News

Woman Who Was Reportedly the Inspiration for Mama Coco in ‘Coco’ Dies at 109

The woman who is believed to have inspired beloved Mamá Coco, the grandmother in Pixar animated musical film Coco, has died. María Salud Ramírez Caballero was 109 years old when she passed away Oct. 16 at her home in Michoacán, Mexico. Her death was confirmed by Michoacán’s Secretary of Tourism, Roberto Monroy, who on Twitter referred to Ramírez Caballero as “a tireless woman and life example who inspired this beloved character that went around the world.”

Pixar has not formally acknowledged that Ramírez Caballero was the inspiration for Mamá Coco, but the similarity between the real life woman and the animated character was undeniable. The similarities led many over the years to declare she had indeed been the template for Mamá Coco, and tourists were known to go to her home and take photographs with her next to a Coco poster.

Ramírez Caballero, a potter by trade, was born and died in the small town of Santa Fe de la Laguna, in Michoacán, one of Mexico’s many beautiful and colorful small towns. And like the film’s Mamá Coco, had children (three), grandchildren and great grandchildren.

Her picturesque hometown is very close to Lake Pátzcuaro, one of Mexico’s best-known destinations for Day of the Dead, the crux of Coco. In the 2017 film, a young boy named Miguel goes into the land of the dead on Nov. 1 – Día de los Muertos — to find his great grandfather, father to Mamá Coco.

Ramírez Caballero is expected to be buried Tuesday in her hometown.

Mamá Coco was voiced by Mexican actress Ana Ofelia Murguía, who is now 88 years old.

Atlantic Promotes Brandon Davis and Jeff Levin to EVPs and Co-Heads of Pop A&R

Atlantic Records nailed it when they promoted Brandon Davis and Jeff Levin in tandem a couple years ago, so naturally they’re doing it again. The star A&R execs have been upped to executive vice presidents and co-heads of pop A&R at the Warner Music imprint, with both Los Angelenos — and now-former senior vps — reporting to the president of A&R, Pete Ganbarg.

“Our mission has always been to attract, sign, and nurture the greatest talent across every genre,” commented Atlantic Records chairman & CEO Craig Kallman. “Brandon and Jeff are our pop A&R stars, bringing us a string of game-changing artists. They’ve got spot-on musical instincts, combined with the insight and ability to nurture artists at every stage of their careers.”

Davis has been with Atlantic for 11 years, having joined the company as an assistant in the A&R department. In partnership with producer Ricky Reed, he helped sign and develop Lizzo at the label in 2015 and also worked on the bestselling soundtrack for The Greatest Showman, and recently co-A&R’d Charli XCX’s album, Crash, and Ava Max’s forthcoming sophomore album.

Levin, meanwhile, joined Atlantic in 2010 and has signed Melanie Martinez, Jaymes Young and Oliver Tree, among others. He A&R’d Ben Platt’s debut album Sing To Me Instead and Charlie Puth’s third album, Charlie, and has worked with Warner Chappell Music to A&R G-Eazy and Bebe Rexha’s hit single “Me, Myself & I” and sign Logic to a global publishing deal.

“At Atlantic, we pride ourselves as much in executive development as we do in artist development,” noted Ganbarg. “Both Brandon and Jeff have worked at Atlantic their entire professional lives, rising from entry level intern and assistant positions to become an integral part of the leadership of our A&R team.”

Earlier this year, Davis spoke with Billboard about his success with Lizzo and the changes in the industry — such as the TikTokification of artist promo — since the release of her first album.

“The marriage of A&R and marketing has become closer than ever before,” he said. “As an A&R executive, I now need to think like a marketing and digital executive. I have spent more time than ever before working hand-in-hand with our marketing staff, and also letting them into the record making process earlier. A&R in the current environment has become about so much more than just music and record making — you need to be entrepreneurial and have a sophisticated understanding of many different verticals.”

Britney Spears Describes Harrowing MRIs as She Rips Into Conservatorship

Britney Spears lashed out at her father and the 13-year conservatorship that he helped oversee on her behalf in a series of outraged posts on Monday (Oct. 17). The tweets chronicled what she said was a harrowing medical experience she endured before being institutionalized.

“I believe in a world where we all deserve justice !!! 15 years in a system of secretive and manipulative abuse … JUST ENDING IT has never been good enough for me and it will never be !!! I was talked to abusively and punished for no reason at all,” Spears tweeted in the first of a half-dozen posts in which she lambasted the arrangement that handed control of her personal and professional life to her father, Jamie Spears, and a group of lawyers.

