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Jelly Roll Has Finally Grown Chest Hair & Bunnie XO Is Loving It

Jelly Roll is a Billboard 200-topping artist, a CMT Music Awards and CMA Awards winner, as well as a Grammy nominee. Now he has a new accomplishment to celebrate — the growth of his chest hair.

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The country superstar’s wife, Bunnie XO, took to TikTok on Tuesday (March 11) to share a video in which she playfully exposes Jelly’s new body hair. “I’ve been with this man almost a decade & he just sprouted chest hairs,” she wrote over the clip with a laughing emoji.

In the video, while Jelly Roll is in the middle of a discussion, the Dumb Blonde podcast host zooms in on the brown hair forming on his chest. The “Need a Favor” singer quickly zips up his jacket and begins laughing, before the scene cuts to Bunnie trying to get her husband to unzip the jacket again. “Show the taco meat,” she jokes before Jelly hilariously claps back, “Don’t show my cleavage!”

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The couple first met back in 2015, when Bunnie watched Jelly Roll perform at Sin City’s Country Saloon in Las Vegas. They tied the knot a year later, in August 2016.

Bunnie and Jelly are currently undergoing IVF to conceive a child, which Bunnie shared on a July episode of her podcast. “I’m in my baby mama gardening era,” she joked, adding that Jelly said he would “love” to have a baby with her. “That was not the response that I thought he would say,” she admitted, noting that he’s “so excited” about the possibility of having children together. Bunnie is the stepmother to Jelly’s 15-year-old daughter, Bailee.

Watch the chest hair saga via TikTok below.

Rihanna Throws Lit Launch Party In Barbados To Celebrate New FENTY X PUMA Collection

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Rihanna took a flight back to her hometown of Barbados on March 11 to unveil her brand new FENTY x PUMA collection, which features three new exciting items, according to Complex. 

The Bajan beauty was all smiles as she schmoozed with attendees at the release party wearing a pair of the FENTY x PUMA Avanti LS stitched sneakers, one of the new items offered within the buzzing line. Inspired by the PUMA King soccer cleat, the lime green and orange sneakers paired perfectly with the “Needed Me” singer’s oversized green and white baseball jersey and her two green ruffled chiffon skirts.

The mother of two topped off the look with a green bikini top, a beautiful bun, and a Sabyasachi necklace, WWD noted.

In one photo, the Grammy-award-winning artist could be seen embracing model and Savage X Fenty ambassador Serena Page, as a group of attendees clamored for photos of the duo. Rihanna—who hails from Bridgetown, Barbados—was also spotted letting her hair down to party with guests during the fun launch event. 

What else can you purchase in the new collection?

Along with the Avant L sneakers, the new FENTY x PUMA collection will also include The Cat Cleat Jelly, a sandal made from synthetic leather and rubber. The bold shoe stands out with its vibrant design and soccer-inspired cleats on the outsole, paired with vibrant colors native to Rihanna’s hometown of Barbados. The collection will also feature the Pocket Bag, crafted from polyurethane and cotton. The tiny and sleek bag offers a slim profile and is enhanced with contrast piping for added dimension.

Items from the collection range between $75 to $120 and it will officially drop on March 13.

This isn’t the first time Rihanna has returned to her home country.

In November 2021, the Fenty Beauty founder visited Barbados when she was honored as a national hero in Bridgetown. The prestigious award was presented during a historic moment as the country celebrated becoming a republic after nearly 400 years of British colonial rule.

Prime Minister Mia Mottley awarded Rihanna the National Hero of Barbados title in front of a cheering crowd, recognizing her remarkable achievements in both music and the beauty industry.

Will you be purchasing items from the latest FENTY x PUMA collection? Tell us in the comments section. 

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Rihanna Throws Lit Launch Party In Barbados To Celebrate New FENTY X PUMA Collection 
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Wiz Khalifa & Ty Dolla $ign Rap About Becoming ‘Billionaires’ in New Video

“Conductor, we have a problem!”

Wiz Khalifa, who went from the rap blogs to mainstream superstardom, has gone back to the basics these past few weeks as he’s been randomly releasing freestyles and linking back up with old friends like Curren$y and now fellow Taylor Gang member Ty Dolla $ign.

