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BIME 2022 Highlights: From Rosalía’s Back to Basics to De La Ghetto’s Business Advice

From deconstructing Rosalía’s success to announcing a novel partnership between See Tickets and Spain’s powerful media conglomerate Grupo Prisa, networking, technology and live events were at the forefront of the tenth annual edition of BIME, the international music industry gathering that took place in Bilbao, Spain, Oct.26-29.

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Created by entertainment company Last Tour, best known for its live events, BIME remains focused on bridging the Latin American and European markets, with a focus on live events.

This year’s anniversary event highlighted a recovered, post-COVID scene, with some 2,500 in-person attendees for both the “Pro” side of the event (made up of panels, speed dating and networking) and over 60 live shows through out Bilbao. Here are some stand out moments:

1. Rebeca León on her gut instinct and Rosalía’s au natural posts:  “The pendulum has swung to the less pretentious,” said super manager León when asked about Rosalía’s frequent clean-faced, home-made posts. “It’s more about hand-held videos as opposed to showing things like a private plane.” And while León’s instinct may have served her well when she signed a still-unknown Rosalía several years ago, León admits she sometimes has to quiet her gut to take stock of opportunity. “Even when my intuition says run, run, run, I stop and listen. It’s important to consider all offers.”

2. De La Ghetto gets pragmatic: The Puerto Rican reggaetonero with multi-genre sensibility displayed sophisticated business savvy and was generous in his advice to up and coming artists. He is involved “in every single aspect of my business,” he said bluntly. In his early days, he recounted, he was relentless in giving away his music–CDs were still around—so fans would get to know him. Now, he uses social media relentlessly for the same objective. “Believe in yourself,” he said. “No one thought someone who looks like me, and who sang with an R&B sensibility would do well.” More important, he stressed, never sign anything that your lawyer doesn’t look at. “I have my lawyer, my manager has his lawyer,” he said. “Having a lawyer is the best investment.”

3. Ady Harley and Nerea Igualador on digital marketing strategies: Harley, Meta’s head of music label partnerships for Latam and U.S. Latin, and Igualador, VP of digital business for Sony Music Entertainment, provided a roadmap for effective social media marketing and promotion. “Today, you can create a marketing plan on social media that leads to consumption,” said Harley.

It starts with generation an audience, says Igualador, and that requires three steps: “Discovery; I need my audience to discover me. It’s one of the biggest challenges. There are 60,000 songs released per day, and you have to define their place and audience.” The second step, she says, is taking that audience to consume the music. “All our actions have consumption as a final objective.” And finally, there’s engagement. “Once my audience discovers me, how do I keep them engaged.”

4. James Cruz gets emotional: In a conversation with BBC London’s Beatriz de La Pava, the rap and hip-hop producer lamented the loss of community in rap music. “I come from hip-hop where we really tried to help each other,” he said. “I don’t see a unified front anymore.” Cruz also recalled growing up Latin at a time when being Latin was far from appreciated. “When I see the growth of Latin music, I get tears in my eyes. It’s incredible. We had to take the jobs no one wanted to do […] We had to create our on status and our own algorithm.”

5. See Tickets and Grupo Prisa Announce partnership: The global ticketing platform, which operates in 10 countries, and the Spanish media conglomerate announce an exclusive alliance. Not only will See Tickets sell Prisa’s many festivals and concerts, it will also receive promotion and placement on Prisa’s multiple media platforms, including leading Spanish daily El País, leading radio network 40 Principales and its social media.

6. Billboard announces the launch of Billboard Español: Billboard officially launched Billboardespañol Sept. 15. A little after the one month mark, visits to the all-Spanish site are growing 24% week by week. The site was officially presented to the Spanish industry during BIME.

Frankie Jonas and Girlfriend Crush Halloween By Recreating Brother Joe Jonas’ Taylor Swift-Era Vibe

It’s early, but Frankie Jonas is definitely in the running for funniest, most self-referential Halloween costume. The youngest Jonas brother, 22, for sure won the weekend by cooking up a perfect sibling troll when he and girlfriend Anna Olson dressed up as elder brother Joe Jonas and his ex, Taylor Swift.

One picture was worth a million laughs over the weekend when Frankie posted a pic of the pair recreating a scene from the former couple performing the Swift song “Should Have Said No” from the 2008 concert movie Jonas Brothers: The 3D Concert Experience.

