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Olivia Rodrigo Transforms Into Betty Boop for Halloween
Olivia Rodrigo went vintage for Halloween this year, opting to dress up as the iconic animated cartoon character, Betty Boop.
Stylists Chloe and Chenelle Delgadillo took to Instagram on Monday (Oct. 31) to share the “Good 4 U” singer’s fresh take on the classic costume. In the snap, Rodrigo is seen wearing a red mini dress with a red bow across the chest, complete with a red garter and black boots. Rodrigo’s hair and makeup, done by Clayton Hawkins and Lilly Keys, respectively, features a chic wavy black bob and long lashes, topped off with a sleek red lip, just like Betty Boop herself.
It’s been a big year in style and beauty for Rodrigo, who recently teamed up with Glossier to release her own gift set of her favorite products from the popular makeup brand. In April, she was announced as the company’s first celebrity ambassador.
Rodrigo is working with Glossier on product development, social content and ad campaigns, according to Adage. Glossier is also working with Rodrigo on upcoming new products. “It’s our first-ever celebrity partnership,” Glossier CEO Emily Weiss said in an interview at the time. “Olivia really inspired us to push that forward. It’s a pretty natural extension.”
Dan + Shay’s Shay Mooney Says He’s ‘Literally Never Felt Better’ After 50-Pound Weight Loss

Dan + Shay‘s Shay Mooney recently revealed he’s lost nearly 50 pounds, thanks to a focus on exercise and healthy eating habits.
He said via Instagram Stories (as reported by People), “Thank you guys so much for all your kind words about me lookin’ healthy. Really means a lot. Been a little over 5 months I believe and I’m down almost 50 lbs.”
He said that clean eating, avoiding alcohol and walking nearly 7 miles per day, along with some weight training, contributed to his weight loss.
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“I completely changed my lifestyle and I’ve literally never felt better physically, mentally and spiritually,” Mooney said via his Instagram Stories.
Fellow country artists including Morgan Wallen, Tyler Rich and Chris Lane shared their congratulations with the Dan + Shay singer. Lane simply left a fire emoji in the comments section, while Rich commented, “looking lean brother!” Meanwhile, Wallen wrote, “man done got skinny on em!!!”
Last year, Dan + Shay released their album Good Things and served as mentors on The Voice. Additionally, they earned a Grammy Award for best country duo/group performance for “10,000 Hours,” their collaboration with Justin Bieber.
To date, Dan + Shay have earned eight No. 1 hits on Billboard‘s Country Airplay chart and 16 total entries on the chart, including the four-week Country Airplay No. 1 “Speechless” and the two-week No. 1 hits “Tequila” and “10,000 Hours.” They have also picked up three consecutive best country duo/group performance Grammy wins, for “10,000 Hours,” “Speechless” and “Tequila.” In August 2021, they recorded a collaboration with Carrie Underwood on the song “Only Us” from the film Dear Evan Hansen.
What’s Your Favorite Taylor Swift Hot 100 No. 1? Vote!
For the first time in Billboard Hot 100 song chart’s 64-plus-year history, all spots in the chart’s top 10 belong to just one lead artist: Taylor Swift, thanks to the release of her 10th studio album, Midnights.
The top 10 is led by this week’s No. 1 Hot 100 hit, “Anti-Hero,” but its hardly the first time Swift has had a chart topper on the all-genre songs tally. Starting back with her Red hit, “We Are Never Getting Back Together,” the superstar has nine total No. 1s, with “Anti-Hero” and “All Too Well (Taylor’s Version)” hitting the summit most recently.
We want to know which of Swift’s Hot 100 No. 1s is your favorite. Let us know by voting below.
Taylor Swift Is ‘IN SHAMBLES’ Over ‘Midnights’ Dominating the Hot 100 Top 10

She laid the groundwork and then, just like clockwork, the dominoes cascaded in a line. Taylor Swift took to social media on Monday (Oct. 31) to react to her record-setting domination of this week’s top 10 on the Billboard Hot 100.
