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Lana Del Rey fans have received a fresh taste of her new era, with “Bluebird” arriving as the latest preview of her forthcoming record.
Dropping just a week after “Henry, Come On” gave fans their first insight of what to expect from Del Rey’s self-described “country” record, “Bluebird” has ostensibly further confirmed that her sonic shift won’t be one steeped in the standard trappings of a country record.
Much like its predecessor, “Bluebird” is another soaring piece of emotional introspection from Del Rey, as she pairs softly-plucked acoustic guitars with stirring strings and her trademark reverb-laden vocals. Written alongside Luke Laird, and featuring production from Drew Erickson, it’s a dream team of country and folk at play, and provides further indication that Del Rey’s upcoming record is set to be another high point of her career.
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Currently, however, it’s unclear just when that new record will arrive – or what fans will be specifically asking for at record stores. Initially teased under the name Lasso in early 2024 and given a September release date, the 13-track record was later given a fresh moniker by way of The Right Person Will Stay and an updated release date of May 10.
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Following the release of “Henry, Come On,” Del Rey has since told fans her forthcoming 10th album is once again subject to a sense of mystery. “You know it’s not going to come on time, right?” she explained on April 11. “Should I even tell you that the name changed again? Should I tell you that now, while you’re so happy that you even have a song? Yeah, maybe I’ll wait.”
A late album is nothing new for the beloved singer, as her three most recent projects — Did You Know That There’s a Tunnel Under Ocean Blvd, Chemtrails Over the Country Club and Blue Banisters — were all delayed for various reasons.
Del Rey is currently scheduled to perform at Stagecoach on April 25, with a series of dates slated to follow across the U.K. throughout June and July. She’ll return to the U.S. in the summer for a performance at Iowa’s Hinterland Music Festival on Aug. 3.
Listen to “Bluebird” below:
Morgan Wallen and Post Malone are teaming up again, with their just-released second collaboration, “I Ain’t Comin’ Back.” The two artists previously earned a towering hit last year with “I Had Some Help,” which topped charts in both pop and country formats, spending six weeks atop the Billboard Hot 100 and four weeks atop Country […]
Tommy Richman and Sexyy Red are “Actin Up” together on the new remix that dropped on Friday (April 18).
“Bend it over, shake that a–, show that print/ Clean a– bi—, smell good, I ain’t got no scent/ Everybody lookin’, I’m the baddest in this b—h/ Got some booty shorts on, coochie fat, I’m feelin’ thick,” she raps on her verse.
Richman originally released “Actin Up” in February via Brent Faiyaz‘s ISO Supremacy and Pulse Records. “Actin Up,” which employs a steel drum pattern similar to that of Soulja Boy’s 2007 pop-rap smash “Crank That,” arrived months after his debut studio album, COYOTE. The 11-track project included the Billboard Hot 100 No. 2 hit “Million Dollar Baby” and “Devil Is a Lie,” which hit No. 2 on Rhythmic Airplay.
“This is a big record, but this s–t doesn’t define me,” he told Billboard about “Million Dollar Baby” in his Chartbreaker interview last June. “I’m using this as ‘We’re here. We arrived.’ Not as ‘We made it!’ This is the start of a run.”
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The Woodbridge-based artist is currently on the Coyote Tour, with a handful of upcoming international stops left in Berlin, Amsterdam, Brussels, Paris and London.
On the other hand, Redd has released a handful of singles this year, from “Fat Juicy & Wet” with Bruno Mars, “YN” with PlaqueBoyMax, BabyChiefDoit, LAZER DIM 700 and Baby Kia, and “Hoochie Coochie.” The St. Louis rapper rang in her 27th birthday earlier this week with Justin Bieber, her “WHATCHU KNO ABOUT ME” collaborator GloRilla and more at The Players Club.
Listen to “Actin Up” remix below.
Davido released his fifth studio album, 5ive, on Friday (April 18) via Davido Music Worldwide, RCA Records and Sony Music UK. The 17-track project includes previously released singles “Awuke” with YG Marley, “Funds,” featuring Odumodublvck and Chike, and “Be There Still,” and it includes more collaborations with Victoria Monét (“Offa Me”), Shenseea and 450 (“R&B”), […]
Close to two decades on from his exit from New Order, bassist Peter Hook hasn’t wavered in his animosity toward his former bandmates, labeling the group a “bad cover version” of themselves.
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Hook was one of the founding members of New Order, who formed in 1980 following the death of Joy Division’s Ian Curtis. Hook, along with Joy Division bandmates Bernard Sumner and Stephen Morris, completed their initial lineup with the addition of keyboardist Gillian Gilbert. New Order would go on to receive widespread acclaim in the ensuing decades, with their biggest success in the U.S. arriving by way of 1993’s Republic, which hit No. 11 on the Billboard 200.