Produced by current underground darling and Griselda affiliate Conductor Williams, Wiz and Ty give fans an impromptu jam with “Billionaires” as they hang out in the studio. “Can he do it all again? That’s the big question,” Wiz asks while Ty Dolla starts his verse off by singing, “Put one in the air, you rockin’ with the Taylors/I bulletproofed the Maybach/We ride around like the mayor.”

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So far in this young year, the Pittsburgh rapper has dropped about eight freestyles and did tracks with LaRussell and streamer PlaqueBoyMax as he gets ready to drop the sequel to his classic mixtape Kush & Orange Juice on April 18 just in time for 4/20 which lands on Easter Sunday this year, so make sure to respect your family and go on a “cousin walk” instead of blazing up in the crib or hotboxing the whip.

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Wiz most recently hopped on J. Cole’s loosie “Clouds” that he posted on his Algorithm blog and his recent run of freestyles is what inspired Cole to reach out. “Wiz skating. Taylor Gang or Die,” he wrote. “And he been on a wave.”

Tales will be told about Wiz’s current run of loosies.

You can check out the video below.

Sony Music Sues USC Over ‘Flagrant’ TikTok Videos Featuring Songs by Beyonce & Other Stars

Sony Music is suing the University of Southern California (USC) for more than $25 million over claims that the college sports powerhouse illegally used songs by Michael Jackson, Beyonce and AC/DC in TikTok and Instagram videos hyping its teams.

In a complaint filed Tuesday (March 11) in New York federal court, the music giant says the school posted more than 250 videos featuring over 170 unlicensed tracks to its social media channels, including those by Britney Spears, Harry Styles, SZA, Mariah Carey, OutKast, Pink Floyd and Travis Scott.

“USC has one of the most lucrative college sports programs in the world, realizing over $200 million annually in revenues from its participation in a multi-billion dollar college sports,” the label’s attorneys write. “Despite having been on notice of its infringing conduct, USC has repeatedly failed to obtain licenses for its use of Sony Music sound recording.”

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Seeking $150,000 in so-called statutory damages for every song used, the lawsuit is demanding more than $25 million in potential damages — or more, if Sony can prove that it suffered even greater losses.

According to Sony Music, USC was notified of the problem as early as June 2021 and has been repeatedly warned since

“Rather than cease this infringing conduct, USC chose to flout copyright law, repeatedly posting new videos to the USC Social Media Pages that use Sony Music sound recordings knowingly and willfully and without permission,” the company wrote. “USC even left many uses available online after being put on notice from Sony Music that they were infringing.”

Social media platforms like TikTok and Instagram provide huge libraries of licensed music for users to add to their videos. But there’s a key restriction: The songs can’t be used for commercial or promotional videos posted by brands. That kind of content requires a separate “synch” license, just like any conventional advertisement on TV.

That crucial distinction has led to numerous lawsuits in recent years.

Beginning in 2021, all three majors sued drink maker Bang Energy over its TikTok videos, with Universal Music Group (UMG) and Sony Music eventually winning large judgments. In May, Sony filed a case against Marriott over accusations that the hotel chain had used nearly 1,000 of its songs in social media posts. In July, Kobalt and other publishers sued more than a dozen NBA teams over the same thing. The restaurant chain Chili’s has been sued twice, once by the Beastie Boys and later by UMG over tracks from Ariana Grande, Justin Bieber and dozens of other artists.

In Tuesday’s case against USC, attorneys for Sony say that the school’s own social media brand guidelines expressly warned against using copyrighted music in videos: “If you want to feature ‘popular music’ in your video, as in music you hear on the radio, you must license it from the publishing company and or record company,” USC’s guide allegedly reads.

“In flagrant disregard of this clear guidance, USC itself has distributed hundreds of videos (if not more) which contain infringing uses of Sony Music’s sound recordings,” Sony’s lawyers write in the lawsuit. “These uses were made without permission, without compensation to Sony Music and its artists, and in violation of USC’s own written guidelines.”

A spokesperson for USC did not immediately return a request for comment on Wednesday (March 12).

The 8 Best Rare Beauty Products From Selena Gomez & How to Use Them

Gomez’s makeup line offers must-have cosmetics that will leave you looking flawless. Here’s how to shop each product online.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

While Selena Gomez’s Rare Beauty line had been in the works for years, it didn’t officially launch until September 2020 — right in the middle of COVID.

