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Sharon Osbourne has had an inside angle on the highs and lows of the music industry for more than 45 years as her husband Ozzy’s manager. On Thursday (Oct. 17), she took aim at the music biz for what she said was its failure to support former One Direction singer and solo star Liam Payne, who died at 31 on Wednesday following a fatal fall from the balcony of his Buenos Aires, Argentina hotel room.
“Liam, my heart aches. We all let you down,” wrote Osbourne, a three-season veteran of the British X-Factor, where Payne rose to stardom after he was grouped with Harry Styles, Niall Horan, Zayn Malik and Louis Tomlinson in 2010. “Where was this industry when you needed them?” she asked in an Instagram post featuring a solemn picture of the late singer who first auditioned for the reality singing show in 2008 as a solo act, before giving it another shot two years later at age 16. “You were just a kid when you entered one of the toughest industries in the world. Who was in your corner? Rest in peace my friend,” said Osbourne, who left X-Factor several years before Payne auditioned.
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Payne often talked about the overwhelming pressures he faced when 1D rocketed to global superstardom in 2012, which included suicidal thoughts and substance use, telling the BBC in 2017 that he often used alcohol to “mask” his feelings. I was very confused about fame when it all happened… and learning to be a person outside of your job was difficult,” he said at the time.
Fellow boy bander-turned-solo-star Robbie Williams weighed in as well on Thursday, expressing, “shock, sadness and confusion” about Payne’s death, while urging fans to think deeply about how they treat celebrities online and urging kindness and compassion. “I met the boys on The X Factor and ‘mentored’ them. I use the word mentored in inverted brackets cos I hardly did anything to be honest. I just hung out with them,” wrote Williams, who chronicled his tumultuous years in the spotlight as a member of British boy band Take That and his personal struggles with depression and substance use in the years after in his solo career in a self-titled 2023 Netflix documentary series.
“They were all cheeky and lovely,” Williams wrote. “I enjoyed the light hearted piss takery and Thought about all the times I was that cheeky pisstaker with the Popstars that had gone before me when I was in Take That.”
Williams said he crossed paths with the 1D stars over the years since and while saying he was “fond” of all of them, adding that what Payne’s “trials and tribulations were very similar to mine, so it made sense to reach out to offer what I could. So i did.” He also included what appeared to be a text exchange with Payne from 2022 in which Williams told the singer he was “very proud” of him, to which Payne replied, “that’s man, that means the world.”
The note from Williams included an all-caps section in which the singer reminded fans that we “don’t know what’s going on in people’s lives. What pain they’re going through and what makes them behave in the way that they behave. Before we reach to judgement, a bit of slack needs to be given… Even if you don’t really think that celebrities or their families exist, they f–king do.”
Williams lamented that the “media will unfortunately carry on being the media and fame will carry on being fame.” He ended with a plea for compassion and love, writing, “As individuals though we have the power to change ourselves. We can be kinder. We can be more empathic. We can at least try to be more compassionate towards ourselves, our family, our friends, strangers in life and strangers on the internet. Even famous strangers need your compassion. What a Handsome Talented boy. What a tragic painful loss for his friends, family, fans and by the looks of the energy this moment has created – The World.”
A preliminary autopsy said that Payne died from multiple traumas and internal and external hemorrhages sustained from the impact of a fall from the third-story of the Casa Sur hotel in the Palermo district in Argentina. Police are still investigating the incident, but initial reports are that they found substances in the star’s disheveled room that appeared to be narcotics and alcohol.
Osbourne and Williams’ tributes came after all four of Payne’s former 1D bandmates — Harry Styles, Zayn Malik, Louis Tomlinson and Niall Horan — issued a joint statement mourning the loss of their brother, saying “the memories we shared with him will be treasured forever.” All four living members also offered up their own personal statements, as did Payne’s family and his former school.
See Osbourne and Williams’ tributes below.
Maggie Rogers joined the chorus of fans and musicians paying tribute to Liam Payne in the wake of the late One Direction and solo star’s death in Buenos Aires, Argentina on Wednesday at age 31. During her show at TD Garden in Boston on Thursday night (Oct. 17), Rogers took a moment to remember Payne before performing a moving cover of a beloved 1D ballad.
