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Anahi Teases Comeback With New Juan Gabriel Collaboration, ‘Dejame Vivir’: Listen

Anahí is making her official comeback to music with a new collaboration alongside Juan Gabriel

The single—released posthumously, six years after Juanga’s passing—is a new version of his Rocío Dúrcal-assisted “Déjame Vivir” that launched in 1984. Almost 40 years later, the Mexican pop star gives it a modern EDM twist. 

“Who’s excited to listen to it?” the singer asked her fans on Instagram on Tuesday (Oct. 25), sharing a 15-second preview of the video that features both stars. 

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“Déjame Vivir,” which marks Anahí’s first official release since “Latidos” in 2020, follows El Divo de Juarez’s “Mía Un Año” released last month in collaboration with Eslabon Armado. 

The collaborative track with Juanga comes after his duets with Marc Anthony, J Balvin, and other major artists who formed part of his Los Dúo 2 album released in 2015, which ruled the No. 1 spot on the Top Latin Albums chart for 20 weeks in 2016. 

Although it’s Anahí’s first single in two years, she has kept herself busy with music endeavors in the time since — in June, the former Rebelde star joined Karol G on stage for an epic rendition of RBD’s 2004 hit “Salvame.” The performance that took place during the Bichota Reloaded tour in Mexico City became the first time Anahí performed live in 11 years. The singer’s last concert prior to that was in 2011 with her Go Any Go Tour. 

Anahí has also been spotted spending time with her former RBD bandmates Maite Perroni, Christian Chávez and Christopher Von Uckermann — first in December 2020 when they hosted a virtual reunion called “Ser o Parecer,” and most recently for Perroni’s wedding to longtime boyfriend Andrés Tovar. 

“Déjame Vivir,” which drops at 7 p.m. on Thursday, Oct. 27, will form part of the upcoming Los Dúo 3 set.

Watch a preview below:

Red Hot Chili Peppers Score Second No. 1 of 2022 on Top Album Sales Chart With ‘Return of the Dream Canteen’

Red Hot Chili PeppersReturn of the Dream Canteen debuts atop multiple Billboard album charts (dated Oct. 29). The set, which is the band’s second studio effort of 2022, bows at No. 1 on Top Album Sales, Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Top Current Album Sales, Tastemaker Albums and Vinyl Albums. The set sold 56,000 copies in the U.S. in the week ending Oct. 20, according to Luminate.

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Notably, on the Top Album Sales chart, the Peppers have scored a pair of No. 1s in 2022 (Unlimited Love and Return of the Dream Canteen) – making it the first group with two No. 1 rock albums on the chart in less than 12 months since 2005. That year, System of a Down doubled-up at No. 1 with Mezmerize and Hypnotize. (The Peppers have logged their two 2022 No. 1s six months and two weeks apart; System of a Down notched theirs in 2005 six months and a week apart.)

In total, the Peppers have logged four No. 1s on Top Album Sales: Canteen, Unlimited Love, The Getaway (2016) and Stadium Arcadium (2006).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums rank the week’s most popular rock and alternative albums, rock albums and alternative albums, respectively, by equivalent album units. Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales. Tastemaker Albums ranks the week’s best-selling albums at independent and small chain record stores. Vinyl Albums tallies the top-selling vinyl albums of the week.

Of Return of the Dream Canteen’s 56,000 copies sold, vinyl sales comprise 26,500 – 48% of its first-week. CD sales comprise 21,500 – 38% of its debut frame. The album’s robust vinyl sum was driven by over 10 available variants, including exclusive versions for Target, independent record stores and the Peppers’ webstore.

The album was led by the single “Tippa My Tongue,” which hit No. 1 on both the Rock & Alternative Airplay and Alternative Airplay charts. On the latter, it’s the 15th No. 1 for the group, extending its record for the most No. 1s in the chart’s history.

Stray KidsMAXIDENT falls to No. 2 in its second week on Top Album Sales, with 25,000 sold (down 78%). The 1975 collect its fourth top 10-charting effort on the list with Being Funny in a Foreign Language, as the band’s new studio set bows at No. 3 with 20,000 sold.

