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Jason Aldean defended wife Brittany Aldean’s stance on gender-affirming care for transgender youth and his thoughts on Donald Trump during an on The Tucker Carlson Show Sept. 4.
The former Fox News host brought up Brittany’s previous comments calling gender-affirming care for transgender youth “genital mutilation” in a social media post in 2022, which garnered backlash from artists including Maren Morris and Cassadee Pope.
“My wife is very outspoken and she’s very firm in her beliefs,” Aldean said, noting that the couple share a 5- and 6-year-old, and that he also has a 21- and 17-year-old. “We were talking about it earlier, you’re trying to make things normal to me that aren’t normal. And, I think when she said that, it’s just like there’s a certain — I feel there are people that are going to take offense to everything these days, no matter what you say. [Brittany] said that and people jumped all over that, but I mean, I agree with her.
“If you want to be trans or do those kinds of things, if you’re an adult and can make those decisions and you’re old enough to have the mentality to know what you’re doing and know what that looks like for the rest of your life, that’s one thing,” he continued. “If you’re, as a kid, your parents are already instilling that in you and, like, all this stuff and allowing you to do those things before you are of age … you can’t even vote until you’re 18. Why should you be able to do that? Or [you can’t] drink a beer until you’re 21, but you can change your … it’s just weird to me. I think if somebody wants to do that and they’re old enough to make that decision, hey, it doesn’t affect my life, whatever. But you can’t try to make that normal to everybody.”
Aldean later added, “I got to send my kid to school and we’re talking about, like, the transgender stuff and like, ‘What do I do if he comes home and is, like, ‘Man, there’s a girl in my class that’s a boy.’ That’s hard to explain to a 5- or 6-year-old. I don’t want to have to explain those kinds of things to a 5-year-old who doesn’t get it … it’s those kinds of things that made me kind of step up [politically] a little bit more.”
The Endocrine Society and the World Professional Association for Transgender Health do not recommend gender-affirming surgery for anyone under 18, and medical experts who provide this type of care previously told Billboard that underage patients are not allowed to make such life-changing decisions by themselves.
“Prior to any gender-affirming medical or surgical intervention, all minors must have an intake with a knowledgeable mental health provider internal to our system,” Dr. Joshua D. Safer told Billboard in 2022, after Brittany made her initial statements. “Once deemed ready for a medical/surgical intervention, the processes we have for adults are then brought into play.”
Elsewhere during the chat with Carlson, the country artist discussed the upcoming election, as well as his friendship with Trump.
“I love Trump, man,” Aldean said, and recounted how he got to know the twice-impeached former president. “I did think it was cool that here’s this guy that is really not a politician, and at the time you had, all the A-list stars were going, ‘Oh, Trump’s running for president.’ They were all excited, almost kind of like it was a joke a little bit. And then, he won, and I don’t think anybody thought he would win. And for the next eight years, it’s been nothing but trying to just, like, slander this guy and just all the stuff you watch him deal with in the media.”
The musician also shared how he had been invited to Mar-a-Lago, Trump’s Florida residence, where they played golf and generally “hit it off.” Added Aldean, “I kept in touch with him over the past few years, and try to see him when I can.”
The country artist, who sat next to Trump during the Republican National Convention, said that he “had no intentions of getting political — it just kind of happened.” He noted that having young children inspired him and his wife to pay more attention to politics. “My thing is, I don’t vote for the person,” he shared. “Like, as much as people may say that’s a lie or whatever, for me it’s like, ‘Which of these groups is going to take the country in a direction that I feel like it should be taken for my family, my kids and their future and those kind of things and to me, that’s what I base it on. I feel like personally, for me, that’s him.”
As for whether Trump will win, Aldean said he hoped so, but he thought the business mogul — who was convicted of 34 charges of falsifying business records in May — was going to win in 2020 as well. “I’m obviously a supporter of Trump. Do I think he can be brash sometimes and say some things that he could probably have a bit better of a bedside manner? Sure,” he admitted. “At the end of the day, I don’t really care if he hurts your feelings or not, as long as, like, as a country we’re moving in the right direction, the economy is great, there’s jobs for people. … One of the reasons I’m a supporter of his, I just like the direction I feel like he would take us.”