“This week, in particular, I’ve been thinking how precious life is and how quickly things can change,” the singer said while seated at piano, as seen in videos of the special moment posted by fans. She said she’d been preparing to go to dinner with one of her oldest friends — who she’s known since she was nine-years-old — when that person walked into the room and told her about Payne’s death. “We’re just about the same age,” said Rogers, 30. “Any time a public figure, especially a musical peer, slips off, it’s really present and I’ve been sending a bunch of love to my friends and my band the last couple days… I wanted to just honor anyone who has been touched by [One Direction’s] music or those songs.”
She then launched into a hushed piano-and-voice cover of 1D’s “Night Changes,” the final single from the group’s penultimate album, 2014’s Four. “We’re only getting older, baby/ And I’ve been thinking about it lately/ Does it ever drive you crazy/ Just how fast the night changes?,” she sang as a rush of recognition came over the hushed crowd. “Everything that you’ve ever dreamed of/ Disappearing when you wake up/ But there’s nothing to be afraid of/ Even when the night changes/ It will never change me and you.”
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Rogers was just the latest artist to pay homage to Payne, who died following a fall from the third-floor balcony of his hotel in Buenos Aires, Argentina, on Wednesday, sustaining multiple, mortal injuries.
On Thursday, Payne’s former 1D bandmates — Harry Styles, Zayn Malik, Louis Tomlinson and Niall Horan issued a joint statement mourning the loss of their brother, saying “the memories we shared with him will be treasured forever.” In addition, all four living members offered up their own personal statements, as did Payne’s family and his former school.
Rogers’ tribute came after Rita Ora honored her former duet partner just hours after his death was reported during her concert in Japan. Ora struggled to get through the lyrics to “For You,” the collab single she recorded with Payne for the Fifty Shades Freed soundtrack in 2018. Overcome with emotion, Ora let the audience sing in her stead as she walked around the stage with her head bowed.
A preliminary autopsy confirmed that Payne died from multiple traumas and internal and external hemorrhages sustained from the impact of a fall from the third-story of the Casa Sur hotel in the Palermo district in Argentina. Police are still investigating the incident, but initial reports are that they found substances in the star’s disheveled room that appeared to be narcotics and alcohol.
Watch Rogers’ tribute to Payne below.
Niall Horan joined his former One Direction brothers in paying tribute to their late bandmate and friend Liam Payne in a heartfelt personal tribute posted on Friday morning (Oct.18). After a group statement from the former 1D members and individual notes from Harry Styles, Zayn Malik and Louis Tomlinson, Horan’s emotional letter touched on the universal feeling of wishing you had one more goodbye, one more hug, or just another quiet moment with the ones you love.
“I’m absolutely devastated about the passing of my amazing friend, Liam. It just doesn’t feel real,” Horan wrote in an Instagram post featuring a smiling photo of the two from their One Direction days. The tribute came less than 48 hours after a preliminary autopsy report said Payne, 31, died following a fall from the third-floor balcony of his hotel in Buenos Aires, Argentina, sustaining multiple, mortal injuries.
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“Liam had an energy for life and a passion for work that was infectious. He was the brightest in every room and always made everyone feel happy and secure,” Horan continued. “All the laughs we had over the years, sometimes about the simplest of things, keep coming to mind through the sadness. We got to live out our wildest dreams together and I will cherish every moment we had forever. The bond and friendship we had doesn’t happen often in a lifetime.”
Horan said he felr fortunate that he got to see Payne recently when the “Strip That Down” singer attended one of Niall’s shows at the Movistar Arena in Buenos Aires on Oct. 2. “I sadly didn’t know that after saying goodbye and hugging him, I would be saying goodbye forever. It’s heartbreaking,” Horan lamented. His tribute concluded with a message of love for Payne’s family, including the late singer’s seven-year-old son, Bear.
“Love you brother,” he concluded.