It was because of this that the world got to see Gomez applying the products on her face from her home bathroom, and it ended up making the entire line and Gomez herself much more approachable. It was pretty clear that Gomez wasn’t a makeup artist, but it also made it abundantly clear that the products were easy to apply no matter your skill level.

Over the years of performing live and releasing music, Gomez has faced her share of body shaming. She responded in 2024, letting people know that she had been dealing with health issues, but it also left her emboldened to encourage people to focus on their mental health and positive self-image. This is exactly why all her products have names like the “Kind Words” lip liner, or the colorways of her Soft Pinch Luminous Powder Blush being words like “Hope” and “Love.”

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The line is sold at Sephora, and it’s received rave reviews from makeup artists and customers alike. It seems like there’s always a new product that’s really popping off at any given time on social media – which has shown special fondness for the blushes. To help you navigate all of the products, we’ve rounded up our favorites with a little background on what makes them great and how to use them.

Rare Beauty

Soft Pinch Liquid Blush

This is one of the first Rare Beauty products that really took off, and that’s largely because of its pigment and color range. Available in matte and radiant finishes, the blush is now available in 16 different colors, ranging from mauve to deep plum. The formula for both finishes is incredibly long-wearing and blends super easily — especially when applied with the soft doe foot applicator. A little goes an incredibly long way, so make sure you’re using the tiniest dot and build from there as you start out with this product.

Rare Beauty

Soft Pinch Liquid Contour

To continue the success of the liquid blush, Rare Beauty launched their Soft Pinch Liquid Contour in January 2025. Available in seven shades that are suitable for a huge range of skin tones, the contour formula is as thin, spreadable and as long-lasting as its blush predecessor.

Rare Beauty

Perfect Strokes Universal Volumizing Mascara

This is honestly one of my favorite mascaras, and I can confidently say — as a writer who’s covered beauty extensively for years — it’s one of the best beauty launches of the past five years. It’s definitely long-wearing, so much so that I actually wore this during Coachella 2024 during which it made it through hours in the hot sun without running or smudging. It also managed to help my lashes maintain a voluminous-but-lengthened look throughout the super long days. It’s very lightweight, but I’ve found that it can be layered easily if you’re going for a more glam vibe. It’s really my current gold standard in mascaras.

Rare Beauty

Stay Vulnerable Melting Cream Blush

Rare Beauty is a brand that really knows its blush. In fact, one of the biggest challenges you’ll face when choosing between products to invest in is between the melting cream and the liquid blush lines. I can help make it a little easier for you, but know this: I love both. That said, I would recommend the liquid blush if you need something that will stick on your face for hours and hours, and if you have oily skin. This cream blush definitely has staying power while offering a major pigment payoff, but it works a little better for those hoping to apply to bare skin or for those who have predominantly dry skin.

Rare Beauty

Soft Pinch Luminous Powder Blush

Again, Rare Beauty knows its blushes. This one in particular has been having a real moment on TikTok. It’s available in six shades and has a radiant finish that somehow avoids emphasizing pores, which is something I didn’t previously believe to be possible. It’s also incredibly pigmented, so make sure you start with a little and work your way up.

Rare Beauty

Warm Wishes Effortless Cream Bronzer Stick

This cream bronzer stick is super creamy and very blendable. Available in seven shades, it has staying-power and a good pigment payoff. There’s also a good amount of product in the tube and — as is true for all of the products in the line — a little goes a long way.

Rare Beauty

Soft Pinch Tinted Lip Oil Stain

Lip oils and lip stains are two vastly different products, but somehow Rare Beauty pulled them together in this formula. Think of it as a glossy lip stain that still gives you major color payoff that’s long-lasting. It comes in eight shades and has jojoba and sunflower seed oils to nourish your lips.

Rare Beauty

Liquid Touch Weightless Foundation

It comes in 32 shades and it has a serum-like consistency that’s very spreadable. Even with this thin consistency, it still manages to offer a medium-buildable coverage that will allow you to go for a fully-glam look. The brand also makes a foundation brush, which is how they recommend applying the foundation.

Music Sustainability Summit Announces Speakers, Agenda for April Event

The second annual Music Sustainability Summit has announced the speakers and agenda for the event that’s set to take place next month in Los Angeles.

