News

Jerry Lee Lewis’ Family and Friends Bid Farewell to Music Icon at Louisiana Memorial Service

Family, friends and fans will gather Saturday (Nov. 5) to bid farewell to rock ‘n’ roll pioneer Jerry Lee Lewis at memorial services held in his north Louisiana home town.

Lewis, known for hits such as “Great Balls of Fire” and “Whole Lotta Shakin’ Goin’ On,” died Oct. 28 at his Mississippi home, south of Memphis, Tennessee. He was 87.

Saturday’s funeral service is set for 11 a.m. at Young’s Funeral Home in Ferriday, the town where he was born, family members said. A private burial will follow. At 1 p.m., a celebration of life is planned at the Arcade Theater, also in Ferriday.

Lewis, who called himself “The Killer,” was the last survivor of a generation of artists that rewrote music history, a group that included Elvis Presley, Chuck Berry and Little Richard.

After his personal life blew up in the late 1950s following news of his marriage to his cousin, 13-year-old — possibly even 12-year-old — Myra Gale Brown, while still married to his previous wife, the piano player and rock rebel was blacklisted from radio and his earnings dropped to virtually nothing. Over the following decades, Lewis struggled with drug and alcohol abuse, legal disputes and physical illness.

In the 1960s, Lewis reinvented himself as a country performer and the music industry eventually forgave him. He had a run of top 10 country hits from 1967 to 1970, including “She Still Comes Around” and “What’s Made Milwaukee Famous (Has Made a Loser Out of Me).”

Lewis was the cousin of TV evangelist Jimmy Swaggart and country star Mickey Gilley. Swaggart and Lewis released The Boys From Ferriday, a gospel album, earlier this year. Swaggart will officiate at his funeral service.

In 1986, along with Elvis, Berry and others, he was in the inaugural class of inductees for the Rock & Roll Hall of Fame and joined the Country Hall of Fame this year. His life and music was reintroduced to younger fans in the 1989 biopic Great Balls of Fire, starring Dennis Quaid, and Ethan Coen’s 2022 documentary Trouble in Mind.

A 2010 Broadway music, Million Dollar Quartet, was inspired by a recording session that featured Lewis, Elvis, Carl Perkins and Johnny Cash.

Lewis won a Grammy in 1987 as part of an interview album that was cited for best spoken word recording, and he received a lifetime achievement Grammy in 2005.

The following year, “Whole Lotta Shakin’” was selected for the Library of Congress’ National Recording Registry, whose board praised the “propulsive boogie piano that was perfectly complemented by the drive of J.M. Van Eaton’s energetic drumming. The listeners to the recording, like Lewis himself, had a hard time remaining seated during the performance.”

Ivan Cornejo Announces First-Ever U.S. Tour: See the Dates

Ivan Cornejo is hitting the road in 2023 with his first-ever U.S. tour, which is slated to kick off Jan. 31 in Santa Cruz, Calif.

The 18-year-old, who won best new artist at this year’s Billboard Latin Music Awards, will headline the 11-date stint, dubbed Dañado Tour, which is slated to visit such Latin markets as Los Angeles, Houston and Phoenix, before wrapping up in Dallas on Feb. 17.

“I am super excited to go on my first tour,” Cornejo tells Billboard. “We made sure to put a lot of thought into all the details. We wanted intimate venues because now more than ever, the connection to the fans is super important.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Richard Vega, the WME agent who signed Cornejo in all areas, adds, “We feel very proud to represent such a young rising star. His fans have been wanting to see him live for a while and the response from all our partners has been amazing. This will be the first of many.”

Being produced by local promoters was key to making this happen, points out Ximena Acosta, the strategy consultant on the project. “We went with local promoters in each market [because] we wanted to make sure we had the right partners who really understood him and his fan base,” Acosta says.

