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Antonio Brown is drawing conclusions about Taylor Swift after the pop star embraced Brittany Mahomes at the U.S. Open Sunday (Sept. 8). Sharing a photo of Swift smiling next to Travis Kelce at the prestigious tennis event while hugging the retired soccer player — who is married to Kansas City Chiefs quarterback Patrick Mahomes — […]
Elton John loves a good joke. The Rock and Roll Hall of Famer revealed over the weekend that he thought former one-term President Donald Trump’s repurposing of the pop star’s 1972 classic “Rocket Man” as a nickname for North Korean dictator Kim Jung Un was “hilarious.”
That’s what John, 77, told Variety during the Toronto Film Festival after Friday’s premiere of the Disney+ documentary Elton John: Never Too Late. Trump, who frequently boasted of his good relations with dictators such as Un and Russian president Vladimir Putin during his term in office — and who has made a habit of referring to friends and foes alike with taunting nicknames — proudly referred to the North Korean leader as “Little Rocket Man” in press briefings.
“I laughed, I thought that was brilliant,” said John. “I just thought, ‘Good on you, Donald.’ … Donald’s always been a fan of mine, and he’s been to my concerts many, many times. So, I mean, I’ve always been friendly toward him, and I thank him for his support. When he did that, I just thought it was hilarious. It made me laugh.”
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Trump administration CIA director/Secretary of State Mike Pompeo wrote in his 2022 Never Give An Inch memoir that Trump had to explain the nickname to Un, who was reportedly not familiar with John’s music when Trump autographed one of Elton’s CD’s as a gift to the dictator.
In 2018, South Korean media reported that when Pompeo visited North Korea that July for a round of denuclearization talks, the commander-in-chief sent along two gifts for his North Korean counterpart: a personal note as well as a signed CD with a recording of John’s “Rocket Man” after Un said during an earlier meeting with Trump that he did not know the Honky Chateau hit.
John said he was not surprised by any of it. “Of course he hasn’t heard of me, Kim Jong Un. I’d be very surprised if he had,” John told the magazine. “I’ve never toured North Korea, and I have no intention of doing so. But, I thought it was a light moment, and it was fun.”
Though John had a jovial attitude about the musical way twice-impeached Trump cozied up to the North Korean strongman whose decade-plus in office has been marked by the reported assassinations of family members, repression of human rights and widespread starvation, Variety noted that the singer also seemed to take a veiled swipe at the convicted felon who will face off with Democratic candidate Vice President Kamala Harris in their first, and only, debate on Tuesday night (Sept. 10).
“Kindness will always win out… that’s what I hope for the American election in November,” said John, who later elaborated on what many political experts warn is an existential choice American voters are facing in November’s presidential face-off. “I don’t go on stage and say to people, ‘You must vote for the Republicans, you must vote for the Democrats.’ It’s none of my business how they vote. They come to see me, and I’m so grateful they have,” said John. “What I want by saying that last night … there is a danger, as Dick Cheney said the other day. America is in a very volatile position. And it’s a country I love, and I’ve always loved, and I’m so thankful that it made me who I am.”
During the 2016 presidential contest, John hailed then Democratic candidate former Senator and Sec. of State Hillary Clinton. “America is already great – and Hillary is a part of the reason why. So tonight, I’m proud to say: I’m with her!” he said at an all-star fundraiser for the former First Lady in what turned out to be a losing contest with Trump.
Over the weekend, former Bush administration Vice President and staunch Republican Dick Cheney announced that he will be voting for Democrat Harris over Trump while issuing a warning that Trump should “never be trusted with power again,” adding, “In our nation’s 248-year history, there has never been an individual who is a greater threat to our republic than Donald Trump. He tried to steal the last election using lies and violence to keep himself in power after the voters had rejected him.”
John, who is a citizen of the UK despite owning homes in the U.S. for decades, made it clear that he is not the type to tell people how to vote or how to feel about their elected officials. “I just want people to vote for things that are just, things that are important to people: the right to choose, the right to be who you are, and not let anybody else tell you who to be. And that goes all the way up to the Supreme Court,” he said.