“10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES,” the superstar tweeted along with the Billboard story breaking the historic news of her being the first artist to ever occupy every single spot in the top 10.
While Midnights‘ first single “Anti-Hero” rocketed to the top of the chart as Tay’s ninth career No. 1, the rest of the top 10 also contains, in order, “Lavender Haze,” “Maroon,” the Lana Del Rey-assisted “Snow on the Beach,” “Midnight Rain,” “Bejeweled,” “Question…?,” “You’re On Your Own, Kid,” “Karma” and “Vigilante Shit.”
But that’s not all: A bit further down the all-genre tally, Swift, in fact, charted all 20 tracks on Midnights (3am Edition) on the Hot 100, including standard album closer “Mastermind,” “Labyrinth” and “Sweet Nothing” at Nos. 13, 14 and 15.
Of the seven bonus tracks, fan-favorite highlight “Would’ve, Could’ve, Should’ve” landed highest at No. 20. The other six placements included “Bigger Than the Whole Sky” at No. 21, “The Great War” at No. 26, “Paris” at No. 32, “High Infidelity” at No. 33, “Glitch” at No. 41 and closing ballad “Dear Reader” rounding out the set at No. 45.
Midnights set plenty of other high-water marks for the icon’s already illustrious career, including being the first album to cross the million mark in its first week since her own reputation in 2017 and delivering the biggest first-week sales of any album in the seven years since Adele’s 25 was released in 2015.
Check out Taylor’s emotional reaction to making Billboard history below.
10 Cool New Pop Songs to Get You Through The Week: Lauren Jauregui, Mariah the Scientist, Gus Dapperton & More
It may be the apex of spooky szn, but at the same time, it’s the start of another work week. Looking for some motivation to help power you through it? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Mariah the Scientist, Chappell Roan, Gus Dapperton, Lauren Jauregui, Mae Muller and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Sherwyn feat. PawPaw Rod, “The Season”
Mac Miller and Duckwrth producer Sherwyn glides easily into the spotlight on seven-song project Maker’s Design, which boasts kaleidoscopic indie rock (“Fake Frenz”), off-kilter soul (“Goddess Reign” feat. Amber Mark) and playful, nonchalant funk on tracks like “The Season” featuring fellow genre-flaunting talent PawPaw Rod. – Joe Lynch
Mariah the Scientist, “Bout Mine”
Given that the art for Mariah the Scientist’s latest single shows the words “Bout Mine” written in blood, you might expect some seasonally appropriate Halloween fare here (Mariah the MAD Scientist, perhaps?). But the bleeding in “Bout Mine” is a slow drip, as Mariah’s yearning vocals pine to “make this right” and get “you back” over languid, lonely synths. – J. Lynch
Lauren Jauregui, “Always Love”
As she continues to locate her solo niche, Lauren Jauregui has found success in material that showcases her powerful yet nuanced voice and fiercely compassionate lyricism. “Always Love,” a post-breakup ballad, exists in that sweet spot — simple yet heartfelt, encouraging both free-flowing tears and cathartic sing-alongs. – Jason Lipshutz
Rachel Chinouriri, “I’m Not Perfect (But I’m Trying)”
While London-based pop artist Rachel Chinouriri is responsible for one of the most delightful pop singles of 2022 in “All I Ever Asked,” new single “I’m Not Perfect (But I’m Trying)” demonstrates how much ground she can cover: driving and more dynamic compared to its lighter-than-air predecessor, the track seeks understanding in constant movement and strengthens the singer-songwriter’s catalog. – J. Lipshutz
Mae Muller, “I Just Came To Dance”
Is Mae Muller’s “I Just Came To Dance” the coolest music video ever set at a golf course? As the British pop star cuts it up in an august country club, the beat whips around and recalls some of the more swagger-filled bubblegum of the early 2000s. Muller, proving she can turn any setting into a party, wins another round. – J. Lipshutz
Isabel LaRosa, “I’m Yours”