“I believe I have absolutely nothing to prove on the whereabouts of what was done to me … it is all known !!! With that being said, people who have mistreated me on that kind of scale just ending the system is not good enough,” she continued, adding a VoiceNote in which she told a previously unheard story about her treatment.

Describing it as “one of the weirdest things” she’s ever encountered, Spears said she had three MRIs before going to “that place”; Spears did not specify the date of the procedures or which facility she was referring to, though the singer was placed in mental health facilities in 2008 and 2019. The star said she wasn’t complaining about any health problems before the procedures and that she was told she “had to go,” even though she wasn’t sure why she was having them.

Spears noted that when she was eight years old, she had a cyst on her chest that was removed which required an MRI to determine that it wasn’t cancer. “So whenever I hear ‘MRI’ I kind of was like, ‘that’s a big deal, something must be wrong with me,’” she recalled thinking. But unlike when she was eight — when Britney said she stayed in the enveloping MRI machine for 30 minutes — she described the more recent MRIs during the conservatorship as lasting well over an hour.

“Which is a lot of being still,” she said of the diagnostic machine that can require a patient to lie perfectly still inside the large device for extended period of time as it clicks and whirrs while scanning the area of interest. “The whole thing didn’t make sense — the isolation, the nurses, [unintelligible] … to me I was like, ‘Wait, is this a new kind of cancer treatment? [Is] that why they sent me away to this place? They didn’t want me to know?’” she thought at the time. “None of that it true, I’m fine, I’m alive.”

Spears’ string of tweets continued, as she wrote that she endured the alleged mistreatment though “I did absolutely nothing wrong… I have no justice at all in my eyes… at all!!! The court system ended it TWO YEARS after I told them about 15 years of my abuse … my home friends jumping up and down when the judge ruled it to be over … a metaphor.” Spears was placed into the restrictive conservatorship in 2008 after the singer was twice put on 5150 psychiatric holds amid what was described at the time as a public mental health crisis.

At press time a spokesperson for Jamie Spears could not be reached for comment.

“Yet when I called them in that place they said it’s not illegal but it may seem illegal with what they are doing … because what your in is DIFFERENT … different my a– !!!.” she tweeted. “It’s been many months since it has been over … my wish is to take my father to a place … take his car away … his home away … his door to privacy away … sit him down 7 days a week from 8 am to 6 pm being asked questions and people treating him like a science experience … monitoring his food … no phone … nurses watch him shower and dress.”

Seemingly describing the tight strictures she lived under during the conservatorship, Spears also said she wanted her father to go through “all the things with no f—ing reason at all and have him call his family and they say WE DON’T KNOW!!! I’d like to see the state of California sit back and have 4 security men at a trailer house for months telling him he can’t ever leave !!! I’d like to see how he would feel.”

That however, she wrote, will “never happen.” Reflecting on a judge’s decision to end the conservatorship in November 2021, Spears said, “The only good thing that happened for me was that it ended !!! I don’t see how they get to walk away so easily and get away with what was done to me … the world has shown me and the world only that cruelty wins !!!”

Hot 100 First-Timers: Lyanno Arrives With Rauw Alejandro & Brray Collab ‘Lokera’

Puerto Rican singer Lyanno scores his first entry on the Billboard Hot 100, as his new collaboration with Rauw Alejandro and Brray, “Lokera,” debuts at No. 99 on the Oct. 22-dated chart.

The song, released in July via Duars/Sony Music Latin, debuts with 4.6 million radio airplay audience impressions and 4.1 million U.S. streams (up 4%) in the Oct. 7-13 tracking week, according to Luminate. It also holds at its No. 16 high on the multi-metric Hot Latin Songs chart, keeps at its No. 9 best on Latin Rhythm Airplay and rises 19-16 on Latin Airplay.

Contributing to the song’s popularity is TikTok, as a portion of its audio has been used in over 400,000 clips on the platform to date. (TikTok presently does not directly contribute data to Billboard’s charts.) Alejandro boasts 12.2 million TikTok followers, while Lyanno and Brray have 97,000 and 21,000, respectively.

The song’s official video, which was filmed in one take, features all three artists at a wild house party and has raked in over 43 million YouTube views to date.

