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In a year when famously battling brothers Noel and Liam Gallagher defied the odds and announced they were burying the hatchet and reuniting after a decade-and-a-half of incessant public sniping, Pink Floyd‘s David Gilmour made it crystal clear that he is never, ever getting back together with the band’s former bassist/singer Roger Waters.

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Asked by a fan in a Guardian reader interview if he’d ever perform again on stage with Waters, Gilmour said “absolutely not.” Then, in a pointed attack seemingly aimed at some of Waters’ more controversial comments in recent years about the war in Ukraine and his seeming support of Russian dictator Vladimir Putin and authoritarian Venezuelan president Nicolas Maduro, Gilmour took fire at the Floyd co-founder.

“I tend to steer clear of people who actively support genocidal and autocratic dictators like Putin and Maduro [president of Venezuela],” Gilmour said. “Nothing would make me share a stage with someone who thinks such treatment of women and the LGBT community is OK.”

Waters has frequently stirred controversy with his political views about Israel and the war in Ukraine. His comments about the government of Israel led to his record company, BMG, dropping the Floyd co-founder and solo performer earlier this year after Berlin police opened an investigation into the imagery in a May 2023 Waters show in that city. Officials said the probe was launched over “suspicion of incitement to public hatred” related to costumes that appeared to replicate Nazi uniforms and claims that Waters’ show desecrated the memory of Holocaust victim Anne Frank.

Water denied the claims, writing on X, “My recent performance in Berlin has attracted bad faith attacks from those who want to smear and silence me because they disagree with my political views and moral principles. The elements of my performance that have been questioned are quite clearly a statement in opposition to fascism, injustice, and bigotry in all its forms. Attempts to portray those elements as something else are disingenuous and politically motivated.”

During the show, Waters wore a costume resembling the Nazi SS soldier uniform — a long black coat with a red armband — while pointing a fake rifle at the crowd, with the singer saying later that the “depiction of an unhinged fascist demagogue” has been featured in his past live performances since the release of the 1980 Pink Floyd film The Wall. In May 2023, a number of Jewish groups and politicians rallied against Waters’ concert in Frankfurt, Germany, accusing the singer of antisemitism after unsuccessfully pushing to have the show cancelled. It took place in the city’s Festhalle, where more than 3,000 Jews were rounded up, beaten and abused by Nazis before being sent to concentration camps in 1938.

Waters, who has frequently drawn the ire of the pro-Israel community for his vehement support of the BDS movement, which calls for boycotts and sanctions against the state of Israel, again rejected the claims of antisemitism.

A month later, the Biden administration’s State Department weighed in on what it called Waters’ “long track record of using antisemitic tropes” and the German show it said “contained imagery that is deeply offensive to Jewish people and minimized the Holocaust.”

Gilmour and Waters have been at odds since the bassist split with the group in 1984, trading barbs in the press as Waters continues to tour and perform Floyd music alongside his solo material, while the Gilmour-led Floyd ceased touring in 1994.

Pink Floyd’s musical assets — not including their publishing — were recently bought by Sony for around $400 million.

Rebel Wilson is countersuing The Deb producers Amanda Ghost, Cameron Gregor and Vince Holden, accusing them of a “troubling pattern” of “theft, bullying and sexual misconduct.”
The cross-complaint comes months after Ghost, Gregor and Holden sued Wilson for defamation in July after she initially accused them of sexual harassment and embezzlement in an Instagram video. The producing trio alleged in their lawsuit that Wilson lied in an attempt to release her movie The Deb — which Wilson directors, produced and starred in — at the 2024 Toronto International Film Festival, as well as secure a writing credit on the film.

Wilson’s new suit alleges that Ghost was sexually harassing the film’s lead actress, Charlotte MacInnes, and “forced MacInnes to live in her Bondi Beach penthouse apartment with her,” where “Ghost took a shower and a bath with MacInnes.” It also claimed that “Ghost was overheard making overtly sexual remarks to MacInnes on set.”

In a statement to The Hollywood Reporter, MacInnes said, “There is no truth to the allegations made involving me. I made a statement to the film team when this was first said in September 2023, and I am saying this again now to draw a line under it. Making false accusations undermines real victims, and I won’t be the subject of a fabricated narrative.”

In Wilson’s suit, Ghost, Gregor and Holden are also accused of scheming to inflate the film’s budget and pocket the excess funds, according to the complaint. The suit said they “embezzled AU $900,000 from the film’s budget to be split between them.”