Topics to be discussed during the day-long gathering include:

  • Live Music Emissions in the U.K. and U.S.
  • Behind the Tracks: Music Production, Delivery, and Consumption
  • Beyond Backlash: The High Stakes of Climate Advocacy
  • Can Live Music Weather the Storm?
  • Designing for Impact: The Critical Role of Production
  • Entertainment Allies: Strategies in Film, Sports and Broadway
  • Power Shift: The Evolving Landscape of Clean Energy
  • Recipe for Success: Why Menus Matter Most
  • Wear the Change: Rethinking Merch

Speakers will include Maggie Baird, the mother of Billie Eilish and Finneas and the founder of food security and climate change nonprofit Support + Feed; Rev Lennox Yearwood, Jr., a minister, community activist and president of the Hip-Hop Caucus, which works to empowers young people to participate in elections, policymaking and service projects; and John Fernandez and Norhan Bayomi, co-founders of the MIT Climate Machine, who will present a preview of their study of the live music industry’s carbon footprint, which was funded and supported by Warner Music Group, Live Nation, Coldplay and Hope Solutions.

The event is happening on April 15 at L.A.’s Solotech Studios after its original February date was postponed because of the Los Angeles wildfires. Those who registered for the February event will have their registration honored in April. Billboard is the official media partner of the Music Sustainability Summit, which is produced by the Music Sustainability Alliance, a nonprofit that brings together artists, industry leaders and other stakeholders to take on the climate crisis.

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“The music industry is still in its early stages of embracing sustainable practices throughout its operations and supply chains, but the pace of change is accelerating, as is the industry’s impact,” says Music Sustainability Alliance co-founder and CEO Amy Morrison. “The 2025 Summit goes to the heart of our mission, to empower the music business to leverage its platform to tackle the climate crisis. Now is the time for collective action.”

Willie Nelson Spotlights the Songs of Rodney Crowell on ‘Oh What a Beautiful World’ Album

Throughout his career, 91-year-old music icon Willie Nelson has been known to highlight the music catalogs of other artists and songwriters, including Frank Sinatra, Cindy Walker, Kris Kristofferson and Ray Price.

Nelson’s upcoming Legacy Recordings album Oh What a Beautiful World, out April 25, will highlight the songwriting compositions of another lauded singer/songwriter and fellow Texan: Rodney Crowell.

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The dozen-song album, Nelson’s 77th solo studio project, finds the prolific artist offering fresh interpretations of songs written or co-written by Crowell, and reunites Nelson with longtime producer Buddy Cannon.

Crowell himself trades vocals with Nelson on the album’s first release and title track to the project. “Oh What a Beautiful World” appeared as the closing song on Crowell’s 2014 album Tarpaper Sky. Nelson first recorded one of Crowell’s compositions in 1983, and most recently recorded Crowell’s songs for his 2024 album The Border, including the album’s title track (written by Crowell and Allen Shamblin) and “Many a Long and Lonesome Highway,” written by Crowell and Will Jennings.

The album also features instrumentation from Bobby Terry (acoustic guitar, steel guitar, electric guitar), James Mitchell (electric guitar), Jim “Moose” Brown (B-3 organ, piano, Wurlitzer), Mickey Raphael (harmonica), Fred Eltringham (drums, percussion) and Glenn Worf (bass, upright bass), alongside background vocals by Wyatt Beard, Buddy Cannon and Melonie Cannon.

Crowell formed the band The Cherry Bombs in the 1970s, then went on to gain acclaim as an artist and songwriter, releasing his 1978 debut album Ain’t Living Long Like This, while also writing or co-writing songs that became hits for artists including Highway 101 (“Somewhere Tonight”), Gary Stewart, Emmylou Harris, Jerry Jeff Walker and Waylon Jennings (who each recorded versions of Crowell’s “Ain’t Living Long Like This”), and Emmylou Harris and the Oak Ridge Boys (who both recorded “Leaving Louisiana in Broad Daylight”). Crowell’s “Song For the Life” has been recorded by John Denver, Jennings and Alan Jackson, while Keith Urban recorded Crowell’s “Making Memories of Us,” while Tim McGraw covered Crowell’s “Please Remember Me.” “Shame on the Moon” became a hit for Bob Seger and his Silver Bullet Band.