Trump has repeatedly boasted of seating three conservative justices on the Supreme Court who helped reverse more than half a century of precedent when they overturned the constitutional right to abortion in 2022; in his concurring opinion overturning Roe v. Wade, conservative justice Clarence Thomas appeared to suggest that other long-established precedents, including the 2015 decision legalizing gay marriage, could also be up for reconsideration, or reversal, in the future.
John, who shares two young children with husband/manager David Furnish, fell short of an explicit endorsement of either major party candidate, but did encourage Americans to vote with their hearts and choose hope over bluster and division. “I just hope that people make the right decision to see what the future is going to be. Is it going to be fire and brimstone … or are we going to have a much calmer, a much safer place?” John said. “People can vote for who they like, but as far as I’m concerned, I love love. And I’m a loving person, and I want that to come back to America. I feel it’s been lost in the last 12 years.”
Elton John: Never Too Late will have a limited theatrical run in November before streaming on Disney+ beginning Dec. 13.
Bass guitarist Herbie Flowers, who played with David Bowie, Elton John, Lou Reed and other music legends in a decades-long career, has died at 86.
The musician’s family confirmed his death on Facebook Saturday (Sept. 7).
“While we knew and loved him as Uncle Herbie, his musical contributions have likely touched your lives as well,” the husband of Flowers’ niece wrote. “He played bass on many of the songs from the golden age of rock,” the post reads.
A cause of death was not provided.
Flowers was a founding member of the pop group Blue Mink, who later joined the rock band T Rex. He won acclaim for his work with many of the biggest names in U.K. music in the 1970s, giving Reed’s “Walk on the Wild Side,” from the 1972 Transformer album, its recognizable twinned bassline.
He also played bass for Bowie’s “Space Oddity,” Bryan Ferry’s “The Bride Stripped Bare,” and Paul McCartney’s “Give My Regards to Broad Street,” and featured in two of John’s early ’70s albums, among many others.
In a tribute, Bowie’s estate wrote on the social media platform X (formerly Twitter), “his work with Bowie and associates over the years is too long to list here.”
“Aside from his incredible musicianship over many decades, he was a beautiful soul and a very funny man. He will be sorely missed,” it said. “Our thoughts are with his family and friends.”
Tim Burgess, lead singer for The Charlatans singer, wrote X that Flowers “made the greats sound greater.”
Flowers also founded the instrumental rock band Sky in the late 1970s, releasing seven albums.
Will Jennings, the Oscar- and Grammy-winning co-writer of Titanic‘s “My Heart Will Go On” and other hit songs by Eric Clapton, Steve Winwood and Whitney Houston, has died. He was 80.
The superstar lyricist passed away Friday (Sept. 6) at his home in Tyler, Texas, his caregiver Martha Sherrod confirmed to The Hollywood Reporter. A cause of death was not provided, but Jennings had been experiencing health issues in recent years.
“A sad time, the passing of Will Jennings, a maestro, brilliant mind and a gentle spirit. It was an enormous honor to have worked with such a musical genius,” former J. Geils Band singer Peter Wolf, who collaborated with Jennings, wrote on X (formerly Twitter) Saturday.
During his career, the Songwriters Hall inductee co-wrote six songs that reached No. 1 on the Billboard Hot 100 chart: Barry Manilow’s “Looks Like We Made It” (1977); Joe Cocker and Jennifer Warnes’ “Up Where We Belong” (1982); Winwood’s “Higher Love” (1986); Houston’s “Didn’t We Almost Have It All” (1987); Winwood’s “Roll With It” (1988); and Celine Dion’s “My Heart Will Go On” (1998).
Jennings also collaborated with Clapton on “Tears in Heaven,” which hit No. 2 on the Hot 100 and topped Billboard‘s Adult Contemporary chart for three weeks in 1992. The tribute to Clapton’s late son also earned the pair a song of the year trophy at the 35th annual Grammy Awards.
