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TOMORROW X TOGETHER’s New EP Is Coming Soon

More music from TOMORROW X TOGETHER is on the way! On Thursday (Nov. 10), HYBE CEO Jiwon Park announced during a company briefing that the K-pop group — which consists of members Yeonjun, Soobin, Beomgyu, Taehyun and Hueningkai — will be returning in January 2023 with brand new music.

Though fans will have to sit tight for a little while before learning more about the project’s concept, title and release date, it will be the first music release the quintet has released since the arrival of its fourth mini EP, minisode 2: Thursday’s Child. That project was a hit for the K-pop stars. It spent a total of 14 weeks on the all-genre Billboard 200 chart, where it peaked at No. 4. The mini album achieved even more success on the Top Current Album Sales chart, where it spent 20 weeks on the chart and hit No. 1.

Speaking about Thursday’s Child in a May interview with Billboard, Soobin looked ahead to the future. “As we have more years and even more albums under our belts, we’re getting better outcomes and better numbers,” he said. “We have [also] tried many genres in music. As we work on more and more albums, [I feel like] we don’t have any limits. We’ve taken this musical journey step by step.” 

Up next for the group is a stop at the 2022 MAMA Awards. In addition to taking the stage for a performance, TOMORROW X TOGETHER is nominated for five awards in the best male group, best dance performance male group and song of the year (“Good Boy Gone Bad”), artist of the year and worldwide fans’ choice top 10 categories.

Tierra Whack Arrested For Gun Possession at Philly Airport

Philly rapper Tierra Whack was arrested at the Philadelphia International Airport on Tuesday (Nov. 8) for possession of a loaded handgun. A spokesperson for the Philadelphia District Attorney’s office confirmed to Billboard that Whack, 27, was taken into custody at the airport after officials found a loaded firearm at a security checkpoint.

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DA office spokesperson Jane Roh noted that Whack had a permit to carry a concealed firearm, and that she was charged with a summary offense for having a loaded firearms at an airport security checkpoint. TMZ reported that law enforcement sources said Whack’s bag was searched by Homeland Security at an X-ray checkpoint, where they discovered the weapon with six live rounds in the magazine and none in the chamber.

Authorities told TMZ they believed that the gun was mistakenly carried by Whack to the airport; the handgun was confiscated and Whack was issued a citation and released. A spokesperson for Whack could not be reached at press time.

Philly magazine noted that licensed handgun owners are legally allowed to bring a gun on a plane if they check it in a proper container at the ticket counter. If you try to bring it through the TSA checkpoint on your body or in a carry-on, however, that is a no go, even though it happens all the time. The magazine reported that according to the TSA, agents discover 17 guns a day at airports around the U.S., with strapped travelers setting a new record in 2021, when a total of 5,972 guns were intercepted by the TSA.

As for how often people try to fly with a loaded gun, the TSA said that during a single week agents discovered 64 guns in carry-on bags, 55 of which were loaded; agents confiscated 39 guns at Philadelphia International in 2021 and so far this year they’ve already taken away 38 guns, 28 of which were loaded.

YNW Melly Could Face Death Penalty After Florida Appeals Court Sides With Prosecutors

A Florida appeals court ruled Wednesday that YNW Melly could face the death penalty if convicted in his upcoming murder trial, overturning a judge’s decision that prosecutors forfeited the right to seek capital punishment.

With a trial looming this past summer, Judge Andrew Siegel ruled that prosecutors couldn’t seek the death penalty because they had failed to give Melly and his attorneys proper notice that they planned to do so, violating strict state rules.

But in a ruling on Wednesday, Florida’s District Court of Appeal ruled the judge’s decision was incorrect. Since prosecutors gave notice that they might seek death when they first charged Melly in 2019, they had complied with state rules. “Notice is notice,” the court wrote in its opinion.

The ruling means that Melly could be sentenced to death if convicted in his upcoming trial. But that likely won’t take place until the Florida Supreme Court rules on the case, because Wednesday’s ruling certified the issue as one of “great public importance” that should be decided by the state high court.

In a statement to Billboard, Melly’s attorney Philip R. Horowitz said he and his client were “disappointed in the ruling” but “look forward to our opportunity to argue our position before the justices.”