Horan’s older brother, Greg, wrote that he too was “heartbroken” over the loss of Payne. “You were a top young boy to a man a son a brother you are only one of 4 lads I was happy enough to take my place in nialls life as a brother you will be forever missed,” he wrote.
In an earlier solo message, Styles said he was “truly devastated” by the loss of his friend, sharing that Payne’s “greatest joy was making other people happy, and it was an honour to be alongside him as he did it.”
Tomlinson lamented the loss of his “brother,” saying, “Liam was somebody I looked up to everyday, such a positive, funny, and kind soul.” Zayn’s message nodded to the times the two “butted heads,” but focused on the kindness Payne showed him during dark days. “I never got to thank you for supporting me through some of the most difficult times in my life,” he said. “When I was missing home as a 17 yr old kid you would always be there with a positive outlook and reassuring smile and let me know you were my friend and I was loved.”
In addition to their own posts, 1D also issued a joint statement on Thursday (Oct. 17), writing that, “the memories we shared with him will be treasured forever.”
Local authorities have said that believe Payne was not sober at the time of his death, reporting that they found substances that appeared to be narcotics and alcoholic drinks in his room. In the moments leading up to the star’s death, a hotel manager called 911 to report that a guest was “overwhelmed with drugs and alcohol” and “destroying [their] entire room”; by the time police arrived on scene, Payne had already fallen from the balcony of his room and died due to his injuries.
At press time there was no information on funeral arrangements for Payne.
See Horan’s tribute below.
Harry Styles is the latest One Direction member to share a heartbreaking message following the untimely death of Liam Payne at just 31 years old.
Alongside a photo of Payne sitting on a stage, singing to a massive arena crowd, Styles wrote via Instagram on Thursday (Oct. 17), “I am truly devastated by Liam’s passing. His greatest joy was making other people happy, and it was an honour to be alongside him as he did it.”
The message continued, “Liam lived wide open, with his heart on his sleeve, he had an energy for life that was infectious. He was warm, supportive, and incredibly loving. The years we spent together will forever remain among the most cherished years of my life. I will miss him always, my lovely friend. My heart breaks for Karen, Geoff, Nicola and Ruth, his son Bear, and all those around the world who knew and loved him, as I did.”
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See Styles’ post here.
The statement comes in addition to one from Louis Tomlinson, a post from Zayn and a joint message by the surviving members of One Direction, in which they wrote, “In time, and when everyone is able to, there will be more to say. But for now, we will take some time to grieve and process the loss of our brother, who we loved dearly. The memories we shared with him will be treasured forever.”
Payne died in Buenos Aires, Argentina, at around 5:07 p.m. local time after sustaining multiple injuries from a three-floor fall, a recent preliminary autopsy confirmed. Local authorities believe he was not sober at the time and found substances that appeared to be narcotics and alcoholic drinks in his room after they arrived at the scene. In the moments leading up to the star’s death, a hotel manager called 911 to report that a guest was “overwhelmed with drugs and alcohol” and “destroying [their] entire room”; by the time police got there, Payne had already fallen from the balcony of his room and died due to his injuries.
Zayn Malik is honoring his former One Direction bandmate and “brother,” Liam Payne, following the tragic news of his death at 31 years old.
The “Pillowtalk” singer took to Instagram on Thursday (Oct. 17) to share a photo of himself laying in Payne’s lap as the two then-teenagers take a nap. In the accompanying statement, he says he hopes Payne can “hear” him, as he’s been “talking out loud” to the late start over the past day.
“I can’t help but think selfishly that there was so many more conversations for us to have in our lives,” he continued. “I never got to thank you for supporting me through some of the most difficult times in my life. When I was missing home as a 17 yr old kid you would always be there with a positive outlook and reassuring smile and let me know you were my friend and I was loved.”
He added that while they “butted heads” on occasion, he “secretly respected” his strong opinions. “Even though you were younger than me you were always more sensible than me, you were headstrong, opinionated, and gave no f—s about telling people when they were wrong,” he wrote. “When it came to the music Liam, you were the most qualified in every sense. I knew nothing in comparison, I was a novice child with no experience and you were already a professional. I was always happy to know, no matter what happened on stage we could always rely on you to know which way to steer the ship next.”