In 2007, New Order would split, though Hook would not return for their 2011 reformation, instead choosing to continue with his new band Peter Hook & The Light. A long-running legal battle related to the reunion would eventually be settled in 2017.
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However, in a new interview with British publication The i Paper, Hook says he retains a sense of animosity towards his former band, noting he hasn’t spoken to vocalist and guitarist Sumner in 17 years. “As most reconciliations do, once you get over the euphoric honeymoon, you soon realise why you couldn’t f–king stick them – and they, you,” he explains. “I’m not saying I’m Mr. Perfect.”
“I don’t think they’re New Order. They don’t sound like anything like them,” he continued. “I’ve watched them play songs [online] recently, and they’ve dropped the basslines and play it like some weird, bad cover version of a New Order track. So the animosity is obviously still there now.”
Hook also claimed that his thoughts are shared by audience members of contemporary New Order shows, with fans reportedly contacting him to complain about current gigs. “They’re like, ‘You can’t hear the bass!’” he noted. “Obviously, there is a certain smugness one could adopt. But I’m, obviously, way above all that.”
Hook’s comments come as he launches a series of shows with The Light in which they perform New Order’s 2001 album Get Ready in full alongside a selection of hits from both Joy Division and New Order. Launched in the U.K. this week, Hook will bring his tour to North America in May.
Save this storySaveSave this storySaveThe ascent of Addison Rae continues apace. The burgeoning pop star has released the new song “Headphones On,” which arrives with a music video that was filmed in Reykjavík, Iceland, and directed by Mitch Ryan. In the visual, Rae sports neon pink hair and a pair of wired earbuds, rides a white horse, and pouts around various Scandinavian landscapes. Watch the new “Headphones On” video below.Rae co-wrote “Headphones On” with the song’s producers, Luka Kloser and Elvira Anderfjärd. I’s the singer’s second track of 2025, following “High Fashion.”Rae released her debut single, “Obsessed,” in 2021, and she shared her first EP, AR, in 2023. The following year, Rae released two more high-profile songs, “Diet Pepsi” and “Aquamarine,” the latter of which got an Arca remix called “Aquamarine / Arcamarine.”According to a press release, “Diet Pepsi,” “Aquamarine,” “High Fashion,” and “Headphones On” will all appear on Rae’s debut studio album. She has suggested that the album is out on June 6.Read about “Diet Pepsi” at No. 13 in “The 100 Best Songs of 2024.”
Save this storySaveSave this storySaveJadakiss, Swizz Beatz, and Pusha T have come together for a new song. The hip-hop stalwarts made “Danger Danger” for the soundtrack to the fourth season of MGM+’s Godfather of Harlem. Find the new track’s music video below.Swizz Beatz is the executive music producer of the new Godfather of Harlem soundtrack. He previously recruited Pusha T for the Season 2 song “No Patience” and Jadakiss for Season 3’s “Hustle, Repeat.”Godfather of Harlem: Season 4 (Original Series Soundtrack) is out now (via Epic Records). Additional contributors to the album include Conway the Machine, Larry June, and Sauce Walka.“Danger Danger” marks the first time that Jadakiss, Swizz Beatz, and Pusha T have all been together on one track. Previously, Jadakiss and Pusha T connected for highlights like “Don’t Like.1,” “Huntin Season,” and “Good Man,” while Swizz Beatz and Pusha T have both been on songs like “So Appalled” and “Good Morning.” In addition, Jadakiss and Swizz Beatz have worked together on “Jason,” “Who’s Real,” “On My Way,” “Something Dirty / Pic Got Us,” and more.Read Pitchfork’s review of Pusha T’s latest studio album, April 2022’s It’s Almost Dry.
Save this storySaveSave this storySaveLana Del Rey has shared “Bluebird,” the likely second single from her long-promised new album The fingerpicked ballad follows last week’s “Henry, Come On,” the first clear signal that the follow-up to Did You Know That There’s a Tunnel Under Ocean Blvd might be imminent. Del Rey co-wrote “Bluebird” with Luke Laird, and she co-produced it with Laird and multi-instrumentalist Drew Erickson. Listen to the new song below.The status of Lana Del Rey’s next album, once known as Lasso, remains unclear. She had said, at one point, that it was called The Right Person Will Stay and that it would come out on May 21. In a since-deleted video, however, she said the title has changed again and that “it’s not gonna come on time.”Next week, Del Rey will play play the country music festival Stagecoach. She headlined Coachella in 2024.