On “I’m Yours,” Isabel LaRosa leans into the wooziness, allowing her vocals to sway back and forth between the more urgent verses and the surrendered vibe of the chorus. The result is moody yet beguiling, as the 18-year-old hoists up a sound that can be segmented into viral clips as well as sprawled out and repeated on a lonely drive. – J. Lipshutz
Chappell Roan, “Casual”
Yes, Chappell Roan’s new single “Casual” is produced by Dan Nigro, who helmed Olivia Rodrigo’s blockbuster debut LP Sour last year… but even if Nigro helps “Casual” find a slender indie-pop groove, the song is a stunner because of Roan, a Missouri native who imbues every line with the exhaustion of an unserious relationship. “Casual” sounds a lot like a singer-songwriter setting forth on a path to stardom. – J. Lipshutz
The Go! Team feat. The Star Feminine Band, “Look Away, Look Away”
A collaboration with Benin group The Star Feminine Band, “Look Away, Look Away” finds The Go! Team offering the type of all-smiles workout that made the collective a critical darling when Thunder, Lightning, Strike made noise in 2004. Feel your case of the Mondays melt away with every tambourine whack and joyful harmony here. – J. Lipshutz
Bob Vylan ft. Laurie Vincent, “The Delicate Nature”
With just six months since the release of their third studio album The Price of Life, U.K. grime punk duo Bob Vylan is back again with a vengeance. The pair — which consists of members Bobby and Bobbie Vylan — have returned with new track “The Delicate Nature” featuring Laurie Vincent of Slaves. The aggressive track features menacing guitar work and lyrics that find lead singer Bobby reflecting on how nebulous life is and the “idea of growing up and seeing the split decisions you’d make and how they could result in such life-changing results.” The track’s steady guitar riffs slow down to a misleading outro that gives listeners whiplash as it speeds up into mosh-ready madness. — Starr Bowenbank
Gus Dapperton, “Wet Cement”
Whereas previous single “Antifreeze” saw Gus Dapperton — with the assistance of U.K. band easylife — reflecting on the chilliness of an impending winter, Dapperton’s new solo track “Wet Cement” sees him going for something even colder. Dripping with a metaphor about the passage of time, the lyrics evoke the mood of days past (“No, I don’t talk nice, talk sweet/ I let my heart bleed/ Cold nights, cold feet”) that ultimately dried up into hardened concrete as his signature, passionate drawl conveys both sadness and acceptance. — S. Bowenbank
Sony Music Forges Partnership to Develop English-Language Songs From Israel

Sony Music has set up a joint venture with label ONEWAY. Records focused on English-language repertoire from Israel.
ONEWAY. Records, which was founded by music executives and brothers Josh and Sam Fluxgold, who formerly managed Dennis Lloyd, the Israeli indie-pop artist known for his 2016 single “Nevermind” (released by Warner Italy).
The new venture will work to discover and develop new artists from Israel with “international appeal,” Sony says in a press release.
The Fluxgolds discovered Lloyd and helped guide his international success, which has featured Gold and Platinum records across several markets and sold-out world tours in the U.S., Europe and Australia. “Nevermind” peaked at No. 86 on the Billboard Hot 100 in August 2018 and reached No. 3 on Billboard’s Alternative Airplay chart.
“Josh and Sam have a proven track record for breaking Israeli talent abroad,” said Daniel Lieberberg, president of Sony Music Entertainment Continental Europe and Africa, in a statement.
The Fluxgolds will remain in Toronto, Canada, where they run ONEWAY., a Sony Music spokesperson confirms.
“During our time working in the Israeli market, we recognized the substantial talent that is being overlooked and underrepresented in the region,” the Fluxgold brothers said in a joint statement. “Together with our partners at Sony Music, we look forward to showcasing the unique Israeli sound and artists that the world has been missing.”
