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Chappell Roan caused a stir earlier this year when she rejected the White House’s invitation for her to perform at a Pride event in June. Now, the singer is saying that had she attended, she would have done much more than just perform.
For the latest cover of Rolling Stone, Roan told the publication that she originally intended to accept the White House’s invitation to the event — but she planned to protest the Biden administration’s involvement in Israel’s attacks on Gaza instead of performing one of her songs.
“I had picked out some poems from Palestinian women. I was trying to do it as tastefully as I could because all I wanted to do was yell,” she said. “I had to find something that’s tasteful and to the point and meaningful, and not make it about me and how I feel. I don’t know if I’ll ever get that close in direct sight of the president ever in my life. This is my shot.”
While Roan said that her publicist ultimately talked her out of her protest (saying, “You f–k with the president and the government, your security is not the same, and neither is your family’s”), she firmly stands by her decision not to attend the event. “I’m not going to go to the White House because I am not going to be a monkey for Pride,” she explained, before criticizing the administration’s walked-back statement about gender-affirming surgery for minors. “Thank God I didn’t go because they just made a huge statement about trans kids.”
When performing at Gov Ball, Roan took a moment during her show to tell her audience that she refused the White House’s invitation to perform, dedicating her song “My Kink Is Karma” to the administration. “We want liberty, freedom and justice for all,” she said. “When you do that, that’s when I’ll come.”
The “Good Luck, Babe!” singer also dispelled a rumor that her distaste for the Biden administration’s treatment of Palestinians and trans youth meant that she was a supporter of former president Donald Trump. “I saw a couple of TikToks where they were like, ‘So she’s pro Trump?’ It is not so black and white that you hate one and you like the other. No matter how you say it, people are still going to be pissed for f–king some reason,” she said.
The singer later told the publication that she was supporting Kamala Harris’ bid for the White House this November. “Right now, it’s more important than ever to use your vote, and I will do whatever it takes to protect people’s civil rights, especially the LGBTQ+ community,” she said. “My ethics and values will always align with that, and that hasn’t changed with a different nominee. I feel lucky to be alive during an incredibly historical time period when a woman of color is a presidential nominee.”
Primary Wave Music and Prince Legacy, two companies with ties to Prince‘s assets, released a statement Monday afternoon in response to reports of an unreleased documentary accusing the late musician of physical and emotional abuse.
“Those with the responsibility of carrying out Prince’s wishes shall honor his creativity and genius,” the statement reads. “We are working to resolve matters concerning the documentary so that his story may be told in a way that is factually correct and does not mischaracterize or sensationalize his life. We look forward to continuing to share Prince’s gifts and celebrate his profound and lasting impact on the world.”
On Sunday, a lengthy report from the New York Times Magazine revealed that an unreleased nine-hour documentary from O.J.: Made in America filmmaker Ezra Edelman featured interviews with dozens of Prince’s former business partners, lovers, friends and associates which included multiple allegations of physical and emotional abuse.
The article chronicled a dense back-and-forth between the film’s production team and Prince’s estate in a battle over the documentary’s release. Per NYT, the project has been in development with Netflix for nearly five years.
The film allegedly includes an interview with Prince’s ex-lover Jill Jones, who recalls a night in which he slapped and repeatedly punched her in the face. Another past relationship, Susannah Melvoin, reportedly told filmmakers that after she moved in with the musician, he monitored her phone calls, told her not to leave the house and tried to keep her separated from her sister. In another interview, his ex-wife Mayte Garcia allegedly recalls being left alone after her and Prince’s child died.
Other interviews allege the famous singer exhibited controlling nature and that he suffered abuse as a child. Additional sources, however, also recall positive memories of the singer, which created what Edelman described as one of the hardest projects of his career.
“How can you tell the truth about someone who, when you’re talking to people, they all had different things to say?” he said.