Cornejo, who broke out in 2021 with his first album, Alma Vacía, has been making a name for himself in the Mexican music space and beyond (he’s collaborated with urban act JhayCo). The Mexican-American teen secured his first entrance on any Billboard chart with his debut album, released through Manzana Records, which arrived at No. 2 on the Regional Mexican Albums chart. On Top Latin Albums, the seven-track set, featuring sad sierreño anthems such as “Está Dañada,” peaked at No. 7. Additionally, Cornejo topped Billboard‘s Latin Songwriters chart dated Oct. 30, 2021.

Subsequently, over the summer, the singer-songwriter scored his first No. 1 on Billboard’s Regional Mexican Albums chart as his sophomore album, Dañado, debuted atop the chart dated June 18.

Tickets to Cornejo’s tour go on sale Monday (Nov. 7). Check out the complete list of his tour dates below.

Jan. 31: Santa Clara, Calif. (The Catalyst)

Feb. 2: Los Angeles (Roxy Theater)

Feb. 3: Riverside, Calif. (Riverside Municipal Auditorium)

Feb. 4: Santa Ana, Calif. (Constellation Room)

Feb. 7: San Diego (VooDoo Room)

Feb. 8: Phoenix (Crescent Ballroom)

Feb. 11: El Paso, Texas (Lowbrow Palace)

Feb. 14: McAllen, Texas (Cine El Rey)

Feb. 15: Austin (Antone’s)

Feb. 16: Houston (HOB Bronze Peacock)

Feb. 17 – Dallas – Cambridge Room

‘Weird Al’ Yankovic on How Daniel Radcliffe Was Able to ‘Capture the Spirit’ of His Character in Biopic

“Weird Al” Yankovic and Daniel Radcliffe are big fans of each other.

While promoting his new biopic, Weird: The Al Yankovic Story, the award-winning artist got candid about why he wanted to recruit the Harry Potter actor to play him, saying he had the “right energy for it.”

“I’m a big fan of Dan’s. He does amazing dramatic acting and amazing comedic acting, and he gets it,” Yankovic tells The Hollywood Reporter. “I mean, I knew that he’s a huge comedy fan. He’s a huge nerd, just like me, and I knew that he would just really lock into the tone that we were going for in this movie, which is so important.”

It wasn’t as important to Yankovic that Radcliffe wasn’t an “exact physical doppelganger” because the film is meant to be a parody of biopics, and it was more important for the star to be able to grasp that than to look exactly like the main character.

“I just thought that he would just really be able to capture the spirit of the character that we’ve written for the movie,” he says.

Radcliffe didn’t realize Weird: The Al Yankovic Story was supposed to be a parody until he began reading the script. When he initially got it, he wasn’t sure why he was being asked to read for this role.

“I was already a big ‘Weird Al’ fan, and I was confused about why they would ask me to play him in a movie of his life because I was like, ‘I don’t look very much like him,’” Radcliffe tells THR. “But then I read it, and I was like, ‘Oh, right. It’s fine. We’re not doing that. We’re doing something different, and it doesn’t matter.’”

However, it didn’t take very long for him to realize that there’s nothing else a “Weird Al” biopic could be other than a parody of biopics.

“Seeing that and seeing how well they’d like done that joke, and then talking to them and being like, ‘Yeah, Eric Appel is lovely. Al seems lovely,’” says Radcliffe. “You just want to make a movie with these guys.”

Weird: The Al Yankovic Story is now streaming for free on Roku.

This article was originally published by The Hollywood Reporter.

The Ledger: How Much More Revenue Can Streaming Price Hikes Bring? 

The Ledger is a weekly newsletter about the economics of the music business sent to Billboard Pro subscribers. An abbreviated version of the newsletter is published online.

Apple Music’s recent subscription price increase and a likely forthcoming price hike by Spotify would provide a boost to U.S. and global music revenues and likewise impact catalog valuations. 

Higher prices for Apple Music and Spotify’s individual plan could be worth hundreds of millions in additional subscription revenue annually in the U.S. Incremental revenues resulting from these price increases have the potential to reach roughly $650 million a year for streaming services. That assumes 7% growth in subscribers in 2023, no additional churn, a full year of higher prices and higher prices for both self-paid and promotional subscription plans.