Sony will continue to lead its Israel business from its Continental Europe and Africa Head Office in Berlin, a spokesperson says, in contrast to its two main rivals, which have set up operations there over the past three years. Universal Music Group opened an office in Tel Aviv in 2020, becoming the first major label to set up standalone operations in the country; it is led by Yoram Mokady, a lawyer and entertainment executive. Universal Music Publishing Group followed suit in 2021, hiring Itamar Shafrir as general manager of the new outpost.
Warner Music Group said in May that it was launching Warner Music Israel and would open an office in Tel Aviv. Running the new imprint is Mariah Mochiach, general manager of Warner Music Israel, a veteran A&R and artist manager who worked for more than 10 years at Lev Group Media, which has acted as an Israeli distributor for Warner Music.
While still a relatively small market, Israel is a growing territory that ranked 27th in global music collections in 2021, with 35.6 million euros ($35.2 million), up 5.5% from 2020, according to international collections body CISAC. Pop artists like Noa Kirel, who is signed to Warner Music imprint Atlantic Records, are big at home but have struggled to cross over, though that could change for Kirel, who is slated to represent Israel at the 2023 Eurovision Song Contest in Liverpool, U.K. (Israel has won the contest four times since 1978.)
Last year, UMG and Simon Cowell’s Syco Entertainment said they would award an international recording deal to the winner of the upcoming season of The X Factor Israel, something previously unheard of in the Israeli music market. Cowell was set to be a judge on the fourth season of the show but pulled out in May of 2021, Variety reported.
Unmasking ADHD at Work: How Employees, Managers and Executives Can Increase Productivity, Reduce Burnout

In recognition of ADHD Awareness Month, Billboard has partnered with All Day Dreaming, a virtual coworking platform and community for talented ADHD artists and entertainment executives and its founder Hyla to host conversations with some of the creative ADHD brains in and around music.
Here, Hyla speaks with Damien Hooper Campbell, chief impact officer at StockX, the popular online marketplace for sneakers, apparel, electronics and more. After living decades with undiagnosed ADHD, Campbell has learned to manage his condition and has become a formidable business leader reshaping workplace misconceptions about ADHD in the process.
“The best way to establish an inclusive culture is to lead by example,” says Campbell. “As executive leaders, it’s important for us to be real human beings who do not always show up like everything’s perfect. It’s important that we are open to talking about it when it’s appropriate.”
Many people with ADHD are stuck in positions without the resources they need to succeed and many managers have no idea how to utilize their neurodivergent employees. More executives are needed to help set the tone at their companies and tell their story of how ADHD can be a major company asset if you know how to use it. Campbell breaks down his journey and shares the latest insights and techniques for employees, managers and executives on how best to navigate ADHD in the corporate world.
Below is a condensed and edited version of Hyla and Campbell’s conversation. Listen to the full interview on the All Day Dreaming podcast here.
Hyla: How old were you when you first realized you had ADHD?
Campbell: My elementary school years. I got expelled from two schools between kindergarten and first grade. The administrators would tell my mother, “He’s smart, he’s in advanced reading and mathematics classes but he’s got to stop walking out in the middle of class and getting into fights. We think Damien has ADHD.” In the ’80s, there was a negative stigma around any kind of learning disability so my mother, a strong, loving and protective single Black parent, was afraid and felt like, “Oh no, not my baby.” I had to learn to just push through.
At 26 things came to a head in my life. I was in investment banking working 70 to 90 hours a week and I couldn’t understand why I was watching other people zip through stuff. I knew I was smart and had the aptitude, but I was having a challenge. It became desperation.
I went to see Dr. Robert Johnson, dean of the medical school at Rutgers. He’s a Black man who focuses on young adults and adolescents. I didn’t go in talking about ADHD per se but in our first session he clearly picked up on it and asked, “Have you ever been tested for ADHD?”
I soon got tested and he said, “You’re off the charts for this,” and prescribed me Concerta.
How did it feel knowing you would have to take a pill everyday?
There was a bit of a stigma at first, like, do I want people to know that I take a pill every single day? But beyond my insecurity and near-term desire to hide it from the world was hopefulness because I knew that if the diagnosis was correct, and if the medication worked, that it was going to unlock a lot of things for me and make life better.
