NITO

Veteran Booking Agent Wayne Forte Is Auctioning Off a Private Meeting to Raise Money for Charity

Veteran booking agent Wayne Forte with Entourage Talent and Paladin Artists is auctioning off a private meeting to raise money for the National Independent Talent Organization (NITO).

Forte is a widely respected talent agent whose clients include Duane Betts, Tedeschi Trucks Band, Joe Satriani and more. The native New Yorker has been booking artist in the music business since his days at North Carolina State University and has worked with legendary acts including Duran Duran, The Jam, Joe Jackson, Killing Joke, The Vapors, Depeche Mode, Adam and the Ants, Peter Gabriel, Genesis, King Crimson and Billy Idol.

It was through working at International Creative Management (ICM) that Forte met and began working with David Bowie. He later moved to the William Morris Agency, where he signed The Clash and brought the U.K. band to the U.S. for its 1978 Give ‘Em Enough Rope Tour. While at William Morris, he also helped sign Tom Petty and the Heartbreakers, Iggy Pop and The Cure, among other artists, and was eventually named the head of the agency’s East Coast music department.

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Forte struck out on his own in 1981, joining fellow William Morris agent Michael Farrell to launch International Talent Group. Through that agency, the duo booked and co-produced Bowie’s 1983 Serious Moonlight tour and expanded into the arena and stadium touring world, eventually signing artists like The Psychedelic Furs, Sade, Radiohead and more. In 1993, he launched Entourage Talent Associates and, in 2021, entered into a strategic partnership with booking agents Steve Martin and Andy Somer to form Paladin Artists. Forte is also a founding member of NITO, which lobbies for state and federal legislation on behalf of independent live music organizations, artists and music fans.

The auction for a meeting with Forte has been organized by Charity Buzz. Click here to learn more and submit a bid.

Nashville Event Prompts Indie Agents to Flag FTC About New Ticket Scalping Tech

The Federal Trade Commission is being urged to investigate technology companies that create tools for ticket scalpers that violate existing laws and drive up the price of concert tickets.  

The warning and call to action comes by way of a letter signed by National Independent Talent Organizations president Jack Randall and executive director Nathaniel Marro, taking aim at the World Ticket Summit. Held in Nashville earlier this month, the annual conference is organized by the National Association of Ticket Brokers, the country’s largest member organization for professional ticket resellers and individuals who list and resell tickets on sites like StubHub and SeatGeek. 

At this year’s summit, members of NITO – which represent independent talent agencies and management companies including Arrival Artists, High Road Touring, Paladin Artists, Q Prime, Red Light Management and TKO – “observed a sold-out exhibition hall filled with vendors selling and marketing products designed to bypass security measures for ticket purchases, in direct violation of the BOTS Act,” a Sept. 9 letter to Federal Trade Commission chair Lina Khan reads. 

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That technology includes web browser extensions that set up multiple tabs masking a user’s IP address, proxy services that allow users to be logged in to multiple ticketing accounts from one location and virtual credit card services that bypass geographical restrictions on ticket sales, which are often put in place by event organizers to ensure fair access for local fans. 

According to the letter, the use of this type of technology to procure concert tickets is a violation of the Better Online Ticket Sales (BOTS) Act of 2016 which prohibits scalpers from using technology that circumvents “a security measure, access control system, or other technological measure used to enforce ticket purchasing limits for events with over 200 attendees.” 

Put more simply, most ticketing companies place a cap on how many tickets a fan can buy for a concert and the use of automated bots, proxy servers, VPNs and phantom credit cards to exceed purchase limits is a violation of the BOTS Act. 

“The presence of these vendors at a conference specifically for ticket brokers strongly suggests that a substantial portion of attendees either currently use these services or are likely to do so in the near future,” the letter reads. “This widespread availability and apparent demand for tools that can circumvent ticket purchasing limits indicates that many, if not most, scalpers are operating in violation of the federal BOTS Act.” 

The NATB’s executive director Gary Adler issued a lengthy statement in response to NITO’s letter, writing “The vast majority of technology exhibitors at the conference were inventory management systems that help ticket companies organize their tickets, offer them for resale, and help with pricing.” 

“There are many friction points in ticketing,” Adler continued “and high-tech ways that players in the system try to monopolize every dollar spent on ticketing and to prevent the resale of tickets. For more than half of events there are lower cost options on the secondary market and some in the primary market don’t like seeing their previously sold tickets being offered for resale at deep discounts. Artists, venues, and primary ticketers abuse technology every day to create fake scarcity and deceive consumers into paying higher prices when really, they are secretly holding back tickets to slowly drip more on sale over time to cheat and fool the fan. This is most likely an illegal deceptive marketing and advertising practice, driven by artists, venues, and primary ticketing companies, that the FTC should immediately investigate.” 

Adler notes that the NATB “advocated for the passage of the BOTS Act in 2016 as we fully support the banning of bots. There is no place in the system for illegal bot use. We stand for doing resale the right way and passing strong laws to protect fans and competition across the ticketing industry. If any exhibitors were offering technology that violates the BOTS Act, we want to know as they will not be welcomed back.”   

