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2025 CMA Awards Performances, Ranked

This year’s CMA Awards were marked by powerful female artist wins, as well as several first-time wins and a changing of the guard in certain categories.

Lainey Wilson earned her second entertainer of the year win (she previously won in 2023), as well as her fourth consecutive female vocalist of the year win, and her second album of the year win (this year for Whirlwind). Ella Langley‘s collaboration with Riley Green, “You Look Like You Love Me,” was named both single and song of the year.

Zach Top earned his first CMA Award win for new artist of the year, while the longtime winning streaks of both Chris Stapleton and Old Dominion shifted. The male vocalist of the year honor, held by Stapleton for the past four years (he’s won the category eight total times), went to first-time category winner Cody Johnson. Old Dominion’s seven-year winning streak in the vocal group of the year category was upended by newcomers The Red Clay Strays, who picked up their first CMA Award win. In the musician of the year category, celebrated steel guitarist Paul Franklin took home musician of the year for the first time, with 33 total nominations in the category, with his first nomination occurring in 1989.

As heartfelt and illustrious as many of this year’s awards-winning moments were, the evening’s performances were equally inspired, from Miranda Lambert and Chris Stapleton’s groovy, sultry collaboration, to Shaboozey teaming with Stephen Wilson Jr.

The evening also featured its share of medleys, as Kenny Chesney and Old Dominion both leaned on older hits for their performances, as Old Dominion celebrates a decade of hits, while Kenny Chesney is a newly-minted Country Music Hall of Fame inductee.

The evening was filled with electrifying performances, and here, Billboard counts down the night’s top performances.

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Snubs & Surprises at the 2025 CMA Awards

Many of the awards presented at the 2025 CMA Awards, which went down at Bridgestone Arena in Nashville on Wednesday (Nov. 19), went just about as expected. Did anyone seriously think that Lainey Wilson wasn’t going to win her fourth consecutive award for female artist of the year?

And no one could have been too surprised that Brooks & Dunn took vocal duo of the year for the 16th time. Kix Brooks & Ronnie Dunn first set the record as the duo with the most wins in the category in 1999 when they won for the eighth time.

But that doesn’t mean there weren’t any surprises at the 59th annualCMA Awards, which were broadcast on ABC for the 20th consecutive year. Just ask Old Dominion, which came up short in the voting for vocal group of the year, a category they won the last seven years running – the longest consecutive winning streak in the category’s history. Or Chris Stapleton, who lost male vocalist of the year for only the third time in the past 11 years. (He lost in 2019 and 2020 to Luke Combs.)

Wilson hosted the show, having co-hosted last year with Luke Bryan and Peyton Manning. She’s only the third woman to solo-host the show, following Dolly Parton (1988) and Reba McEntire (1991).

The awards are voted on by the 7,132 voting-eligible professional members of the Country Music Association, which include industry professionals, recording artists, songwriters, producers and musicians.

Here are some of the most notable snubs and surprises at the 2025 CMA Awards.

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ARIA Awards 2025: Amyl and The Sniffers, Ninajirachi Win Big

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Punk rock and EDM ruled at the 2025 ARIA Awards, presented Wednesday (Nov. 19) in Sydney, as Amyl and The Sniffers, Ninajirachi and Dom Dolla won big.

With four pointy trophies, Amyl and The Sniffers lauded over the 39th annual awards, including best group, best rock album, and the coveted album of the year, for Cartoon Darkness, their third studio LP.

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If Amy Taylor and Co. were the best-kept secret in pub rock for the past several years, the secret is out. The foursome has emerged as darlings of the international festival circuit, they’ve collected Grammy and Brit Award nominations this year, and they’re opening for AC/DC on the Rock Hall heavyweights’ ongoing stadium tour of Australia.

Taylor always leaves an impression. On winning the ARIA for best cover art, awarded prior to the telecast, the band’s force-of-nature singer Amy Taylor quipped, “I know you just like it because I was flashing my titties.”

On collecting album of the year late in proceedings, Taylor quipped, “as the new prime minister of Australia, I’d like to say: all immigrants welcome. I’d like to say: land back, the dole’s going up and every pub gets a million dollars.” The album, she added, had “changed all of our lives.”