The ruling came as Melly (real name Jamell Demons) continues to await trial on first-degree murder charges over accusations that he and another rapper shot and killed Anthony “YNW Sakchaser” Williams and Christopher “YNW Juvy” Thomas Jr. in 2018.

A trial had previously been scheduled for April, but was called off at the last minute, prompting Melly’s attorneys to file a so-called “speedy trial demand” that would require the case to start within 60 days. Another trial was then set for July, but the case was again delayed over the current dispute about the death penalty.

A first-degree murder defendant in Florida would typically face the possibility of execution if convicted, but Melly’s attorneys argued in April that the state had failed to comply with strict laws on how they must warn defendants that they’ll seek the death penalty.

Florida requires prosecutors to give notice 45 days after arraignment if they plan to seek capital punishment. In Melly’s case, the state attorney filed such notice when they originally indicted the rapper in 2019 but failed to do so when a so-called superseding indictment was handed down earlier this year.

In July, Judge Siegel sided with Melly’s attorneys and said prosecutors had forfeited the chance to seek death. But after prosecutors argued that the ruling was clearly incorrect, Judge Siegel acknowledged that his ruling addressed a novel legal question and halted the case until a state appeals court could rule on it.

On Wednesday, the District Court of Appeal did so – and sided decisively with prosecutors.

“We find that the state complied with its statutory obligations when it filed its notice of intent to seek the death penalty within 45 days of arraignment,” Judge Spencer D. Levine wrote for the appeals court. “The fact that the state filed a superseding indictment, requiring a second arraignment, does not vitiate the already filed and timely notice of intent. Notice is notice.”

The ruling said that rules were designed to give defendants a fair chance to prepare for a death penalty argument, and that prosecutors had lived up to that requirement with their original notice.

“Clearly, in the present case, the defendant was noticed and apprised of the state seeking the death penalty in 2019,” Judge Levine wrote. “The defendant has had nearly three years to start the preparation of his defense to the state seeking the death penalty [and] the record contains no evidence that the defendant was prejudiced in any way.”

Melly’s attorneys can appeal the ruling to the Florida Supreme Court.

Maren Morris Skips CMAs Red Carpet After Brittany Aldean Feud, Struts to Taylor Swift’s ‘Karma’

After previously saying she may not attend the 2022 Country Music Awards to go due to tensions with Jason Aldean and Brittany Aldean, Maren Morris was indeed present at the ceremony Wednesday (Nov. 9) to celebrate her March LP Humble Quest‘s nomination for album of the year. She did, however, skip the red carpet, and instead posted a video of herself jamming to Taylor Swift‘s new song “Karma.”

In the video, posted to her social media accounts the night of the awards, the 32-year-old singer-songwriter shows off her shimmery, plunging neckline gown, her hair styled in long, beachy waves. Holding a bottle of champagne backstage at Nashville’s Bridgestone Arena — where the CMAs were held — and she struts to one of the sassiest tracks on Swift’s newest album Midnights.

“Karma’s a relaxing thought, aren’t you envious that for you it’s not?” Swift’s voice sings as Morris waves to the camera.

“BYOB, CMA,” she captioned the video.

The following morning, she posted another video of herself in her CMAs look, soundtracked by the same song and captioning it with a lyric fro the song. “Aren’t you envious that for you it’s not?” she wrote, along with a black heart emoji.

The “Middle” singer’s appearance at the ceremony comes just a couple months after she said in an interview that she may not be attending, as she felt unwelcome following her highly publicized online feud with fellow country star Jason Aldean’s wife, Brittany. In August, Brittany — whom Morris later dubbed “Insurrection Barbie” — made transphobic comments on social media, which the “Circles Around This Town” singer slammed in a string of subsequent posts.

“I’m very honored that my record is nominated. But I don’t know if I feel [at] home there right now,” she told the Los Angeles Times in September. “So many people I love will be in that room, and maybe I’ll make a game-time decision and go. But as of right now, I don’t feel comfortable going. I kind of feel peaceful at the notion of not going.”

The Grammy winner did end up making that “game-time decision” to attend after all, but it makes sense why she might have felt uncertain going in. In the aftermath of her spat with Brittany, Jason Aldean jokingly brought up Morris’ name at a concert and waited as his crowd booed her. Before that, Brittany sat for an interview with Tucker Carlson on his Fox News show, during which the conservative commentator labeled Morris a “lunatic country music person.”