Malik continued, “I lost a brother when you left us and can’t explain to you what I’d give to just give you a hug one last time and say goodbye to you properly and tell you that I loved and respected you dearly. I will cherish all the memories I have with you in my heart forever, there is no words that justify or explain how I feel right now other than beyond devastated. I hope that wherever you are right now you are good are at peace [prayer hands emoji] And you know how loved you are.”
“Love you bro,” he ended his message, which you can read in full here.
Malik’s statement comes in addition to one from Louis Tomlinson and a joint message by the surviving members of One Direction, in which they noted that they are “completely devastated by the news of Liam’s passing.” The group statement continued, “In time, and when everyone is able to, there will be more to say. But for now, we will take some time to grieve and process the loss of our brother, who we loved dearly. The memories we shared with him will be treasured forever.”
Payne died around 5:07 p.m. local time after sustaining multiple traumas and hemorrhages from his fall, a recent preliminary autopsy confirmed. Local authorities believe he was not sober at the time and found substances that appeared to be narcotics and alcoholic drinks in his room after they arrived at the scene. In the moments leading up to the star’s death, a hotel manager called 911 to report that a guest was “overwhelmed with drugs and alcohol” and “destroying [their] entire room”; by the time police got there, Payne had already fallen from the balcony of his room and died due to his injuries.
Mitzi Gaynor, a beloved star of the 1950s whose effervescent personality, radiant personality and triple-threat skills as an actress, singer and dancer earned her a Golden Globe nomination for her role as Ensign Nellie Forbush in the 1958 film adaptation of Rodgers and Hammerstein’s South Pacific had died at 93.
The star’s managers announced her death in an Instagram post, noting that she “passed away peacefully” on Thursday morning (Oct. 17) of natural causes. “For eight decades she entertained audiences in films, on television and on the stage,” read the announcement. “She truly enjoyed every moment of her professional career and the great privilege of being an entertainer.”
Gaynor, born Francesca Marlene de Czanyi von Gerber in Chicago on Sept. 4, 1931, was best known for her run of starring roles in a series of 1950s movie musicals, including 1954’s There’s No Business Like Show Business, 1956’s Anything Goes and 1957’s Les Girls. Born to a violinist father and dancer mother, Gaynor got an early start on her career when her family moved from Detroit to Los Angeles when she was 11-years-old, leading to her landing a spot as a singer/dancer in the Los Angeles Civil Light Opera two years later.
By 17, she signed a contract with Twentieth Century-Fox, making her film debut in 1950’s My Blue Heaven, where she starred alongside Betty Grable. By the next year she landed her first starring role in the musical western Golden Girl, where she played a character based on early 20th century actress Lotta Crabtree.
Her first big screen success came in 1952 with the musical Bloodhounds of Broadway — based on a Damon Runyon story — which kicked off nearly a decade of starring roles that showcased her versatility and winning, shining personality, which manifested in film with a mix of innocence and sex appeal. She shared the screen with such established stars of the day as Ethel Merman, Johnnie Ray and Marilyn Monroe and sang songs penned by Irving Berlin in There’s No Business Like Show Business, as well as Bing Crosby and Donald O’Connor in the 1956 adaptation of Cole Porter’s stage musical Anything Goes. Other highlights included 1957’s The Joker Is Wild, with Frank Sinatra and Charles Vidor, and that year’s Les Girls, which also featured music by Porter and co-starred Gene Kelly.
Her winning streak continued with top billing in the WWII romantic musical South Pacific, which earned her a Golden Globe nomination for best motion picture actress – comedy/musical for her exuberant performances of “I’m Gonna Wash That Man Right Out of My Hair” and “Some Enchanted Evening.” She appeared in a handful of other movies over the next few years, including 1963’s For Love or Money with Kirk Douglas, Gig Young and Julie Newmar, before pivoting to a successful run as the hots of a series of TV specials.