However, a small amount of churn is possible, and Spotify is unlikely to raise rates at the beginning of the year. Additionally, not all subscription plans are subject to increase. (Apple is not raising the price on Apple Music Voice, for example.) Thus, the actual impact is likely to be lower next year and in successive years.

Apple Music’s individual plans rose $1 from $9.99 to $10.99 per month, while its family plan price increased $2 from $14.99 to $16.99. Apple One, a bundle that includes Apple Music, Apple TV+ and other services, rose $2 for the individual plan and $3 for the family plan (which includes Apple Arcade and iCloud+) and premier plan (which adds Apple News+ and Apple Fitness+). 

Spotify could follow with similar price increases in the U.S. of $1 per individual subscription, though it may not further raise its family plan price on top of the $1 increase, to $15.99, that it imposed in April. Spotify also has discounted plans for students that cost $4.99 per month. For these purposes, Billboard assumes those discounted plans will remain untouched.  

Creators and rights owners effectively get a raise from a price increase. The same percentage of streaming services’ revenue would flow as royalties to labels and publishers. Higher prices wouldn’t impact listening habits — although some churn is possible — so the math is favorable to creators and rights owners: a larger royalty pool would be divided by the same number of streams to calculate the per-stream royalty owed to each track.   

Higher rates from the two largest subscription services in the U.S. would make songwriting and recording catalogs more valuable, too. Price increases will add revenues to a catalog’s existing royalty income, and streaming growth has been positively correlated with higher valuations of music catalogs. As Billboard reported this week, a new paper by New York University professor Larry Miller found that streaming accounted for 62% of the average multiple paid for songwriting catalogs in 2021.  

Spotify has not announced a broad price increase on its individual and family plan subscriptions, but CEO Daniel Ek signaled the company would likely follow Apple Music’s lead when speaking to investors during Spotify’s Oct. 25 earnings call. A U.S. price increase “is one of the things we would like to do,” Ek told investors, adding Spotify will have conversations with labels “in light of these recent developments with our label partners.” 

Expect higher prices to become the norm. Amazon Music Unlimited raised its prices in May. Deezer raised its subscription prices in France, its largest market, in January and plans rate hikes in Germany and the U.S. in December. Apple Music’s decision to raise prices “opens the door for further price increases down the line,” Deezer CEO Jeronimo Folgueira said during its Oct. 28 earnings call. Exactly how much incremental revenue these price hikes will generate depends on many variables. In any case, creators and rights owners can expect more subscription royalties in 2023 and beyond.


Los40 Music Awards: Winners List

Los40 Music Awards are a wrap.

The 2022 edition of the ceremony took place Friday (Nov. 4) live from the WiZink Center in Madrid. The fan-voted awards, produced by the Los40 radio station, were broken into three categories: Spain, International and Global Latin.

The artists among the top nominees of the night were Rosalía, who was up for best album (Motomami) in the Spain category and Bad Bunny, who was nominated in the Global Latin category for best album (Un Verano Sin Ti) and best song (“Titi Me Preguntó”). The international category was ruled by David Guetta thanks to “Crazy What Love Can Do,” his collaboration with Becky Hill and Ella Henderson, and Adele who was up for best album (30), best song (“Easy On Me”) and best music video (“Oh My God”).  

Explore

See latest videos, charts and news

See latest videos, charts and news

Below, see Los40 Music Awards complete list of winners.

CATEGORY: SPAIN

Best artist or group: Dani Fernández

Best new artist or group: Leo Rizzi

Best album: Motomami by Rosalía

Best song: “Música Ligera” by Ana Mena

Best music video: “360” by Marc Seguí

Best artist or group in concert: Lola Índigo

Best collaboration: “Formentera” by Aitana & Nicki Nicole

Best urban artist or group: Maikel de la Calle

Best festival, tour or concert: Motomami World Tour by Rosalía

Artist ‘Del 40 al 1’: Chanel

CATEGORY: INTERNATIONAL

Best artist or group: Ava Max

Best new artist or group: Yungblud

Best album: Harry’s House by Harry Styles

Best song: “Enemy” by Imagine Dragons

Best music video: “Maybe You’re the Problem” by Ava Max

Best artist or group in concert: Dua Lipa

Best collaboration: “Crazy What Love Can Do” by David Guetta, Becky Hill & Ella Henderson