Ninajirachi, the rising “girl EDM” star, entered the ARIAs with a leading eight nominations, and is coming off a gold rush, snagging the Australian Music Prize and triple j’s J Award for her debut full-length album, I Love My Computer. The Hordern Pavilion proved to be another happy hunting ground for Ninajirachi (real name: Nina Wilson), as the electronic music artist, singer, songwriter and producer collected her first ARIAs, for best solo artist, the Michael Gudinski breakthrough artist and best independent release.

Dom Dolla was a winner before the ARIAs got underway. The high-flying Australian electronic music producer and DJ was announced Monday (Nov. 17) as the inaugural global impact recipient, which he collected during the early phases of the ARIAs. Dom, who entered these ARIAs with seven nominations, doubled up with the award for best dance/electronic release, marking his third consecutive win in that category.

Kevin Parker added a brace of ARIAs, nabbing engineer – best engineered release, and producer – best produced release, for his work on the latest Tame Impala collection, Deadbeat. In a taped acceptance speech, Parker revealed that the engineering stage was “probably the thing I spend the longest on when making music.” On scoring the producer trophy, he remarked, “there’s some amazing minds” in the music community. “It’s getting harder and harder to keep up with what’s going on in Australia.”

Other winners included Troye Sivan (best Australian live act), Taylor Swift (most popular international artist), BOY SODA (best soul/R&B), BARKAA (best hip-hop/rap release), Thornhill (best hard rock/heavy metal album), and the Teskey Brothers, who collected a fourth best blues & roots album trophy, a record for that category.

Thelma Plum performed “Nobody’s Baby” from her second album I’m Sorry, Now Say It Back and made a second trip to the stage to collect best pop release, presented by Tyra Banks, the American supermodel and television personality who now calls Sydney home. “I can’t believe Tyra Banks just gave me an ARIA,” Plum remarked. “This feels like a fever dream.”

After shifting roughly 200,000 tickets on its latest national jaunt, the beloved Laneway Festival was confirmed as Australia’s favorite fest by scooping the inaugural best music festival award, introduced this year to recognize and celebrate the critical role Australian music festivals play in the music ecosystem.

Performers at the ARIAs, the Australian recorded music industry’s flagship event, included Olivia Dean, Keli Holiday, Thelma Plum, Missy Higgins, and alternative rock heroes You Am I, who were inducted into the ARIA Hall of Fame and had the final word on the night with a two-song performance of “Heavy Heart” and “Berlin Chair.” The nation’s prime minister Anthony Albanese paid tribute to the band in a video package, pointing out that, “along the way, you’ve added to who we are.”

Sponsored by Spotify, the ARIA Awards streamed live across Paramount+, followed by a special presentation on the free-to-air network 10 with performances and moments available on the trade body’s social channels.

2025 ARIA Awards nominations and winners:

Album of the Year
Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music Group] (WINNER)
Missy Higgins – The Second Act [Eleven Music / EMI Music Australia]
Ninajirachi – I Love My Computer [NLV Records]
RÜFÜS DU SOL – Inhale / Exhale [Rose Avenue Records / Warner Music Australasia]
Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia]

Best Solo Artist
BARKAA – Big Tidda [Big Apples Music / Island Records Australia / Universal Music Australia]
Dom Dolla – DREAMIN’ [Good Fortune Records]
Kylie Minogue – Tension II [Mushroom Music]
Mallrat – Light Hit My Face Like A Straight Right [Dew Process / Universal Music Australia]
Missy Higgins – The Second Act [Eleven Music / EMI Music Australia]
Ninajirachi – I Love My Computer [NLV Records] (WINNER)
Paul Kelly – Fever Longing Still [EMI Music Australia]
The Kid LAROI – How Does It Feel? [Columbia Records / Sony Music]
Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia]
Young Franco – it’s Franky baby! [Neon Records]

Best Group
Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music Group] (WINNER)
Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]
Hilltop Hoods – Fall From The Light [Island Records Australia / Universal Music Australia]
Royel Otis – hickey [Ourness / Capitol Records]
RÜFÜS DU SOL – Inhale / Exhale [Rose Avenue Records / Warner Music Australasia]