In a statement to NYT, Netflix said “this documentary project has proved every bit as complex as Prince himself. We have meticulously archived Prince’s life and worked hard to support Ezra’s series. But there are still meaningful contractual issues with the estate that are holding up a documentary release.”
This article was originally published by The Hollywood Reporter.
Ariana Grande and Megan Thee Stallion may have collaborated on “34+35,” but their stance on whether people should vote in the upcoming election is as simple as 1+1. Shortly after the “WAP” rapper opened up to Billboard in her September cover story about the importance of acting on one’s American civic duty — especially in […]
The White Stripes have filed a copyright lawsuit against Donald Trump for using “Seven Nation Army” in a social media post, making good on threats to sue the Republican presidential candidate.
In a complaint filed Monday in Manhattan federal court, Jack White and Meg White accused Trump and his campaign of “flagrant misappropriation” of one of the “most well-known and influential musical works of all time.”
The lawsuit accuses Trump not only of infringing the band’s rights to the song, but also of violating federal trademark law by falsely suggesting the duo support his bid for another presidential term.
“The new association with Defendant Trump that Defendants have foisted upon Plaintiffs through the Infringing Trump Videos is even more offensive to Plaintiffs because Plaintiffs vehemently oppose the policies adopted and actions taken by Defendant Trump when he was President and those he has proposed for the second term he seeks,” attorneys for the White Stripes wrote.
In a social media post announcing the lawsuit, White included a screenshot of the complaint with a one-line caption: “This machine sues fascists.”
The filing of the case came less than two weeks after White blasted Trump over the apparent use of his song. In the disputed clip, posted by the former president’s deputy director of communications, Trump ascends the stairs of a plane as the iconic bass riff of “Seven Nation Army” plays.
“Oh….Don’t even think about using my music you fascists,” White began. “Law suit coming from my lawyers about this (to add to your 5 thousand others.)”
Numerous artists have spoken out about in recent weeks about Trump’s use of their music. Beyoncé, Celine Dion, the Foo Fighters, ABBA and Sinead O’Connor‘s estate have all spoken out against the former president’s use of their songs.
Most of the complaints have come as public statements or cease-and-desist letters, but others have taken legal action before the White Stripes. In August, the estate of Isaac Hayes sued in federal court, accusing the campaign of using his “Hold On, I’m Coming” at rallies and in video recordings of those events. Last week, the Hayes estate won an injunction barring the use of the song while the case plays out.
The use of copyrighted music at campaign rallies is a sometimes murky issue, with candidates often claiming that they secured a blanket license from ASCAP or BMI to perform the track. But the use of a song in a video is more straightforward; if a candidate hasn’t secured a sync license directly from the artist or their label, it is copyright infringement to use it.
In their lawsuit on Monday, the White Stripes said that Trump knew or should have known that he needed a license to play their song in his video — citing the fact that he has been “on the receiving end of numerous copyright claims by musical artists whose work he used without permission.”
The band also cited its previous opposition to his use of their music. Back in 2016, the White Stripes “publicly denounced” Trump for using their songs, saying that they were “disgusted by that association.”
A representative for the Trump campaign did not immediately return a request for comment.
Antonio Brown is drawing conclusions about Taylor Swift after the pop star embraced Brittany Mahomes at the U.S. Open Sunday (Sept. 8). Sharing a photo of Swift smiling next to Travis Kelce at the prestigious tennis event while hugging the retired soccer player — who is married to Kansas City Chiefs quarterback Patrick Mahomes — […]
Elton John loves a good joke. The Rock and Roll Hall of Famer revealed over the weekend that he thought former one-term President Donald Trump’s repurposing of the pop star’s 1972 classic “Rocket Man” as a nickname for North Korean dictator Kim Jung Un was “hilarious.”
That’s what John, 77, told Variety during the Toronto Film Festival after Friday’s premiere of the Disney+ documentary Elton John: Never Too Late. Trump, who frequently boasted of his good relations with dictators such as Un and Russian president Vladimir Putin during his term in office — and who has made a habit of referring to friends and foes alike with taunting nicknames — proudly referred to the North Korean leader as “Little Rocket Man” in press briefings.