While “Lokera” earns Lyanno his first Hot 100 entry, it brings Alejandro his sixth and Brray his second, after “La Jeepeta,” with Nio Garcia, Anuel AA, Myke Towers and Juanka, in 2020.

Lyanno (real name Edgardo Feliciano) has been a familiar face on Billboard‘s Latin charts since 2018. He notched his first chart appearance on Dec. 1, 2018, when his “Luz Apaga,” with Ozuna, Lunay and Rauw Alejandro, debuted at No. 40 on Hot Latin Songs; it peaked at No. 26 two weeks later. “Lokera” became his second entry on Hot Latin Songs when it debuted in August.

The reggaeton/trap-leaning artist has also landed on Billboard‘s charts as featured on Lunay’s “A Solas,” also with Anuel AA, Brytiago and Alex Rose (No. 9 peak on Latin Digital Song Sales in 2018), and with his solo single “Pa’ Que Vuelvas” (No. 38 peak on Latin Pop Airplay in 2019). Meanwhile, “Hasta Abajo,” with Kevin Roldan and Bryant Myers, reached No. 90 on Billboard Global Excl. U.S. and No. 165 on the Billboard Global 200 in February 2021.

Lyanno has also recorded songs with Jhay Cortez, Chencho Corleone and Zion & Lennox, among others. He released his debut studio album El Cambio in April through Rimas. The LP includes collaborations with Arcangel, De La Ghetto, Lunay, plus two with Alejandro: “Poderosa” and “En Tu Cuerpo.”

“Lokera” is slated to appear on Alejandro’s album Saturno, due next month.

Stray Kids Returns to No. 1 on Artist 100 Chart Thanks to ‘MAXIDENT’ Debut

Stray Kids re-enter the Billboard Artist 100 chart (dated Oct. 22) at No. 1, returning as the top musical act in the U.S. for a second total week, thanks to the group’s new LP MAXIDENT.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The set blasts in at No. 1 on the Billboard 200 with 117,000 equivalent album units earned, according to Luminate. It’s the group’s second leader on the chart, after mini album ODDINARY in April. Album sales comprise 110,000 of MAXIDENT‘s total sum, the fourth-largest sales week of any album this year.

Stray Kids are the third K-pop group to rule the Artist 100 for multiple weeks, dating to the chart’s 2014 inception, after BTS (21 total weeks) and BLACKPINK (two). Two additional K-pop acts have hit No. 1: SuperM and TWICE. Stray Kids first topped the chart for a week in April.

Notably, Stray Kids have now re-entered the Artist 100 at No. 1 on two occasions. The act is the sixth to re-enter at the summit as many as two times, after Bon Jovi, Eminem, Kanye West, Kenny Chesney and Slipknot.

Elsewhere on the Artist 100, Beyoncé bounds 24-2 thanks to the wide vinyl release of her former Billboard 200 No. 1 Renaissance. The album rises 6-3 on the Billboard 200 with 75,000 units, up 145%, as it sold 45,000 on vinyl and rebounds for a second week at No. 1 on the Vinyl Albums chart.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

‘Superfly’ Actor & Rapper Kaalan Walker Sentenced To 50 Years In Prison For Multiple Rapes

Kaalan Walker, the rapper and actor best known for his role in Superfly, has been sentenced to 50 years to life in prison for raping multiple women, according to the Los Angeles Times.

Walker, 27, was found guilty in April of raping seven women, including three minors. He was convicted of three counts of forcible rape, two counts of statutory rape and two counts of rape by intoxication.

The Los Angeles native, who went by the rap name KR, was also ordered to register as a sex offender while learning his fate on Monday (October 17).

Kaalan Walker’s alleged crimes took place between 2013 and 2018. He would use social media to contact his victims — all of whom were aspiring models and actresses — and lure them with false promises of helping their careers.

Walker would lead the women and girls to believe he wanted them for a music video shoot or photoshoot or was able to introduce them to someone famous like Drake. When they were alone, he sexually assaulted them, his victims told police.

“We feel that with this verdict, the jury gave these victims back their voices,” Deputy District Attorney Cynthia Wallace said following his April conviction.

“This was very sophisticated. He picked these girls and he appealed to their dreams and hopes and name-dropped Drake and used his connection to Halle Berry to get these girls somewhere and gain their trust. Once they were there, it wasn’t about doing photo shoots; it was about assaulting them.”