Watch Aldean’s full interview with Carlson below:
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As the self-proclaimed Hot Girl Coach, Megan Thee Stallion is ready to see a strong Black woman take the wheel as President of the United States. And in her cover story with Billboard published Wednesday (Sept. 4), the 29-year-old rapper emphasizes that people need to get out and vote in order for Democratic candidate Kamala […]
Katy Perry is finally talking about it. After going months without addressing her controversial decision to work with Dr. Luke on her comeback single “Woman’s World,” which dropped in July, the 39-year-old pop star opened up about her reasons for working with the producer Kesha accused of sexual assault in 2014 on the latest episode of Call Her Daddy.
In the podcast episode posted Wednesday (Sept 4), Perry acknowledged that the collaboration “started a lot of conversations.”
“He was one of many collaborators that I collaborated with,” she continued of Dr. Luke, who helped craft “California Gurls,” “Teenage Dream” and several more of her biggest hits over the years. “But the reality is, it comes from me. The truth is, I wrote these songs from my experience of my whole life going through this metamorphosis, and he was one of the people to help facilitate all that. One of the writers, one of the producers.”
“I am speaking from my own experience,” Perry added. “When I speak about ‘Woman’s World,’ I speak about feeling so empowered now as a mother, as a woman, giving birth, creating life … I’m still a matriarch and feeling really grounded in that. That’s where I’m speaking from. So I created all of this with several different collaborators, people that I’ve collaborated with from the past, from the Teenage Dream era, all of that.”
Word that the “Roar” singer had enlisted Dr. Luke for “Woman’s World” emerged shortly before the singer dropped, leading many to criticize Perry for doing so in spite of the producer’s nine-year legal battle with Kesha. After the “Tik Tok” artist accused the Kemosabe Records founder of drugging and raping her at a 2005 party, which he strongly denied, he countered with a defamation lawsuit that the two parties eventually settled in 2023.
Other critics also pointed out the irony of “Woman’s World” — which Perry branded as an ode to female empowerment — being produced and written by a team of mostly men, with a male director helming its music video. Luke also worked on the singer’s followup single “Lifetimes,” which dropped Aug. 8.
The interview comes a few weeks ahead of Perry’s new album, 143, which is set to arrive Sept. 20. Her conversation with Cooper also spanned the American Idol alum’s relationship with husband Orlando Bloom and how they’re raising their 4-year-old daughter, Daisy. At one point, Perry apologized to parents of kids who innocently sang along to her cheeky track “Peacock” in 2010 — because now she’s going through the same thing with her own child.
“Even now my daughter sings the song ‘Peacock’ — dancing around the house — that I wrote as a double-entendre, funny song about dicks,” Perry said, laughing. “And I’m like, ‘Don’t sing that song!’ My karma has now served me.”
Listen to Perry’s episode of Call Her Daddy below.
Lil Boosie is looking for a pardon, and it doesn’t matter who the U.S. president will be in 2025. Over the weekend, he went on X to vent about a case he’s been fighting since May of last year. “My case got dismissed for a ruling that was made n the 9th circuit court .2 […]
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. This week: Allegations of corporate “sabotage” of Revlon’s Britney Spears partnership; the estate of Isaac Hayes wins an injunction against Donald Trump over music at rallies; a judge rules on Missy Elliot’s copyright battle; and much more.
THE BIG STORY: The Great Britney Fragrance Heist
Corporate espionage AND Britney Spears? We’re in. Two decades after the singer launched a lucrative perfume partnership with Revlon’s Elizabeth Arden, the company is now accusing several former employees and an upstart rival (Give Back Beauty) of effectively stealing the superstar. In a lawsuit filed last week, Revlon’s attorneys called it a “carefully planned and executed grab.” “Revlon and Elizabeth Arden were completely unaware that Revlon’s own team was actively sabotaging one of their most valuable licensing relationships,” the company’s lawyers claim. In technical terms, the lawsuit accuses the defendants of theft of trade secrets and so-called tortious interference with their business and contracts. It also accuses the individual employees of breach of their contracts and breach of their duty of loyalty to Revlon. Britney isn’t accused of any wrongdoing. Give Back Beauty strongly denied the allegations, telling Billboard that the allegations were “entirely without merit” and that it would “aggressively defend any attempt to impugn the integrity of our company. Revlon, for its part, mostly stressed that it wasn’t suing Spears herself: “We value our 20-year partnership and wish Britney all the best.” Revlon doesn’t feel the same way about the departing employees — labeling one as a “double-agent” who assisted a rival company in “taking the Britney Brands business away” while she was outwardly working to renew the account for Elizabeth Arden. For the rest of the lawsuit’s allegations, go read our full story here.