Best dance artist or producer: David Guetta

CATEGORY: GLOBAL LATIN

Best artist or group: Anitta

Best new artist or group: Tiago PZK

Best album: Dharma by Sebastián Yatra

Best song: “La Bachata” by Manuel Turizo

Best music video: “Te Felicito” by Shakira & Rauw Alejandro

Best artist or group in concert: María Becerra

Best collaboration: “París” by Morat & Duki

Best urban artist or producer: Bizarrap

Best festival, tour or concert: De Adentro Pa Afuera Tour by Camilo

GOLDEN MUSIC AWARDS

Manuel Carrasco

Pedro Almodóvar

Leiva

Juanes

Rosalía

Morat on ‘No Se Va’ Going Viral, Pedro Almodovar’s Passionate Speech & More Highlights From Los40 Music Awards

With riveting performances by artists such as Rosalía, Maria Becerra, Manuel Turizo, Lola Índigo, Marc Seguí, Tiago PZK and many more, Los40 Music Awards was the place to be on a cold Friday night in Madrid.

Explore

See latest videos, charts and news

See latest videos, charts and news

The 2022 edition of the award’s ceremony took place Nov. 4 at the WiZink Center near the city’s downtown area. While performances were among the show’s highlights, there were also red carpet interviews and a speech by the legend Pedro Almodóvar that are worth an entry in the best moments of the night.

Below, highlights from this year’s Los40 Music Awards.

Morat on “No Se Va” Going viral

The Colombian band’s 2019 single “No Se Va” is currently having a moment — thanks to a cover by emerging regional Mexican ensemble Grupo Frontera. Their norteño rendition of the their norteño the track “No Se Va” became only the fifth regional Mexican song in Hot 100 history, reaching a No. 57 high after entering the all-genre songs chart in early October. About Frontera breathing fresh air into their single, Morat told Billboard this on the red carpet: “When we heard about it, it wasn’t that surprising. This has happened to us with many of our songs. We’re happy for them, and we’re happy for the song. It’s great that the song is transcending.”

Rosalía fangirls over a soccer player

When Rosalía picked up her award for best album for Motomami in the Spain category, she expressed her admiration for Alexia Putellas, who plays for Barcelona’s women’s fútbol team and won a Balón de Oro this year. “Wow this is crazy,” she said as she giggled her way to the stage. “I am such a big fan of Alexia and I had no idea that she would be the one handing this award to me. I’m a huge fan!”

Ricky Montaner on “Llorar, Llorar” being a gift that keeps on giving

“It’s one of my favorite songs that we’ve done in our entire career,” Ricky, of duo Mau Y Ricky, said about their collaboration with Carin Leon. “It’s a song that’s given us joy and has evolved organically with time. We released it a few months ago and just new we’re seeing it go up on the charts. It’s a blessing and I’m so proud of it.” The singer-songwriter also said he and his brother wrote the song while living in Mexico when they were recording the show La Voz México. “I needed a Mexican singer who would give it the seal of approval of someone from Mexico and we had so much chemistry with Carin. I love him and I’m so grateful.” Ricky also teased the the duo’s next album is due next year.

Tiago PZK takes a moment to reflect

The Argentine’s debut album, Portales, was a game-changer for him. “I learned so much about myself and how it is to have a more clear vision. It gave me identity,” he told Billboard. “I learned to work under pressure. Now, that I’ve released my first I have to start thinking about the next album. There’s no break in between.”

Pedro Almodóvar urges fans to watch movies … in a theater

The legendary film director, screenwriter and producer, Pedro Almodóvar, took the stage at Los40 to accept one of the Golden Music Awards that night. During his speech, he asked fans to go watch movies in theaters. “I know that you all don’t go out to the movies often,” he said confidently. “I’m not sure if you all know that movie theaters are going through an enormous crisis. My advice to you is go back and experience what it is to go watch a movie in a screen that’s way bigger than the one in your home. If you haven’t experience that yet, it will change your life. It’s hypnotizing. And for that hypnosis to happen, you have to become small and be surrounded by strangers in a dark place.