Kehlani & Kaalan Walker Rape Survivor Condemn Those Who Doubted Victims: ‘Suck My Dick Forreal’

Walker’s attorney claimed his client “didn’t force” the women and girls to do anything sexually with him, and that they were seeking “payback” for his false promises.

Walker reportedly burst into tears when he was read the verdict from the Los Angeles jury. “I didn’t rape anybody, your honor!” he called out as he was led away in handcuffs. “I did not rape anybody.”

Kaalan Walker has released several projects under the moniker KR. He played a gang member in the 2018 Superfly reboot and also appeared in the 2017 movie Kings, which starred Daniel Craig and Halle Berry.

Slacker Owes SoundExchange $10M In Unpaid Royalties, Judge Rules

Streaming platform Slacker owes SoundExchange nearly $10 million in unpaid performance royalties, according to a recent ruling by a federal judge, issued after settlement talks between the two broke down.

SoundExchange, which collects streaming royalties for sound recordings, sued Slacker and parent company LiveOne in June, claiming they had refused to pay millions over a five-year period. As recently as September, court documents indicated the two sides were having “meaningful settlement negotiations.”

But last week, SoundExchange played an unusual legal trump card: A pre-signed consent judgment, inked by execs at Slacker back in 2020 as part of a previous effort to get the streamer to pay its royalty bill. Under the terms of that earlier deal, if Slacker ever defaulted again, its executives agreed that a judge should enter a judgment against the company for the full sum owed.

On Thursday, Judge André Birotte Jr. did exactly that – ordering Slacker to pay $9,765,396 in unpaid royalties and late fees. He also permanently barred the company from using the so-called statutory license, a federal provision that makes copyright licenses for recorded music automatically available to internet radio companies like Slacker and Pandora at a fixed price.

Without access to the statutory license, Slacker will presumably need to negotiate direct licenses from rights holders for sound recordings, similar to what on-demand streaming services like Spotify must do.

A spokesman for Slacker and LiveOne did not return a request for comment on Tuesday. In a statement to Billboard, SoundExchange president and CEO Michael Huppe said the lawsuit demonstrated that the group “takes our role in defending fair compensation for creators seriously.”

“Despite a prior agreement, multiple promises, and repeated negotiations, Slacker and LiveOne failed to pay properly for the music – on which the companies built their business model,” Huppe said. “It is regrettable that this step became necessary, but we will not back down when it comes to protecting creators and ensuring they are well-represented and properly paid under the law.”

We Can[‘t] Work It Out

In its lawsuit, SoundExchange claimed Slacker stopped paying recording royalties way back in 2017, and that a subsequent audit revealed it had been underpaying for years before that. In 2020, the two sides entered into the repayment plan, which gave Slacker two years to pay its debts. But in the June lawsuit, the SoundExchange claimed that Slacker quickly failed to live up to the plan.

“By refusing to pay royalties for the use of protected sound recordings, Slacker and LiveOne have directly harmed creators over the years,” Huppe said at the time. “Today, SoundExchange is taking a stand through necessary legal action to protect the value of music and ensure creators are compensated fairly for their work.”

Though SoundExchange clearly had the earlier agreement as leverage, it appears the two sides tried again to work out a settlement. In early September, attorneys for Slacker asked for more time, saying that the two sides were engaged in “ongoing meaningful settlement negotiations with the expectation that a settlement would be reached.” But they said such talks had not been easy.

“The negotiations have proven to be complicated. There have been a number of offers, back and forth, and numerous emails, calls and discussions,” wrote Jeffrey A. Katz, Slacker’s outside counsel. “A final resolution appears promising but is not guaranteed. Defendants would like to remain focused on their pursuit of a negotiated resolution.”

Greta Van Fleet Postpone Shows Due to Singer’s Ear Injury

Greta Van Fleet have been forced to postpone a trio of shows after singer Josh Kiszka ruptured his eardrum during a show in Bangor, Maine earlier this month. “It’s with a heavy heart that we must reschedule our shows this upcoming week,” the band wrote in a statement.

“During our last show in Bangor [on Oct. 8], I ruptured an eardrum and upon further evaluation I have just been advised it needs more time to fully heal than initially anticipated. I’m working closely with my team to ensure I get proper rest in order to finish out the year strong.” The group said they are working on rescheduling the dates as soon as possible.