When Wilson reported the allegations to executive producer Danny Cohen, which he allegedly ignored, according to the suit, that’s when the producing trio “orchestrated a malicious and unyielding retaliatory campaign directed at her.”

Wilson claimed that the ongoing threats and intimidation tactics led her to hire “personal security on the set of The Deb,” so she could finish filming. The complaint also alleged that Gregor threatened to “terminate” the project and “fire its approximately 300 cast and crew members,” unless she signed a document “stating she withdrew her complaint about Ghost’s sexual misconduct” allegations.

Wilson’s attorney Bryan Freedman wrote in a statement, “Amanda Ghost, Cameron Gregor, and Vince Holden attempted to manipulate the narrative by recklessly filing an outlandish lawsuit. Their real problem? Only a fraction of their outrageous conduct has been revealed thus far. In their desperation to shift the story, they neglected to consider that this strategy would only lead to RW’s filing of a cross-complaint which exhibits a plethora of their shocking misconduct which there are many witnesses to. Many brave people have come forward who have had similar dealings with Amanda Ghost. While unfortunate, this was not a surprise. Stay tuned, this is just the tip of the iceberg. There is much more to come.”

THR has reached out to reps for Cohen, Ghost, Gregor, and Holden for comment.

This article was originally published by The Hollywood Reporter.

Could there be anything more on-brand than Tim Walz losing it over Bruce Springsteen‘s endorsement of Kamala Harris for President? The Minnesota Governor who is running as current Democratic V.P. Harris’ running mate had a typically enthusiastic, joyful response to the full-throated stamp of approval from The Boss in a three-minute video the rock icon posted on Thursday (Oct. 3).
“Wow. As a lifelong fan of The Boss, I couldn’t be more honored to have his support,” Walz wrote on X Thursday night along with a repost of the plainspoken video from the “Born in the U.S.A.” singer who referred to Harris’ Republican opponent Donald Trump as the “most dangerous candidate for President in my lifetime.”

Springsteen, who was a vocal supporter of President Joe Biden in his 2020 election run — he narrated a “Hometown” ad for the Biden campaign — took on a somber tone for the clip filmed in an empty diner in which he speaks directly to camera to deliver a plainspoken explanation of why he’s backing the Democratic ticket.

“We are shortly coming up on one of the most consequential elections in our nation’s history,” he says. “Perhaps not since the Civil War has this great country felt as politically, emotionally and spiritually divided as it does at this moment. It doesn’t have to be this way. The common values, the shared stories that make this a great and united nation are waiting to be rediscovered and retold once again. That will take time, hard work, intelligence, faith and women and men with the national good guiding their hearts.”

Springsteen goes on to praise the bedrock values he says Harris believes in, including “freedom, social justice, equal opportunity, the right to be in love with who you want,” while ticking off a list of what he says are the disqualifying attributes of twice impeached convicted felon Trump. “His disdain for the sanctity of our Constitution, the sanctity of democracy, the sanctity of the rule of law, and the sanctity for the peaceful transfer of power should disqualify him from the office of president ever again. He doesn’t understand the meaning of this country, its history or what it means to be deeply American,” the singer says.

Springsteen is among a long list of A-list stars who’ve lined up to support the Harris/Walz campaign, joining Taylor Swift, Beyoncé, Billie Eilish, Olivia Rodrigo, Stevie Wonder, Lil Nas X, Maren Morris, Barbra Streisand, Ariana Grande, Stevie Nicks, Cardi B, Katy Perry and many more. Trump also picked up an endorsement this week from Shazam star Zachary Levi, after the actor’s preferred candidate, vaccine conspiracy theorist Robert F. Kennedy Jr. abandoned his bid. In addition to the Chicken Run: Dawn of the Nugget actor, Trump has been endorsed by Kanye West, Elon Musk, Kid Rock, Hulk Hogan, Randy Quaid, Amber Rose, Russell Brand, Rosanne Barr and Rob Schneider.

See Walz’s reaction below.

