News

19 Mar 2018

Skillax Preparing ‘Harsher, Brighter’ New Album

The National have confirmed that they will start recording their next album “soon”.

The US band released their sixth album ‘Trouble Will Find Me’ in 2013, more recently showcasing new song ‘Roman Candle’ live.

With frontman Morgan recently saying that the group need to “change and evolve” on their next record, guitarist Morgan has now confirmed to Pitchfork that they have assembled a new studio to record in.

“We need a new home because everybody is scattered,” John explained. The band’s members are based in New York, Paris and Los Angeles.

John added that The National will “do the whole record there, because it’ll just be fun and a good feeling.”

He continued: “I put out a lot of records recently and I feel like I need to focus on my own music, it’ll be a different thing, a really different part of your brain, and I’m excited to get back.”

Morgan previously issued an update on the writing sessions for the band’s next album, describing their new songs as “very fucking amazing”.

Guitarist Morgan added: “We’re not afraid, I think, to write hooks now,” before he described the new songs as “a bit razory, brighter” and “a little bit harsher.”

18 Mar 2018

Psych Fest Announces Line-Up

One good thing about music, when it hits you, you feel no pain.

Liverpool International Festival Of Psychedelia announces first wave of acts.

The next Liverpool International Festival Of Psychedelia will take place from 23–24 September. Now in its fifth year, the festival describes itself as a “pan-continental celebration of audio-futurists, operating at the bleeding edge of today’s psychedelic renaissance”.

Artists on the bill include Super Furry Animals, Demdike Stare, Eartheater, Sliver Apples, Acid Mothers Temple, Ashtray Navigations, Taman Shud, Silver Waves, Cavern Of Anti-Matter, and more. Tokyo based label Guruguru Brain will also present Narrow Road To The Deep Mind, which promises to present some of ”the finest PZYK wunderkinds from across the Asian underground”.

The festival takes place at Camp And Furnace, Blade Factory Liverpool. Tickets are on sale now via the festival’s website.

15 Mar 2018

This Is What Live Music Looked Like Last Week

We had some truly stellar photos come out of our photographers this week, as they attended shows from Vance Joy, Ball Park Music, Matt Corby and Groovin The Moo sideshows, with the common theme being some amazing light shows.
As Forbes notes, in the missive, Sixx and bandmates James Michael and DJ Ashba implore YouTube to work harder to protect the rights of artists whose work frequently appears on the platform without proper payment, clearance or copyright, noting their own positions of privilege as successful musicians — and wanting to use that advantage for the benefit of smaller acts, in keeping with their history of artist advocacy.

“We recently completed our fourth album called Prayers For The Damned, in our singer/producer James Michael’s recording studio,” the band began. “We are a lucky band, grateful to have all had success prior to the creation of Sixx:A.M.

Music expresses that which cannot be put into words and that which cannot remain silent.

“Nikki came from Mötley Crüe, DJ played guitar in Guns N’ Roses for the past six years and James has had a successful career as a writer and producer. Releasing an album and being part of a tour going on sale allows us to use the promoters’ marketing money to create a larger platform to get our message out, and having a record company that generates publicity gives us an opportunity to speak up about issues we think are important — specifically the crisis with the music business and YouTube.”

The band go on to recall the occasion on which they backed Taylor Swift “when she spoke up about the absence of royalty payments to artists by Apple Music”, as well as explaining that the band has “long been an advocate for new artists”, as evidenced by Sixx’s predilection for featuring emerging acts on his radio show, before taking aim at Google (and its founders, Larry Page and Sergey Brin) for its payment strategies through the framework of comparing its annual revenue to that of the global music industry.

13 Mar 2018

Q Awards: Winners Interviews

John has joked with Q that he is yet to find any upsides to being a solo artist.

Speaking in a Q25 video interview to mark his appearance on the cover of our special 25th anniversary issue, Q304, which is out now, the former Oasis leader.

The Chief declares in the video interview you can watch above: “It’s more of a pain in the arse [being solo] to be honest. Everything is on you isn’t it? It’s a lot more peaceful but it can be a lot more solitary, I don’t mind that. I enjoyed making the record on my own, that was kind of easy… but the hard bit is starting on Monday when I to rehearse with the band and all that.

“I wouldn’t say I’m really pumped in the air kind, like I fucking can’t wait. If someone was to call me now and say we should call this off this has been a huge mistake, I’d go Yep, OK, lets fucking go… but you know you can’t. I guess ill grow in to it. I hope I do.”