Other top stories this week…
TRUMP INJUNCTION – The estate of Isaac Hayes won a preliminary injunction prohibiting former President Donald Trump and his campaign from playing the singer’s “Hold On, I’m Coming” at rallies. Hayes is one of many artists to complain about the former president using their music in the 2024 campaign, but thus far he’s the only one to actually sue over it. MISSY FACES TRIAL – A federal judge ruled that Missy Elliott must face trial in a copyright lawsuit filed by a man named Terry Williams, who claims to have co-written several decades-old songs she released with the group Sistas. The judge did, however, dismiss one of the lawsuit’s key claims: That Terry and Elliott had co-written “Heartbroken,” a 1996 track released by the late Aaliyah. AUCTION DELAYED – A court-ordered auction of Damon Dash’s one-third stake in Jay-Z’s Roc-A-Fella Records was postponed for three weeks — and the minimum price for the sale was more than doubled to help cover Dash’s massive unpaid tax and child support debts. DEAL IN THE SKY – A lawsuit filed by Journey member Jonathan Cain against bandmate Neal Schon was largely resolved after Schon conceded to the appointment of a neutral third party to resolve the “deadlock” that Cain has claimed is crippling the band’s operations. The case, filed last month, was the latest in a string of legal battles among members of the “Don’t Stop Believin’” band. ROYALTIES ROW – Spotify fired back at a lawsuit filed by the Mechanical Licensing Collective that claims the streamer used the addition of audiobooks to “unlawfully” cut its music royalty payments nearly in half. In a motion to dismiss the case, Spotify called it “nonsensical” and claims that it “profoundly devalues the contributions of the tens of thousands of book authors.” MANILOW v. HIPGNOSIS – Barry Manilow sued Hipgnosis Songs Fund (HSF) in federal court, seeking $1.5 million in unpaid bonuses related to the music rights company’s acquisition of his catalog four years ago. The new case came a month after Hipgnosis sued Manilow in the UK alleging breach of contract relating to the bonus payments.MANSON APPEAL – Marilyn Manson launched an appeal seeking to revive his defamation lawsuit against ex-fiance Evan Rachel Wood, arguing a lower judge who dismissed much of the case ignored key evidence. The case, which claims that Wood “secretly recruited, coordinated, and pressured” women to make false abuse allegations against Manson, was largely dismissed last year under California’s anti-SLAPP statute. DMCA DISMISSED – A federal judge ruled that Universal Music Group and Playboi Carti didn’t abuse the DMCA (Digital Millennium Copyright Act) when they issued a takedown notice — erroneously, it later turned out — against another rapper’s song that used the same beat. The judge ruled that the law’s safeguards against false takedowns only prohibit intentionally false use of the system.
After Cardi B posted photos from her maternity shoot, fans are speculating that she shaded Nicki Minaj. Keep watching to see what Cardi B had to say about the rumors. Tetris Kelly:Did Cardi B shade Nicki Minaj during her pregnancy photo shoot? Cardi has jumped online to set the record straight. The “WAP” rapper is […]
Siding with the estate of Isaac Hayes, a federal judge has issued a temporary order prohibiting former President Donald Trump and his campaign from playing the singer’s “Hold On, I’m Coming” at rallies.
Weeks after Hayes’ heirs accused Trump of using the song without a license, Judge Thomas Thrash Jr. granted the estate a preliminary injunction on Tuesday (Sep. 3): “I do order Trump and his campaign to not use the song without proper license,” the judge said at a hearing, as reported by CNN.
The judge’s order bars the campaign from continuing to publicly perform the song at future rallies while the case plays out, according to CNN, but the judge denied a request for a more expansive order that would have forced the campaign to pull down videos of rallies in which the song can be heard.