In the first frame Frankie, wearing black pants and a black t-shirt and clutching a microphone, faced off against Anna/Taylor, rocking one of Swift’s signature shimmery stage dresses. The second frame came from the Concert Experience movie, proving how dead-on Frankie and Anna’s looks were. The trolling dug even deeper as you clicked through, with the third slide taking a swipe at the infamous JoBros “purity rings” with a pair of hands with intricate bling and the message, “Matching Purity rings XOXO.”

In the final bit, Frankie did is best Joe impression, showing off some mic technique as Anna gushed off camera, “Joe , Joe Jonas is that you, is that you? Joe, oh my God! Joe Jonas!” Swift and Joe Jonas briefly dated from summer to fall 2008 before breaking up in what Taylor described as a 27-second phone call.

Frankie and Anna continued the fun on TikTok, where they posted another video spiked with video game battle noises and the message, “Fighting off the horny celibate teens as joe and taylor from the 3d movie.”

Check out the Jonas-as-Jonas action below.

Rihanna Challenges Taylor Swift For U.K. Singles Chart Crown

Rihanna ended her years-long music drought last week with the release of “Lift Me Up.” When the next U.K. chart is published, the pop superstar could be rewarded with a crown.

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The Barbadian singer is flying with “Lift Me Up,” which will appear in the upcoming Marvel film, Black Panther: Wakanda Forever.

Based on sales and streaming data from the first 48 hours in the chart cycle, “Life Me Up” is the No. 2-ranked song. The leader in the early stages is Taylor Swift’s “Anti-Hero,” which bowed at No. 1 last Friday (Oct. 28) for TayTay’s second U.K. chart leader.

According to the Official Charts Company, the race to No. 1 is “incredibly close,” with former leader “Unholy,” by Sam Smith and Kim Petras, at No. 3 on the First Look survey.

Heading into the second half of the week, less than 300 chart sales separate the top three.

If “Lift Me Up” does indeed lift to the top it would be Rihanna’s 10th U.K. No. 1, and first since 2017’s “Wild Thoughts,” with DJ Khaled and Bryson Tiller. It will, almost certainly, give RiRi her 31st U.K. top 10 appearance.

Elsewhere on the chart blast, several tracks eye new peaks inside the U.K. top 10 — Oliver Tree and Robin Schulz’s “Miss You,” and Stormzy’s “Hide & Seek” (No. 6), while Venbee & Goddard are chasing a first appearance in the top flight with “Messy In Heaven” (No. 10).

SZA’s own comeback track, “Shirt,” could wear a top 20 debut. It’s on target for a No. 15 start.

Finally, Meghan Trainor “Made You Look” is the biggest gainer on the chart blast, the OCC reports, up 28-18.

All will be revealed when the Official U.K. Singles Chart is published this Friday.

Taylor Swift Snags Career-Best U.K. Haul as ‘Midnights’ Powers to No. 1

It’s a Taylor Swift takeover on the U.K. charts, as Midnights (via EMI) clocks up exceptional first-week numbers for her 10th No. 1.

Midnights and Arctic Monkeys The Car (Domino Recordings) fought an epic battle which, at the midnight point, saw both LPs surge past 100,000 chart sales.

There could be only one winner. Midnights made it a win for the ages and a personal best for TayTay.

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According to data published by the Official Charts Company, Midnights notches 204,000 U.K. chart sales, a volume that’s more than double her previous personal best of 90,300, for 2014’s 1989.

The first week tally for Midnights easily beats the previous best for 2022, Harry Styles’ Harry’s House, which accumulated 113,000 chart sales, and it’s the best first-week result for any title since Adele’s 30 raked-up 261,000 chart sales in November 2021.

Midnights was a streaming juggernaut too, racking up 72.5 million streams in its first seven days. That too is a year-best, overhauling the 53.9 million U.K. week-one streams for Harry’s House.

Swift now moves up the all-time leaderboard. With nine consecutive U.K. No. 1 albums, she overtakes Madonna to set a new chart record, by doing so in faster succession than any female artist, the OCC reports.