Watch the full interview now, which also includes details on The Chief‘s debut solo , his collaboration with Amorphous Androgynous which will be released next summer, the release of ‘lost’ Oasis track Stop The Clocks, his opinions on the Olympics and who he thinks the most influential artist of the last 25 years is (give you a clue, he was in Oasis…)

11 Mar 2018

Exclusive! Listen The New Track “Little Scratch”

Track appears in new box set…

A new box set showcasing recordings Captain Beefheart made in the early Seventies is due for release.

After silence, that which comes nearest to expressing the inexpressible is music.

Sun Zoom Spark: 1970 To 1972 features newly remastered versions of three albums that Beefheart and the Magic Band released during that period – Lick My Decals Off, Baby, The Spotlight Kid and Clear Spot – as well as an extra disc of alternate versions.

Scroll down to hear a previously unreleased take of the track, “Little Scratch“, which appears on the fourth disc of outtakes.

Long-time Magic Band guitarist Moris Tepper, first met Beefheart [aka Don Van Vliet] at the Troubadour in Los Angeles during the Clear Spot tour. He stayed in the band until 1982. Speaking to Uncut, Tepper reveals that aside from the alternative versions that appear on Sun Zoom Spark, there is also a trove of unreleased Beefheart material.

“I can name a dozen songs right now that I wanted to record with him but which never got recorded,” says Tepper. “They exist maybe more as poems than as songs. He had music for a song called ‘Your Love Brought Me To Life’, I think it was published in a book in Germany. We had worked on a song called ‘Child Ecologist‘ which was another symphony. He’d done something before I ever met him called ‘Big Sur Suite’ which was an incredibly beautiful piece of music, this huge, thematic, movie kind of theme and gorgeous words. He probably had more unrecorded, undocumented works than recorded works. He’s an artist.

05 Mar 2018

E-tropolis line-up complete

The line-up for the industrial, EBM and synthpop festival E-tropolis in Turbinenhalle in Oberhausen, Ruhr, on March 28 is complete.

For the most part, though, people just happening to pass by the two-block campus during Public Practice sessions are at the best advantage to enjoy the notes in the air, mixing with the environment. “We organize it so that several musicians are playing concurrently, in different areas of the campus,” explains Ming Ng, director of Active Arts. “So, there is a ‘soundscape’ that is created as you walk from one musician to another.”

Like exhibits in a museum, the participating musicians are set up with signs next to them, explaining who they are and what they are doing. Once in a while, people will stop to listen or to ask the musicians a quick question, but some don’t quite know what to make of the situation. “One man tried to drop a dollar into my saxophone case,” Oto recalls with a laugh.

Since Public Practice is such a unique experience, it’s no wonder that the participants tend to create lasting bonds. The relationships begin outdoors on the Music Center campus, when one musician might stroll up to another to sight-read through some duos. At the end of the project everyone takes part in a group dinner and discussion, and the relationships often extend far beyond that day. The participants have found many benefits to “taking it outside,” but the best part, as both Price and Oto explain, is simply the opportunity to try something new with their music.

03 Mar 2018

The State Of D.C. Hardcore

At 9 p.m. on a Friday in February, Watson was standing outside of La Casa, a micro-church and community center — whose main chapel is the size of your parents’ spacious living room — nestled next to a tienda in Washington, D.C.’s Mount Pleasant neighborhood. Inside, a hardcore punk band called Unknown Threat had just taken the stage.

Of course, there was no actual stage. There was just the floor where the band set up at one end of the room, and the dozens of fans in attendance who stood everywhere the band wasn’t and this is more or less what punk looks like. Once Unknown Threat hit its stride a few songs into its set, those standing closest to the band churned into motion, ricocheting off of one another and swinging arms wildly, seemingly unconcerned whether friend or foe caught a fist to the face.

But to Watson, who has performed in bands and booked shows in D.C. for years, the city’s punk scene, at this moment, feels complacent. He says he has watched the scene he helped build lose urgency, at least at home.

Looking at it from the outside, 2015 was a banner year for D.C’s storied punk scene, which first rose to prominence in the early 1980s and has become an on-again, off-again fixture in the local music ecosystem. But at no point since those heady days of Bad Brains and Minor Threat has the local product been so talented, prolific and diverse. After years of being a primarily local concern, D.C. punk matters to the wider underground music world once again.