“I laughed, I thought that was brilliant,” said John. “I just thought, ‘Good on you, Donald.’ … Donald’s always been a fan of mine, and he’s been to my concerts many, many times. So, I mean, I’ve always been friendly toward him, and I thank him for his support. When he did that, I just thought it was hilarious. It made me laugh.”
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Trump administration CIA director/Secretary of State Mike Pompeo wrote in his 2022 Never Give An Inch memoir that Trump had to explain the nickname to Un, who was reportedly not familiar with John’s music when Trump autographed one of Elton’s CD’s as a gift to the dictator.
In 2018, South Korean media reported that when Pompeo visited North Korea that July for a round of denuclearization talks, the commander-in-chief sent along two gifts for his North Korean counterpart: a personal note as well as a signed CD with a recording of John’s “Rocket Man” after Un said during an earlier meeting with Trump that he did not know the Honky Chateau hit.
John said he was not surprised by any of it. “Of course he hasn’t heard of me, Kim Jong Un. I’d be very surprised if he had,” John told the magazine. “I’ve never toured North Korea, and I have no intention of doing so. But, I thought it was a light moment, and it was fun.”
Though John had a jovial attitude about the musical way twice-impeached Trump cozied up to the North Korean strongman whose decade-plus in office has been marked by the reported assassinations of family members, repression of human rights and widespread starvation, Variety noted that the singer also seemed to take a veiled swipe at the convicted felon who will face off with Democratic candidate Vice President Kamala Harris in their first, and only, debate on Tuesday night (Sept. 10).
“Kindness will always win out… that’s what I hope for the American election in November,” said John, who later elaborated on what many political experts warn is an existential choice American voters are facing in November’s presidential face-off. “I don’t go on stage and say to people, ‘You must vote for the Republicans, you must vote for the Democrats.’ It’s none of my business how they vote. They come to see me, and I’m so grateful they have,” said John. “What I want by saying that last night … there is a danger, as Dick Cheney said the other day. America is in a very volatile position. And it’s a country I love, and I’ve always loved, and I’m so thankful that it made me who I am.”
During the 2016 presidential contest, John hailed then Democratic candidate former Senator and Sec. of State Hillary Clinton. “America is already great – and Hillary is a part of the reason why. So tonight, I’m proud to say: I’m with her!” he said at an all-star fundraiser for the former First Lady in what turned out to be a losing contest with Trump.
Over the weekend, former Bush administration Vice President and staunch Republican Dick Cheney announced that he will be voting for Democrat Harris over Trump while issuing a warning that Trump should “never be trusted with power again,” adding, “In our nation’s 248-year history, there has never been an individual who is a greater threat to our republic than Donald Trump. He tried to steal the last election using lies and violence to keep himself in power after the voters had rejected him.”
John, who is a citizen of the UK despite owning homes in the U.S. for decades, made it clear that he is not the type to tell people how to vote or how to feel about their elected officials. “I just want people to vote for things that are just, things that are important to people: the right to choose, the right to be who you are, and not let anybody else tell you who to be. And that goes all the way up to the Supreme Court,” he said.
Trump has repeatedly boasted of seating three conservative justices on the Supreme Court who helped reverse more than half a century of precedent when they overturned the constitutional right to abortion in 2022; in his concurring opinion overturning Roe v. Wade, conservative justice Clarence Thomas appeared to suggest that other long-established precedents, including the 2015 decision legalizing gay marriage, could also be up for reconsideration, or reversal, in the future.
John, who shares two young children with husband/manager David Furnish, fell short of an explicit endorsement of either major party candidate, but did encourage Americans to vote with their hearts and choose hope over bluster and division. “I just hope that people make the right decision to see what the future is going to be. Is it going to be fire and brimstone … or are we going to have a much calmer, a much safer place?” John said. “People can vote for who they like, but as far as I’m concerned, I love love. And I’m a loving person, and I want that to come back to America. I feel it’s been lost in the last 12 years.”