Also, I thought that this pill was going to solve everything. Like, I take this pill and it would be like the movie Limitless and I’d be good to go, but that’s not the case. You still have to put in your own effort, the pill is just an aid, essentially.
What are other tools and techniques you use to manage your ADHD? What makes you feel your most productive and focused?
At 44 years old, sleep is by far number one. Exercise is crazy important to me and diet goes right along with that. Meditation and prayer too. At one point, I was doing a good deal of chanting, it’s something that I want to get back into, I found that to be very, very centering.
You also need to think about the energy around you. It’s become cliche to say “protect your energy”, but man, it’s true. There are energizers and de-energizers; the older I get, the more intentional I am about the people around me. I’ve got a big heart and I love helping others, but I also need some people who are pouring into me. A big part of that is learning to say “no” and not always feel like I need to give a detailed reason why. Simply saying, “I’m sorry, I can’t but good luck with what you’re doing,” is really important.
When did you feel comfortable telling people at work you had ADHD? What prompted you to do it and how did you prepare?
In 2014, I was leaving the finance field in New York and moving to California to work at Google. I was literally trading suits and ties for hoodies. The tech space was so different – the offices had nap rooms, there were free Twizzlers in the cafeteria, people rocked purple hair, you could bring your dog to work, and all the cool things. Talk about sensory overload. I thought to myself, “let me pressure test this and see if they really want me.” I revealed it to the person who would become my manager in the interview process.
After a few rounds of interviews I said I want to be upfront that I have ADHD. I take medication for it every single day. Here’s some of the things it does and here’s what that means. I wanted my manager to understand how that lands on the team an how I work best.
I figured, if I’m going to do this – if I’m going to make this change – let’s go all the way and be completely transparent. That way I know you want me for who I am.
So in the interview process, you’re basically saying, “This is how I work and how I can be an asset to you”?
Sort of, but even to this day, I’m figuring out how I can be an asset with my ADHD. What I knew for sure, was that I was not going to be the most organized individual, and I wasn’t a project manager so I needed them to know that.
If it comes to engaging with other human beings, being creative, brainstorming and even strategy, I’m most certainly your guy. As for the operational execution, that’s something I’m gonna have to work a little bit harder at. While finding the right balance is something I’m still figuring out today, I’ve come to learn that more structure is actually good for me.
What do you say to someone who is afraid to tell their employer they have ADHD for fear it could hurt their standing at work?
First, I would validate them and say that’s a real feeling. It’s easy for me to tell you, “Oh, don’t worry about that. Forget it.” That’s a bunch of BS.
Second, I would ask that the person do a visualization. Close your eyes and think one year out. You’re in that job and you haven’t disclosed your ADHD. You haven’t discussed your needs and you’ve been wearing the mask that we all put on so many times as human beings, the mask that we think our employer wants to see. Think about the moment when the real you starts to rear its face in the form of ADHD. Now you’re having to compensate, and use your energy not towards the job but to cover your ADHD. Maybe you’re underperforming, maybe you’re having to overproduce and overcompensate. Now think about the burnout and anxiety that comes with that.
Third, I’d say you’ve done a bait and switch on your employer. You wouldn’t want them showing you a misleading glossy brochure. Oh, look at this wonderful, beautiful place to work, and everybody’s so happy and then you get there and find out that it’s toxic. You’d be pissed. So why do it to them?
Lastly, I’d say, it’s better to know now that you can be the real you rather than find out later that you can’t be yourself. And you’d have nobody else to blame except yourself. It’s one of those very personal and professional maturity stages that get you to feel confident enough to say “I need to disclose this now because it won’t be good for either one of us if I don’t.”
Would you recommend people bring up their ADHD in the interview process? What’s your advice on how to approach that?
A lot of that depends on where you are in your life, how comfortable you are saying it, and the severity of how you’re affected by it. I don’t have a one size fits all prescription for folks.