Michael Gudinski Breakthrough Artist presented by Spotify
Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]
Gut Health – Stiletto [AWAL Recordings]
Mia Wray – hi, it’s nice to meet me [Mushroom Music]
Ninajirachi – I Love My Computer [NLV Records] (WINNER)
Young Franco – it’s Franky baby! [Neon Records]

Best Pop Release
G Flip – Disco Cowgirl [AWAL Recordings]
Kita Alexander – Press Pause [Warner Music Australasia]
Kylie Minogue – Tension II [Mushroom Music]
Mallrat – Light Hit My Face Like A Straight Right [Dew Process / Universal Music Australia]
Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia] (WINNER)

Best Dance / Electronic Release
Confidence Man – 3AM (LA LA LA) [I OH YOU / Mushroom Music]
Dom Dolla – DREAMIN’ [Good Fortune Records] (WINNER)
FISHER – Stay [etcetc Music Pty Ltd]
Ninajirachi – I Love My Computer [NLV Records]
Sonny Fodera, D.O.D & Jazzy – Somedays [Solotoka / ADA]

Best Hip Hop / Rap Release
BARKAA – Big Tidda [Big Apples Music / Island Records Australia / Universal Music Australia] (WINNER)
Hilltop Hoods – Fall From The Light [Island Records Australia / Universal Music Australia]
Miss Kaninna – Kaninna EP [Soul Has No Tempo]
ONEFOUR – Look At Me Now [ONEFOUR Records / The Orchard]
The Kid LAROI – Baby I’m Back [Columbia Records / Sony Music]

Best Soul / R&B Release
BOY SODA – Lil Obsession [Warner Music Australasia] (WINNER)
JACOTÉNE – Why’d You Do That? [Epic Records / Sony Music]
Jerome Farah – CHLORINE [Sony Music]
Larissa Lambert – Cardio [New Levels / Virgin Music Group]
PANIA – Pity Party [Warner Music Australasia / Say Less]
Best Independent Release presented by PPCA
Ball Park Music – Like Love [Prawn Records / Inertia Music]
Confidence Man – 3AM (LA LA LA) [I OH YOU / Mushroom Music]
Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]
Miss Kaninna – Kaninna EP [Soul Has No Tempo]
Ninajirachi – I Love My Computer [NLV Records]

Best Rock Album presented by Tooheys
Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music Group] (WINNER)
Ball Park Music – Like Love [Prawn Records / Inertia Music]
King Stingray – For The Dreams [Civilians / The Orchard]
Royel Otis – hickey [Ourness / Capitol Records]
Spacey Jane – If That Makes Sense [AWAL Recordings]

Best Adult Contemporary Album
Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]
Gordi – Like Plasticine [Mushroom Music]
Meg Washington – GEM [OriGiN Distribution / ADA]
Missy Higgins – The Second Act [Eleven Music / EMI Music Australia] (WINNER)
Paul Kelly – Fever Longing Still [EMI Music Australia]

Best Country Album
Dylan Wright – Half a World Away [Sony Music]
Imogen Clark – Choking on Fuel [Potts Entertainment / MGM]
Kasey Chambers – Backbone [Essence Music Group / MGM] (WINNER)
Keith Urban – High [CAPITOL – NASHVILLE / EMI Music Australia]
Taylor Moss – Firecracker [Taylor Moss / Ditto Music]

Best Hard Rock / Heavy Metal Album
Civic – Chrome Dipped [ATO Records / Inertia Music]
Press Club – To All The Ones I Love [Inertia Music]
RedHook – Mutation [RedHook Records]
The Amity Affliction – Let The Ocean Take Me Down (Redux) [GYROstream]
Thornhill – Bodies [UNFD / Community Music] (WINNER)

Best Blues & Roots Album
Dope Lemon – Golden Wolf [BMG]
Mama Kin Spender – Promises [Mama Kin Spender / MGM]
Sons Of The East – SONS [Sons Of The East Music / MGM]
Tash Sultana – Return to the Roots [Lonely Lands Records via Sony Music]
The Teskey Brothers – Live At The Hammersmith Apollo [Mushroom Music] (WINNER)