It took Swift just 10 years to achieve the feat, the time between her first leader with Red, in October 2012, and now Midnights, whereas Madonna took 21 years to reach double digits. The boss in that particular frame is the Beatles, with, nine chart leaders in just 5 years and 7 months, the time between the release of their debut album Please Please Me in May 1963 and The White Album in December 1968.

Also, Swift overtakes Kylie Minogue for outright second place in the list of female artists with the most U.K. No. 1 albums. Madonna leads that ranking, with 12. And Taylor extends her lead as the female solo artist with the highest tally of No. 1 albums this century.

With Midnights and “Anti-Hero” debuting at No. 1 on the respective charts, Swift becomes the first female artist to complete the chart double in nine years (Miley Cyrus was the last to do it, in August 2013).

Arctic Monkeys’ streak of six U.K. No. 1s comes to a screeching halt, thanks to Midnights. The Sheffield, England rockers’ latest album The Car revs up for 100,000-plus first week combined sales, an effort that would easily land the chart crown on most weeks.

Coming in at No. 3 on the fresh chart, published Oct. 28, is South London rapper Loyle Carner with Hugo (EMI), new at No. 3 for an equal career high.

Scottish ‘80s new wave legends Simple Minds start at No. 4 with Direction of the Heart (BMG), their 12th top 10 appearance; Kylie’s Impossible Princess (BMG) enjoys a return to the chart and a new peak position following its 25th anniversary reissue. Impossible Princess pushes to No. 5, surpassing its peak position of No. 10 in 1998.

Finally, alternative-rock outfit Dry Cleaning start at No. 11 with their sophomore album Stumpwork (4AD), while Norwegian ‘80s pop trio a-ha earn a No. 12 debut with True North (Music For Nations).

Taylor Swift’s ‘Anti-Hero’ Debuts at No. 1 In U.K.

It’s Taylor Swift time on the U.K. charts, as the pop superstar bags a rare chart double.

Following the release of her album Midnights (via EMI), Swift cleans up on the Official U.K. Singles Chart, bagging the No. 1 with “Anti-Hero,” and respectively taking out positions 3 and 4 with “Lavender Haze” and “Snow On The Beach,” featuring Lana Del Rey.

“Anti-Hero,” which Swift has said described as “one of my favorite songs I’ve ever written,” is also a favorite among Brits, as it becomes just her second U.K. chart-leader following 2017’s “Look What You Made Me Do.”

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With Midnights also rocketing to No. 1, Swift becomes the first female artist in nine years to simultaneously debut atop the Official Albums and Singles Charts, according to the Official Charts Company. Miley Cyrus was the last to do it, when Bangerz and “Wrecking Ball” both arrived at No. 1 on the Official Charts back in August 2013.

The single that stops a Swift trifecta on the latest chart, published Oct. 28, is Sam Smith and Kim Petras’ “Unholy” (EMI), down 1-2, while David Guetta and Bebe Rexha’s former chart-topper “I’m Good (Blue)” dips 2-5.

Meanwhile, the only non-Midnights track to enjoy a top 10 gain is Oliver Tree and Robin Schultz’s viral EDM release “Miss You” (Atlantic), up 9- 8, while Southstar’s version of the song slips 23-27 via B1/Ministry of Sound.

Following the release of their seventh studio album, The Car (via Domino Recordings), Arctic Monkeys park two tracks in the top tier, with “Body Paint” accelerating 60-22, while “I Ain’t Quite Where I Think I Am” enters one place below at No. 23, for the Sheffield, England alternative rock band’s 18th U.K. top 40 appearance.

Finally, U.S. singer Meghan Trainor lands her first U.K. top 40 single in four years with “Made You Look” (Epic), new at No. 28; Australian singer and songwriter Dean Lewis climbs with the teary “How Do I Say Goodbye” (Universal Music Australia), up 35-31; and Joel Corry and Tom Grennan debut with “Lionheart (Fearless)” (via Atlantic), new at No. 37.

Loretta Lynn’s Life Celebrated by George Strait, Brandi Carlile, Tanya Tucker and More

As has been often quoted since her death Oct. 4 at the age of 90, Loretta Lynn said that to make it, “You have to be different, great or first. I think I was just a little different.” 

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Time and time again during Coal Miner’s Daughter: A Celebration of the Life and Music of Loretta Lynn, which took play tonight (Oct. 30) from Nashville’s Grand Ole Opry and aired live on CMT, viewers were reminded that Lynn sold herself short: she was all three. 