In 1988, Crowell’s album Diamonds & Dirt notched five consecutive Hot Country Songs chart No. 1 singles, including “It’s Such a Small World” (with Rosanne Cash), “I Couldn’t Leave You If I Tried,” “She’s Crazy For Leavin’,” the Grammy-winning “After All This Time” and “Above and Beyond.” The album was also nominated for album at the year at the CMA Awards. Crowell earned another Grammy for best Americana album in 2013 for his album Old Yellow Moon. In 2006, he also earned a lifetime achievement award in songwriting from the Americana Music Association.

How Doechii Could Have Two Different Hot 100 ‘Anxiety’ Hits Next Week

No need to panic, but there’s a double dose of “Anxiety” for Doechii on the Billboard charts (dated March 15), as the rapper/singer appears on two different, but related, versions of the similarly named track, thanks to a saga that also involves Will Smith, Gotye and Detroit rapper Sleepy Hallow.

Rewind to 2019, when Doechii recorded the song “Anxiety” and shot a video of the recording in her bedroom for her Coven Music Session, Vol .1 mixtape. “Anxiety” prominently samples Gotye’s “Somebody That I Used to Know,” featuring Kimbra, a 2012 hit that topped the Billboard Hot 100 for eight weeks, was that year’s No. 1 Hot 100 song and won two Grammy Awards, including record of the year, in February 2013.

At the time, when Doechii’s “Anxiety” was only available via YouTube, Sleepy Hallow lifted the song’s hook for the chorus of his own “A N X I E T Y” track. Billed to Sleepy Hallow featuring Doechii, it arrived in 2023, and upon release, reached No. 44 on Hot R&B/Hip-Hop Songs and No. 3 on the Bubbling Under Hot 100.

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After a year of dormancy, the song experienced a TikTok-led revival in recent weeks, as users soundtracked the “A N X I E T Y” chorus to a famous scene of Will Smith and Tatyana Ali dancing from an episode of The Fresh Prince of Bel-Air, the Smith-led sitcom that aired on NBC from 1990-96. User @mimeemzyy posted on Feb. 21 what appears to be the trend’s kick-off clip, which has swelled to 2.8 million views on TikTok through March 12.

Growing virality fueled “A N X I E T Y” streams to new highs. While the song hovered between roughly 600,000-700,000 U.S. official on-demand streams each week for the last six months, the total cracked new levels in the last four frames: 890,000 streams in the week ending Feb. 13; 882,000 (Feb. 20), 2.8 million (Feb. 27) and 10.5 million (March 6), according to Luminate. The latest week’s viral-backed surge prompted “A N X I E T Y” to debut on several charts this week, including a No. 45 launch on the Hot 100, at No. 11 on the Hot R&B/Hip-Hop Songs chart and No. 8 on Hot Rap Songs.



But that wasn’t the only impact: New attention for “A N X I E T Y” sent fans scrambling to Doechii’s solo, YouTube-only version, prompting Doechii to release her track to all digital and streaming retailers on March 4. After the midweek expansion, “Anxiety” spiked to 5.3 million U.S. streams and 2,000 downloads in the latest tracking week (Feb. 28-March 6), sparking a push to No. 3 on the Hot 100’s Bubbling Under chart.

Early signs point to an impending “Anxiety” explosion after its full tracking week. According to preliminary reports submitted to Luminate, the song registered 11.2 million official on-demand U.S. streams for March 7-10. (Next week’s charts, dated March 22, will reflect activity from the tracking week of March 7-13.) Should “Anxiety” reach the Hot 100, it will give Doechii her seventh entry on the list, and with at least a No. 44 start, become her best debut.

The “Anxiety” blowup adds to Doechii’s latest string of triumphs. The rapper won a Grammy Award for best rap album on Feb. 2, for her Alligator Bites Never Heal mixtape. Between the victory and Doechii’s performance on the telecast, the mixtape surged to No. 14 on the Billboard 200. Two singles have also gained traction in recent weeks: “Denial Is a River” cruised to a No. 21 Hot 100 peak in February, while “Nissan Altima” reached No. 73. And Doechii’s already lined up her next big honor: Later this month, the newly minted Grammy winner will be crowned 2025 Woman of the Year at Billboard‘s Women in Music celebration in Los Angeles.