Elton John: Never Too Late will have a limited theatrical run in November before streaming on Disney+ beginning Dec. 13.
Bass guitarist Herbie Flowers, who played with David Bowie, Elton John, Lou Reed and other music legends in a decades-long career, has died at 86.
The musician’s family confirmed his death on Facebook Saturday (Sept. 7).
“While we knew and loved him as Uncle Herbie, his musical contributions have likely touched your lives as well,” the husband of Flowers’ niece wrote. “He played bass on many of the songs from the golden age of rock,” the post reads.
A cause of death was not provided.
Flowers was a founding member of the pop group Blue Mink, who later joined the rock band T Rex. He won acclaim for his work with many of the biggest names in U.K. music in the 1970s, giving Reed’s “Walk on the Wild Side,” from the 1972 Transformer album, its recognizable twinned bassline.
He also played bass for Bowie’s “Space Oddity,” Bryan Ferry’s “The Bride Stripped Bare,” and Paul McCartney’s “Give My Regards to Broad Street,” and featured in two of John’s early ’70s albums, among many others.
In a tribute, Bowie’s estate wrote on the social media platform X (formerly Twitter), “his work with Bowie and associates over the years is too long to list here.”
“Aside from his incredible musicianship over many decades, he was a beautiful soul and a very funny man. He will be sorely missed,” it said. “Our thoughts are with his family and friends.”
Tim Burgess, lead singer for The Charlatans singer, wrote X that Flowers “made the greats sound greater.”
Flowers also founded the instrumental rock band Sky in the late 1970s, releasing seven albums.
Will Jennings, the Oscar- and Grammy-winning co-writer of Titanic‘s “My Heart Will Go On” and other hit songs by Eric Clapton, Steve Winwood and Whitney Houston, has died. He was 80.
The superstar lyricist passed away Friday (Sept. 6) at his home in Tyler, Texas, his caregiver Martha Sherrod confirmed to The Hollywood Reporter. A cause of death was not provided, but Jennings had been experiencing health issues in recent years.
“A sad time, the passing of Will Jennings, a maestro, brilliant mind and a gentle spirit. It was an enormous honor to have worked with such a musical genius,” former J. Geils Band singer Peter Wolf, who collaborated with Jennings, wrote on X (formerly Twitter) Saturday.
During his career, the Songwriters Hall inductee co-wrote six songs that reached No. 1 on the Billboard Hot 100 chart: Barry Manilow’s “Looks Like We Made It” (1977); Joe Cocker and Jennifer Warnes’ “Up Where We Belong” (1982); Winwood’s “Higher Love” (1986); Houston’s “Didn’t We Almost Have It All” (1987); Winwood’s “Roll With It” (1988); and Celine Dion’s “My Heart Will Go On” (1998).
Jennings also collaborated with Clapton on “Tears in Heaven,” which hit No. 2 on the Hot 100 and topped Billboard‘s Adult Contemporary chart for three weeks in 1992. The tribute to Clapton’s late son also earned the pair a song of the year trophy at the 35th annual Grammy Awards.
Jennings won best original song at the Academy Awards in 1983 for co-writing An Officer and a Gentleman‘s “Up Where We Belong” alongside Jack Nitzsche and Buffy Sainte-Marie. He took home the same honor in 1998 for the Titanic classic “My Heart Will Go On,” which he wrote-wrote with composer James Horner. The Dion-sung ballad also won a Grammy for song of the year.
Jennings was born in Kilgore, Texas, in 1944. Before hitting it big in songwriting, he was a professor at Tyler Junior College and later Austin State University, before teaching at the University of Wisconsin-Eau Claire. His résumé also includes musical collaborations with superstars like B.B. King, Mariah Carey, Jimmy Buffett and Roy Orbison.