Sebastián Yatra danced the night away

If there’s anyone who hands down had the most fun on Friday, it was Sebastián Yatra. The Colombian star danced the night away as he cheered on his colleagues who took the stage such as María Becerra and Manuel Carrasco. He was the ultimate fan who also took the stage to accept the award for best album (Dharma) in the Global Latin category.

Ally Brooke Had *This* To Say About a Potential Fifth Harmony Reunion

That’s my girl! Ally Brooke used TikTok to address questions about Fifth Harmony hypothetically getting back together on Thursday (Nov. 4).

“When will Fifth Harmony have a reunion???” she wrote on the screen. Taking off her sunglasses, the singer then swaggeringly lip synced, “First off, b—h, mind your business!” as her definitive answer on the subject.

While some fans wondered in the comments section about what prompted Brooke to make the video in the first place, others took it with either a grain of salt or a bit of hope. “Us harmonizers didn’t hear a no” while another declared, “Fifth harmony is dead, but I’m still holding hope for a reunion in the future” with a crossed fingers emoji.

“Nah, we need a lauren and normani album first!” another follower argued, pointing to the respective debut solo albums by Lauren Jauregui and Normani that have reportedly long been in the works.

Of course, all five members of the 10’s girl group have remained busy since announcing their indefinite hiatus in 2018 — more than a year after Camila Cabello abruptly exited the group in the closing days of 2016.

Since then, Cabello has released three solo albums — her latest being 2022’s Familia — and is currently in the midst of her freshman season as a coach on NBC’s The Voice. Normani made a splash in 2019 with her debut solo single “Motivation” and has collaborated with everyone from Sam Smith (“Dancing With a Stranger”) and Megan Thee Stallion (“Diamonds”) to Cardi B (“Wild Side”) and Calvin Harris (“New to You” with Tinashe and Offset). Meanwhile Jauregui dropped her first solo EP, Prelude, almost exactly one year ago in Nov. 2021.

For her part, Brooke has embraced her Mexican-American heritage on recent Spanish-language singles like “Mi Música,” “Por Ti” and “Tequila.” And Dinah Jane last released a string of singles like “Lottery,” “1501” and “Missed a Spot” back in 2020 before she forced to cancel a planned tour of the U.S. and Europe due to the COVID-19 pandemic.

Watch Ally Brooke dismiss Fifth Harmony reunion questions below.

Los40 Music Awards 2022: Red Carpet Looks

Another red carpet in the books. This time, in Madrid for Los40 Music Awards, which took place Friday (Nov. 4) at the WiZink Center.

Before heading into the awards show ceremony, artists such as Rosalía, Manuel Turizo and Pol Granch, among others, strutted the alfombra roja with their stunning and high-fashion looks that were captured on camera.

Spain’s very own Rosalía turned heads with a classy long black dress with a twist: a cutout on the top part of the outfit that semi-exposed her left side (including arm and stomach) that was covered with mesh-like fabric. Meanwhile, Turizo was dressed in a modern-vintage three-piece that was composed of oversized burgundy slacks, a bicolor vest that was paired with a sweater-like blazer. To add another layer of coolness, he accessorized his outfit with black platform shoes and a silver chain with a pendant.

Los40 Music Awards, produced by the Los40 radio station, are fan-voted awards. They were launched in 2006 in celebration of the station’s 40th anniversary. This year, the awards were broken into three categories: Spain, International and Global Latin.

The artists among the top nominees of the night were Rosalía, who was up for best album (Motomami) in the Spain category and Bad Bunny, who was nominated in the Global Latin category for best album (Un Verano Sin Ti) and best song (“Titi Me Preguntó”). The international category was ruled by David Guetta thanks to “Crazy What Love Can Do,” his collaboration with Becky Hill and Ella Henderson, and Adele who was up for best album (30), best song (“Easy On Me”) and best music video (“Oh My God”).  