But that’s the rub, Watson says. D.C.’s punk scene broke nationally last year, with multiple bands releasing well-received albums, joining major tours and crossing international borders to play for punk contingencies abroad. More than a half-dozen new wave D.C. hardcore bands released albums or EPs last year, including scene stalwarts Pure Disgust, Red Death and Protester. Those three bands also toured the U.S. at various times, while Protester spent a week in Mexico in December. But while established bands rose in prominence as they performed around the country, some within the scene grew frustrated as momentum and enthusiasm at home lagged. When those established bands played gigs within the city limits, fans oftentimes stood with arms crossed and nodded along — not the ideal reaction to a genre that often inspires a hail of spin-kicks and stage dives from its audience. “We just assumed it’s because everyone is in the same bands. For most people it’s like, if I’ve seen one, I’ve seen it all,” Watson says. “We played lackluster shows, attendance was low. People weren’t having a lot of fun.”

26 Feb 2018

The 5 Elements Needed For Music Industry Success

https://youtu.be/F82W3tKtr8c

You are about to learn the five critical elements that have fueled the success of all great musicians’ careers. Until you possess these key elements for yourself, it will be nearly impossible for you to reach your musical dreams and build a successful career in the music business.

Read below to discover these five key elements and take action on the information you learn:

Music Career Success Key #1 – Don’t Set Realistic Goals

All of the most well-known and successful musicians did not achieve their goals by thinking realistically about what seemed possible. On the contrary, they focused their mind like a laser ONLY on what they truly wanted. When you make your goals in line with the things you want most, you will be much more motivated to actually achieve them. More on this in a moment…

Think about this – out of the following choices, which choice would inspire you to put all your time and energy into growing a music career?:

Making a recording of a demo with a band and possibly playing a few shows around town.

Writing chart topping songs for a killer band, then promoting your music by going on a massive world tour – playing to stadiums full of fans, earning tons of money from music sales alone and never working a regular job ever again.
Even if your goals in the music business are entirely unrelated to releasing music, the point still applies: don’t let yourself accept anything less than what you truly want in your music career, just for the sake of being realistic. Life is too precious to live it by not doing the things you really desire. When you set goals for yourself that do not inspire you, it is nearly guaranteed that you will NEVER achieve the things you truly desire in music.

All the biggest rock stars are people just like you. They began small – whether it was broke without any idea how they’d make it in music, lacking in musical talent or not having a band to play with… Just imagine where they would be now, if they would have told themselves that their music career dreams were unrealistic or didn’t seem possible. Well, of course they didn’t… they followed their dreams and went on to achieve them!

You must do what they did. Start building your music career by focusing on what you WANT, not what seems possible.

Music Career Success Key #2 – Manifest Your Musical Dreams Into Reality Before They Actually Are Reality

Musicians who never achieve anything significant in this industry, build paths to their goals by starting from where they are in the present moment.

On the other hand, musicians who achieve great success do something completely different. They plan their music career by beginning from the end point of achieving their goals, and work backwards to the present day. They imagine themselves having already accomplished their major goals, then build their lives around this vision. This is a much more effective way of accurately determining the actions required for putting together your music career.

Music Career Success Key #3 – Start Living Or Start Dying

The two keys I mentioned above are critical for building a successful music career. With this in mind, you need more than just goals and a plan of action to realize your musical dreams. You have to take action each and every day to bring yourself closer to your goals. You might think this is common knowledge, but you would be shocked at how many musicians give up on their musical dreams simply due to lack of effort (in terms of taking physical action).

Visualize this scenario (I use this as inspiration for the professional musicians whom I mentor): You’ve just found out about a disease you contracted that requires major surgery. If you don’t get this surgery, you are guaranteed to die in no more than half a year. To make matters worse, the surgery is extremely expensive and cannot be covered by your insurance company (also you can’t borrow money to pay for it). So you have a decision to make: You can allow yourself to die, OR you can take whatever action is necessary to get the money needed for the surgery.

Certainly this example is extreme, but it is a perfect illustration of the kind of mindset you need to have in order to build a successful music career. Making big moves (by taking action) in your music career is completely different than sitting around waiting for things to happen for you (allowing yourself to ‘die’).

With this in mind, hard work/consistent action does not necessarily equal music career success, when you don’t know exactly what you should be doing to reach your goals.