Backstreet Boys’ first holiday album, A Very Backstreet Christmas, launches at No. 4 on Top Album Sales with nearly 20,000 sold. It’s the 11th consecutive top 10 for the group – the entirety of their charting releases. It also opens at No. 1 the Top Holiday Albums chart, which ranks the week’s most popular holiday albums by equivalent album units.

Alter Bridge debuts at No. 5 with Pawns & Kings (14,000 sold) – giving the rock act its fourth top 10. NCT 127’s 2 Baddies falls 4-6 with 7,000 (down 40%), Beyoncé’s former leader Renaissance tumbles 2-7 with nearly 7,000 (down 86%) and Harry Styles’ chart-topping Harry’s House rises 13-8 with 6,500 (down 2%).

Rounding out the top 10 is the debut of Lil Baby’s It’s Only Me (No. 9; a little over 6,000) and TWICE’s former No. 1 Between 1&2: 11th Mini Album (11-10, 6,000; down 16%).

In the week ending Oct. 20, there were 1.680 million albums sold in the U.S. (down 11.4% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.32 million (down 13.7%) and digital albums comprised 360,000 (down 1.8%).

There were 644,000 CD albums sold in the week ending Oct. 13 (down 9.9% week-over-week) and 666,000 vinyl albums sold (down 17.1%). Year-to-date CD album sales stand at 27.402 million (down 7.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 30.698 million (up 2%).

Overall year-to-date album sales total 74.832 million (down 7.6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 58.523 million (down 2.8%) and digital album sales total 16.309 million (down 21.6%).

Selena Gomez Tests Positive for COVID-19, Cancels ‘Tonight Show‘ Appearance

Selena Gomez has had to put her upcoming plans on hold. On Wednesday (Oct. 26), the singer and Rare Beauty mogul shared that her scheduled appearance on The Tonight Show Starring Jimmy Fallon has been canceled due to her testing positive for COVID-19.

“I’m not going to be on Fallon tonight. I ended up getting COVID but am resting and feeling ok,” the singer assured fans in a post to her Instagram Story, which featured a photo of her napping in a couch with her two dogs close by. “A friendly reminder COVID is still out there. Get updated on your boosters. I was actually scheduled to get mine this week. Love you all.”

Gomez has been promoting her project Selena Gomez: My Mind & Me. The documentary, which will be released via the streaming platform on Nov. 4, will see the Disney Channel alum exploring her physical and mental health issues, and her attempts to heal over the past six years.

“After years in the limelight, Selena Gomez achieves unimaginable stardom. But just as she reaches a new peak, an unexpected turn pulls her into darkness,” a release describing the documentary reads. “This uniquely raw and intimate documentary spans her six-year journey into a new light.”

Gomez will release “My Mind & Me,” the song featured in the documentary’s official trailer, on Nov. 3 at 8 a.m. ET.

Adele Calls Taylor Swift ‘One of the Greatest Songwriters of Our Generation’

Turns out Adele is a bonafide Swiftie! The superstar offered up her take on Taylor Swift on Tuesday (Oct. 25,) and had nothing but nice things to say.

“I haven’t,” she said when asked if she’d listened to Midnights yet during Happy Hour With Adele, a fan event celebrating the release of her new music video for “I Drink Wine.” “But the only reason is, is ’cause I’ve been in rehearsals for, like, 12 hours a f—in’ day … But I think Taylor’s one of the greatest songwriters of our generation, so I will definitely give it a listen.

“I loved the two in COVID very, very much,” the singer continued, referring to 2020 sister albums Folklore and Evermore. “And I think she’s fun as well, she makes a release fun!”

Thanks to the thoughtful strategy behind the Midnights rollout, Swift’s 10th album has already become the first album to sell more than one million copies in the U.S. in its first week since her 2017 studio set Reputation. Midnights has already posted the largest overall week, by equivalent album units, for any album since Adele’s own 25 back in 2015.

Meanwhile, Adele may very well be headed for a rematch against Beyoncé for album of the year at the upcoming 2023 Grammys after last going head to head back in 2017 with 25 and Lemonade. (At the time, Adele took home the big prize over Queen Bey’s soul-baring visual album, though she gave the fellow music icon a shoutout during her tearful acceptance speech, calling Queen Bey “the artist of [her] life.”)