JoJo Siwa Shares Her Favorite Family Meal, Launches TikTok Challenge With Ocean Spray

JoJo Siwa is enjoying the holiday season with a little help from Ocean Spray. The 19-year-old singer, dancer and actress spoke with Billboard this week about her new partnership with the cranberry product company, as well as their new collaborative TikTok challenge.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“I genuinely put the cranberry sauce on everything,” Siwa tells Billboard of the fitting partnership. The star’s cranberry-loving habits didn’t develop on their own, as Siwa says even age-old family recipes would be paired with the cranberry product. 

The star, who originally rose to fame after becoming a series regular on Lifetime’s popular series, Dance Moms, explains that she grew up using Ocean Spray’s cranberry sauce on meals like relish and, of course, Thanksgiving dinner. She even witnessed her mom using the sauce on her family’s generational chicken and broccoli. 

“I remember my mom would make our favorite meal — It’s called chicken and brocooli, and it’s a fancy casserole that’s been in her family for years.” Siwa shares. “And on the side, we’d have Ocean Spray cranberry jelly sauce. It’s the perfect opposite taste of every meal you put it with.”

Siwa, who’s since moved to Los Angeles from Nebraska, now says her favorite way to use the company’s cranberry spread is on deli sandwiches when cooking for herself.

To announce her partnership, Siwa fittingly took to TikTok. She posted her first “jiggle with us” challenge on TikTok with the aim of getting everyone of all ages wiggling and jiggling, just like the cranberry sauce famously does. “It’s a fun, easy, inclusive challenge,” said Siwa.

See it below.

20 Questions with R&B Singer-Songwriter Ambre Ahead of Her The Wild Magnolia Tour: ‘I’m Looking Forward to Having Fun’

Singer-songwriter Ambré made noise in 2015 with her debut project Wanderlust and has been working nonstop since, following up with 2090’s in 2016. In 2019, Ambré finally signed to Jay-Z’s record label Roc Nation, dropping her EP Pulp, a soulful project that showcased her songwriting, producing, and singing abilities. Additionally, she earned a Grammy for best R&B album for her contribution to H.E.R.’s self-titled project at the 2019 Grammys.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Now, the 26-year-old Ambré is back with her 3000° project, which was released in June. The project is an ode to a pair of New Orleans classics – Juvenile’s 400 Degreez and Lil Wayne’s 500 Degreez.

The album’s Jvck James-featuring single “I’m Baby” has gone on to be the most-added at R&B Radio and Sirius’ Heart and Soul, according to a press release. She’s also dropped visuals for her song “Illusionz ” featuring BEAM and Destin Conrad, which was directed by child, who has worked with the likes of Future and Doja Cat.

To commemorate the release of her latest EP, the Grammy-winning artist is headlining her The Wild Magnolia Tour, which will kick off on Sunday (Nov. 6) in Atlanta and wrap up on Sunday (Nov. 20) in Los Angeles. The tour announcement follows Ambré’s set and appearance at Afropunk and performance at this year’s Made in America Festival.

With now 66 million global streams, Ambré is turning heads with her unique sound, which infuses jazz and trap. As she gears up for the seven-stop tour, Ambré chatted with Billboard about her tour, signing to Roc Nation, LGBTQ+ representation in music, working with H.E.R. and Jay Electronica, and more.

1. Let’s go back to New Orleans. Where did your love of music develop?

I think naturally, I just always loved music. Everybody knows in my family — since I was a kid, I always loved to sing and stuff. But I think what probably helped spark it was I was in choir growing up in church. I was in choir at school, too, so that was one of the things that I think helped me to keep singing. I was also in the marching band and stuff like that. I think just being around music my whole life, too. New Orleans is a musical city, so I think it helped [with my] love of music for sure.

2. How have Juvenile and Lil Wayne been pivotal to the music you make, considering you all are from the same place?

My mom, she always loved Juvenile, and just the whole city in general. There was no way to get around it. But my momma used to love Juvenile, and she would play his albums. I was more of an R&B kid, but I still feel influenced by those eras of music.