Jennings won best original song at the Academy Awards in 1983 for co-writing An Officer and a Gentleman‘s “Up Where We Belong” alongside Jack Nitzsche and Buffy Sainte-Marie. He took home the same honor in 1998 for the Titanic classic “My Heart Will Go On,” which he wrote-wrote with composer James Horner. The Dion-sung ballad also won a Grammy for song of the year.
Jennings was born in Kilgore, Texas, in 1944. Before hitting it big in songwriting, he was a professor at Tyler Junior College and later Austin State University, before teaching at the University of Wisconsin-Eau Claire. His résumé also includes musical collaborations with superstars like B.B. King, Mariah Carey, Jimmy Buffett and Roy Orbison.
Jennings is survived by his wife, Carole, and his sisters, Joyce and Gloria.
Linkin Park‘s new singer Emily Armstrong is responding to backlash over claims that she supported convicted rapist Danny Masterson during his sexual assault trial.
The Dead Sara co-founder took to social media Friday (Sept. 6) to address past comments by the Mars Volta‘s Cedric Bixler-Zavala that she showed support for Masterson during preliminary hearings ahead of the actor’s 2020 trial. Bixler-Zavala’s wife, Chrissie Carnell-Bixler, was among several women to accuse the That ’70s Show star of sexual assault.
“Hi, I’m Emily. I’m new to so many of you, and I wanted to clear the air about something that happened a while back,” Armstrong wrote in her Instagram Story. “Several years ago, I was asked to support someone I considered a friend at a court appearance, and went to one early hearing as an observer. Soon after, I realized I shouldn’t have. I always try to see the good in people, and I misjudged him. I have never spoken with him since. Unimaginable details emerged and he was later found guilty.”
She concluded, “To say it as clearly as possible: I do not condone abuse or violence against women, and I empathize with the victims of these crimes.”
Linkin Park announced its grand return on Sept. 5, with Armstrong on board as Mike Shinoda’s new co-vocalist and Colin Brittain signing on as drummer and co-producer. Shortly after the livestream reveal, Bixler-Zavala posted screen grabs on Instagram of his past comments about Armstrong’s former support for Masterson and her ties to the Church of Scientology, Rolling Stone reports.
“Do your fans know about your friend Danny Masterson? Your rapist friend,” Bixler-Zavala wrote last year in a comment on Dead Sara’s Instagram page. “Remember how your fellow scientologist goon squad surrounded one of the Jane Doe’s when she was trying to leave the elevators? The court sheriffs had to escort her away from your awful cult…”
In another Instagram post on Friday, Chrissie Carnell-Bixler reportedly accused Armstrong of being a “hardcore Scientologist who supported convicted serial rapist both in and out of court.” She added, “Emily Armstrong is a true believer of the Scientology cult/criminal organization that engages in human and child trafficking, child and elder abuse, the coverups of countless [sexual assaults] on children and adults.”
Last September, Masterson was sentenced to 30 years to life in prison for raping two women during the early 2000s. The Ranch actor was not convicted on charges tied to Chrissie Carnell-Bixler’s accusations, but she is part of a civil suit against him.
Iconic bossa nova producer, songwriter, pianist and song interpreter Sérgio Mendes has died at 83. The legendary Brazilian superstar whose career spanned more than six decades and helped craft the modern sound of Latin pop and dance died in Los Angeles of undisclosed causes.
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Beginning in his teens, Mendes — who was born on Feb. 11, 1941 in Rio de Janeiro — focused on dreams of becoming a classical pianist before being inspired by the then bubbling bossa nova explosion in the late 1950s that put a jazzy spin on the popular samba style. He honed his chops played clubs and performing with his bossa nova mentors, Antônio Carlos Jobim and João Gilberto, before forming his first band, the Sexteto Bossa Rio, with whom he released his 1961 debut recording, Dance Moderno.