Best Children’s Album
Emma Memma – Dance Island Party [GYROstream] (WINNER)
Justine Clarke – Mimi’s symphony [ABC Music / The Orchard]
Teeny Tiny Stevies – Brain Fart [Love Your Records / Xelon]
The Vegetable Plot – Season Three [ABC Music / The Orchard]
The Wiggles – Wiggle Up, Giddy Up! [ABC Music / The Orchard]

Best Music Festival presented by Tixel
Ability Fest – Dylan Alcott Foundation + Untitled Group
Beyond The Valley – Untitled Group / Beyond The Valley Music Festival
Bluesfest Byron Bay – Bluesfest Byron Bay
Laneway Festival – St Jerome’s Laneway / Laneway Festival (WINNER)
Yours and Owls Festival – Yours and Owls

PUBLIC VOTED AWARDS

Best Video
Break My Love – RÜFÜS DU SOL, Alexander George (Katzki) [Rose Avenue Records / Warner Music Australasia]
Craters – Missy Higgins, Claudia Sangiorgi Dalimore [Eleven Music / EMI Music Australia]
Lordy Lordy – Emily Wurramara, Claudia Sangiorgi Dalimore [ABC Music / The Orchard]
All the Noise – Spacey Jane, Dan Lesser [AWAL Recordings]
car – Royel Otis, Jamieson Kerr [Ourness / Capitol Records]
Big Dreams – Amyl and The Sniffers, John Stewart [Amyl and The Sniffers / Virgin Music Group]
DREAMIN’ – Dom Dolla, Kyle Caulfield & Shevin Dissanayake [Good Fortune Records]
Don’t Happy, Be Worry – Hilltop Hoods, Roman Anastasios and Jordan Ruyi Blanch [Island Records Australia / Universal Music Australia]
Dancing2 – Keli Holiday, Ryan Sauer [Keli Holiday / GYROstream] (WINNER)
WASSA – Vv Pete, UTILITY, Formation Boyz, UTILITY [Trackwork]

Best Australian Live Act presented by Destination NSW
Amyl and The Sniffers – Cartoon Darkness World Tour
Ball Park Music – Like Love Tour
BARKAA – BIG TIDDA TOUR [Jackson Street & Bad Apples Music]
Confidence Man – 3AM (LA LA LA) Tour [I OH YOU]
Dom Dolla – Dom Dolla Australia 2024 [Untitled Group]
Hilltop Hoods – Hilltop Hoods 2025
Kylie Minogue – Tension Tour 2025
Miss Kaninna – Dawg In Me Tour [Astral People]
SPEED – SPEED AUSTRALIA TOUR ‘25
Troye Sivan – Something To Give Each Other Tour [Live Nation] (WINNER)

Song of the Year
Cyril, Maryjo – Still Into You [Warner Music Australasia / Spinnin Records]
Dean Lewis – With You [Island Records Australia / Universal Music Australia]
Dom Dolla Feat. Daya – Dreamin [Good Fortune Records]
FISHER – Stay [etcetc Music Pty Ltd]
Gotye, FISHER, Chris Lake Feat. Kimbra, Sante Sansone – Somebody [Eleven: A Music Company / EMI
Music Australia]
OneFour, Nemzzz – Spinnin [ONEFOUR RECORDS / THE ORCHARD]
Royel Otis – Linger (SiriusXM Session) [Ourness]
Sonny Fodera, D.O.D & Jazzy – Somedays [Solotoko / ADA]
The Kid LAROI – Girls [Columbia Records / Sony Music] (WINNER)
Tobiahs – Angel of Mine [Mushroom Music]

Most Popular International Artist
Alex Warren – [Atlantic Records / Warner Music Australasia]
Calvin Harris – [Columbia Records / Sony Music]
Gracie Abrams – [Interscope / Universal Music Australia]
Kendrick Lamar – [Interscope / Universal Music Australia]
Noah Kahan – [Republic Records / Universal Music Australia]
Post Malone – [Republic Records / Universal Music Australia]
Sabrina Carpenter – [Island Records USA / Universal Music Australia]
Tate McRae – [RCA Records / Universal Music Australia]
Taylor Swift – [Republic Records / Universal Music Australia] (WINNER)
Tyler, The Creator – [Columbia Records / Sony Music]