Watch Adele lavish compliments on Swift below.

Rihanna Returning With New Music on ‘Black Panther: Wakanda Forever’ Soundtrack

Rihanna is officially back. Well, almost. The singer is slated to get back in our ears on Friday (Oct. 28) with the new single “Lift Me Up” from the upcoming Marvel sequel Black Panther: Wakanda Forever. The song, written by Tems, Oscar winner Ludwig Göransson, Rihanna and Panther director Ryan Coogler was recorded in five countries and produced by Göransson according to a release announcing the star’s first solo single since 2016.

Ri’s anticipated return to music was written as a tribute to late Panther star Chadwick Boseman, who died in August 2020 at age 43. The song will be released on the singer’s Westbury Road label in partnership with Roc Nation/Def Jam Recordings/Hollywood Records. A brief preview of the song appeared on RiRi’s Instagram on Wednesday (Oct. 26), with her wordless humming floating above a string section.

“After speaking with Ryan and hearing his direction for the film and the song, I wanted to write something that portrays a warm embrace from all the people that I’ve lost in my life. I tried to imagine what it would feel like if I could sing to them now and express how much I miss them,” said Tems in a statement. “Rihanna has been an inspiration to me so hearing her convey this song is a great honor.”

The rumored slot on the Wakanda soundtrack has been buzzing for weeks, with billboards hinting at RiRi’s involvement in the project via cryptic promotions on electronic billboards in New York, and, this week, a teaser post for the film in which the title resets to spotlight the “R” in “Forever” above Friday’s date.

The “Umbrella” singer hasn’t released an album since Anti dropped six years ago, and logged two weeks at No. 1 on the Billboard 200 chart. She most recently hit the Billboard Hot 100‘s top 10 on her own with “Love on the Brain,” which reached No. 5 in March 2017. She added her most recent Hot 100 top 10 – her 31st – as featured, with Bryson Tiller, on DJ Khaled’s “Wild Thoughts,” which hit No. 2 in July 2017. In her most recent appearance on the chart, she reached No. 23 in April 2020 with “Believe It,” with PARTYNEXTDOOR.

Though she’s teased her next album several times since, no new solo music has emerged since the Anti era, as new mom RiRi has mostly focused on her Fenty Beauty brand. Her long break from live performance is slated to end on Feb. 12, 2023, when she takes the stage for the 2023 Super Bowl Halftime Show.

The sequel to 2018 global smash Black Panther stars Angela Bassett as Queen Ramonda, Letitia Wright as Shuri, Winston Duke as M’Baku and Dania Gurija as Okoye, fighting to protect their nation from interloping powers in the wake of King T’Challa’s [Boseman] death. The film, also starring Martin Freeman, Lupita Nyong’o and Tenoch Huerta Mejia, is due in theaters on Nov. 11.

The Wakanda Forever soundtrack — produced by Coogler, Göransson, Archie Davis and Dave Jordan — will be out on Nov. 4, with Göransson’s score album due out also on Nov. 11.

Check out the “Life Me Up” tease below.

Here’s Why Fans Think Harry Styles Subtly Boycotted Adidas After Kanye West’s Hate Speech

Harry Styles set his Adidas shoes aside Monday (Oct. 24), and many of his fans think he was taking a subtle stand against the footwear brand’s connection to the artist formerly known as Kanye West.

Taking the stage at the Kia Forum in Los Angeles for his Monday night concert, Styles showed up dressed in his normal full body Gucci attire — but with one exception. Rather than sporting his usual Adidas x Gucci Gazelles — which he’s worn for every show of his Love on Tour since June, according to People — the 28-year-old pop star instead rocked a pair of red Vans.

Styles’ fans were quick to notice the change, which came amidst a surge of public demand that Adidas drop its longtime partnership with West, who now goes by Ye, following the rapper’s recent antisemitic comments. At the time of the concert, Adidas had not yet confirmed its decision to do so; however, one day later, the company announced it would be officially parting ways with Ye after years of working together on the “Donda” artist’s blockbuster Yeezy shoe line.