An attorney for the Hayes estate did not immediately return a request for comment. An attorney for Trump confirmed that the order was issued, though he stressed that the campaign had already agreed to stop using the song at rallies.
Hayes’ estate sued Trump last month, accusing the campaign of using “Hold On” at rallies and in video recordings of those events. Hayes co-wrote the 1966 song, which was performed and released by the duo Sam & Dave.
Every four years, artists complain about the use of their music by politicians — often with mixed results. But the 2024 campaign season has seen a particular outburst of gripes about music used by Trump. Beyoncé, Celine Dion, the Foo Fighters, Jack White, ABBA and Sinead O’Connor‘s estate have all spoken out against the former president’s use of their songs — some merely with social media posts and others with cease-and-desist letters from their lawyers.
The Hayes estate went a step further, filing a federal lawsuit on Aug. 16 against Trump, his campaign, the Republican National Committee and others. The case accused the campaign of infringing copyrights, but also of violating federal trademark law — essentially claiming that the campaign’s use of the song made it appear that Hayes or his heirs had endorsed Trump’s bid to return to the White House.
The campaign has claimed that its use of Hayes’ song was covered by a so-called blanket license it purchased from BMI, which grants political campaigns the legal right to perform millions of different copyrighted songs at rallies. But the Hayes estate says it withdrew the song from that catalog in June — and that the Trump campaign was notified of the change in writing. It’s also unclear if such a license would cover the use of the song in video recordings of the rallies.
The flurry of complaints against Trump is nothing new. In past election cycles, the Rolling Stones, Neil Young, Bruce Springsteen, Adele, Rihanna, Aerosmith, Guns N’ Roses, Linkin Park, and the estates of Prince and Tom Petty have all asked the Republican candidate to stop using their music.
Danielle Moore, the ebullient lead singer of British dance band Crazy P has died at 52. The band announced her passing in an Instagram post on Sunday (Sept. 2). “We are devastated to announce the unbelievable and shocking news that our beautiful Danielle Moore has died in sudden and tragic circumstances,” they wrote, writing that Moore passed on Friday afternoon (August 30) without revealing the specific cause of death.
“We cannot believe the news ourselves and we know it will be the same for all of you. She gave us so much and we love her so much,” they continued. “Our hearts are broken. We need time to process that this has happened. Danielle lived a life driven by love compassion community and music. She lived the biggest of lives. We will miss her with all our hearts X.”
A week before Moore’s death, Crazy P posted footage of the singer rocking the stage during a festival set at the Lost Village Festival in Bristol, England while wearing one of her signature fedoras (read a loving tribute written by the festival over the weekend here). Crazy P were slated to perform at the Forwards Festival in Bristol on Sunday (Sept 1), with the slot called off following Moore’s death.
“We want to thank you all for coming this weekend, there is so much to celebrate, however, it is with heavy hearts that we share the incredibly sad news that our dear friend Danielle Moore, beloved singer of @crazypmusic has passed away,” read a statement from Forwards. “We can’t really find the words today but the world has lost a very special human and we are absolutely devastated. The band were due to join us this weekend as they have so many, many times over our history across all our events, they are family we hold dear, so we would like to spend today reflecting on our love and memories of Danielle.”
Disco house group Crazy P (whose full name was Crazy P–is) was formed in the mid-1990s by musicians Chris Todd and Jim Baron while they were attending the University of Nottingham, with the duo releasing their debut album, A Nice Hot Bath With… in 1999 on Paper Recordings. In 2002, Moore and keyboardist Mav Kendricks joined the band — which also included bassist Tim Davies — and they released their sophomore effort, The Wicked Is Music.
They released five more albums over the years, including their most recent, 2019’s Age of the Ego, with Moore also taking solo gigs as a DJ. Their first new single in more than three years, the bouncy “Any Signs of Love,” dropped in June.
Irish singer Róisín Murphy posted a loving tribute to Moore on X, writing, “One of the most beautiful souls has left us. The brillant Danielle Moore of Crazy P has died suddenly and she has taken so much light with her. One of the best in music, an amazing person and an amazing singer, performer and songwriter. I know there will be a great sense of loss and mourning across our community. She touched everybody she met with light and love. Sending sincerest condolences to those friends and family closest to her. I, like so many, loved and admired her.”