Morris, however, took Carlson’s comment in stride, and went on to sell T-Shirts with his nickname for her printed on them. That raised more than $100,000 for GLAAD’s Transgender Media Program and Trans Lifeline.

“I hate feeling like I need to be the hall monitor of treating people like human beings in country music,” she told L.A. Times shortly afterward. “It’s exhausting. But there’s a very insidious culture of people feeling very comfortable being transphobic and homophobic and racist, and that they can wrap it in a joke and no one will ever call them out for it. It just becomes normal for people to behave like that.”

Watch Maren Morris strut to Taylor Swift’s “Karma” at the CMAs below:

Mariah Carey Will Wish ‘Merry Christmas to All!’ in Prime-Time Holiday Special

Mariah Carey is bringing her Christmas cheer directly into your house this season. The singer announced on Thursday (Nov. 10) that she will sled through all her holiday favorites on Dec. 20 during an all-new two-hour primetime special, Mariah Carey: Merry Christmas to All!, slated to air on CBS and Paramount+.

The announcement came during an appearance on CBS Mornings on Thursday, where MC dropped by to promote her first-ever yuletide picture book, The Christmas Princess, as well to explain why she just can’t get enough of mistletoe and eggnog season. The special will be filmed at Carey’s upcoming two-night “Merry Christmas to All!” stand at New York’s Madison Square Garden on Dec. 13 and 16; she will also bring the show to Toronto’s Scotiabank Arena on Dec. 9 and 11.

With one of the most enduring modern Christmas classics of all time in “All I Want For Christmas Is You,” Mariah was asked if she feels like she has to continually up her holiday game in order to retain her Christmas Queen crown and whether she thinks the slow-rolling retail cheer creep is getting out of hand. “It is too early! Tell that to the stores,” she said about the slow Santa slide that finds some big box outlets pre-stocking jingle trinkets before the Halloween haunts even have left stores.

“Honestly, I think we need to get through Thanksgiving,” Carey added about when she thinks it’s appropriate to rev up our Rudolph game. And not for nothing she noted, her signature “it’s time” tweets were not originally her doing, but American Idol host Ryan Seacrest’s. “It was Ryan Seacrest, I believe, tweeted me and he said, ‘Hey Mariah, I wanna get festive, I wanna get into the holiday spirit. Do you think it’s time?,’” she recalled. “And I thought it was really funny, and I’m like, ‘not yet.’ So then we just started filming people asking me, or I’d be in the dentist chair [and they’d ask] ‘should we put Christmas music on for you?’”

Carey said she was super proud that her first announced “Merry Christmas To All!” show at MSG sold out in an hour. “I have no words,” she said, teasing that there will be a few “new sections” of the show she last performed in 2019, including fan requests of songs she hasn’t performed in the holiday showcase yet.

Check out Mariah’s announcement and interview below.

RM’s First Solo Album Finally Has a Title & Release Date: Here’s When It Arrives

BTS ARMY, this is not a drill: RM promised that a solo album would be arriving in the imminent future, and now a date has been set, along with the project’s official title. On Thursday (Nov. 10), the rapper dropped the news via Instagram, sharing a photo of a bright blue patch of denim, along with the LP’s details.

“‘Indigo,’” RM captioned the post. “RM 1st Solo Album, 12/2.”

BTS’ music label, BigHit Music, also shared the news to its respective feeds, along with a photo of a blue fabric swatch with the album title bleached in white. The label also added that Indigo will be released on Dec. 2 at 12 a.m. ET and 2 p.m. KT.

Indigo recounts the stories and experiences RM has gone through, like a diary,” a press release said of the project. “The album will present a different charm of RM with various featured artists.” (None of the featured artists have yet been announced.)

Though Indigo will be RM’s first full-length solo album, the rapper previously released two mixtapes. He was the first of the BTS members to share solo material, dropping his self-titled mixtape in 2015, which contained singles “Do You,” “Awakening” and “Joke.” RM then released a second mixtape in 2018 titled Mono. “Forever Rain” was released as the only single from this latter body of work, and the set debuted at No. 26 on the Billboard 200.

The announcement of RM’s solo album arrives shortly after fellow BTS member Jin released his own solo track titled “The Astronaut.” The track currently sit at No. 51 on the Billboard Hot 100.