“I quit films because they quit me,” she told the TV Academy Foundation in a 2012 in explaining why she moved from the big screen to the little one. “Marilyn Monroe was now the new Alice Faye/Betty Grable, she was doing the musicals at Fox. I wasn’t going to do My Fair Lady, and I wasn’t going to [sing] ‘The Hills Are Alive With the Sound of Screaming’ — there was nothing for me to do.”
She famously performed between the two sets by the Beatles on a Feb. 16, 1964 episode of the Ed Sullivan Show, singing a 13-minute medley of “Too Darn Hot” along with “The More I See You,” “Birth of the Blues” and “When the Saints Go Marching In.” The episode from the Deauville Hotel in Miami Beach aired a week after Sullivan legendarily introduced the Fab Four to American audiences in one of the most-watched TV moments of all time.
Before he teamed up with Cher, Gaynor was glittery celebrity gown designer Bob Makie’s first A-list client, modeling his one-of-a-kind creations during her stint as a headliner in Las Vegas in the 1960s.
That run paved the way for Gaynor’s first TV special, Mitzi, which aired on NBC in Oct. 1968 and was followed by a second one on the network the next year, as well as half a dozen similar song-and-dance specials on CBS from 1973-1978; her nine specials were nominated for a total of 16 Emmy Awards, though she didn’t take one home until 2008 thanks to her PBS special Mitzi Gaynor: Razzle Dazzle! The Special Years.
A frequent performer on the Academy Awards broadcasts — wowing the crowd in 1954 with her take on “The Moon Is Blue” and again in 1959 with her signature “There’s No Business Like Show Business” — Gaynor also recorded two albums for Verve Records, 1959’s Mitzi and Mitzi Gaynor Sings the Lyrics of Ira Gerswhin.
“We take great comfort in the fact that her creative legacy will endure through her many magical performances capture on film and video, through her recordings and especially through the love and support audiences around the world have shared so generously with her throughout her life and career,” wrote managers Rene Reyes and Shane Rosamonda in their tribute.
See the statement announcing Gaynor’s death and some of her career highlights below.
Prior to Liam Payne‘s death on Wednesday (Oct. 16), a hotel manager in Buenos Aires, Argentina called 911 to report a guest who was “overwhelmed with drugs and alcohol,” adding, “he’s destroying the entire room and, well, we need you to send someone, please.”
According to the Associated Press, the caller’s voice grew more anxious as the call continued, with the hotel manager noting that the room had a balcony. Former One Direction and solo star Payne, 31, was found dead on Wednesday after officials said he sustained “extremely serious injuries” in a fall from the third-floor balcony of his room — approximately 42-45 feet from the ground — at the Casa Sur Hotel in the Palermo neighborhood of the nation’s capital city.
While the initial reports stated that Payne fell, the AP reported that Buenos Aires Security Ministry spokesperson Pablo Policicchio told the news service in a statement that Payne “had jumped from the balcony of his room.”
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Police were dispatched the to scene following the emergency call around 5 p.m. local time on Wednesday according to Policicchio, after being told by hotel staff that there was an “aggressive man who could be under the influence of drugs or alcohol.” Officials are reportedly still investigating the circumstances of Payne’s death, with an autopsy under way.
In the days since, fans have gathered in a vigil outside the hotel for the beloved boy band star, lighting candles and singing 1D’s “Night Changes” and “Story of My Life,” while his music industry peers and family have shared their grief over the shocking loss.
Payne’s rise to stardom began in 2010 at age 17 when he was paired with the other members of what would become One Direction by Simon Cowell after the quintet’s singers all auditioned for the British X-Factor as solo acts. Along with Harry Styles, Louis Tomlinson, Niall Horan and Zayn Malik, Payne was thrust into instant global adoration in 2012 after the late 2011 release of the band’s debut single, “What Makes You Beautiful,” which went to No. 4 on the Billboard Hot 100 and No. 1 in the UK.
The song memorably opens with one of Payne’s most beloved, iconic vocals, in which he sings, “You’re insecure, don’t know what for/ You’re turning heads when you walk through the door/ Don’t need makeup to cover up/ Bein’ the way that you are is enough.” During the band’s subsequent six-year run they scored four No. 1 albums on the Billboard 200 and six top 10 Billboard Hot 100 hits.