Mendes and his band quickly jumped from the clubs of Rio to New York, where Mendes played the first bossa nova festival at Carnegie Hall, followed by a pop-in at the iconic Birdland jazz club in 1962. That serendipitous visit led to an impromptu set with hard bop legend saxophonist Cannonball Adderley, resulting in 1963’s Cannonball’s Bossa Nova album, which featured a mix of jazz-tinged sambas with Mendes on piano. Mendes’ busy year also included contributions to American jazz flutist Herbie Mann’s 1963 albums, Do the Bossa Nova with Herbie Mann and its follow-up, Latin Fever.
After moving to the U.S. in 1964, Mendes formed the first in a series of eponymous bands, Sergio Mendes & Brasil ’65 and released The Swinger From Rio album, with contributions from Jobim and American jazz trumpeter Art Farmer, followed by a live album recorded with his Brasil ’65 crew, In Person at El Matador.
Bouncing between recordings for Atlantic Records and Capitol, Mendes released albums at a furious pace throughout the late 1960s, quickly cementing his status as one of the premier ambassadors for the swinging bossa nova sound. But it was when he signed to jazz great Herb Alpert and Jerry Moss’ A&M Records that Mendes’ album sales and chart success began to take off thanks to the renamed Brasil ’66’s debut single, the Jorge Ben-penned “Mas que Nada.”
The track with lead vocals from American jazz singer Lani Hall, appeared on the platinum-selling Herb Alpert Presents Sergio Mendes & Brasil ’66 and ran up to No. 47 on the Billboard Hot 100 chart, helping cement its status as one of Mendes’ most beloved songs. The group, which continued to chart through the decade with groovy samba-inflected covers of pop songs, including their Grammy-nominated 1968 take on the Beatles’ “The Fool on the Hill,” as well as the Fab Four’s “Day Tripper” and boss nova’d versions of the Mamas & the Papas’ “Monday, Monday” and the Cole Porter standard “Night and Day.”
The group’s second A&M album, 1967’s Equinox, reached No. 3 on the Billboard Top Jazz Albums chart, followed a few months later by Look Around, which established a soon-to-be-familiar pattern of mixing bossa nova covers and originals with takes on popular English-language songs, including the Beatles’ “With a Little Help From My Friends” and Burt Bacharach and Hal David’s Dusty Springfield hit, “The Look of Love”; Mendes’ version bested Springfield’s on the U.S. charts, going all the way to No. 4 on the Billboard pop tally. The song’s popularity was boosted when Mendes performed the Oscar-nominated song from the James Bond movie Casino Royale on the 1968 Academy Awards telecast.
In 1968, Mendes replaced the entire Brasil ’66 lineup — with the exception of singer Hall — on the group’s fourth LP, Fool on the Hill, which spawned two top 10-charting singles with the Beatles cover title track and a take on Simon & Garfunkel’s “Scarborough Fair.” Mendes released three more albums on A&M through the end of the 1960s — 1968’s Sergio Mendes’ Favorite Things and Crystal Illusions and 1969’s Ye-Me-Lê — which continued the winning formula of mixing bossa nova with grooving takes on Great American Songbook classics and American pop hits by the likes of Otis Redding, Glen Campbell and Bacharach/David.
His output continued apace in the 1970s, when he released more than a dozen albums, including 1970’s Stillness, which featured new lead vocalist Gracinha Leporace and Love Music, his third album with the reconfigured band — now known as Brasil ’77. The familiar formula continued apace, mixing songs by Jobim with covers of well-known tunes by Stevie Wonder and Leon Russell.
By the 1980s his release schedule began to slow, but Mendes’ popularity bumped up again with 1983’s self-titled album, which gave him his first top 40 LP in more than a decade, as well as his highest-charting single, the No. 4 Hot 100 adult contemporary hit written by Barry Mann/Cynthia Weil, “Never Gonna Let You Go.” Mendes scored his only Grammy win in 1992 with Brasileiro, which won the 1993 Grammy for best world music album.