See RM’s album announcement below.

Judge Orders Drake & 21 Savage to Stop Using Fake Vogue Cover: ‘Deceiving The Public’

Just two days after Condé Nast sued Drake and 21 Savage for using a fake cover story in Vogue magazine to promote their new album Her Loss, a federal judge has issued a restraining order forcing them to stop using it.

Siding with Condé, U.S. District Judge Jed Rakoff ruled Wednesday that the faux cover – one of several fake promos for the album – was likely violating the publisher’s trademarks because Drake and 21 were “misleading consumers” and “deceiving the public.”

“Issuance of the requested temporary restraining order is in the public interest to protect the public against confusion, deception and mistake,” the New York federal judge wrote.

For the past week, Drake and 21 Savage have been on a phony media blitz to promote Her Loss, which debuted Friday. They dropped a video of a fake performance on Saturday Night Live, teased an a similar appearance on NPR’s Tiny Desk series, and created an elaborate deepfake interview with Howard Stern.

NPR used the stunt as an opportunity to tell the star he was “welcome anytime” on the beloved concert, and Stern laughed the whole thing off, but Condé Nast went a different route. In a lawsuit filed Monday, the publisher called the stunt a “flagrant infringement” its trademark, aimed at exploiting the “tremendous value that a cover feature in Vogue magazine carries” without actually securing one.

“All of this is false,” the publisher’s lawyers wrote, demanding an immediate injunction forcing Drake and 21 to cease all use of the “counterfeit” cover. “And none of it has been authorized by Condé Nast.”

The order issued Wednesday is what’s known as a temporary restraining order – a quick injunction designed to prevent “irreparable harm” that could not later be undone. A plaintiff like Condé can only win one if the judge decides that they are likely to eventually win their lawsuit.

Judge Rakoff’s order bars Drake and 21 from “using, displaying, dissenting or distributing” the fake cover or the actual phony Vogue copies they printed as part of the stunt. And it expressly requires them to take down websites and social media posts sharing the image, and to remove physical posters put up in certain markets.

Notably, it also explicitly requires them to stop making any mention of Vogue editor in chief Anna Wintour. In its lawsuit, Conde took particular aim at the fact that Drake had thanked her in his posts sharing the fake magazine cover, saying it had been “deliberately deceptive” to suggest that the infamous editor had endorsed the project.

Reps for Drake and 21 did not immediately return requests for comment on Wednesday’s order.

A temporary restraining order is, by its nature, temporary – lasting only until the parties have a chance to argue over a longer-term injunction. A hearing on such an injunction is set for Nov. 22.

Read the full order here:

Bankroll Freddie Arrested on Gun, Drug Charges as Part of Major Federal Trafficking Bust

Bankroll Freddie was arrested in Jonesboro, Arkansas on Wednesday (Nov. 9) as part of a major federal drug and gun bust conducted across the state. The rapper (born Freddie Gladney III) and his father, Freddie Gladney Jr., were among more than 45 people swept up in the action according to a copy of the federal indictment.

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The indictment claims that from March 2021 through Oct. 2022 the defendants allegedly conspired to distribute and possess cocaine, crack cocaine, methamphetamine and marijuana and that Freddie possessed an arsenal of firearms that included at least three 9mm pistols, two rifles and machine guns “in furtherance of a drug trafficking crime.”

Prosecutors claim that the Gladneys and their co-conspirators allegedly trafficked guns and drugs between Arkansas, Texas, California, Arizona, Georgia, Mississippi, Tennessee and Oklahoma and that the arrests were the culmination of three different investigations. According to the Associated Press, a statement from the U.S. Attorneys office in Little Rock said that two FBI investigations into gang violence and drug trafficking and a separate DEA investigation uncovered methamphetamine and fentanyl being mailed from California into Arkansas and then distributed in Little Rock, Pine Bluff and Houston; weapons, including machine guns, cash and drugs were all seized as part of the investigation.

At press time a spokesperson for Gladney, 28, had not returned a request for comment.

KAIT 8 reported that the FBI investigations focused on two rival Arkansas gangs: the “Every Body Killas Gang (EBK) and the “Loady Murder Mobb Gang.” After Pine Bluff detective Kevin Collins was shot and killed in Oct. 2020 while serving a warrant on an EBK member while assisting federal agents in their investigation into the gangs the information gleaned from his work allowed federal agents to obtain 12 wiretaps through June 2022 that helped prevent planned crimes and led to the arrest of Bankroll, his father and others.