Save this storySaveSave this storySaveJoe Seiders, who played drums and keyboards in the New Pornographers, has been arrested for possession of child pornography, the Riverside County Sheriff’s Department said in a news release. According to online records, Seiders was arrested on April 9 and remains in jail with his bail set at $1 million.In a statement shared with Pitchfork, a spokesperson for the New Pornographers said: “Everyone in the band is absolutely shocked, horrified, and devastated by the news of the charges against Joe Seiders—and we have immediately severed all ties with him. Our hearts go out to everyone who has been impacted by his actions.”According to the news release and online records, police officers responded to “a suspicious circumstance” at a Chick-fil-A restaurant in Palm Desert, California, on Monday, April 7. An 11-year-old boy told the officers that “an unknown male adult recorded him on a cell phone while he was using the restroom at the location.”Two days later, police responded to an incident at the same restaurant, where an employee said that “a male was entering and exiting the restroom with juvenile males at the business.” The man was identified as Seiders, and he was apprehended by police and taken into custody.Following Seiders’ arrest, officials searched his residence, vehicle, and cell phone and found evidence implicating him in the two Chick-fil-A incidents and additional crimes, according to the news release.In addition to the felony charge of possession of child pornography, Seiders was booked on misdemeanors charges of annoying/molesting a child, invasion of privacy, and attempted invasion of privacy. Records show that he has pleaded not guilty to all charges. He is due in court on Tuesday, April 22.Joe Seiders joined the New Pornographers after the release of their 2014 album Brill Bruisers, replacing longtime drummer Kurt Dahle. He played on 2017’s Whiteout Conditions, 2019’s In the Morse Code of Brake Lights, 2023’s Continue as a Guest, and the recent single “Ballad of the Last Payphone,” and he toured with the band consistently until his dismissal.If you or someone you know has been affected by sexual assault, we encourage you to reach out for support:RAINN National Sexual Assault Hotlinehttps://rainn.org1 800 656 HOPE (4673)Crisis Text LineSMS: Text “HELLO” or “HOLA” to 741-741
As it draws closer to the tenth anniversary of Faith No More’s most recent shows with vocalist Mike Patton, drummer Mike Bordin has claimed the singer is “unwilling” to perform with the band again.
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While Faith No More last performed two dates in 2016 with Chuck Mosley, Patton hasn’t fronted the group since the conclusion of their Sol Invictus Tour the year prior. However, while a global live return was slated to take place in 2020, the COVID-19 pandemic forced the band to cancel these dates.
The band were again scheduled to take to the stage in 2021, though Patton’s mental health issues (which he later explained was a diagnosis of agoraphobia) necessitated their cancellation also.
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In a new interview with the Let There Be Talk podcast, Bordin has expanded on the situation, discussing how their 2021 shows saw six months of instrumental rehearsing before Patton was set to join the band ahead of their live return.
“It came to pass that when the gear was in the truck, when it was rolling to Chicago, 36 hours before we were supposed to be on stage, and our guy [Patton] doesn’t show for the rehearsal, the one rehearsal that we’re gonna do,” Bordin recalled. “And we go to go see him and see what’s going on. ‘What the hell’s going on here? Our gear’s rolling already to the gig.’ And it was very clear that he was unable at that point to physically do it.
“We made the decision that, ‘Look, we’ve gotta support our guy,’” he adds. “It’s gonna be a s–t storm canceling f–king 75 shows, but none of us wants to be the guy that breaks his back and forces him to do something that he’s not in the position to be able to do. It wasn’t even an argument. The only argument was, ‘How the f–k did we logistically do this? Because we have to.’ I mean, we did support him in our way, and whether that’s perceived or not is beyond — I can’t control it.”
Since the cancellation of the dates, little positive information about a live return for Faith No More has been revealed. While Patton has been performing with Mr. Bungle regularly since their large-scale return to the live stage in 2022, Faith No More’s Roddy Bottum describing the band’s current status as being on a “semi permanent hiatus” in October 2024.
“So it’s my take, my position, my statement on it is that he’s gone from being unable to do the shows to clearly being unwilling to do shows with us,” Bordin continued. “And that’s heavy. That’s a big difference. That’s a big difference. And we haven’t really had much dialogue on it. … It doesn’t feel great to me. It honestly kind of hurts my feelings a little bit, but that’s personal. That’s a private thing. It’s business.
“We were never gonna force somebody to do something that they weren’t able to do,” he adds. “And now, as I say, it looks like it’s more really about being willing to do it.”