ARTISAN AWARDS

Best Cover Art
Giulia McGauran for The Cat Empire – Bird in Paradise [BMG]
John Stewart for Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music
Group]
(WINNER)
Kira Puru, Em Jensen for Thelma Plum – I’m Sorry, Now Say It Back [Waner Music Australasia]
Nina Wilson, John You, Aria Zarzycki for Ninajirachi – I Love My Computer [NLV Records]
Sarah McCloskey for Hilltop Hoods – Fall From The Light [Island Records Australia / Universal Music
Australia]

Engineer – Best Engineered Release
Alice Ivy for Alice Ivy – Do What Makes You Happy [Kewpie Mayo Records / Independent]
Dom Dolla for Dom Dolla – DREAMIN’ [Good Fortune Records]
Eric J Dubowsky for Emma Louise & Flume – DUMB [Three Six Zero Recordings / ADA]
Kevin Parker for Tame Impala – End of Summer [Columbia Records / Sony Music] (WINNER)
Thomas Purcell p/k/a Wave Racer for Ninajirachi – I Love My Computer [NLV Records]

Producer – Best Produced Release
Alex Burnett for Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia]
Dom Dolla for Dom Dolla – DREAMIN’ [Good Fortune Records]
Kevin Parker for Tame Impala – End of Summer [Columbia Records / Sony Music] (WINNER)
Nina Wilson p/k/a Ninajirachi for Ninajirachi – I Love My Computer [NLV Records]
RÜFÜS DU SOL for RÜFÜS DU SOL – Inhale / Exhale [Rose Avenue Records / Warner Music Australasia]

FINE ARTS AWARDS

Best Classical Album
Andrea Lam – Piano Diary [ABC Classic / The Orchard] (WINNER)
Australian Chamber Orchestra / Richard Tognetti – Tchaikovsky: Serenade for Strings and Andante
Cantabile / Shostakovich: Chamber Symphony in C minor [ABC Classic / The Orchard]
Nat Bartsch – Forever Changed [Amica Records]
Simone Young & Sydney Symphony Orchestra – Mahler: Symphony No.2; Barton: Of The Earth [Deutsche Grammophon Australia / Universal Music]
Sophie Hutchings – Become The Sky [Universal Music Australia / Mercury KX]

Best Jazz Album
Evans Robson Quartet – Zenith [Lamplight Records]
Lachlan McKenzie – Departures [ABC Jazz / The Orchard]
Lucy Clifford – Between Spaces of Knowing [ABC Jazz / The Orchard] (WINNER)
TL; DR & Peter Knight – Too Long; Didn’t Read [Earshift Music / The Planet Company-MGM]
Touch Sensitive – In Paradise [Future Classic]

Best Original Soundtrack or Musical Theatre Cast Album
Australian Chamber Orchestra – Memoir of a Snail (Original Motion Picture Soundtrack) [ABC Classic /
The Orchard]
François Tétaz – The Surfer [Impressed Recordings / Rubber Music Pty Ltd]
Michael Cassel Group – Michael Cassel Group Presents A (Very) Musical Christmas [The Orchard]
Various Artists – How To Make Gravy [Origin Recordings] (WINNER)
Vidya Makan – The Lucky Country (Original Cast Album) [ORiGiN Distribution / ADA]

Best World Music Album
Electric Fields, Melbourne Symphony Orchestra – Live In Concert [ABC Music / The Orchard]
Gurrumul – Banbirrngu – The Orchestral Sessions [Decca Australia & Skinnyfish / UMA] (WINNER)
Joseph Tawadros – The Forgotten Path To Humanity [Independent / The Planet Company]
Tenzin Choegyal – Snow Flower [Warner Music Australasia / Rainbow Valley Records]
The Cat Empire – Bird in Paradise [BMG]

OUR SOUNDTRACK OUR ADS
Best Use of an Australian Recording in an Advertisement
Fox League 2025: Our Greats – Fox Sports Australia, 3% (WINNER)
Menulog: What’s Good in Your Hood – Thinkerbell, Bliss n Eso
Paramount+ Australia: Ballad of the GOATS – Paramount+ Australia, Briggs
Tooheys: I Feel Like a Tooheys – Thinkerbell, Dune Rats
Tourism & Events Queensland: That Holiday Feeling – Publicis Worldwide, Kita Alexander

6 Artists Who Made History at 2025 CMA Awards

Some artists didn’t just win at the 59th annual CMA Awards, which were held on Wednesday (Nov. 19) at Bridgestone Arena in Nashville. They made history.