According to court documents, Quality Control rapper Freddie is facing at least 11 charges, which include: possession of cocaine, possession of crack cocaine, possession of marijuana, two counts of intent to distribute marijuana, knowingly and intentionally possession firearms, three counts of providing false/fictitious information on a gun purchase form, using guns for gun trafficking, using a telephone to traffic drugs and knowingly possessing one or more machine guns.

Freddie was arrested in Arkansas in April on multiple charges, including resisting arrest/refusal to submit to arrest/active or passive refusal, “simultaneous possession of drugs and firearms,” as well as a felony count of possession of a schedule VI controlled substance with the purpose to deliver, speeding and an additional possession charge.

Arkansas native Freddie joined the Quality Control team in 2019 after releasing his single “Drip Like This” and the Saved By the Bales mixtape, followed by 2020’s From Trap to Rap album, had features from Lil Baby, Lil Yachty, Moneybagg Yo and Young Dolph. After singing to Motown Records in 2020, he dropped the 2021 single “Add It Up, followed by the Megan Thee Stallion collab “Pop It” from his 2021 album Big Bank. He released a collab with Icewear Vezzo, “Picking Sides,” around the time of the April arrest, followed by his From Trap to Rap 2 album.

The Deals: Detroit Rapper Tay B Signs With Azoffs’ Giant Music; WME Teams With Audio Up

Irving and Jeffrey Azoff‘s recently-launched Giant Music record label signed Detroit rapper Tay B in partnership tie AFLN Music Group. Tay B released his most recent album, 4Eva In My Bag, earlier this year. Run by Shawn Holiday, Giant Music previously signed Atlanta-based trap artist SwaVay in partnership with Def Jam. Giant Music is a resuscitation of the Giant name for the Azoffs, with Irving having launched Giant Records in 1990 as a joint venture with Warner Bros. Records.

Podcast company Audio Up, which focuses on trying to create hit tracks by leveraging podcasts as the launch pad, announced a new strategic partnership with WME to support the development of artists from Audio Up’s podcast slate. Under the deal, WME will advise Audio Up on its touring and content opportunities across film, TV and digital and provide the company with access to its network across music, entertainment and brands. One of the first initiatives under the partnership is the development of Latin artist Balam, who will star in and contribute original music to the forthcoming Audio Up scripted podcast Day of the Dead. In tandem with promotional efforts around the podcast, WME served as an advisor on booking Balam’s Dec. 10 debut performance at reggaeton festival Viva Urbano. WME will also work with Audio Up on the podcaster’s Apple Music show The Ballad of Uncle Drank by turning the show’s title character into a real-life touring country experience.

Sony Music Masterworks made a majority investment in Dubai-based concert promotion, talent management, events and production company MAC Global. Day-to-day operations of MAC Global will continue to be led by co-founders Rob McIntosh and Daniel Goldberg, who will work with Sony Music Masterworks president Mark Cavell, senior vp of business development Josh Lerman and managing director of Senbla Ollie Rosenblatt. Under the arrangement, MAC Global will expand its remit to include comedy, sports, virtual events, orchestral events and immersive music experiences.

The Black Music Action Coalition (BMAC) teamed with Jimmy Jam and Terry Lewis for the Jimmy Jam & Terry Lewis Music Makers Grant, which will award $5,000 annually to an emerging BIPOC songwriter or producer. BMAC will screen applicants, with Jam and Lewis personally picking the finalist. Online applications for this year’s grant close Nov. 15, with the winner to be announced in December.

Townsend Music signed Kaiser Chiefs in partnership with Absolute Label Services/Utopia, V2 and The Orchard for the band’s next studio album, which is slated for release next year. Townsend and Absolute will provide physical and digital distribution for the album in the U.K. under Townsend’s D2C+ model, while V2 will distribute it in France and Benelux and The Orchard will distribute it in other territories.

SoundExchange struck deals with Zelle and Cash App allowing registered creators to elect to receive their royalty payments via either of those mobile payment apps. Creators can contact the SoundExchange customer services team to learn more about app-specific eligibility requirements and sign up to receive royalty payments via the platforms.