“Adidas does not tolerate antisemitism and any other sort of hate speech,” the Tuesday (Oct. 25) statement read. “Ye’s recent comments and actions have been unacceptable, hateful and dangerous, and they violate the company’s values of diversity and inclusion, mutual respect and fairness.”

Billboard has reached out to Styles’ team for comment.

The “As It Was” singer’s next concert will take place Wednesday night (Oct. 26), also at the Kia Forum, where he’s set up shop for a 15-night residency — meaning fans don’t have long to wait to see if Styles will continue wearing Vans in light of Adidas’ statement. Regardless, many have already taken his subtle Monday night fashion statement as an act of good will.

“Harry is wearing vans. good for him,” tweeted one fan the day after the concert. “I believe it’s because he’s boycotting adidas for continuing to be in partnership with kanye.”

“Thank you @harry_styles and @harry__lambert for going with Vans last night instead of @adidas,” wrote another, tagging both Styles and his stylist, Harry Lambert. “We see your decision, and it means so much to me and all your other Jewish fans, and those who stand with us against antisemitism in all its forms.”

See what fans are saying about Harry Styles’ decision to wear Vans instead of Adidas at his recent concert below:

Lady Gaga Finishes The Chromatica Ball With $112 Million in Stadiums

The typical album cycle in recent years: drop a single, announce a handful of concerts, set a release date, encounter a global pandemic, wait two years for the touring industry to allow your world tour to play. Thirty months after tickets went on sale, Lady Gaga has wrapped The much-bigger-than-originally-planned Chromatica Ball to the tune of $112.4 million and 834,000 tickets, according to figures reported to Billboard Boxscore.

The original incarnation of The Chromatica Ball was a set of two European shows (Paris on July 24, 2020 and London on July 30) and four North American shows (Boston on Aug. 5, Toronto on Aug. 9, Chicago on Aug. 14, and East Rutherford, N.J., on Aug. 19). Delayed once to 2021 and again to 2022, the tour expanded from six shows to 20, playing five markets in Europe (including two shows in London), 11 in North America and a double-header in Tokyo.

Much like Harry Styles and Dua Lipa, being forced to push her shows to 2022 by the pandemic yielded heightened anticipation rather than attention-span malaise. Gaga swept through Germany, Sweden, France, the Netherlands and England, earning $28.3 million from six shows in July. She followed with a North American leg that earned $72.6 million in July and August, plus two shows in Tokyo that generated $11.5 million on Sept. 3-4.

Gaga set a handful of local records along the way, claiming the highest gross in Hershey Park Stadium’s history. Among single-night engagements, she has the all-time top gross at San Francisco’s Oracle Park ($7.4 million), top attendance at Boston’s Fenway Park (38,267), and gross and attendance at Chicago’s Wrigley Field ($6.9 million; 43,019). The only event with a larger gross at L.A.’s Dodger Stadium was 2017’s The Classic West, the two-day classic rock super-festival headlined by the Eagles and Fleetwood Mac.

The Chromatica Ball was Gaga’s first all-stadium run, but it wasn’t her first dip in the pond. As early as The Monster Ball (2009-11), the pop shapeshifter played stadiums in multiple Mexican markets, selling out two nights at Mexico City’s Foro Sol with 111,000 tickets sold.

Gaga’s stadium ambition spread throughout Asia, Europe, South America and Africa on The Born This Way Ball (2012-13) and ArtRave: The Artpop Ball (2014), mixed with arenas on each continent, and exclusively indoor venues in North America. Conversely, The Joanne Ball (2017-18) mixed arenas and stadiums in North America but stuck to arenas for its limited European run.

Despite its 2022 expansion, The Chromatica Ball was relatively brief compared to her previous tours. But moving to stadiums allowed Gaga to maximize her nightly audience, averaging 41,700 tickets per night, up 127% from her previous best of 18,400 on The Born This Way Ball. In nightly revenue, The Chromatica Ball leapt by 190% to a pace of $5.6 million, passing The Joanne Ball’s $1.9 million.