In a bio on her agency’s site, Moore said, “performing is everything… When I’m performing, I feel like I’ve stepped into my alter ego and am able to take on any mood. It’s very empowering to become detached from my own slightly vulnerable self.” The singer fell in love with the power of dance music on packed floors of clubs in her native Manchester, and translated that energy into her always upbeat, joyful performances.
Though undated, the bio notes that following the release of Age of the Ego — an album she said she’s “most proud of… lyrically speaking” — Crazy P was planning to put “more projects in the world, as well as some planned solo works that will see Danielle showcase her own musical chops.”
See Crazy P’s tribute to Moore and listen to some of her most beloved vocals below.
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The hip-hop community is paying tribute to New York rapper Fatman Scoop, who has died at the age of 53.
Musicians like Missy Elliott, Questlove, Ludacris and Ciara are mourning the loss of the Grammy-winning hype man — whose real name is Isaac Freeman III — after he collapsed during a concert in Connecticut on Friday night (Aug. 30). The rapper’s family announced his passing the following morning on social media. A cause of death was not provided.
Elliott, who collaborated with Freeman on her 2005 hit “Lose Control,” took to X (formerly Twitter) to honor him.
“Prayers for Fatman Scoop family for STRENGTH during this difficult time,” Missy wrote. “Fatman Scoop VOICE & energy have contributed to MANY songs that made the people feel HAPPY & want to dance for over 2 decades. Your IMPACT is HUGE & will be NEVER be forgotten.”
“Lose Control,” which also featured Ciara, peaked at No. 3 on the Billboard Hot 100 chart. The song’s video earned a Grammy Award in 2006 for best short form music video, and the track received a Grammy nod that year for best rap song.
Ciara also honored the late musician on social media. “Rest Easy at @FatmanScoop! You were truly one of the best voices in hip-hop! I’m so glad I got to experience your greatness! We will all miss you greatly,” the singer wrote alongside a video of Freeman on X.
Questlove shared a lengthy tribute on Instagram, writing, “I want to thank Fatman Scoop for being an embodiment of what hip hop was truly about. To just forget about your troubles and live in the moment and allow joy in.”
The Roots drummer’s dedication was “on behalf” of a list of groups, including “everyone who procreates after a celebratory night in the club,” “all human beings whose hands have the ability to raise up” and “EVERY DJ who needed to spike the punch with adrenaline music to make the energy INSTANTLY rise from a 3 to a way past spinal tap 11.”
Ludacris noted on Instagram that “Scoop was one of those people that reminded you what the word LOVE Truly means. It’s an ACTION, and with his ACTIONS he exuded the PUREST form of Passion For HIP HOP. Every human being that he came Into contact with felt that LOVE & that PASSION. THIS is the Type Of LEGACY WE should ALL continue from here on until ETERNITY.”
DJ D-Nice remembered Freeman, writing on Instagram, “he was always kind to me. This is a major loss for the culture. My condolences to all of his loved ones.”
On Friday, Freeman was performing at Town Center Park in Hamden, Conn., where he appeared to have suffered a medical emergency, according to TMZ. Fan-captured video on X showed the him collapsing mid-performance. After medical personnel performed chest compressions behind a DJ booth, Freeman was then transferred to a local hospital. His death was announced the following morning.
“It is with profound sadness and very heavy hearts that we share news of the passing of the legendary and iconic Fatman Scoop,” his family wrote on Instagram. “Last night, the world lost a radiant soul, a beacon of light on the stage and in life.”
Freeman gained prominence with his 1999 club favorite “Be Faithful,” featuring the Crooklyn Clan. His other musical accomplishments include a feature on Mariah Carey’s 2005 song “It’s Like That,” which reached No. 16 on the Hot 100. Over the years, he would appear on tracks by Skrillex (“Recess”), David Guetta (“Love Is Back”) and Ciara (“Level Up” remix), among many others.
Two people who were critically injured in attacks while attending London’s Notting Hill Carnival earlier this week have died, police said Saturday (Aug. 31). The Metropolitan Police force said 32-year-old Cher Maximen died early Saturday after being stabbed in the street on Aug. 25. She had been visiting the carnival, billed as Europe’s biggest street […]