Classical Pianist Aimi Kobayashi on Her Comeback After Maternity Leave: Billboard Japan Women in Music Interview 

Billboard Japan’s Women in Music initiative launched in 2022 to celebrate artists, producers and executives who have made significant contributions to music and inspired other women through their work, in the same spirit as Billboard’s annual Women in Music honors since 2007. This interview series featuring female players in the Japanese entertainment industry is one of the highlights of Japan’s WIM project.

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The latest installment of the series features Aimi Kobayashi. The 29-year-old classical pianist first performed with an orchestra when she was seven and made her international debut when she was nine. In 2021, she came in fourth place in the International Chopin Piano Competition, attracting attention from around the world. In November 2024, she released her first new album in three years after taking maternity and childcare leave. On behalf of Billboard Japan, the writer Rio Hirai spoke with Kobayashi, who shared her current mindset as she continues to advance her career while enjoying the major changes in her life.

You’ve built a career as a pianist, garnering international attention from a young age. Has your approach to music changed since you got married and became a mother in 2023?

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Aimi Kobayashi: My approach to music hasn’t really changed. Of course, the way I use my time has changed dramatically since becoming a mom. I have an adorable little monster at home, so it’s tough to find time to practice for concerts. But when I see how cute my child is, that alone makes me feel like working hard again.

So even after the stage in your life has changed, you continue to be committed to music. Still, there must be difficulties in continuing your career while parenting.

There are many other difficult things in life besides childbirth. So you just have to adapt to the situation you find yourself in and get on with it. You get used to the situation and it becomes the norm, so you don’t have to think too much about it and just do what’s in front of you, thinking “I have to get it done somehow!” I do my best with housework and parenting, but I don’t expect to be perfect at everything. I’m pretty casual about everything except my job. I think the secret to continuing your career is to get help from the people around you like your parents and set up a support system.

Were you good at relying on other people before you became a mom?

No, I was the type who couldn’t rely on others. But after having a baby, I found myself thinking more often that you can’t live on your own, so I started relying on people around me without hesitation. I’m a mom, but don’t think I have to raise my child on my own. Of course I feel that I have to protect my child, but both the mother and father should equally fulfill their parental roles. You share the housework and childcare with your partner, and if that’s still too much, you can ask for help from other people and raise your child together.

That’s true. When you were in your teens or early twenties, did you ever feel anxious about balancing work with marriage and parenting?

No! I didn’t intend to give up either. I think it’s possible to balance both depending on who you marry. I wanted to be a pianist even after I got married and became a mom. That’s why I wanted to marry someone who would understand and support my career.

When you were 17, you took a break from playing in concerts and went to study at The Curtis Institute of Music in the U.S. Did you feel differently then, compared to during your recent maternity and parental leave?

During my time abroad, I only took a break from doing concerts and continued to practice improving my skill, so it felt completely different. As for maternity and parental leave, it was the first time in my musical career that I took a real break. It’s not often that you get a break that everyone around you congratulates you on. I really enjoyed raising our child and doing the housework while waiting for my partner to come home. But as it continued, I really started to feel the desire to go back to work. My partner continued to perform at concerts, so there were times when I felt anxious and wondered, “When will I be able to get back to work?”

I see. How did you overcome that anxiety?

I decided to push my comeback back two months, and that was a big relief. I had concert plans and other things lined up, and had initially decided to return to work as soon as possible because I didn’t want to cancel or postpone. I’d never experienced any major illnesses and was in good health, so I thought I’d be able to manage it if I just worked hard, but giving birth was harder than I’d expected. Even so, I still thought I had to return as soon as possible and ended up getting sick and feeling mentally overwhelmed. Then, the people at my agency and my manager told me, “Your mind and body will be back to normal with time, so take it easy and rest.” Their kind words lifted the weight off my shoulders and eased my postpartum anxiety, and I was able to return to work.

I’m really glad there are people around you who understand. What do you think is necessary for women to continue making music in this industry for a long time after marrying or becoming a mom?

It’s good to have a place to return to after taking maternity leave. Children are a gift, and there will be times you have to cancel shows. I was grateful there were so many people who understood this and waited for me to come back. This isn’t just limited to the music industry, but if there’s an environment that supports women taking maternity leave, then it will make it more enjoyable for them to look after their kids. And although it may be slow, I think that society is changing. Rather than focusing on the things that mothers and women can’t do, I want to believe that the world is becoming a better place and live my life as I wish.