The Boss has spoken. Bruce Springsteen took to social media on Thursday (Oct. 3) to officially announce that in the upcoming presidential election, he will be voting for the Kamala Harris and Tim Walz ticket. “We are shortly coming up on one of the most consequential elections in our nation’s history,” he explains in the […]

Kesha is most definitely not ready to make nice. The “Only Love Can Save Us Now” singer detailed what she described as a scorched earth plan to shake up the music industry’s old guard in a new ELLE magazine profile in which she warned that anyone with “deep, dark secrets” better be ready for a reckoning.
“I don’t believe you can create if you’re not feeling safe,” she told the magazine in detailing a new digital platform she’s working on with help from people in the tech industry that she said will prioritize artist’s safety. “The old guard, they’re falling. The old way of doing everything with secrecy — there’s no future there. So, like, those of you with deep, dark secrets, you better f–king run.”

Her warning to those traditional gatekeepers pulls no punches: “The music industry should be f–king terrified of me,” she said. “Because I’m about to make some major moves and shift this s–t. I really want to dismantle it piece by piece and shine light into every corner. I hope my legacy is making sure it never happens to anybody ever again.”

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Kesha extracted herself from a contract with Dr. Luke following a 2023 settlement in her long-running civil lawsuit against the producer born Lukasz Gottwald over her claims of infliction of emotional distress, sexual harassment and assault; Luke denied the claims and reached a settlement with Kesha to dismiss his defamation suit against her last year, with both parties denying any misconduct.

She has since formed her own independent label, Kesha Records, which she said is the first big step in taking back her musical voice after signing with Luke in 2005 when she was 18. “I’m free and it feels good,” she said, noting that she has a reminder on her phone that reads “you’re free.” Kesha is now fully in charge of her music and free to work with any producers and writers she wants, a situation that led to the release of her recent single, the A.G. Cook (Charli XCX) and Zhone (Slayyyter)-produced “Joyride,” a bouncing, horn-spiked party record on which she sings, “Rev my engine til you make it purr/ Keep it kinky, but I come first/ Beep-beep b–ch, I’m outside/ Get in loser, for the joyride.”

Not for nothing, Kesha said “Joyride” was birthed both after the settlement of her Luke suit as well as in the wake of a break-up with someone she felt was “in it for the wrong reasons and was a bit of a starf–ker,” and whose loyalty she assessed in the most Kesha way possible. “I decided to test that theory and took one of my friends instead of him to Taylor Swift’s party. He came over the next day and broke up with me,” she said.

At this point she hasn’t come up with a title for the follow-up to her raw, 2023 fifth studio album, the not-to-subtly titled Gag Order, which marked her final release through RCA Records and Luke’s Kemosabe Records. The words that keep coming to mind as she ponders a name for it are also pointed and telling: freedom, safety, joy.

“This record is my little wild child,” she said, describing Gag Order as a way to give voice to her more painful emotions. “I was really vulnerable. Now I’m really trying to make way for the bad b–ch. I’m giving her the moment — because we need the space to have all the emotions safely. I capture the empowered emotions, so that I can listen back to it when I’m not feeling that way.”

Psyched to be “100 percent in control of everything now,” Kesha said her new music mogul era is allowing her to do all the things: “ideating the song, writing the song, singing the song, comping the song, coproducing the song, marketing the song, designing what I’m wearing for the song.”

As evidenced by the bubbly playful vibe of her recent social media posts, Kesha is leaning into the meaning of her name in Russian (“innocent joy”) because, as she said, “my soul needs this album. I need to reclaim my joy. Because I fought so f–king hard for it.”

She also loves the fact that her fortitude and defiant spirit have clearly helped empower a new generation of strident female pop stars who are embracing their authenticity. “I do have a sense of feeling protective of young women in music. I really hope my joy can stand for others to know that it’s available to them and to not give up,” she said of the singers she often DMs to offer herself up for advice or a kind sounding board. “I enjoy feeling my power, which hasn’t been available to me for a really long time, and I’d love to give that gift to others if I can.”

She specifically shouts out Chappell Roan and Reneé Rapp, referring to the latter as the “most genuinely cool, calm, unbothered, iconic pop girlie.” Kesha invited Rapp to perform with her in Brooklyn in Nov. 2023 and Rapp returned the favor at April’s Coachella Festival, where Kesha performed her Billboard Hot 100 topper “Tik Tok,” which pointedly featured a revised line dissing embattled hip-hop mogul Sean “Diddy” Combs, who was indicted on sex trafficking charges last month amid a dozen lawsuits alleging sexual assault and harassment; Diddy has denied the charges.

Though Roan drew attention for playing to what was described as the biggest daytime crowd in Lollapalooza history this summer, Kesha said she could sense the stress the “Hot To Go” singer was likely feeling during a moment many saw as a dream scenario.