Jennings is survived by his wife, Carole, and his sisters, Joyce and Gloria.
Linkin Park‘s new singer Emily Armstrong is responding to backlash over claims that she supported convicted rapist Danny Masterson during his sexual assault trial.
The Dead Sara co-founder took to social media Friday (Sept. 6) to address past comments by the Mars Volta‘s Cedric Bixler-Zavala that she showed support for Masterson during preliminary hearings ahead of the actor’s 2020 trial. Bixler-Zavala’s wife, Chrissie Carnell-Bixler, was among several women to accuse the That ’70s Show star of sexual assault.
“Hi, I’m Emily. I’m new to so many of you, and I wanted to clear the air about something that happened a while back,” Armstrong wrote in her Instagram Story. “Several years ago, I was asked to support someone I considered a friend at a court appearance, and went to one early hearing as an observer. Soon after, I realized I shouldn’t have. I always try to see the good in people, and I misjudged him. I have never spoken with him since. Unimaginable details emerged and he was later found guilty.”
She concluded, “To say it as clearly as possible: I do not condone abuse or violence against women, and I empathize with the victims of these crimes.”
Linkin Park announced its grand return on Sept. 5, with Armstrong on board as Mike Shinoda’s new co-vocalist and Colin Brittain signing on as drummer and co-producer. Shortly after the livestream reveal, Bixler-Zavala posted screen grabs on Instagram of his past comments about Armstrong’s former support for Masterson and her ties to the Church of Scientology, Rolling Stone reports.
“Do your fans know about your friend Danny Masterson? Your rapist friend,” Bixler-Zavala wrote last year in a comment on Dead Sara’s Instagram page. “Remember how your fellow scientologist goon squad surrounded one of the Jane Doe’s when she was trying to leave the elevators? The court sheriffs had to escort her away from your awful cult…”
In another Instagram post on Friday, Chrissie Carnell-Bixler reportedly accused Armstrong of being a “hardcore Scientologist who supported convicted serial rapist both in and out of court.” She added, “Emily Armstrong is a true believer of the Scientology cult/criminal organization that engages in human and child trafficking, child and elder abuse, the coverups of countless [sexual assaults] on children and adults.”
Last September, Masterson was sentenced to 30 years to life in prison for raping two women during the early 2000s. The Ranch actor was not convicted on charges tied to Chrissie Carnell-Bixler’s accusations, but she is part of a civil suit against him.
Iconic bossa nova producer, songwriter, pianist and song interpreter Sérgio Mendes has died at 83. The legendary Brazilian superstar whose career spanned more than six decades and helped craft the modern sound of Latin pop and dance died in Los Angeles of undisclosed causes.
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Beginning in his teens, Mendes — who was born on Feb. 11, 1941 in Rio de Janeiro — focused on dreams of becoming a classical pianist before being inspired by the then bubbling bossa nova explosion in the late 1950s that put a jazzy spin on the popular samba style. He honed his chops played clubs and performing with his bossa nova mentors, Antônio Carlos Jobim and João Gilberto, before forming his first band, the Sexteto Bossa Rio, with whom he released his 1961 debut recording, Dance Moderno.
Mendes and his band quickly jumped from the clubs of Rio to New York, where Mendes played the first bossa nova festival at Carnegie Hall, followed by a pop-in at the iconic Birdland jazz club in 1962. That serendipitous visit led to an impromptu set with hard bop legend saxophonist Cannonball Adderley, resulting in 1963’s Cannonball’s Bossa Nova album, which featured a mix of jazz-tinged sambas with Mendes on piano. Mendes’ busy year also included contributions to American jazz flutist Herbie Mann’s 1963 albums, Do the Bossa Nova with Herbie Mann and its follow-up, Latin Fever.
After moving to the U.S. in 1964, Mendes formed the first in a series of eponymous bands, Sergio Mendes & Brasil ’65 and released The Swinger From Rio album, with contributions from Jobim and American jazz trumpeter Art Farmer, followed by a live album recorded with his Brasil ’65 crew, In Person at El Matador.