After the group hit pause, Payne — who never headlined his own tour — released his lone solo album, 2019’s LP1, as well a string of singles, including the 2017 Billboard Hot 100 No. 10 Hit “Strip That Down” (featuring Quavo), “Get Low” (feat. Zedd, No. 23, 2017), “Bedroom Floor” (No. 35, 2017), “For You (Fifty Shades Freed)” (feat. Rita Ora, No. 37, 2018) and “Familiar” (feat. J Balvin, No. 25, 2018). He also released the 2018 EP First Time, as well as singles with Jonas Blue and Lennon Stella (“Polaroid,” 2018), A Boogie Wit da Hoodie (“Stack It Up,” 2019), Cheat Codes (“Live Forever,” 2019) and Dixie D’Amelio (“Naughty List,” 2020).
His final single, “Teardrops,” co-written by former *NSYNC member JC Chasez, was released in March.
After the group went on indefinite hiatus in 2016, the singer was open about how the dizzying rush of fame overwhelmed him, leading to a yearslong substance use struggle. In July 2023, he posted an eight-minute video in which he revealed that he was almost six months sober following a 100-day stay in a Louisiana rehab facility.
“I just kind of feel like I’ve got more of a grip on life and everything that was getting away from me, I just feel like I’ve got more of a handle on it,” Payne said at the time. “I just needed to take a little bit of time out for myself actually because I kind of became somebody who I didn’t really recognize anymore. And I’m sure you guys didn’t either. I was in bad shape up until that point and I was really happy to kind of put a stopper to life and work.”
In a 2019 interview, Payne admitted that he had trouble adjusting to 1D’s Beatles-like level of fan adoration at the height of the group’s success, frequently leaning on alcohol to cope with the stress. “It’s almost like putting the Disney costume on before you step up on stage and underneath the Disney costume I was pissed quite a lot of the time because there was no other way to get your head around what was going on,” he said. “I mean, it was fun. We had an absolute blast, but there were certain parts of it where it just got a little bit toxic.”
Then, in a Diary of a CEO podcast appearance in 2021, Payne talked about struggling with depression and substance use disorder during the chaotic 1D years. “I was worried how far my rock bottom was going to be. Where’s rock bottom for me?” the singer told host Stephen Bartlett. “And you would never have seen it. I’m very good at hiding it. No one would ever have seen it.”
He described how the pressure and intense fan attention during the height of the group’s fame transformed him into an “angry person” who turned to prescription pills and alcohol to numb his anxiety and fear. When host Bartlett asked if that period included “suicidal ideation,” Payne said it did, explaining, “There is some stuff that I have definitely never, never spoken about. It was really, really, really severe. It was a problem. And it was only until I saw myself after that I was like, ‘Right, I need to fix myself.’”
Payne said the substance use continued for “many years” and then returned during England’s COVID-19 lockdown in 2020, when he took a break from recording solo songs for a few months due to exhaustion, only to find himself drinking more and more, and earlier and earlier in the day. “What I’ve found more than anything with the alcohol is boundaries. If you’re on Zoom you can probably get away with being a bit tipsy, when you’re not supposed to be,” he said at the time.
After catching a glimpse of one of his performances on TV looking bloated and unwell, he said he began working out, attending meetings and going to therapy.
If you or anyone you know is struggling with mental health or substance abuse disorders, reach out to the Substance Abuse and Mental Health Services Administration‘s national helpline 24/7 at 1-800-662-HELP (4357) for confidential treatment referrals and information. For those who are experiencing suicidal thoughts and/or distress, the National Suicide Prevention Lifeline is available 24/7 by texting 988.
A day after Rufus Wainwright and Village People co-founder Victor Willis lashed out at Republican presidential candidate Donald Trump for playing their songs during a 39-minute musical interlude at one of his campaign events, the Republican National Committee has responded to the criticism.