Wynonna, The Gaither Trio and Larry Strickland opened the service with an elegiac “How Great Thou Art” and Alan Jackson sang “Where Her Heart Has Always Been,” a moving tribute originally written about his own mother’s death, but otherwise, the performers sang songs made famous by Lynn. The selections repeatedly showcased what a trailblazer she was in taking topics that were heretofore whispered about behind closed doors and turning them into country chart-toppers that rang out from radio stations across the land in the ‘60s and ‘70s.  

As a very emotional Faith Hill said, “she didn’t just push boundaries, she shredded them.” Via video, Taylor Swift, whose ability to write songs with great universal appeal drawn from the most personal details of her own life takes a page from Lynn, praised Lynn for “saying things that might make people uncomfortable” with her brutal honesty. Also, via video, Kacey Musgraves laughed about being a 9-year old performing such feisty, grown-up tunes as “Fist City” and “You Ain’t Woman Enough.”  (A number of other artists, including Dolly Parton and Reba McEntire also weighed in via video.)

In a bit of gender bending that worked very well (and showed the strength of her songs), Darius Rucker delivered a strident “Fist City” and George Strait drew a rave reaction for his take on Lynn’s first No. 1, “Don’t Come Home a Drinkin’ (With Lovin’ On Your Mind).”

Margo Price performed a spirited rendition of Lynn’s controversial 1975 liberation anthem, “The Pill,” after host Today’s Jenna Bush Hager noted the song had been banned by dozens of radio stations and Lynn supposedly threatened to quit the Grand Ole Opry if the august body didn’t let her sing it on stage. 

Though Lynn was country through and through, she was “so much bigger than any genre,” noted Sheryl Crow, who recorded with Lynn. No more was that more evident than in 2004, when Lynn released Van Lear Rose, produced by the White Stripes’ Jack White. As Price recounted, Lynn and White endearingly met after the White Stripes dedicated their 2001 album White Blood Cells to the legend and she invited White and former bandmate Meg White over for chicken and biscuits, which led to Jack White and Lynn working together. She also introduced a video, recorded during the making of Van Lear Rose, of Lynn singing “Whispering Sea,” a song she said she wrote while “up in a tree fishing.” As White encouraged her to sing it in the small room, Lynn, still in top vocal form, simply said, “if I sang out, you couldn’t stand it in here.” Following the video, White played a spirited version of the Grammy-winning album’s title track. 

The service’s emotional highpoint came toward the end when Lynn’s granddaughter, Emmy Russell (noting this was the first time she has performed on stage without Lynn here “to look at me with her proud eyes”) and Willie Nelson’s son, Lukas Nelson, sang “Lay Me Down,” a gorgeous song about death and rebirth that Lynn and Nelson recorded in 2016—the only duet by the two icons. 

The daunting task of taking on Lynn’s anthem, “Coal Miner’s Daughter,” fell to The Highwomen—Amanda Shires, Natalie Hemby, Brandi Carlile and Brittney Spencer (filling in for Maren Morris)—who delivered a resonant version to close the service. 

For as much focus was on the music, almost as much attention was devoted to Lynn as a true friend to fellow artists, especially the women who followed in her wake. Martina McBride, whom Lynn inducted into the Grand Ole Opry in 1995, told of the tremendous support Lynn had shown her and how she ended each phone conversation with “I love you, honey. Come see me anytime.”  Now, McBride said, the responsibility is on today’s country female artists to carry on Lynn’s generous tradition. “She made us feel like she was in our corner,” she said. “Part of her legacy is for us to mentor and to make sure we have each other’s backs. And for those coming up the ladder, make sure we’re available and can say, ‘I love you honey. Come see me anytime.’”

The celebration, produced by CMT and Sandbox Productions in partnership with the late legend’s family, will re-air on CMT on Nov. 2 at 8 p.m. ET and Nov. 6 at 11 a.m. ET.  The special will also be made available on Paramount+ in early 2023.

