Project has spent the better part of five years warning Americans about what they see as the danger of second Donald Trump administration. The political action committee made up of moderate conservatives and former GOP members — including George Conway, ex-husband of Trump’s former senior counselor, Kellyanne Conway — will release its latest broadside against twice-impeached, convicted felon Trump on Thursday morning (Sept. 18).

And in keeping with the raft of headlines over the past few weeks, it involves Taylor Swift. Specifically, the minute-long “Bad Blood” spot — which Billboard is exclusively previewing today — paints Trump’s recent rant against the pop star as being in line with what the group says is Trump’s long-running contempt for successful women.

The ad — whose landing page features the all caps subtitle: “THE MISOGYNISTIC PRESIDENTS’ DEPARTMENT” in a nod to the title of Swift’s most recent studio album — is titled “Bad Blood,” a reference to Swift’s 1989 single of the same. It opens with a shot of Swift accepting an award at last week’s 2024 MTV VMAs as a voiceover notes, “Taylor Swift isn’t the first successful woman Donald Trump has attacked… she’s just the most recent.” The screen then fills with a shot of a post from Trump’s Truth Social account from Sunday in which he said in all caps: “I HATE TAYLOR SWIFT!”

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The rest of the spot is a super-cut of Trump’s most well-known put-downs of famous and prominent women over the years, including his reference to what he called comedian Rosie O’Donnell’s “fat, ugly face. The narrator continues, “Trump has a problem with women… disrespectful…insulting…even violence,” over images of Trump during his contentious 2016 presidential debate with former Senator and Sec. of State Hillary Clinton, in which he referred to her as “the devil.” It also includes the time the reality TV host insulted Celebrity Apprentice contestant Brande Roderick with the crude oral sex reference, “must be a pretty picture, you dropping to your knees.”

“It’s ugly,” the female narrator says over footage of a smiling Trump telling ABC reporter Cecilia Vega, “I know you’re not thinking, you never do.”

“It’s cruel,” the narrator adds as the subject turns to a 2016 MSNBC interview in which then-candidate Trump said “there has to be some form of punishment [for women],” for having an abortion; the Supreme Court reversed the half-century-long constitutional right to abortion two years ago after Trump’s appointment of three conservative justices, a ruling he called “the biggest win for life in a generation.

“One thing he’s proven is that he’ll never change,” the narrator says over footage of Trump signing a document on the back of a bent-over woman as well as putting his signature on the upper half of a female supporter’s dress. It also includes the infamous leaked Access Hollywood tape in which Trump bragged that when you’re a celebrity women allow you to “grab ’em by the p–sy,” which surfaced before election day in 2016.

“Is this how you would want a man to treat your daughter?” the narrator asks over Trump’s crude description of former Fox News anchor and 2016 debate moderator Megyn Kelly having “blood coming out of her whatever” after she pressed him on his past history of referring to women as “fat pigs, dogs, slobs and disgusting animals.”

“You know the answer, you know the truth,” the ad concludes as Swift fills the screen again, along with audio from a recent Fox News segment in which Trump said he was never a fan of the billionaire pop star and predicted that her endorsement of rival Democratic Vice President Kamala Harris will find her “pay[ing] a price for it” in the marketplace.

“He says he hates Taylor… but the truth is he hates all of us.”

Watch the Lincoln Project’s “Bad Blood” ad below.

Billie Eilish’s ‘When the Party’s Over’ Closes Kamala Harris Ad on Reproductive Care

Billie Eilish’s “When the Party’s Over” soundtracks a new Kamala Harris ad that targets the dangers of not having reproductive care under a Donald Trump presidency.

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In the one-minute clip, reproductive freed activist Hadley Duvall tells a devastating story of how she became pregnant after her stepfather raped her when she was just 12 years old. While she was able to get to have options like abortion for her pregnancy, Duvall warned that due to Roe v. Wade having been revoked, young women can no longer get the care they need, even when the pregnancy is die to incest or rape.

Eilish’s recognizable chorus is heard as Harris approves the message.

Earlier in the day, Eilish and her brother Finneas voiced their support for Harris. “We are voting for Kamala Harris and Tim Walz because they are fighting to protect our reproductive freedom, our planet and our democracy,” the “Bad Guy” singer says in a clip posted to social media.

“We can’t let extremists control our lives, our freedoms and our future,” Finneas continues. “The only way to stop them and the dangerous Project 2025 agenda is to vote and elect Kamala Harris.”

The pair also shared a link where fans can check their registration status ahead of election day on Nov. 5. “Vote like your life depends on it,” Eilish adds in the clip. “Because it does.”

Sean ‘Diddy’ Combs Again Denied Bail In Sex Trafficking & Racketeering Case

Sean “Diddy” Combs was once again refused bail Wednesday (Sept. 18) in his sex abuse case, after a federal judge ruled that the indicted rapper and music executive would pose a flight risk and might intimidate witnesses if released, the AP reports.

At a hearing in Manhattan federal court, Combs’ lawyers renewed their request to let him await trial on sex trafficking and racketeering charges under house arrest at his Miami mansion, once again offering to pay a $50 million bond and submit to other strict requirements.