Of course, acts have been making history at the CMA Awards for years.

In 1971, Charley Pride became the first (and is still the only) Black artist to win entertainer of the year. The following year, Loretta Lynn became the first woman to win the award.

In 2016, Garth Brooks became the first person to win entertainer of the year five times. He won two more times before he graciously removed himself from further consideration for the award.

In 2014, Miranda Lambert became the first woman to win female vocalist of the year five times. In 2022, Chris Stapleton became the first man to win male vocalist of the year six times. (Both artists have since added more wins to their tallies.)

In 1984, The Statler Brothers became the first group to win vocal group of the year nine times. (That’s still the record in that category.) In 1999, Brooks & Dunn became the first duo to win vocal duo of the year eight times. They are still the leaders in that category, though their win tally in the category currently stands at 16.

In 2008, with Troubadour, George Strait became the first artist to win album of the year five times. In 2024, with “White Horse,” Stapleton became the first artist to win single of the year three times. Both of these records still stand.

That’s enough looking back. Here are six artists who made CMA history this year.

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BigXthaPlug & Luke Combs Light Up the Stage With First ‘Pray Hard’ TV Performance at CMA Awards

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Rapper-turned-country hitmaker BigXthaPlug and longtime genre superstar Luke Combs rocked the CMA Awards together on Wednesday night (Nov. 19) with the live TV debut of their teamup “Pray Hard.”

Introduced by host Lainey Wilson (who called Combs her “camper trailer buddy”), the pair lit up the Bridgestone Arena stage in a semi-literal sense with their rousing rendition of the anthemic I Hope You’re Happy track, as flames licked the back of the stage, shooting up during Combs’ soaring chorus. At times, the pair perhaps even got a little too animated, as entire seconds of the performance were bleeped out on the broadcast, with the offending words being unclear.

It was the second performance of the night for Combs, who also kicked off the evening with a rendition of his Country Airplay chart-topping current hit “Back in the Saddle.” Combs was a three-time nominee on the evening, but went home empty-handed, as he lost male vocalist of the year to Cody Johnson and single of the year (for “Ain’t No Love in Oklahoma”) to Ella Langley’s Riley Green-featuring “You Look Like You Love Me” — and shortly after his and BigX’s performance, Lainey Wilson denied him a third career entertainer of the year with her own second win of the coveted award.

BigXthaPlug is still relatively new to country music, with Happy marking his first full-length foray into the genre. “All the Way,” his teamup with country star Bailey Zimmerman, peaked at No. 4 on the Billboard Hot 100 earlier this year, a career-best showing for both artists.


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Brandi Carlile, George Strait & More Pay Tribute to Vince Gill at the 2025 CMA Awards

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With country legend Vince Gill taking home the prestigious Willie Nelson lifetime achievement award at the 2025 CMA Awards on Wednesday (Nov. 19), it’s only fitting that a who’s who of country stars would show him their love.

First up, Americana star Brandi Carlile gave a plaintive rendition of Gill’s “When I Call Your Name.” Dressed in simple yet sleek maroon suit and tie, Brandi kept her eyes trained on Gill as she belted out his moving ballad. Soon, she was joined on stage to turn the song into a rare duet with country star Patty Loveless for a moving final beat.

Once the pair stepped off the stage, the King of Country himself, George Strait, stepped up to offer a tribute of his own to Gill. Instead of singing, though, Strait gave a speech celebrating Gill’s pioneering work in the country industry. “There’s not a lot more to say about this man that hasn’t been said, or that you don’t already know,” Strait offered. “But his guitar playing is amazing, his songwriting is amazing, his singing is amazing, he can sing higher than anyone I know … there’s not a more deserving person to receive this great honor.”