Set list Coal Miner’s Daughter: A Celebration of the Life and Music of Loretta Lynn

Keith Urban, “You’re Lookin’ At Country”

Tanya Tucker, “Blue Kentucky Girl”

Darius Rucker, “Fist City”

Alan Jackson, “Where Her Heart Has Always Been”

George Strait, “Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind”

Jack White, “Van Lear Rose”

Little Big Town, “Let Her Fly”

Emmy Russell and Lukas Nelson, “Lay Me Down”

Margo Price, “The Pill”

Brandi Carlile, “She’s Got You”

The Highwomen, “Coal Miner’s Daughter”

Lee Jihan, K-Pop Singer & Actor, Dies at 24 in Seoul Crowd Crush

Singer-actor Lee Jihan was among those who died in the Itaewon crowd crush tragedy in Seoul, South Korea. Two agencies representing the star, 935 Entertainment and 9Ato Entertainment, confirmed the news on Sunday (Oct. 30). He was 24.

Born on Aug. 3, 1998, Lee Jihan had made his first big move in the Korean entertainment industry by competing in the second season of the Korean singing competition Produce 101, where 101 K-pop hopefuls looked to land a spot in an 11-member boy band.

Stampede on Oct. 30 in Seoul, South Korea.

K-Pop Events, New Music Releases Canceled & Postponed in Light of Seoul Halloween Stampede

Representing as a K-pop trainee from Pan Entertainment at the time, Lee originally auditioned on the show with a cover of EXO‘s “Overdose,” delivered a well-received group performance of INFINITE‘s “Be Mine” with castmates, and was ultimately eliminated in the fifth episode. The show produced Wanna One (who scored five entries on the World Albums chart during their one year together) and other breakout stars.

Former Produce 101 contestants Park Heeseok and Kim Dohyun expressed their condolences and shared funeral information for their former castmate via Instagram Stories.

Post-Produce, Lee moved into acting. In 2019, he starred in the Korean drama Today Was Another Namhyun Day. 935 Entertainment and 9Ato Entertainment agencies both represent a handful of different actors in South Korea.

Lee Jihan is one of at least 153 dead in Seoul’s crowd crush incident over the weekend. The Korean government has announced a period of national mourning that will last until Nov. 5. Several K-pop music releases and events have been canceled or postponed in light of the tragedy. Artists like PSY, ENHYPEN and more have expressed condolences.

Luke Bryan Defends Welcoming ‘Polarizing Figure’ Ron DeSantis to the Stage at Florida Concert

Luke Bryan responded to a wave of criticism he’s received for warmly welcoming Florida Gov. Ron DeSantis to his stage Friday night (Oct. 28).

The country star and American Idol judge brought out DeSantis in front of a Jacksonville, Fla., crowd, on a stop on his Raised Up Right Tour. In footage from the concert, DeSantis is seen tossing swag out to audience members and giving a high five to Bryan, who pats him on the back.

“We’re gonna have some fun and we’re gonna raise some money tonight for the great state of Florida,” Bryan announced at the show.

DeSantis shared a pair of photos on Twitter of the two appearing to have a good time on stage together. He wrote, “Thanks for letting me crash the party last night, @lukebryan!”

Bryan released a statement on Sunday defending his decision to have DeSantis join him at the show. He noted that “this felt right” as part of an effort to help raise awareness and money for people impacted by Hurricane Ian in Florida. The singer had postponed a set of Florida tour dates in September due to the hurricane.

“I typically don’t respond to stuff when I’m getting run down on a social platform but here’s the deal. I understand Governor Desantis is a very polarizing figure,” Bryan wrote on social media Sunday afternoon (Oct. 30). “But I grew up in a country where if a governor ask you if they can come and raise awareness to help victims of a natural disaster you help.”

“I’ve generally stayed out of politics throughout my career,” said Bryan. “I knew people would chatter about this but for me the more important piece was if I am going to come back there a few weeks after a large portion of people have been affected by a natural disaster in a state where people have been good to me this felt right. Raise awareness, have a little fun between the GA and FL college fans before the game and do what I love on stage.”

He closed the note by writing, “This is all I am saying about this. I’ll be outdoors with my boys. Enjoy your Sunday.”

“Your greeting of DeSantis on stage certainly appeared to be more than wanting to help Hurricane victims. It looked like a full endorsement of DeSantis – DeSantis is worse than polarizing,” one person commented on Bryan’s post. It was one of the top comments of more than 13,000, a significant uptick from the usual amount of comments seen on the singer’s tweets.