Since its passage in 2017, the BOTs Act has only been enforced one time, in 2021, when three New York-based ticket brokers were charged with violating the law. The government’s enforcement of the BOTS Act has been an “abysmal failure” writes songwriter and music industry analyst Chris Castle, noting that StubHub’s scheduled IPO this fall was a tell-tale sign that the BOTS Act was “under-enforced.” 

“Let’s face it – if there were no bots and no boiler room operations, StubHub probably wouldn’t have much of a business,” Castle wrote. Lawmakers including Sen. Marsha Blackburn (R-Tenn.) have introduced legislation like the Mitigating Automated Internet Networks for (MAIN) Event Ticketing Act of 2023 which would force ticketing companies to be more proactive about reporting BOT usage, but those efforts have largely stalled in Congress. 

NITO’s letter includes eight recommendations for rights holders and the FTC, calling for the regulator to subpoena the customer lists of “companies offering services that fall into the categories likely to facilitate BOTS Act violations” as well as increased enforcement actions, prioritizing “investigations into large-scale ticket reselling operations, focusing on those using multiple technologies to circumvent purchasing limits.” 

By implementing these recommendations, the letter explains, “rights holders and the FTC can take significant steps towards curbing BOTS Act violations and ensuring fairer access to event tickets for consumers.”

Maryland Governor Signs Anti-Speculative Ticketing Bill Into Law

The Maryland bill targeting speculative ticketing in the state was signed into law by Gov. Wes Moore today. The consumer protection bill focuses on the sale and resale of live event tickets and was supported by the Recording Academy, National Independent Venue Association (NIVA), National Independent Talent Organization (NITO), Eventbrite and more.   

The bill bans speculative ticketing (the practice of listing tickets on secondary sites before a reseller owns a ticket), as well as require ticketers to present “all in” pricing for consumers, meaning the full price of the ticket — including all fees — must be present in the price first shown to fans. The law will go into effect on July 1.  

“In addition to Senators [Dawn Danielle] Gile and [Pamela] Beidle and Delegate [C.T.] Wilson, we’re also grateful to Marylanders who spoke out and let their elected officials know that they want protection from parasitic scalpers who use acts of deception to gouge concert fans,” said Audrey Fix Schaefer, communications director of Merriweather Post Pavilion and I.M.P. in a statement. “Nearly 17,000 letters were sent by Marylanders to their state legislators, letting those in Annapolis know they want protection from the rampant deception and abuse that’s taking place now. We applaud the entire State legislature for this groundbreaking legislation, and we look forward to working with the Attorney General’s office to help ensure enforcement.” 

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The bill requires resellers to provide the zone and seat number for non-general admission events, eliminating the common practice of resellers listing an unspecified seat and procuring a ticket — for a lesser price — once a consumer has purchased the “unspecified” seat from a secondary site. It also reduces resellers’ ability to list generic tickets on resale sites before on-sale for the actual event has occurred. 

A standout of the bill for proponents like NIVA, NITO and others, is that the bill makes it illegal for secondary ticketing platforms to provide a marketplace for the sale or resale of tickets that violate the law. If a consumer purchases a ticket that is counterfeit, canceled by the reseller or fails to meet its original description, the secondary platform would be responsible for paying the consumer back for the total amount paid, including any fees. Platforms selling or offering to sell speculative tickets can be fined up to $10,000 for the first infraction and $25,000 for each subsequent infraction.  

Additionally, the bill mandates “all-in” ticket pricing — where consumers see the full price of the ticket, including fees, from the beginning of their transaction — and require those fees to be itemized so fans know where their dollars are going. The passage of the bill also means Maryland’s attorney general’s office can conduct a review of how resellers are procuring their tickets, the price difference for fans on the primary versus secondary market, fraudulent tickets, the use of bots, what measures other states have enacted to protect consumers during the ticket buying process and more.

The AG’s study is scheduled to be completed by the end of the year.  

Entourage Talent’s Nathaniel Marro to Lead National Independent Talent Organization

The National Independent Talent Organization (NITO) has hired its first MD: Nathaniel Marro from New York’s Entourage Talent Associates.

Having worked closely with Entourage founder Wayne Forte for over a decade, during which he worked on the management team for Tedeschi Trucks Band, Marro is now tasked with expanding NITO membership and advocating for policy changes on behalf of the independent talent managers, booking agents and entertainment executives NITO represents.

Along with the National Independent Venue Association (NIVA), NITO was part of a 2020 coalition that successfully lobbied Congress for billions of dollars in federal aid for venues. Today, as head of NITO’s ticketing taskforce, Marro has been leading the organization’s fight against unfair and predatory ticketing, working alongside NIVA and the Fix The Tix Coalition to ensure that the voices of artists and their millions of fans are heard.

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“When the board decided we would hire a Managing Director and our first employee, there was only one person that any of us thought of — Nathaniel Marro,” said newly-elected NITO president Jack Randall of The Kurland Agency. “Hiring Nathaniel was the first thing I did as President of NITO, and I have no doubt that he will do an incredible job as our new Managing Director.”

Marro says he is “extremely excited to be named NITO’s first Managing Director,” noting, “The pandemic brought a lot of the challenges of this business to light but also brought together a lot of new voices ready to collaborate and fix these issues. I look forward to working closely with NITO President Jack Randall and the Board of Directors to make sure we are a leading voice fighting on behalf of artists and the clients we represent to ensure this industry is a better and safer space for all.“