For his part, Gill thanked Carlile and Loveless for their tribute, joking that “it’s not lost on me that they had to have girls come out here and sing for me tonight — none of the boys can get up that high.” He also took the moment to revel in being honored with a lifetime achievement award that very few other artists have received.

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“I think this has been give to nine or 10 people, and that list is astounding,” he said. “The man whose name is on this is a long, long friend. Fifty years we’ve known each other, shared stages and all that. I adore him.”

Lainey Wilson, along with serving as host during the ceremony, earned six nominations at the awards — the most of any artist in 2025, alongside fellow nominees Ella Langley and Megan Moroney. Meanwhile, stars including Luke Combs, Shaboozey, Brandi Carlile, Kelsea Ballerini and more took to the stage for their own performances.


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Miranda Lambert & Chris Stapleton Bring Retro Roller Rink Vibes to 2025 CMA Awards for Their Duet

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The 2025 CMA Awards took over Nashville’s Bridgestone Arena on Wednesday (Nov. 19) night for the 59th annual edition of the Country Music Association’s annual awards show.

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But when Chris Stapleton and Miranda Lambert took the stage to perform their duet “A Song to Sing,” you might’ve thought you were watching a CMA Awards broadcast from the 1970s or ‘80s. Not only did Stapleton and Lambert bring out the disco balls to create golden, shimmering stage lighting and evoke that retro roller rink aesthetic, but their duet gently brings to mind the easy-going vibes that Dolly Parton and Kenny Rogers radiated when they performed their iconic duet, “Islands in the Stream,” back in the day. (In fact, Parton and Rogers did perform “Islands on the Stream” at the CMA Awards in 1983.) Not unlike Parton and Rogers, Lambert and Stapleton don’t spend their duet trying to out-sing the other; rather, the two real-life friends let their voices blend together naturally, propping each other up and letting the song ride its easy melodic wave.

“A Song to Sing” is Lambert and Stapleton’s first recorded collab together, although they’ve shared the stage together and co-written songs together previously. The Dave Cobb-produced “A Song to Sing” has hit No. 20 on Billboard’s Country Airplay chart.

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Miranda Lambert was nominated for female vocalist of the year at the 2025 CMA Awards, while Chris Stapleton was nominated for male vocalist of the year and entertainer of the year. “A Song to Sing” is nominated for two Grammys at the 2026 ceremony: best country song and best country duo/group performance.

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Shaboozey & Stephen Wilson Jr. Deliver Gorgeous Rendition of ‘Took a Walk’ at CMA Awards

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Shaboozey and Stephen Wilson Jr. took the CMA Awards audience on an emotional walk Wednesday night (Nov. 19).

Standing on a set made to look like a lush field of wheat at dusk, both country stars’ voices sounded raw and gorgeous over an emotional accompaniment provided by the band on stage with them. ‘Boozey and Wilson took turns singing verses before joining together at the end, crooning, “So let’s stay out here for a while, my friend/ Let’s stay and walk the line ’til the end/ I know you’re tired, hell, so am I/ We can’t take the same road again.”

The ballad was featured in this year’s film adaptation of Stephen King’s The Long Walk, a harrowing tale about a dystopian society in which a selection of young men enter an annual contest in the hopes of winning fame and fortune, which they can only secure after outliving the rest of the competitors on a days-long walk across the country. “I feel so excited,” ‘Boozey told Billboard on the CMAs red carpet shortly before the show. “I think it’s going to be a really special performance, doing it with my boy.”

“Took a Walk” wasn’t the only performance Wilson delivered Wednesday night. Shortly before taking the stage with his duet partner, he did a solo, stripped-down rendition of Ben E. King’s “Stand By Me” for the crowd at Bridgestone Arena in Nashville.

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Also speaking to Billboard before the ceremony, Wilson explained how his two performances were linked. “I’m a big Stephen King fan,” he said. “I play this song called ‘Stand By Me,’ which I’m playing tonight as well, because of a movie called Stand By Me based off a Stephen King [story called The Body]. It’s been haunting me my whole life.”