In 2006 he teamed with Black Eyed Peas’ will.i.am for Timeless, a No. 44 Billboard 200 LP which featured vocals from a raft of neo soul singers including Erykah Badu, Jill Scott and india.arie, as well as Q-Tip, John Legend, Stevie Wonder and Justin Timberlake.
Mendes continued to release music throughout the 2000s, including his final studio album, 2020’s In the Key of Joy. In addition to his Grammy award and two Latin Grammys, Mendes was nominated for an Oscar in 2012 for his theme song to the animated film Rio, “Real in Rio.” Mendes was also profiled in the 2020 documentary Sérgio Mendes: In the Key of Joy.
Listen to some of Mendes’ most beloved songs below.
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Jason Aldean defended wife Brittany Aldean’s stance on gender-affirming care for transgender youth and his thoughts on Donald Trump during an on The Tucker Carlson Show Sept. 4.
The former Fox News host brought up Brittany’s previous comments calling gender-affirming care for transgender youth “genital mutilation” in a social media post in 2022, which garnered backlash from artists including Maren Morris and Cassadee Pope.
“My wife is very outspoken and she’s very firm in her beliefs,” Aldean said, noting that the couple share a 5- and 6-year-old, and that he also has a 21- and 17-year-old. “We were talking about it earlier, you’re trying to make things normal to me that aren’t normal. And, I think when she said that, it’s just like there’s a certain — I feel there are people that are going to take offense to everything these days, no matter what you say. [Brittany] said that and people jumped all over that, but I mean, I agree with her.
“If you want to be trans or do those kinds of things, if you’re an adult and can make those decisions and you’re old enough to have the mentality to know what you’re doing and know what that looks like for the rest of your life, that’s one thing,” he continued. “If you’re, as a kid, your parents are already instilling that in you and, like, all this stuff and allowing you to do those things before you are of age … you can’t even vote until you’re 18. Why should you be able to do that? Or [you can’t] drink a beer until you’re 21, but you can change your … it’s just weird to me. I think if somebody wants to do that and they’re old enough to make that decision, hey, it doesn’t affect my life, whatever. But you can’t try to make that normal to everybody.”
Aldean later added, “I got to send my kid to school and we’re talking about, like, the transgender stuff and like, ‘What do I do if he comes home and is, like, ‘Man, there’s a girl in my class that’s a boy.’ That’s hard to explain to a 5- or 6-year-old. I don’t want to have to explain those kinds of things to a 5-year-old who doesn’t get it … it’s those kinds of things that made me kind of step up [politically] a little bit more.”
The Endocrine Society and the World Professional Association for Transgender Health do not recommend gender-affirming surgery for anyone under 18, and medical experts who provide this type of care previously told Billboard that underage patients are not allowed to make such life-changing decisions by themselves.
“Prior to any gender-affirming medical or surgical intervention, all minors must have an intake with a knowledgeable mental health provider internal to our system,” Dr. Joshua D. Safer told Billboard in 2022, after Brittany made her initial statements. “Once deemed ready for a medical/surgical intervention, the processes we have for adults are then brought into play.”
Elsewhere during the chat with Carlson, the country artist discussed the upcoming election, as well as his friendship with Trump.
“I love Trump, man,” Aldean said, and recounted how he got to know the twice-impeached former president. “I did think it was cool that here’s this guy that is really not a politician, and at the time you had, all the A-list stars were going, ‘Oh, Trump’s running for president.’ They were all excited, almost kind of like it was a joke a little bit. And then, he won, and I don’t think anybody thought he would win. And for the next eight years, it’s been nothing but trying to just, like, slander this guy and just all the stuff you watch him deal with in the media.”
The musician also shared how he had been invited to Mar-a-Lago, Trump’s Florida residence, where they played golf and generally “hit it off.” Added Aldean, “I kept in touch with him over the past few years, and try to see him when I can.”