The first thing you should do is research the hell out of whatever organization you’re going to work for to see what their company culture is like. Do they have an ERG [Employee Resource Group] or a benefits team that actually focuses on things that one would classify as a disability? Are they the kind of company that actually welcomes people who have those disabilities with open arms?
If you’re junior in your career, and depending on your socioeconomic group, you might not have the luxury of getting passed up on a job that your family might be depending on you for. I can’t front and act like everybody has the luxury of feeling free to tell their employer. However, the more senior I’ve become, I’ve learned that having that conversation on the front-end has led to better resources. For example, getting an executive assistant was a game changer. You mean, there’s somebody who’s going to help me make sense of all the ideas in my mind that sometimes isn’t super productive? Beautiful!
In addition to an executive assistant, what are some resources, at all levels of the org chart, that are reasonable to ask for? Maybe things people wouldn’t think they could have access to.
Again, ask if there’s an ERG, or an affinity group at the organization that’s focused on inclusion. Companies these days often have employee resource groups for women, LGBTQ+, Black and Latinx communities, and more.
Additionally, ask about benefits. We often talk about benefits in the context of monetary compensation like bonus structures or equity, but ask what kind of insurance platform the company uses. Ask about access to therapy. Are they allowing you a certain number of sessions with a therapist? Is it unlimited? If not, how much will it cost me to keep going? Do they actually give you the ability to choose a therapist of color, specific gender or speciality? Does the insurance cover prescription drugs? Do they have a program where your medication can be delivered to you? I can’t tell you the number of times I’ve totally screwed myself because I waited for my prescription to run out. If I can’t get a session with my therapist right away then I’m stuck without my meds.
Third, if project management and organizational structure is a challenge for you, see what resources they have to help with that. We don’t all have to be experts at everything; maybe there are developmental opportunities you can tap into.
I’ve also heard from people in the All Day Dreaming community that you should think about where you sit. Are you more productive around others or better alone? At 8 a.m. or 8 p.m.? Is there flexibility for when you’re available? And asking for things like noise canceling headphones or paying for your Headspace app. It’s your boss’s job to put you in a position to win and these are easy things to help you do that. Also ADHD is covered under the Disabilities Act so there are legal protections employees have.
Totally. There’s some things that you can try to solve for in advance. And then there’s some things that you do once you start, which I call “contracting”. If you’re a manager, you should be contracting with your team about what works best for you and what works best for them around communication. A few examples:
- If you receive an email on the weekend, are you expected to respond immediately?
- What’s the most efficient way for you to communicate? Email, Slack?
- What forms of communication are you uncomfortable with? Text, social DMs?
Even if you’re not the manager, it’s important to contract on those things and make sure your team knows what works best for you – obviously, within reason – and vice versa.
What’s your advice to a manager or executive who doesn’t know how to best utilize or manage a person with ADHD?
Be clear on your expectations of the outcome, but also give them the space to be creative in how they get there. You want to provide some structure by being really clear about what you expect and what the non-negotiables are. At the same time, you’re also giving them the space and freedom to be creative. People with ADHD often take a route many have never considered to get something done.
The other thing that’s really important is to have frequent check-ins on how it’s going. As roles and projects evolve, what you contracted on day one may need to change on day 90 or year two.
Finally, give ADHD people latitude for creativity. Celebrate them and leverage their spontaneity when team culture gets a little stale. They can be a great asset.
A large percentage of ADHD people work in creative industries. However, I hit a wall when it came to finding music executives at high levels willing to talk about their ADHD publically. This was especially true of the women I spoke to who know the power of their story but weren’t ready to tell it.
You’re one of the few C-suite execs of any industry who is very publicly open about it. What’s your advice for someone at your level who wants to share their story?
I think there’s two layers of going public about it. Start with your team. I talk to my teammates about it, I’m okay with it, and I’m very proud of it. I explain to them how seeing a therapist, getting a diagnosis, and taking medication has changed my life. Then normalize it at the company level.