Obviously, when I was in high school and stuff, Lil Wayne was super-popping. Every time he dropped a mixtape, I would play that. You know what I mean? Those are definitely some of my top influences when it comes to just how I approach [my music] lyrically, I think.

3. What other artists were you listening to growing up?

I listened to a lot of music. I definitely listened to Nat King Cole, Nina Simone, Brandy, super heavy, and Frank Ocean. And then on the hiphop side, Andre 3000, Kendrick Lamar. I like those blended artists that bend the genre a little bit.

4. How does 3000° differ from your earlier projects like Wanderlust and Pulp?

I think the way that it’s different, in my opinion, is it’s just more personal. I think with my other projects, I was trying to create a world, basically. With this one, I was more focused on telling my story and letting people know where I come from and what I’m about.

5. How did your collaborations with Jay Electronica and Jvck James on the EP come about?

I met Jay at a movie premiere for The Harder They Fall. My friend Kehlani actually introduced me to him, and she was like, “You need to know her,” or whatever. She from New Orleans, you’re both from New Orleans.” He was like, “Oh yeah, what part you from?” That whole little thing where you meet somebody from where you from, you got to be specific and stuff like that.

I started talking my s–t and he like, “All right, bet, bet, bet.” We had a little moment there. And then from there, I just kept seeing him. Also, he signed to Roc Nation, so my A&R is super cool with him. Yeah, basically, that’s how that happened. He just was like, “I’m down, let’s do something.” I sent him the song [“Jay’s Reprise”] and he liked it. He sent something back, he was asking me my opinion and stuff. I’m like, “Dude, you’re Jay Electronica.”

Jvck, I had been following him for a while on social media, and when he finally came to the States, we linked up and we did some sessions. Funny enough, none of those songs ever came to be anything. But after one of the sessions, I sent him “Baby,” and he was just like, “I like this,” so he just hopped on it. I feel like all the features I do are usually super easy like that, but it’s organic, and I prefer that rather than the label situation.

6. Tell me about your music deal with Roc Nation. How did that partnership come about?

I got into management in 2019 after being with a few different people that were helping me out. I had already recorded Pulp, which was my last EP. I had the whole idea for everything. I was like, “I just need to put it out.” They were like, “Bet. We going to find a way to get it out.” Roc Nation was one of the first people that we had a meeting with. Honestly, I went for songwriting and then I played them my stuff and Omar [Grant] was just like, “Yeah, we got to put this out.”

Also, I knew Lawrence “Law” Parker, he’s not at Roc Nation no more, but he from New Orleans and he was like, “Yeah, they good people over here.” I trusted him and it felt like the right thing to do. I signed with them in 2019 and that’s how this journey began.

7. You and Jvck James have the most-added song at R&B Radio and Sirius’ Heart and Soul for “I’m Baby.” How does that feel?

Honestly, at first, I didn’t know what it even meant. But when I figured out what it meant, I was very excited. But I was also shocked. “Wow, that’s a little crazy.” But it made me feel happy and excited that people just genuinely like the song. That was a cool thing for me, a first for me. I’m trying to get in the habit of celebrating myself more.

8. What does the song mean to you in your own words?

I think it means just allowing yourself to be vulnerable with somebody. Because specifically, I say the word “submissive” in the hook. I don’t know if people think I’m talking sexually, but I mean in the sense of emotionally, just allowing somebody to break down an emotional wall. That’s what it was about for me. Just being comfortable and okay with that and having that balance and a relationship.

9. How would you describe your unique sound?

I think my sound is psychedelic — but I wanted to be a rapper at first, so I always try to be super-melodic, and my cadences, I try to do some different stuff with it. Also, I used to play trombone, so I feel like I have a naturally rhythmic cadence or whatever. But I think I’m a mix of soulful with some, I don’t know, new age.

10. How do you feel about the thought from people like Diddy that R&B is dead?

I don’t think it’s true. I don’t think it ever was true — but for some reason, R&B is one of those genres that people consistently want to talk about. There’s literally so many great R&B artists, and there always have been and there always will be, but it just depends on what you’re paying attention to.