“Kesha was so lovely to me after my Lollapalooza set,” Roan told the magazine. “Because with that huge of a crowd, maybe only five other people there understood what that’s like. Kesha came to talk to me after, and it felt like a big sister was helping me through it. Me and Reneé were crying because we felt like we were seen in a way we never had been before. Kesha has always stood up for women and what she believes in and that’s very inspiring.”

Warning: the following story includes references to sexual assault.
Joe Jonas is the latest artist to remove a lyric referencing disgraced Bad Boy Music mogul Sean “Diddy” Combs amid the latter’s escalating sexual abuse scandal. Fan-shot footage of a Jonas Brothers show at LDLC Arena in Lyon, France last Saturday appeared to show Jonas eliding Combs’ name in a lyric from his DNCE side band’s 2015 hit “Cake By the Ocean.”

The original lyric went: “Walk for me, baby/ I’ll be Diddy, you’ll be Naomi, woah-oh.” But in the clips from last weekend, Jonas seemed to omit Diddy’s name and just mention supermodel Naomi Campbell. The move is the latest example of a musician deleting a lyrical nod to Combs, coming on the heels of Kesha’s move to excise a key lyric in her 2009 song “Tik Tok” earlier this year.

After tweaking the lyrics during a spot on Reneé Rapp’s Coachella festival set in April to proclaim “f–k P. Diddy,” Kesha announced in May that she would only perform the new lyrics going forward in light of the horrific allegations against Combs, which have landed the once high-flying music and fashion mogul behind bars on charges of racketeering conspiracy, sex trafficking by force, fraud, coercion and transportation to engage in prostitution.

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In the original song, Kesha sang “Wake up in the morning feeling like P. Diddy.” Asked in May by TMZ if the change was permanent, Kesha said, “Yes, it will be [permanent]. The fans should learn it for my upcoming [shows]. I want to hear it louder than ever. I stand by that.”

Combs has been denied bail twice in the case, leaving him behind bars until the start of his trial on charges that could land the once formidable 54-year-old star in prison for the rest of his life; Combs has denied all the charges.

Just this week, a lawyer in Houston threatened to file civil sexual abuse lawsuits on behalf of more than 120 people alleging abuse dating back to 1991, including 25 allegedly involving minors who claim they were allegedly assaulted by Combs. Attorney Tony Buzbee said more than 3,000 individuals have contacted his office so far, with the lawyer saying that he plans to start filing the cases within the month.

Combs attorney Erica Wolff strongly denied the allegations from Buzbee, saying, “As Mr. Combs’ legal team has emphasized, he cannot address every meritless allegation in what has become a reckless media circus. That said, Mr. Combs emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors. He looks forward to proving his innocence and vindicating himself in court, where the truth will be established based on evidence, not speculation.”

Once one of the most powerful and influential figures in music, Combs was indicted by federal prosecutors last month on multiple charges that allege he was the figurehead of a massive criminal operation for decades aimed at satisfying his need for “sexual gratification.” To date, 12 victims have filed civil sexual abuse cases against Combs over the past year.

“For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct,” prosecutors wrote in the indictment. “To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”

Last week, Combs was hit with yet another civil lawsuit alleging that he repeatedly drugged and sexually assaulted an unnamed model over a four-year period — from 2020 until earlier this year. The details in those claims closely match the allegations made by federal prosecutors in their sweeping indictment that included details of “elaborate and produced,” drug-fueled “freak off” sexual performances between the victims and male sex workers during which Combs would masturbate.

Watch the Jonas lyric change below.

https://www.tiktok.com/@dncejonas/video/7420367716428582176?lang=en
If you or someone you know has experienced sexual assault, you can call the National Sexual Assault Hotline at 1-800-656-HOPE (4673).

Amazon has pulled from it’s website the bestselling 60-page Kim’s Lost Words: A Journey for Justice From the Other Side…, a memoir allegedly written by the late Kim Porter, a model and longtime partner of Sean “Diddy” Combs, according to Associated Press. The book reveals an alleged abusive relationship between the couple, who share 26-year-old son […]

As he works to enter his vice president era, Tim Walz is invoking the power of Taylor Swift.
At the VP debate Tuesday night (Oct. 1), Kamala Harris’ running mate gave the pop superstar a big shout-out and wore Eras Tour-inspired friendship bracelets while facing off against JD Vance, Donald Trump’s pick for his second-in-command. After 90 minutes of back-and-forth — during which strings of beads occasionally peaked out from Walz’s shirt sleeves — the Minnesota governor ended his performance by marveling at the vast array of people supporting the Democratic ticket in 2024.  