At just 20 shows, The Chromatica Ball became Gaga’s highest grossing tour in a decade, and marked her third $100 million-dollar tour, following The Monster Ball and The Born This Way Ball.

In all, Lady Gaga has a reported career gross of $689.5 million and attendance of 6.3 million.

Aly & AJ Announce New Album and Distribution Deal With SoundCloud

Over one year ago, alt-pop sister duo Aly & AJ released their first album in 14 years — and the pair has been on a steady release streak ever since. 

Now, Billboard can announce that the act’s upcoming single, “With Love From,” will arrive Nov. 2, ushering in a new deal for the duo. The single doubles as the title of a new album, coming in the spring, which will be the first through a new distribution deal with SoundCloud that will also see the company provide Aly & AJ with marketing support.

“We couldn’t be more thrilled to have the support of SoundCloud entering this new album cycle,” Aly & AJ said in a joint statement. “They’ve allowed us to have the creative freedom we need to make our best possible music to date.”

The signing comes at a crucial time for SoundCloud, which cut 20% of its workforce in September. Not long before that, the company had added new features such as “the roster” — which signs artists to more traditional record deals (initial members included Lil Pump and Tekno) — and Repost, a distribution service offered at $30 annually that allows artists to keep up to 80% of the royalties they make from other streaming services. Aly & AJ’s deal fits into neither category, proving artists can still choose their own path when partnering with SoundCloud. 

With Love From follows Aly & AJ’s independently-released 2021 album A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun. Also last year, Aly & AJ scored a top 10 hit on Billboard’s Digital Song Sales chart with the re-released hit “Potential Breakup Song (2020),” which went viral on TikTok years after its initial release.

Following the arrival of A Touch of the Beat, Aly & AJ hit the road performing at festivals including Lollapalooza, Governors Ball and Austin City Limits. They just wrapped an opening gig on Ben Platt’s national tour, including stops at New York’s Madison Square Garden and Los Angeles’ Hollywood Bowl. Next up, a performance at Corona Capital in Mexico City followed by a string of overseas dates in Europe and the U.K.

For now, as fans patiently wait for Nov. 2 to arrive, a snippet of Aly & AJ’s new single can be heard in the teaser for an upcoming collaboration between Rowing Blazers and Seiko watches, with the collection set to drop Friday (Oct. 28) at 11 a.m. ET.

Foot Locker Cuts Ties With Kanye West Following His Antisemitic Comments

Foot Locker will no longer be stocking Yeezy products on its shelves. The shoe retailer announced Tuesday (Oct. 25) that it would be joining companies such as GAP, Adidas and Balenciaga in cutting ties with Kanye West in light of the rapper’s recent antisemitic comments.

A spokesperson for the footwear company told CNN that while Foot Locker will continue its partnership with Adidas — the brand that has produced Ye’s blockbuster Yeezy shoes since 2015 — it will immediately halt all sales of any products the “Donda” artist has been involved in making.

“We will not be supporting any future Yeezy product drops, and we have instructed our retail operators to pull any existing product from our shelves and digital sites,” said the spokesperson, who also noted that Foot Locker would remain “a partner with Adidas and carry a wide assortment of their collections.”

Adidas had announced earlier in the day it would be cutting ties with Ye — a move that resulted in the rapper losing his billionaire status. “Adidas does not tolerate antisemitism and any other sort of hate speech,” the company said statement. “Ye’s recent comments and actions have been unacceptable, hateful and dangerous, and they violate the company’s values of diversity and inclusion, mutual respect and fairness.”

GAP, which had already ended its relationship with the rapper in September, also announced Tuesday it was immediately removing all Yeezy products, and took down YeezyGap.com, one day after he was dropped as a client form Creative Artists Agency. And on Oct. 21, he was turned away by Balenciaga, as announced via a statement given to Women’s Wear Daily by the fashion house’s parent company, Kering.

The collective demise of Ye’s partnerships follows two controversies sparked by the Grammy winner earlier this month. The first came when he premiered shirts featuring the phrase “White Lives Matter” — which the Southern Poverty Law Center explains is a racist response to the Black Lives Matter movement — at his Oct. 3 Paris Fashion Week runway show.