I don’t think it’s dead, though, and I don’t think it will ever die — because it’s real music that it comes from, so I just don’t think people share it as much, because it’s a vulnerable type of music, generally. It’s not something that you’re not going to hear in the club all the time.

11. How are you making your mark in R&B, with so many different artists trying to make their stamp in the genre?

I think about being authentic to myself and [making] things that I want to hear. I just feel like I’m just a different person in general — so if I’m being myself, then my music is going to be different, too. I try not to think about everybody else.

12. I want to know how sexuality plays in your music. Do you put much thought into it and make sure that representation is there for LGBTQ+ audience?

Honestly, I don’t think about it. I’m being myself and just being honest and I’m speaking about my life and my experiences. I think it’s important, but I’m going to be honest — when I’m recording and stuff, it’s not something that I think about.

13. Do you see the masses embracing more from LGBTQ+ artists in the industry?

Slowly but surely. For sure. Hopefully eventually, it won’t be a thing to even discuss or talk about. Yeah, I do feel like the world is slowly accepting of other people’s just sexualities and the way people want to live their own lives.

14. You’ve collaborated with the likes of Thundercat, and D Smoke — who else would you like to work with in the music business and why?

I really want to work with PinkPantheress, because I love her voice — and I don’t know, I think she has a cool, unique sound. Also Hiatus Kaiyote, which is a band that I love. And obviously Andre 3000.

15. What is the writing process like writing for artists, specifically H.E.R.?

With H.E.R., pretty much every time we have a session, we’ll talk for honestly two hours or something like that — and just, “How you doing, what’s going on with your life,” or whatever. Usually, from that conversation, it would spark something creatively, and we might write a song about it.

But the process for pretty much everybody I write with is similar. We all just go based off how it’s feeling. If we pull up a beat, we might lay some melodies or whatever, but it’s really collaborative. I feel like if we are in a studio together, then everybody’s opinion is important. It’s a community effort. We constantly checking, “Oh, you think this is cool or should I do this?” Everybody’s ideas are valued, and we end up coming up with something cool every time.

16. You’re a solo artist, but I want to know — if you could put together a five-man band of any artist past or present, who would it be and why?

Including me. Okay. Five man band. I would say my best friend Destin, Kehlani. I’m going to throw, let’s see a rapper. I don’t know. Let’s say John Doe, and Ravyn Lenae.

17. Your tour, The Wild Magnolia Tour, kicks off on Nov.6. What’s the meaning behind the tour name?

Yeah, it’s some New Orleans stuff. It’s a saying. I don’t know how to explain it, but if somebody does something crazy or says something crazy, it be like, “Oh, you Wild Magnolia.” It’s a saying. But also, magnolia is the state flower and everything. So it’s just another extended homage to New Orleans.

18. What are you looking forward to most from this tour?

I’m looking forward to sounding really good. Hopefully I get to stage dive or crowd surf. That’s a goal of mine. I know people don’t expect that from an R&B show, but hey. I’m just looking forward to having fun, and seeing the people that I love and that support me, and just having a good time.

19. What do people need to know about Ambré inside and outside of music?

I want people to know that I’m a very sensitive person. I’m an artist. I’m sensitive about my s–t. [Laughs.] Nah, I’m just kidding. I feel like just that I care a lot about everything that I’m doing, and that I’m always learning, always growing. I’m just very grateful to be here.

20. What can fans expect next?

Outside of the tour, I’m working on some new music. Hopefully I’ll be able to put something out soon, but I’ve been recording a lot and shooting some more visuals and stuff like that. But I’m ready to drop a whole nother project.

Tickets for The Wild Magnolia Tour are available at ambremusic.com.

The Wild Magnolia Tour Dates
11/6: Atlanta, GA @ Heaven At The Masquerade
11/7: New Orleans, LA @ The Parish at HOB
11/10: Houston, TX @ White Oak Music Hall
11/15: New York, NY @ SOB’s
11/17: Washington, DC @ Union Stage
11/19: San Francisco, CA @ Cafe du Nord
11/20: Los Angeles, CA @ Peppermint Club