One of the first times I brought it up in a company-wide all-hands meeting, I was traveling around the world to the company’s different global locations. I misplaced my luggage and was without my medication for four days. I got up on stage in front of 300 employees and I said, “Look, I’m here with you but if you see me rambling a little bit, just know, it’s because I have ADHD.” And told them the story of losing my bags and meds. After that session I had an employee come up to me and say they really appreciated that I shared my story because they had never seen a leader do that publicly. They told me that they also have ADHD and take the same meds.
I’m fortunate at StockX because we have an amazing benefits program that offers therapy and more. We have a CEO who understands the importance – he sits on the board of nonprofits that focus on mental health – so it’s really part of the company culture. While we continue to create new initiatives around inclusion, I’m of the mind that the best way to establish an inclusive culture is to lead by example. As executive leaders, it’s important for us to be real human beings who do not always show up like everything’s perfect. It’s important that we are open to talking about it when it’s appropriate.
Hyla is an award-winning documentary filmmaker, interviewer and the founder of All Day Dreaming, a community for talented ADHD creatives and entertainment executives struggling with focus, productivity and burnout. All Day Dreaming hosts daily virtual co-working sessions, weekly Q&As with experts, a newsletter and a podcast. For more information and memberships go to AllDayDreaming.org.
Lizzo Is All About the WAP — ‘Wet A– Piggy’ — In Her Miss Piggy Halloween Costume

Excuse moi? Lizzo unveiled her epic Halloween costume as Miss Piggy via social media on Monday (Oct. 31).
“HAPPY HALLOWEEN from this W. A. P.iggy,” she captioned the first of several posts on Instagram, referencing Cardi B and Megan Thee Stallion‘s No. 1 Billboard Hot 100 hit from 2020. In the accompanying video, the singer added her own ad libs over the track in her imitation of The Muppets icon’s unforgettable voice.
For the second photo, Lizzo re-created one of Miss Piggy’s rather scandalous editorial spreads — which was itself a re-creation of a famous photo shoot styled by Polly Mellon for Vogue featuring a nude model and a boa constrictor. “A tribute to my forever icon, MISS PIGGY,” she wrote. “The epitome of grace, style, confidence and a warrior for love. @realmisspiggy i love you.”
The Grammy winner’s skin-baring homage to Miss Piggy isn’t even her only costume this year; in fact, she’s been getting into the Halloween spirit all weekend long. Two days earlier, she painted herself yellow for a Marge Simpson getup that was perfectly on point, from the giant blue bouffant to the neon nails.
While she’s gearing up for the premiere of her HBO documentary Love, Lizzo on Nov. 24, the “About Damn Time” songstress is currently in the middle of The Special Tour with opener Latto. “Tonight is a very special night ’cause we are home, bitch!” she declared on the trek’s hometown show in her native Detroit earlier this month. “The feeling that I have is indescribable…It’s emotional being in the place where you were born. It’s emotional being back where your roots began.”
See Lizzo all dressed up as Miss Piggy below.
A Look Inside Pepsi Music Lab’s Partnership With UnitedMasters: Exclusive
A look at Pepsi’s history shows the brand has always known the importance of merging with the music industry (see: its most recent collaborations with Doja Cat and Chloe, in addition to its past sponsorship of the Super Bowl Halftime Show). Now, the brand is stepping into artist development with its newest creation, the Pepsi Music Lab.
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In partnership with distribution company UnitedMasters, the Pepsi Music Lab — which took place in New York City on Oct. 25 to Oct. 27 — offered 12 rising artists mentorship and coaching from music industry professionals, brand building workshops, performance camps and more to help hone their craft and allow them to continue on the path to rising stardom.
“Pepsi is a brand that has a proven global track record for minting music superstars and shaping some of the most iconic moments in music and pop culture. Now, we are excited to shine a spotlight on the next generation of artists with our new Pepsi Music Lab platform,” says Todd Kaplan, chief marketing officer at Pepsi. “By removing barriers within the music industry, we can provide these talented artists with the resources, knowledge, exposure, and connections to help accelerate their growth as musicians and further enable their success – it will truly make a positive impact on the futures of the artists we believe will push the industry forward.”