Bouncing between recordings for Atlantic Records and Capitol, Mendes released albums at a furious pace throughout the late 1960s, quickly cementing his status as one of the premier ambassadors for the swinging bossa nova sound. But it was when he signed to jazz great Herb Alpert and Jerry Moss’ A&M Records that Mendes’ album sales and chart success began to take off thanks to the renamed Brasil ’66’s debut single, the Jorge Ben-penned “Mas que Nada.”
The track with lead vocals from American jazz singer Lani Hall, appeared on the platinum-selling Herb Alpert Presents Sergio Mendes & Brasil ’66 and ran up to No. 47 on the Billboard Hot 100 chart, helping cement its status as one of Mendes’ most beloved songs. The group, which continued to chart through the decade with groovy samba-inflected covers of pop songs, including their Grammy-nominated 1968 take on the Beatles’ “The Fool on the Hill,” as well as the Fab Four’s “Day Tripper” and boss nova’d versions of the Mamas & the Papas’ “Monday, Monday” and the Cole Porter standard “Night and Day.”
The group’s second A&M album, 1967’s Equinox, reached No. 3 on the Billboard Top Jazz Albums chart, followed a few months later by Look Around, which established a soon-to-be-familiar pattern of mixing bossa nova covers and originals with takes on popular English-language songs, including the Beatles’ “With a Little Help From My Friends” and Burt Bacharach and Hal David’s Dusty Springfield hit, “The Look of Love”; Mendes’ version bested Springfield’s on the U.S. charts, going all the way to No. 4 on the Billboard pop tally. The song’s popularity was boosted when Mendes performed the Oscar-nominated song from the James Bond movie Casino Royale on the 1968 Academy Awards telecast.
In 1968, Mendes replaced the entire Brasil ’66 lineup — with the exception of singer Hall — on the group’s fourth LP, Fool on the Hill, which spawned two top 10-charting singles with the Beatles cover title track and a take on Simon & Garfunkel’s “Scarborough Fair.” Mendes released three more albums on A&M through the end of the 1960s — 1968’s Sergio Mendes’ Favorite Things and Crystal Illusions and 1969’s Ye-Me-Lê — which continued the winning formula of mixing bossa nova with grooving takes on Great American Songbook classics and American pop hits by the likes of Otis Redding, Glen Campbell and Bacharach/David.
His output continued apace in the 1970s, when he released more than a dozen albums, including 1970’s Stillness, which featured new lead vocalist Gracinha Leporace and Love Music, his third album with the reconfigured band — now known as Brasil ’77. The familiar formula continued apace, mixing songs by Jobim with covers of well-known tunes by Stevie Wonder and Leon Russell.
By the 1980s his release schedule began to slow, but Mendes’ popularity bumped up again with 1983’s self-titled album, which gave him his first top 40 LP in more than a decade, as well as his highest-charting single, the No. 4 Hot 100 adult contemporary hit written by Barry Mann/Cynthia Weil, “Never Gonna Let You Go.” Mendes scored his only Grammy win in 1992 with Brasileiro, which won the 1993 Grammy for best world music album.
In 2006 he teamed with Black Eyed Peas’ will.i.am for Timeless, a No. 44 Billboard 200 LP which featured vocals from a raft of neo soul singers including Erykah Badu, Jill Scott and india.arie, as well as Q-Tip, John Legend, Stevie Wonder and Justin Timberlake.
Mendes continued to release music throughout the 2000s, including his final studio album, 2020’s In the Key of Joy. In addition to his Grammy award and two Latin Grammys, Mendes was nominated for an Oscar in 2012 for his theme song to the animated film Rio, “Real in Rio.” Mendes was also profiled in the 2020 documentary Sérgio Mendes: In the Key of Joy.
Listen to some of Mendes’ most beloved songs below.
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