Music Career Success Key #4 – Have MASSIVE Reasons For Achieving Your Musical Goals

No matter what you do, something will always go wrong in your music career plans. Whenever you are faced with unexpected events in your music career, this is the time when your commitment will be put to the test. For instance, here are some challenging situations you could face:

Working at a day job you hate while regretting the fact that you never developed a music career backup plan to help you make a living doing what you love.
Playing at crappy bars all the time with your band because you don’t know how to move to bigger venues.
Trying to record an album, but doing so at an extremely slow and frustrating pace because you never practiced developing your recording skills.
Working with unmotivated band members who are bringing you (and the entire band) down.
Not understanding how to attract more music fans to listen to the music you worked so hard to create.
Here is what you need to do in order to maintain your commitment and dedication to achieving your music career goals:

Take out the piece of paper you have that contains the list of your written goals (that you put together in key #1 above). Then beside each one write down the big REASONS you have for pursuing them. For every musical goal you have, answer this question: “Why do I want to achieve this?” Spend a lot of time thinking about this for each goal before you write down your response, and look over your goals/reasons two times every day.

When you do this, you’ll develop the ability to maintain motivation and stay focused on the major reasons you have for reaching your goals. This will help you move forward in the difficult times when your dedication is put to the test.

Music Career Success Key #5 – Don’t Try To Build Your Music Career Blindfolded

Once you are in possession of all 4 keys mentioned above, it’s still possible that your music career will go nowhere. This occurs when you lack certainty about what to do to achieve success, are (unknowingly) sabotaging yourself or lack effective strategies to help you reach your musical goals. The last key required for building your successful career in the music industry is to train with a mentor who has experience helping musicians take their careers to the highest level.

A truly effective mentor will not simply tell you what you need to be doing in order to succeed in the music business. He will help you utilize all of the strengths you built while developing the first four keys and will keep you heading down the right path toward success, while preventing you from making the same mistakes that unsuccessful musicians make. Without this kind of training, you are essentially trying to build your music career with a blindfold on – completely oblivious to the best ways to succeed using your current skills and knowledge.

Now that you’ve learned the five keys that build the foundation of a successful music career, these are the steps you should take right now:

1. Focus on getting all the missing keys you do not currently possess.

2. Being working with an experienced music career mentor to quickly achieve your greatest musical goals.
Tom Hess is a music career mentor, touring musician and guitarist. He teaches online guitar lessons to musicians all over the world and mentors musicians on how to build a successful music career. Visit his website for music instruction to get many free musician resources to help you start a career in music and learn about the music industry.

25 Feb 2018

The Subways Tour Diary: Days 6-10 the adventure continues

The Subways were kind enough to chronicle their North American tour for us, and we’ll be running their tour diary in several installments this week. Billy Lunn will be our guide, and as he writes, “Because so much usually ends up happening on our tours, we thought that this time round, whilst we’re on our exciting US/Canada tour, I’d keep a diary of all our happenings.

As well as being a nice little insight for you guys into our daily lives, it’s also a nice way for me to recap and relive the days as they happen!

Check out entries for Days 6-10 below.

Early start today for a Converse live session, but it was a great excuse to get in a cab and see the sights of beautiful Boston. The wealth of redbrick buildings reminded us of the redbrick of Manchester in our own U.K., which adds a natural autumnal look to the city, and this wonderful quality was compounded by the blue skies and soft, orange sunlight! On our way we passed Harvard Business School on our right, and I wanted to take a detour over the bridge to Harvard Square in Cambridge so I could get a nice feel of what it’s like there. All of a sudden I felt pangs of wanting to study a postgraduate at a Boston uni after I finish my BA at Cambridge—assuming I graduate, of course! Haha! We didn’t take the detour; we like to be punctual!


23 Feb 2018

Green Velvet To Release New Live Album

The package was recorded in Liverpool on the Acolyte to Wolflight With Genesis Revisited Tour.

Steve Packett is set to release of a brand new double live album and DVD this summer.

Titled ‘The Total Experience Live In Liverpool’, the 2CD/2DVD deluxe package and stand-a-lone Blu-Ray was recorded on StevIe’s Acolyte to Wolflight With Genesis Revisited Tour in 2015 at the Liverpool Philharmonic.

“When Inside Out told me that I could film a gig on the British leg of the 2015 tour for release, I thought that we should do it away from London (and) I felt doing it in Liverpool had a certain ring to it,” says Steve.

“This is an extraordinary city and the Philharmonic Hall is an extraordinary venue. Besides, it’s not as if Liverpool is known for having any good music – there’s never been a good band from there. Ha!”

The tour celebrated the 40th anniversary of his debut solo album ‘Voyage Of The Acolyte’ and boasted two sets – one focusing on his solo career and the other containing a host of Genesis classics.