Country newcomer Dalton Dover, who appeared on Season 16 of The Voice and has since garnered a following on TikTok, signed with Universal Music Group Nashville. He will release his upcoming music via Mercury Nashville.

Pop and melodic rap artist Zzz. signed with Warner Records in partnership with Lil Bibby‘s Grade A Productions. His major-label debut single is “All I Never Wanted.”

Live Nation has signed on as the exclusive booking partner for the nonprofit Capital One City Parks Foundation SummerStage festival. Ahead of the 2023 summer season, Live Nation will book all benefit concerts between June and October at the flagship Rumsey Playfield site in New York’s Central Park.

Composer Max Richter appointed Huxley as his global publicity and brands agency, which will also represent Richter and Yulia Mahr‘s Oxfordshire recording studio and multi-arts production facility Studio Richter Mahr.

U.K.-based Logan Media Entertainment teamed up with BMG to create a new record label, Tag8 Music, that will “specialize in the growing market for resurgent established artists,” according to a LinkedIn post by Logan Media. The label will launch with a roster including Blue, Pixie Lott, Roachford and a cast album of The Drifters Girl musical featuring Beverley Knight.

Naxos Music Group signed an extensive partnership with Downtown-owned FUGA. Under the deal, Naxos will have access to FUGA’s full suite of services including digital distribution, marketing services, royalty accounting and use of FUGA’s trends and analytics platform for Naxos and associated labels.

Los Angeles-based queer singer-songwriter Olive Klug (they/them) signed with Nettwerk, which will release their single “Out of Line” on Nov. 18.

European music royalty investing marketplace ANote Music partnered with Revelator, which provides digital IP infrastructure to music rights holders and music companies, for an arrangement that will allow Revelator clients to list their shares of tracks in their catalogs on ANote. The two companies will also collaborate on integrating Revelator’s technology, data management, predictive models and payment systems into ANote.

Symphonic partnered with music company Ropeadope for exclusive global distribution and marketing. Under the deal, Symphonic will provide digital and physical distribution and playlist pitching for Ropeadope’s full back catalog and key new releases. The partnership will encompass forthcoming releases by The Headhunters, Sarah Elizabeth Charles and Mthunzi Mvubu.

North Dakota pop-punk band Brooklane signed to Los Angeles-based Adventure Cat Records, an indie label from the artist management team at KMGMT. The band has new music in the works with producers Andrew Wade and Steve Knight. They are managed by David Pinder and Desanka Ilic at Cold Coffee Entertainment.

Vancouver-based artist management company Macklam Feldman Management signed on to represent acoustic folk-pop trio Tiny Habits, comprised of Maya Rae, Cinya Khan and Judah Mayowa.

Paul McCartney Releasing Career-Spanning ‘The 7″ Singles Box’

Sir Paul McCartney will release a career-spanning box set that will feature 80 singles personally chosen by the singer from throughout his solo career. The collection, The 7″ Singles, is due out on Dec. 2 and will come in a wooden art crate and is limited to 3,000 copies.

With a total of 163 tracks totaling more than 10 hours of music, the set — which will also be released digitally — will feature such beloved singles as “My Love,” “Live and Let Die,” “Band on the Run,” “Silly Love Songs,” “Coming Up,” “Ebony and Ivory,” “Say Say Say” and “No More Lonely Lights,” among many others.

“I hope the songs in this box set bring back fun memories for you too. They do for me, and there will be more to come,” McCartney said in a statement announcing the set. The box spans the time from 1971’s “Another Day” to a 7″ version of McCartney’s 2022 Record Store Day song of the year, “Women and Wives” from 2020’s McCartney III. The collection brings together 65 singles with their original B-sides — using restored artwork from 11 different countries — in addition to 15 singles never before released on 7″ collected from previously released 12″, picture discs, CD singles and promos, digital downloads, music videos and two previously unheard demos and a previously unheard 7″ single edit.

In addition to the singles, the wooden box designed and built in Derbyshire, UK will also include a 148-page book with a personal foreword by McCartney, an essay from music writer Rob Sheffield and chart information, liner notes and single artwork. Each box will also include a randomly selected, exclusive test pressing of one of the singles.

McCartney celebrated the announcement by releasing a rare 1971 mono recording from the set of “Uncle Albert/Admiral Halsey [Mono]” and “Too Many People [Mono].”