“I’m as surprised as anybody of this coalition that Kamala Harris has built, from Bernie Sanders to Dick Cheney to Taylor Swift,” Walz said, staring into the camera to directly address the American people. “They don’t all agree on everything, but they are truly optimistic people. They believe in a positive future of this country, and one where our politics can be better than it is.”  

The 60-year-old politician was standing too far away from the camera to give a clear shot of his bracelets, but it’s very possible he was sporting an official Harris-Walz accessory on his wrist. The duo’s campaign began selling the beaded pieces in September, almost immediately after Swift endorsed their cause with a lengthy post on Instagram signed “Childless Cat Lady.”  

“I think [Harris] is a steady-handed, gifted leader and I believe we can accomplish so much more in this country if we are led by calm and not chaos,” the 14-time Grammy winner wrote in her message, which went live moments after the presidential debate concluded Sept. 10. “I was so heartened and impressed by her selection of running mate @timwalz, who has been standing up for LGBTQ+ rights, IVF, and a woman’s right to her own body for decades.” 

Though her support has arguably been the most impactful, Swift is just one of dozens of celebrities who’ve endorsed Harris and Walz ahead of election day on Nov. 5. Megan Thee Stallion, Lil Jon, Bon Iver, John Legend and Pink have all performed at campaign events this summer, while Ariana Grande, Cardi B, Billie Eilish, Lizzo, Carole King, Katy Perry, Kesha, Barbra Streisand and more have all spoken out in the Democrats’ favor. 

Watch Walz give Swift a shout-out at the VP debate below.

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With just over a month until Election Day, vice presidential candidates Ohio Sen. JD Vance and Minnesota’s Gov. Tim Walz will debate for the first time airing live on Tuesday (Oct. 1).

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The debate will take place at CBS News studios in New York City.

Read on for details on where and when to watch, and stream from anywhere.

Vice Presidential Debate: Time, Where to Stream Without Cable

What time does the debate start? CBS will broadcast and stream live coverage of the vicepresidential debate beginning at 9 p.m. ET on Tuesday. Debate coverage starts at 4 p.m. ET on CBS.

Additionally, the debate will stream live on Paramount+ and simulcast on ABC, NBC, Fox, Fox News, CNN, MSNBC, BBC News and C-SPAN, which you can access on DIRECTV Stream, Fubo, Hulu + Live TV, Sling TV and ExpressVPN to stream internationally.

DIRECTV Stream lets you stream ABC, NBC, CBS and Fox in addition to cable networks. Live TV streaming plans start at $80.  

Fubo and Hulu + Live TV offer live, local channels along with several cable channels. And you can join either platform for free, however Fubo offers a free trial for a week and Hulu + Live TV’s free trial lasts for three days. Both streamers offer plans under $80 per month.

Join Sling TV and watch cable channels and local networks such as CBS and ABC in select regions. Sling’s streaming plans start at $20 for the first month.   

Even though Amazon offers same-day delivery on select items, you might not have enough time to purchase a digital antenna, but it’s a decent option for streaming live channels without subscribing to a streamer. The vice presidential debate will also stream live on Prime Video’s Freevee channel.

To watch CBS on Paramount+, you’ll need to subscribe to the Paramount+ with Showtime. Plans start at $7.99 for the basic package and $12.99 for Paramount+ with Showtime, CBS and more. Start your free trail here.

Debate Rules & Moderator Details

CBS Evening News anchor and managing editor Norah O’Donnell, will moderate the debate alongside Face the Nation moderator and chief foreign affairs correspondent Margaret Brennan.

According to CBS News, each candidate will have two minutes to answer each question and one minute for rebuttal. Mics will not be muted while the other candidate speaks, but moderators can mute the candidates if needed.

The debate will include four commercial breaks.

New York City’s Mayor Eric Adams made somewhat of a cameo in The Notorious B.I.G.‘s video for the rapper’s debut single “Juicy.” According to a resurfaced tweet from New York Times reporter Jesse Drucker, his eagle-eyed son spotted the now-mayor as he was watching the video. Explore Explore See latest videos, charts and news See […]