Many women have careers in classical music, but for example, more men have been awarded at the International Chopin Piano Competition, and the ratio of male and female musicians also differs depending on the instrument. What are your thoughts on the gender imbalance in this industry?

I do sense some remnants of history, like the fact that Western orchestras used to be comprised of only male musicians in the past. A friend of mine, a female musician in an orchestra once told me that it’s hard for women to actively participate in orchestras. I do think that it takes intense conviction. The same is true for office workers. Some might imagine that a woman has to work as hard as a man to advance her career in an administrative position. I think I can make the most of my strength as a woman without compromising my identity.

Have you personally been affected by gender inequality?

I do feel it since I became a mother. Being pregnant was a wonderful experience. Only women can experience nurturing a life inside themselves and giving birth. But I also envy men who can pursue their careers without taking time off when they become fathers. 

In addition to motherhood, changes in the stages in women’s lives can sometimes be an obstacle to career advancement.

Women do go through various changes in their lives, like having to raise kids or care for their parents someday. When changes like these happen in the home, more women tend to sacrifice their careers, and it feels like this is linked to gender imbalance in society. Also, women often suffer from physical problems due to hormonal imbalance caused by age. Women have to overcome many obstacles to advance their careers.

Do you have any role models, someone who makes you think, “I want to live my life like this person”?

There aren’t too many (female) classical musicians who continue to be active after having children. So I admire women in any field who flourish in the work they want to do after having kids. But this is my opinion as a married woman who has a child. Whether or not you get married is up to you, and being a mom isn’t everything. I think it’s fine as long as you’re happy.

I think you’re a role model for many people. Do you have any messages for women who might be worried about being able to advance their careers even as changes happen in their lives?

When you can’t find the answer to something even after thinking hard about it, it’s important to summon up your courage and take a step forward. You might gain new perspective, and even if you don’t find it right away, you might be able to arrive at your own answer by taking one step at a time. When I was a teenager, I used to think I had an infinite amount of time, but after becoming a mom, time passes like the wind. So I think it’s better to try the things you want to do now without holding back, and to live your life without regrets.

This interview by Rio Hirai (SOW SWEET PUBLISHING) first appeared on Billboard Japan

Travis Japan Score First No. 1 on Japan Hot 100 With ‘Say I do’

Travis Japan’s “Say I do” debuts at No. 1 on the Billboard Japan Hot 100, dated March 12.

This song is being featured as the theme song for Honnou Switch, the drama series starring member Kaito Miyachika and actress Wakana Aoi, and is the first CD single by the seven-member boy band. The track launched with 147,896 copies to rule sales, top downloads, and came in at No. 53 for streaming to give the group its first-ever No. 1 on the Japan Hot 100.

Mrs. GREEN APPLE’s “Lilac” continues to hold at No. 2, extending its stay in the top 10 to 47 weeks. The Oblivion Battery opener rules streaming for the 27th week with 10,034,805 weekly streams, tops karaoke, and comes in at No. 7 for downloads and No. 2 for video views.

Sakanaction’s “Kaiju” also holds at No. 3. Streaming for the Orb: On the Movements of the Earth opener stays at No. 2 (83% week-over-week), and comes in at No. 4 for downloads (54%), No. 4 for radio, and No. 16 for video.

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Mrs. GREEN APPLE’s “Darling” rises two notches to No. 4. The track is currently at No. 3 for streaming and has stayed in the top 3 for the metric since its debut on the list. The former No. 1 hit is at No. 19 for downloads, No. 6 for video, No. 16 for karaoke, and moves 74-36 for radio (160%).

SEVENTEEN’s “Shohikigen” returns to the Japan Hot 100 for the fifth time after the CD sold 94,151 copies this week. Kenshi Yonezu’s “BOW AND ARROW” rises 19-6 after the accompanying music video featuring superstar figure skater Yuzuru Hanyu powered the track to No. 1 for video. Aimyon’s “Sketch,” the theme song for the latest Doraemon feature film, Doraemon the Movie: Nobita’s Art World Tales, soars 69-7. The single rules radio, comes in at No. 5 for sales with 9,217 copies sold, No. 13 for video, and No. 90 for streaming.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from March 3 to 9, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.