In a statement to Billboard, RNC spokesperson Taylor Rogers noted that the campaign has the appropriate licenses from performing rights organizations BMI and ASCAP to play the music heard at the town hall in Oaks, Pa. on Monday during which the twice impeached former President halted the planned Q&A session to cue up a playlist of his favorite songs. “It’s a shame that some artists want to limit half of the country from enjoying their music,” Rogers said.
The unusual event hosted by Trump in one of the most crucial swing states was intended to be a back-and-forth with voters. But less than an hour in, after an audience member required medical attention Trump halted the proceedings and inexplicably asked his team to fire up Schubert’s “Ave Maria.”
The strange sight of convicted felon Trump doing a swaying dance to the instrumental version of that song instantly became fodder for mockery on late night programs and news casts on Tuesday. Democratic rival Kamala Harris’ X feed piled on with a trolling statement saying “hope he’s okay” along with video from the event of Trump solemnly swinging side-to-side as he listened to his playlist in the overheated room.
“Let’s not do anymore questions. Let’s just listen to music,” Trump said after a second audience member reportedly fainted from the heat. “Personally, I enjoy this,” Trump said. “We lose weight. We could do this, lose 4-5 pounds.” He then asked his for his sound person to cue up a second version of the funeral and church service staple “Ave Maria,” requesting a vocal version sung by Luciano Pavarotti.
“We’ll do a little music. Let’s make this a musical-fest,” said Trump, whose unusual request prompted NBC News to report that the incident once again put the focus on Democrats’ questions about 78-year-old Trump’s mental acuity with just three weeks to go before the Nov. 5 presidential election; if elected a second time, Trump would be the oldest president in the nation’s history.
In addition to the “Ave Maria” double-down, Trump spun Rufus Wainwright’s cover of Leonard Cohen’s “Hallelujah,” as well as Sinead O’Connor’s “Nothing Compares 2 U,” Oliver Anthony’s “Rich Men North of Richmond,” Guns N’ Roses’ “November Rain,” James Brown’s “It’s a Man’s Man’s Man’s World,” Elvis’ “An American Trilogy,” the Village People’s “Y.M.C.A.” and Andrea Bocelli’s “Time to Say Goodbye,” another song often played at funerals.
Harris supporter Wainwright issued a statement on Tuesday blasting Trump for playing his version of Cohen’s beloved, oft-covered 1984 hymn.
“The song ‘Hallelujah’ by Leonard Cohen has become an anthem dedicated to peace, love and acceptance of the truth. I’ve been supremely honored over the years to be connected with this ode to tolerance,” wrote Wainwright. “Witnessing Trump and his supporters commune with this music last night was the height of blasphemy. Of course, I in no way condone this and was mortified, but the good in me hopes that perhaps in inhabiting and really listening to the lyrics of Cohen’s masterpiece, Donald Trump just might experience a hint of remorse over what he’s caused. I’m not holding my breath.” The statement also noted that the publishing company for the Cohen estate has sent a cease-and-desist order to the Trump campaign.”
GNR and O’Connor’s reps have publicly requested that Trump not to play their music during his campaign stops, and the Village People threatened to sue the former reality TV star last year over a lookalike band playing their hits at Trump’s Mar-a-Lago Florida private. Trump has long been enamored with the group’s 1978 queer disco classic, which he plays a many of his events; spokespeople for GNR and O’Connor’s estate had not returned Billboard‘s request for comment on Trump’s event.
In a statement sent to Billboard on Tuesday morning, Village People co-founder, “Y.M.C.A.” lyricist and one of the owners of the song’s copyright Victor Willis wrote, “I have been inundated with hundreds of complaints from the public and press about Donald Trump and his campaign’s use of my song,” he said. “Me, and the Village People as well, have in the past opposed Trump’s use of ‘Y.M.C.A.’ and we have made this very clear to him.”
While Willis acknowledged that Trump has continued to play the song because he is “legally entitled” to thanks to what the RNC said in its statement is the proper licensing, he noted that despite his objections he will not be taking legal action at this time. “Could I have asked my wife, who’s a lawyer, to have BMI revoke his political use license… yes,” Willis said, adding that he decided not to because Trump’s repeated spins have “greatly benefited” the song.