“So, it’s impossible to support victims of a hurricane while also supporting the LGBTQ community?” another asked. DeSantis was behind Florida’s “Don’t Say Gay” law, which prohibits instruction in Florida schools on sexual orientation or gender identity from kindergarten through grade three, or in any grade “in a manner that is not age-appropriate or developmentally appropriate for students in accordance with state standards.”

“You can raise awareness (and money) with your own name,” noted another Twitter user. “Having Desantis on stage with you have the impression (true or not) that you supported him. In this day and age, we all have to be willing to speak out against lies, hate and injustice.”

Below, see a video clip of the moment Bryan welcomed DeSantis to the stage, followed by Bryan’s statement.

Cardi B Wants a Third Kid: ‘I Can’t Wait’

Cardi B and Offset have two kids together, and Cardi seems to be planning for a third.

Already a mom to 4-year-old Kulture and 1-year-old Wave, she mused over adding another baby to the family on Twitter Sunday (Oct. 30).

Cardi shared three new photos of baby Wave with fans this weekend, gushing, “My son so fire.”

“I can’t wait to get business finish and have my third,” the rapper revealed in her tweet.

Fans left supportive messages in the comments, though some suggested that they’d really love to hear a new album before the Invasion of Privacy hitmaker focuses on expanding her family. “Nah sis, we need that album first!” one wrote.

The hip-hop power couple, who got married in 2017 and had a few bumps in the road over the years, welcomed Kulture on July 10, 2018 and Wave on Sept. 4, 2021. Cardi and Offset shared sweet family snapshots to celebrate Wave’s first birthday in September. “I LOVE YOU BIG MAN!!” Offset captioned a gallery on Instagram, which featured a heartwarming video of himself cradling Wave as a newborn.

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Offset also has three more children — Jordan, Kody and Kalea — from previous relationships.

See Cardi B’s cute tweet below.

Jack Harlow as ‘SNL’ Host: Watch His Monologue & All His Sketches

Jack Harlow pulled double duty as host and musical guest of SNL and was part of an episode with some of the most memorable sketches of this season of Saturday Night Live, so far.

As host of Oct. 29’s Saturday Night Live, he set the scene for the night ahead with a laid-back monologue that showed he has no problem playing around and making fun of himself.

Bringing up some of the top jokes about himself he’s seen on the internet, Harlow said, “One guy said, ‘I don’t know why y’all think Jack Harlow is so special. You can find somebody who looks like him at any local gas station.”

“I’ve heard them say I look like ‘If you tried to draw Justin Timberlake from memory,’” he recalled.

The rapper added, “I think my favorite one might be ‘Jack Harlow looks like the guy who rips the tickets in half at the movie theater.’”

“I’ve also heard people try to romantically link me and Lil Nas X as an item,” said Harlow. “I’m gonna tell you right now, no. Everything that happened between us was casual. And consensual. And one of the best nights of my entire life … working with him, working with him.”

A couple of the best sketches of the night starred Harlow, including a hilarious AA meeting that somehow turned into a pitch for a Pixar film and featured a surprise cameo from Tom Hanks. Hanks returned for a reprise of his classic David S. Pumpkins character, with Harlow along for the ride.

Another SNL sketch led by Harlow imagined him joining the ladies of The View, and wooing Ego Nwodim’s Whoopi. “Don’t compliment me all quiet like that, Jack,” she said. “I have been closed for business since before you were born.” Harlow shot back, “Well, I’m looking forward to the grand reopening.”

Harlow also appeared as a giant tampon, a Kentucky groom with a Joker of a best man, and a tableside flair bartender with some not-so-smooth synchronized moves (with Bowen Yang). In a cut-for-time, pre-taped sketch, he was the star of a JNCO jeans ad with a twist.

He also brought Come Home the Kids Miss You vibes to SNL, with a medley of “Lil Secret” and “First Class,” plus a separate performance of “State Fair.” See both of those performances here after you watch his monologue and sketches below.

Jack Harlow Monologue – SNL

AA Meeting – SNL

The View: Jack Harlow – SNL

David Pumpkins Returns – SNL

Halloween Red Carpet Show – SNL

Joker Wedding – SNL

Bartenders – SNL

JNCO Longs – SNL (Cut for Time)