The country artist, who sat next to Trump during the Republican National Convention, said that he “had no intentions of getting political — it just kind of happened.” He noted that having young children inspired him and his wife to pay more attention to politics. “My thing is, I don’t vote for the person,” he shared. “Like, as much as people may say that’s a lie or whatever, for me it’s like, ‘Which of these groups is going to take the country in a direction that I feel like it should be taken for my family, my kids and their future and those kind of things and to me, that’s what I base it on. I feel like personally, for me, that’s him.”
As for whether Trump will win, Aldean said he hoped so, but he thought the business mogul — who was convicted of 34 charges of falsifying business records in May — was going to win in 2020 as well. “I’m obviously a supporter of Trump. Do I think he can be brash sometimes and say some things that he could probably have a bit better of a bedside manner? Sure,” he admitted. “At the end of the day, I don’t really care if he hurts your feelings or not, as long as, like, as a country we’re moving in the right direction, the economy is great, there’s jobs for people. … One of the reasons I’m a supporter of his, I just like the direction I feel like he would take us.”
Watch Aldean’s full interview with Carlson below:
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As the self-proclaimed Hot Girl Coach, Megan Thee Stallion is ready to see a strong Black woman take the wheel as President of the United States. And in her cover story with Billboard published Wednesday (Sept. 4), the 29-year-old rapper emphasizes that people need to get out and vote in order for Democratic candidate Kamala […]
Katy Perry is finally talking about it. After going months without addressing her controversial decision to work with Dr. Luke on her comeback single “Woman’s World,” which dropped in July, the 39-year-old pop star opened up about her reasons for working with the producer Kesha accused of sexual assault in 2014 on the latest episode of Call Her Daddy.
In the podcast episode posted Wednesday (Sept 4), Perry acknowledged that the collaboration “started a lot of conversations.”
“He was one of many collaborators that I collaborated with,” she continued of Dr. Luke, who helped craft “California Gurls,” “Teenage Dream” and several more of her biggest hits over the years. “But the reality is, it comes from me. The truth is, I wrote these songs from my experience of my whole life going through this metamorphosis, and he was one of the people to help facilitate all that. One of the writers, one of the producers.”
“I am speaking from my own experience,” Perry added. “When I speak about ‘Woman’s World,’ I speak about feeling so empowered now as a mother, as a woman, giving birth, creating life … I’m still a matriarch and feeling really grounded in that. That’s where I’m speaking from. So I created all of this with several different collaborators, people that I’ve collaborated with from the past, from the Teenage Dream era, all of that.”
Word that the “Roar” singer had enlisted Dr. Luke for “Woman’s World” emerged shortly before the singer dropped, leading many to criticize Perry for doing so in spite of the producer’s nine-year legal battle with Kesha. After the “Tik Tok” artist accused the Kemosabe Records founder of drugging and raping her at a 2005 party, which he strongly denied, he countered with a defamation lawsuit that the two parties eventually settled in 2023.
Other critics also pointed out the irony of “Woman’s World” — which Perry branded as an ode to female empowerment — being produced and written by a team of mostly men, with a male director helming its music video. Luke also worked on the singer’s followup single “Lifetimes,” which dropped Aug. 8.
The interview comes a few weeks ahead of Perry’s new album, 143, which is set to arrive Sept. 20. Her conversation with Cooper also spanned the American Idol alum’s relationship with husband Orlando Bloom and how they’re raising their 4-year-old daughter, Daisy. At one point, Perry apologized to parents of kids who innocently sang along to her cheeky track “Peacock” in 2010 — because now she’s going through the same thing with her own child.
“Even now my daughter sings the song ‘Peacock’ — dancing around the house — that I wrote as a double-entendre, funny song about dicks,” Perry said, laughing. “And I’m like, ‘Don’t sing that song!’ My karma has now served me.”
Listen to Perry’s episode of Call Her Daddy below.
Lil Boosie is looking for a pardon, and it doesn’t matter who the U.S. president will be in 2025. Over the weekend, he went on X to vent about a case he’s been fighting since May of last year. “My case got dismissed for a ruling that was made n the 9th circuit court .2 […]