“Fast-forward these years later, I get invited to sing this song and write this song with Shaboozey for a Stephen King movie called The Long Walk,” he added on the carpet. “The world is weird, life is weird and I’m just here for it.”

Both stars were nominated for the same award this year, receiving nods for new artist of the year. The prize ultimately went to Zach Top.

The ceremony comes as Shaboozey is working on a new album. In October, he exclusively told Billboard, “[It’s about] feminism, I’ll say that.”

“Femininity is probably the best word I can use,” he added at the time of the upcoming full-length, which he says is just about finished. “There’s a story there … It’s a Western concept album about femininity — I shouldn’t have told you that!”


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Lainey Wilson’s ‘Whirlwind’ Wins Album of the Year CMA Award, Presented by Steve Martin & Alison Brown

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Lainey Wilson has been all over Wednesday night’s (Nov. 19) CMA Awards. Not only is she hosting, and not only did she kick the awards into high gear with a big country covers medley, but she’s also one of the night’s big winners, taking home album of the year for her acclaimed Whirlwind set.

“Mama, daddy, look, check it out!” Wilson exclaimed as she accepted the award from banjo picker and occasional comedy legend Steve Martin, along with his collaborator Alison Brown. “I was absolutely not expecting this,” the country great attested about the win, also shouting out her Granny “somewhere” in the audience.

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Wilson went on to thank fans who showed up to her Whirlwind Tour, and to salute herself for staying true to her artistic process throughout the turbulent recording of the award-winning album. “I remember being that little 11-year-old girl who would come home from school and pick up my guitar and pour my heart and soul into that guitar,” she testified. “And that’s how I navigated and communicated. And that’s exactly what I did these last two years of my life, when I felt like my life was changing, but I still felt exactly the same.”

Before awarding her the album of the year, Martin and Brown performed some dueling banjos for the audience, and even bantered a little comedy — quipping about how they were excited enough to be presenting at the CMAs to even do it for free, which was apparently all they were being offered. Martin and Brown released the bluegrass album Safe, Sensible and Sane earlier this year.


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Stephen Wilson Jr. Captivates CMA Awards With ‘Stand By Me’ Cover: ‘It’s Been Haunting Me My Whole Life’

It’s safe to say anyone who hits the stage at the CMA Awards has seriously lived some life, but Stephen Wilson Jr. might have ‘em all beat at least in terms of strange paths to the country spotlight.

The Indiana-born Wilson has been a boxer, competing in the Golden Gloves of America amateur competition; 10 years ago, he was wearing a lab coat and working as a microbiologist; not long after that, he became a songwriter in Nashville, signed to Big Loud. But following the death of his comparatively extroverted father in 2018, something changed, and he began to warm up to the idea of stepping into his own spotlight. His debut album, søn of dad, dropped this year, and although he skews country, he’s covered everyone from Nirvana to Smashing Pumpkins.

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At the 2025 CMA Awards on Wednesday (Nov. 19) night, Wilson appeared on stage, wearing mostly black but rocking a floral ball cap with the Virgin Mary on it. In his firm, raspy tone, Wilson slowly but surely captivated the Bridgestone Arena with a soul-rending cover of Ben E. King’s “Stand By Me.”

Ahead of his performance of “Stand By Me,” which turned heads when he brought it to the Atlanta-based YouTube series Live at the Print Shop in Oct. 2024, Wilson spoke to Billboard correspondents on the CMA Awards red carpet and explained how the 1986 film of the same name influenced his decision to trot out this iconic song.

“I’m a big Stephen King fan,” Wilson told Billboard. “I play this song called ‘Stand By Me,’ which I’m playing tonight as well, because of a movie called Stand By Me based off a Stephen King [story called The Body]. It’s been haunting me my whole life. I started playing this song after my dad died to kinda bring him back. I turned it into a hymn for me. And then fast-forward these years later, I get invited to sing this song and write this song with Shaboozey for a Stephen King movie called The Long Walk and here we are playing both of those songs. The world is weird, life is weird and I’m just here for it.”

Later in the evening, Wilson joined Shaboozey to perform that song, “Took a Walk,” on the CMA Awards stage, too.

Check out Billboard’s interview with Stephen Wilson Jr. on the CMA Awards red carpet below.