The affected shows were slated on Tuesday(Oct. 18) in Raleigh, North Carolina, Wednesday (Oct. 19) in Greenville, South Carolina and Oct. 21 in Jacksonville, Florida. “I’m gutted to have to do this and I cannot begin to express how much I appreciate the love and support you give us every night,” Kiszka told fans. “It’s devastating me to make this announcement, but know it’s imperative in order to keep performing.” The band encouraged fans who will want to see them to hold on to their tickets, or to seek a refund at point of purchase.

According to GVF’s updated tour scheduled, their next date will be at Hard Rock Live in Hollywood, Florida on Oct. 25; at press time it was unclear if an announced Oct. 22 show in Estero, Florida at Hertz Arena is still on.

Back in March the band postponed the eight remaining dates on their Dreams in Gold tour after guitarist Jake Kiszka was hospitalized with pneumonia.

See the band’s post below.

Imagine Dragons Postpone South American Tour Over Singer Dan Reynolds’ Vocal, Knee Injuries

Imagine Dragons informed fans on Monday (Oct. 17) that they’ve been forced to postpone the planned South American leg of their Mercury World tour due to a number of ailments affecting singer Dan Reynolds. “We are very sorry to share that we have to postpone our Latin American shows,” they wrote in a tweet announcing the news.

“In our 12 years as a band, we’ve never had to cancel a tour (and could count the number of shows on one hand),” they continued. “We hope you guys know how hard it is for us to postpone these dates, and we plan to make it up to you soon.” The band explained that Reynolds’ recent struggles with hemorrhaged vocal cords and a vocal nodule that have lingered since the last leg of the tour have become serious enough that his doctors have warned that hitting the road now could cause a “rupture and irreparably harm his voice.”

In addition, Reynolds is now also unexpectedly dealing with a “fairly serious” tear in the LCL (lateral collateral ligament) in his knee that will require a brace and extensive physical therapy. “We just can’t give you the show you expect and deserve right now,” they wrote.

“We will keep everyone updates as we figure out new dates, and we are so sorry for those who made travel and other plans to see us,” they concluded, saying refunds will be made available to those who can’t travel to the as-yet-unscheduled make-up dates. The South American swing was slated to kick off on Tuesday (Oct. 18) in Bogota, Colombia at Coliseo Live and include dates in Chile, Argentina, Brazil and Mexico.

See the statement below.

A$AP Rocky Tells Judge He’s Too Busy To Attend Deposition In A$AP Relli Shooting Lawsuit

A$AP Rocky has reportedly claimed he’s too busy to attend a deposition date in his A$AP Relli shooting lawsuit.

According to Radar Online, Rocky’s legal team have asked the judge for more time before he’s questioned due to his busy music career and business ventures.

A$AP Rocky, who stands accused of shooting A$AP Relli in November 2021, reportedly agreed to sit down for a deposition on November 16. However, Relli demanded he appear on October 19 and apparently even threatened to ask for sanctions if he didn’t show.

Rocky believes Relli — a producer and talent manager who was previously affiliated with the A$AP Mob — and his legal team are being difficult to work with and are refusing to schedule an alternative deposition date.

Defending his busy schedule, A$AP Rocky’s lawyer said in a court filing his client is an “award-winning international recording artist, recording executive and music producer,” who in addition to “recording, touring and performing worldwide, oversees several other business ventures including collaborations with national and international brands.”

Subsequently, his “various commitments and obligations substantially impose upon his time and professional schedule.” A judge has yet to rule on the matter.

A$AP Rocky Responds To A$AP Relli’s Shooting Lawsuit, Claims Relli Didn’t ‘Exercise Reasonable Care’ To Avoid Harm

A$AP Relli filed a civil lawsuit against A$AP Rocky for assault, battery, negligence and intentional infliction of emotional distress over an alleged November 2021 shooting in Hollywood.

Relli claimed he was asked to meet Rocky at a random location, which led to an argument taking place and Rocky firing multiple shots at him, with one striking his left hand.

The Harlem rapper denied all the allegations, claiming any injuries or damages “were caused solely, directly and proximately by the negligent and/or intentional acts or omissions” of someone else, as well as Relli’s failure to “exercise reasonable care to avoid the consequences of harm.”

A$AP Rocky was arrested at LAX months after the alleged shooting and has since been charged with two counts of assault with a firearm. He appeared in court in August and pleaded not guilty to the charges.

If convicted, he faces up to nine years in prison.