“Some fans are demanding that I sue. I am not going to sue the President over his use of ‘Y.M.C.A.’ because it’s stupid and just plain hateful,” Willis said. “Though I don’t dislike Trump, I am a registered Democrat who supports Kamala Harris for President.” He added that Harris is also free to play the song if she wants to.
Trump has accrued a long list of artists who have objected to his use of their songs at his events, including, over two weeks this summer, Beyoncé, the Foo Fighters and Jack White, who blasted him for using their music without permission. They joined a long roster of acts who’ve made similar requests since Trump launched his first presidential bid in 2015, one that includes: Adele, Panic! at the Disco’s Brendon Urie, Celine Dion, Earth, Wind & Fire, George Harrison, Neil Young, Isaac Hayes, Linkin Park, Nickelback, Ozzy Osbourne, Prince’s estate and R.E.M., among many others.
Lawyers for Sean “Diddy” Combs are demanding that the government reveal the names of his alleged sexual abuse victims, arguing he cannot fairly defend himself without knowing their identities.
In a motion filed late Tuesday in Manhattan federal court, the star’s attorneys asked the judge to force prosecutors to filed a so-called bill of particulars, disclosing who exactly was accusing him of abuse.
Citing a “torrent” of anonymous civil accusations ranging from “false to outright absurd,” Combs’ lawyers say they cannot mount an adequate defense without knowing which of those claims forms the basis for the criminal charges.
“The government is forcing him, unfairly, to play a guessing a game—one made all the more challenging by the onslaught of baseless allegations that desperate plaintiffs are lodging at him (for the most part anonymously) in civil suits designed to exact a payoff from Mr. Combs and others,” Combs attorney Marc Agnifilo writes in the filing.
The defense attorneys say the wording of the sex trafficking and racketeering indictment is so vague that it “could be interpreted as treating Mr. Combs’ entire sexual history over the past sixteen years as part of the alleged criminal conspiracy.”
“Without clarity from the government, Mr. Combs has no way of knowing which allegations the government is relying on for purposes of the Indictment,” Agnifilo writes.
Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But last month, he was indicted by federal prosecutors on charges of racketeering and sex trafficking over what the government says was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.”
The decades-long scheme allegedly involved not only elaborate sexual parties called “freak offs” and other sex abuse, but also forced labor, kidnapping, arson and bribery. If convicted on all of the charges at trial – currently set to start May 5 – Combs potentially faces a sentence of life in prison.
With the trial still months away, Combs’ attorneys have already begun to fight back. In a motion last week, they accused the government of leaking evidence to the press, including the infamous video of Combs assaulting then-girlfriend Cassie Ventura. Prosecutors have argued back that those “baseless” claims are a strategic move aimed at preventing prosecutors from showing the video to jurors.
In Tuesday’s filing, Combs’ lawyers argued that the continued anonymity of the alleged victims would seriously hamper their practical ability to prepare for the trial
“Mr. Combs … anticipates that the discovery will contain voluminous evidence of consensual sexual activity – making it all the more difficult for Mr. Combs to ascertain which of his prior sexual partners now claim, years later, that they felt coerced,” his lawyers write.
If history is any guide, Combs’ lawyers face an uphill battle in convincing the judge to unmask his alleged victims.
In the similar racketeering case against R. Kelly, prosecutors privately disclosed the names of several alleged victims to Kelly’s legal team, but argued that others must remain hidden, citing concerns that the singer or his entourage might seek to intimidate them.
The judge eventually agreed, saying that federal courts “routinely deny requests for victims’ identities in racketeering cases, especially when the government demonstrates a risk to witness safety [or] the potential for witness intimidation.” At Kelly’s eventual trial in 2021, several victims testified under pseudonyms.
On Tuesday night (Oct. 15), Fat Joe and Too Short sat down with Vice President Kamala Harris during the 2024 BET Hip Hop Awards to discuss a bevy of pressing issues ahead of this year’s upcoming election. Explore See latest videos, charts and news See latest videos, charts and news “There’s a lot of misinformation […]