The Artists
Pepsi Music Lab’s class of ’22-’23 features 12 independent musicians across genres handpicked by UnitedMasters. The list includes:
- AKINYEMI, Rap – New York, N.Y.
- Amira Unplugged, Multi-genre – Stone Mountain, Ga.
- Brian V., Pop – New York, N.Y.
- Cain Lofton, Multi-genre – Chicago, Ill.
- GODBY, Rap – Washington, D.C.
- Kbthesinger, Hip-Hop – St. Louis, Miss.
- Lexie Hayden, Country – Nashville, Tenn.
- Lynnea M, Pop – Los Angeles, Calif.
- NOHEMY, Latin Pop-Urban – Bayamon, Puerto Rico
- Oompa, Hip-Hop – Boston, Mass.
- SERGIO, Pop/Latino – Redwood City, Calif.
- Tarik, Hip-Hop – Scottsdale, Ariz.
The Mentors and Workshops
The artists arrived to Pepsi Music Lab’s location at 10 Jay Street on Oct. 25 for an opening ceremony and gathering at the location. On Oct. 26, the industry hopefuls were treated to a series of workshops, first from independent rapper LaRussell, who advised the singer-songwriters on how to build their personal brand-building through social media and marketing tools.
In the afternoon, the artists had the opportunity to speak with Director X — known for his work on videos for Jay-Z, Rihanna, Drake, Fifth Harmony, One Direction and more — who mentored the rising stars on how they could make visual content that has a lasting impact in their careers going forward.
Sandwiched in between a press training workshop, Roc Nation senior vice president Lenny S spoke to the selected artists about the importance of developing and maintaining their connections, while choreographer Laurieann Gibson gave performance coaching and choreography lessons to help improve their stage presence.

Freako Vasquez
The third day of the training camp (Oct. 27) saw the artists taking headshots with Lenny S, setting up sizzle reels with Director X and recording sample radio spots with Dwayne Crawford, engineer and editor of Power 105.1’s The Breakfast Club.
The Feedback
“I’ve been in Nashville for seven years creating country music so being part of this program exposes me to artists from all genres of music and it’s allowed me to be able to create and collaborate with others, in the future,” Hayden told Billboard of the experience. “One of the biggest takeaways I got was from LaRussell… he said, ‘Don’t set goals, work hard — and they’ll come to you and it will happen if you work hard.’”
“I’ve been following LaRussell for a while, and his drive and the way he approaches his social content and holds himself in interviews is really inspiring. It constantly gives me the motivation and redefined my purpose and an artist,” Queens native AKINYEMI added of the the rapper’s Oct. 26 workshop.
Nohemy focused on the choreography workshop in the three day lab, and shared that Gibson’s class was the most helpful to her: “Performing is a very big thing for me, so getting tips from Laurieann is going to make a huge difference in my stage presence and will help me be more in time with my moves and more in control of my energy. For people that know me, I’m very energetic on stage, so being able to know when and how to channel that energy throughout an hour show I think is really important.”

Freako Vasquez
And while getting to sit in on all of the workshops was a great experience for Lynnea M., the connections she was able to cement was her biggest takeaway, saying, “Meeting other artists is going to help us because we have those extra connections — not just with the artists, but with the people in the industry that we met as well.”
At the end of the three-day program, all artists who participated received individual plaques commemorating the time they spent in Pepsi Music Lab’s class of 2022-2023.
“Pepsi has a long history of helping great artists break through, reshaping pop culture and leaving an unforgettable impression on all of us,” says Steve Stoute, ceo and founder of UnitedMasters. “Now in partnership with UnitedMasters, Pepsi is empowering the next generation of creators, helping them hone their craft and develop their talent so that they can generate the next big moment. Connecting independent artists to a brand with this rich legacy is the formula for creating a new future of music.”