But just like a magistrate judge had ruled a day earlier, Judge Andrew L. Carter said Tuesday that Diddy must instead wait for the trial in a Brooklyn federal prison, citing concerns that the once-powerful executive could pose a danger to others or obstruct the government’s case.

Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But on Tuesday he was indicted by federal prosecutors over accusations of sex trafficking, forced labor, kidnapping, arson and bribery. If convicted on all the charges, he potentially faces a sentence of life in prison.

In Tuesday’s indictment, prosecutors accused Combs of running a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” The charges detailed “freak offs” in which Combs and others would allegedly ply victims with drugs and then coerce them into having sex with male sex workers, as well as alleged acts of violence and intimidation to keep victims silent.

“For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct,” prosecutors wrote in the indictment. “To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”

At his initial arraignment on Tuesday, Combs’ lawyers made their arguments to Magistrate Judge Robyn F. Tarnofsky, who ultimately denied Diddy’s request for bail. She cited, among other things, her “very significant concerns” about Combs’ substance abuse and “what appears to be anger issues,” according to the Associated Press.

A day later, the rapper’s lawyers exercised their right to renew their request for bail to Judge Carter, the full federal district judge who will be overseeing the case and the eventual jury trial.

Ahead of Wednesday’s hearing, Combs’ lawyers filed an updated “package” of bail restrictions that they said would mitigate any concerns raised by prosecutors. In addition to the $50 million bond and house arrest, they promised to submit to GPS monitoring, travel restrictions, weekly drug testing and constant monitoring of visitors. Given the nature of the allegations, they also offered to “restrict female visitors to Mr. Combs’ residence except for family, or mothers of his children.”

But the judge was once again swayed by prosecutors, who repeated their warnings that Combs was a “serial abuser” who had a history of both violence and witness intimidation, raising the prospect that he might attempt to obstruct the case against him.

James Dolan Sex Abuse Lawsuit Dismissed By Federal Judge, But Case Might Go On

A federal judge has dismissed a lawsuit accusing Madison Square Garden executive James Dolan of pressuring a masseuse into unwanted sex while his band toured with the Eagles, though elements of the case will likely continue in state court.

Kellye Croft sued Dolan earlier this year, claiming he repeatedly coerced her into “unlawful and unwelcome sex acts” during the 2013 tour. The lawsuit also included assault allegations against disgraced film producer Harvey Weinstein, claiming Dolan facilitated the incident with the convicted rapist.

But in a ruling Tuesday, Judge Percy Anderson permanently dismissed Croft’s only federal allegation — a claim that Dolan had violated federal sex trafficking laws. The judge said Croft had failed to meet the basic requirements to sue under the statute.

The case also includes separate state-law accusations, including claims of sexual battery and aiding and abetting of sexual assault against Dolan and a claim of sexual assault against Weinstein. But without any federal claims remaining, Anderson ruled Tuesday that he no longer had jurisdiction to hear the case.

The decision means that the current case in federal court is over, but that Croft can re-file her other allegations in New York state court. In a statement Wednesday, her attorneys vowed to do so, saying that their “fight for Ms. Croft is just beginning.”

“We respectfully disagree with the district court’s decision, which we believe incorrectly interprets the federal sex trafficking law and undermines critically important protections for sex trafficking survivors,” said Kevin Mintzer and Meredith Firetog of the law firm Wigdor, adding that they would appeal that decision. “We will also continue to pursue Ms. Croft’s sexual battery claims against James Dolan and Harvey Weinstein, which remain unaffected by the decision.”

In his own statement, a spokesperson for Dolan said, “We are very pleased with the dismissal of the lawsuit, which was a malicious attempt to assert horrific allegations by an attorney who subverts the legal system for personal gain.”

Croft sued in January, claiming she had been hired to serve as a massage therapist for Glenn Frey during the 2013 tour, on which Dolan’s band (JD & The Straight Shot) opened for Eagles. She says she thought the job was the “opportunity of a lifetime,” but that she quickly realized the real reason she was there: “Dolan was extremely assertive, and pressured Ms. Croft into unwanted sexual intercourse.”

Dolan, whose company also owns Manhattan’s Radio City Music Hall, the Las Vegas Sphere and other prominent music venues, has strongly denied the allegations, calling Croft an “opportunist” who is “looking for a quick payday.”

One key legal allegation in the lawsuit was that Dolan and others violated a federal sex trafficking statute — namely, by fraudulently transporting her across state lines for purposes of providing forced sexual favors to Dolan. That claim was dismissed by Anderson earlier this year, but he then gave Croft one last chance to update her case with a viable argument.

In his ruling Tuesday, he said she had failed to do so. The federal sex trafficking law requires a “commercial sex act,” and the judge said that Croft had failed to allege that her sexual relationship with Dolan was the direct result of his promises of career advancement.

“Plaintiff [claims she] received promises from Dolan that she would be invited on the Eagles’ European tour and could potentially receive work as a massage therapist for tours at Madison Square Garden,” the judge wrote. “While the [lawsuit] alleges that plaintiff may have hoped to obtain a future career benefit from her relationship, it fails to directly allege that she went to Dolan’s room and continued to engage in a sexual relationship with him in order to receive the alleged promised benefits.”