The second came days later, when he first started on a rampage of antisemitic rhetoric by posting on social media that he would be going “death con 3 on JEWISH PEOPLE,” something that led to his Instagram and Twitter accounts being restricted. That didn’t stop him from doubling and tripling down on his hate speech, however. He would go on to appear on Chris Cuomo’s self-titled NewsNation show to heatedly debate his antisemitic views on the music industry, and later compared the Holocaust to abortion in an interview with MIT research scientist Lex Fridman.

Robert Gordy, Who Led Motown’s Publishing Division During Prime Years, Dies at 91

Robert Louis Gordy, Sr., younger brother of Motown Records founder Berry Gordy and chief executive for many years of the company’s successful music publishing division, died Oct. 21 at age 91. He passed away from natural causes, according to his family, at his home in Marina del Rey, Calif.

The youngest of eight siblings, Gordy enjoyed a little-noticed music career as a recording engineer and songwriter before taking command of Motown’s Jobete Music in 1965.

“His ability to succeed at whatever he attempted or that I threw his way amazed me over the years,” said Berry Gordy in a statement, noting that he was “deeply saddened” by his brother’s death. “He was absolutely the best lil’ brother anyone could ever hope for.” Gordy added, “I will miss his love, his support, and his loyalty.”

Born July 15, 1931 in Detroit, Robert Gordy followed his elder brother into boxing, then moved into music circles such as the city’s Flame Show Bar. Sister Gwen held the popular club’s photo concession, where he operated the darkroom. In his autobiography, Berry Gordy recalled visiting the Flame with Robert to see Billie Holiday perform; 20 years later, the younger Gordy played a character in Lady Sings The Blues, Motown’s production of the Holiday biopic.

In 1958, Gordy co-wrote and recorded “Everyone Was There” under the name of Bob Kayli. Leased to Carlton Records, the lightweight pop song referencing recent hits such as “Peggy Sue” and “Yakety Yak” became a minor chart success.

After his brother started Motown Records, Gordy left a post office job to join the venture, initially working for in-house engineer Mike McLean. “At that time, he was building the first eight-track machine in the east,” Gordy later explained. “I put together the electronics, learned how to read the schematics, helped with the writing and so on.”

He went on to become the company’s first stereo engineer, before working for the Quality Control department.

Reflecting its founder’s songwriting roots, Motown operated its own music publishing arm from the start. When Jobete manager, Loucye Wakefield, died prematurely in 1965, Robert Gordy sought the job. “When Loucye died, in fact, Berry first rejected my offer to go into Jobete,” he recalled in 1980. “‘What do you know?’ was his reaction, but I said, ‘Believe me, I’ll learn.’ ”

Motown’s explosive success from 1964 onwards with the Supremes and other acts made Jobete a substantial revenue source, capitalizing on the talents of writers Smokey Robinson, Holland/Dozier/Holland, Norman Whitfield and Barrett Strong, among others. Jobete opened its own professional department in 1966, securing covers and expanding the catalogue’s reach. Among its most popular titles to this day: “My Girl,” “Dancing In The Street,” “I Heard It Through The Grapevine,” “The Tears Of A Clown,” “You Are The Sunshine Of My Life,” “What’s Going On” and “For Once In My Life.” Earnings continued to grow as stars such as Stevie Wonder and Marvin Gaye evolved into self-sufficient, influential songwriters.

By 1971, with Robert Gordy promoted to vice president/general manager, the division had 5,000 copyrights under its roof and 100 writers under contract. He joined the board of the National Music Publishers’ Association, and actively participated in industry seminars and conferences. He retired from the post in 1985.

“One of the main values of our catalog,” Gordy once said, “is that it has stood the test of time.” When Britain’s EMI Group acquired half of Jobete in 1997, the sale price of $132 million proved that to be true (EMI bought the balance seven years later for $187 million).

In his 1994 memoir, To Be Loved, Berry Gordy wrote, “So Robert, I’d like to thank you for moving Jobete from a holding company for our copyrights into a highly profitable, competitive international publishing company, keeping us No. 1 for many years. And also for being my little brother.”