Check out the track listing and the “Uncle Albert” single below:

1971, Sweden 
1A: Another Day  
1B: Oh Woman, Oh Why 

1971, US Mono 
Promotional Release 
2A: Uncle Albert / Admiral Halsey [Mono]  
2B: Too Many People [Mono] 

1971, UK 
3A: The Back Seat of My Car
3B: Heart of the Country  

Previously unreleased on 7”
4A: Love Is Strange [Single Edit]
4B: I Am Your Singer  

1972, UK  
5A: Give Ireland Back to the Irish  
5B: Give Ireland Back to the Irish [Version]  

1972, UK  
6A: Mary Had a Little Lamb
6B: Little Woman Love  

1972, Belgium  
7A: Hi, Hi, Hi  
7AA: C Moon  

1973, Israel 
8A: My Love  
8B: The Mess [Live at The Hague] 

1973, Sweden 
9A: Live and Let Die  
9B: I Lie Around  

1973, Spain  
10A: Helen Wheels 
10B: Country Dreamer  

1974, Germany  
11A: Jet  
11B: Let Me Roll It  

1974, Germany  
12A: Band on the Run  
12B: Nineteen Hundred and Eighty Five  

1974, The Netherlands  
13A: Mrs. Vandebilt  
13B: Bluebird  

1974, Belgium 
14A: Junior’s Farm  
14B: Sally G  

1975, Australia  
15A: Listen to What the Man Said
15B: Love in Song  

1975, Germany 
16A: Letting Go  
16B: You Gave Me the Answer  

1975, Belgium  
17A: Venus and Mars / Rock Show 
17B: Magneto and Titanium Man  

1976, France  
18A: Silly Love Songs  
18B: Cook of the House  

1976, Germany 
19A: Let ‘Em In  
19B: Beware My Love  

1977, Japan 
20A: Maybe I’m Amazed (Live)
20B: Soily (Live)  

1977, UK 
21A: Mull of Kintyre  
21AA: Girls’ School  

1978, Germany  
22A: With a Little Luck (DJ Edit) 
22B: Backwards Traveller/Cuff Link  

1978, UK  
23A: I’ve Had Enough  
23B: Deliver Your Children  

1978, The Netherlands  
24A: London Town  
24B: I’m Carrying  

1978, France  
25A: Goodnight Tonight
25B: Daytime Nightime Suffering  

1979, UK 
26A: Old Siam, Sir  
26B: Spin It On 

1979, UK 
27A: Getting Closer 
27AA: Baby’s Request  

1979, Japan 
28A: Arrow Through Me
28B: Old Siam, Sir  

1979, UK 
29A: Wonderful Christmastime
29B: Rudolph the Red Nosed Reggae  

1980, UK 
30A: Coming Up  
30B: Coming Up (Live at Glasgow)  
30BB : Lunch Box/Odd Sox  

1980, UK 
31A: Waterfalls  
31B: Check My Machine  

Previously unreleased on 7”
32A: Temporary Secretary
32B: Secret Friend  
[7” Single Edit]  

1982, UK 
33A: Ebony and Ivory 
33B: Rainclouds  

1982, UK 
34A: Take It Away 
34B: I’ll Give You a Ring  

1982, UK 
35A: Tug of War  
35B: Get It  

1983, UK 
36A: Say Say Say  
36B: Ode to a Koala Bear  

1983, UK 
37A: Pipes of Peace  
37B: So Bad  

1984, UK 
38A: No More Lonely Nights (Ballad)  
38B: No More Lonely Nights (Playout Version)  

1984, UK 
39A: We All Stand Together
39B: We All Stand Together (Humming Version)  

1985, US 
40A: Spies Like Us  
40B: My Carnival  

1986, US  
41A: Press [Video Edit] 
41B: It’s Not Ture  

1986, Art reformatted from US 12” promotional vinyl
42A: Pretty Little Head (Remix)
42B: Write Away  

1986, US 
43A: Stranglehold  
43B: Angry (Remix)  

1986, UK 
44A: Only Love Remains
44B: Tough on a Tightrope  

1987, UK 
45A: Once Upon a Long Ago
45B: Back on My Feet  

1989, US 
46A: My Brave Face 
46B: Flying to My Home  

1989, UK 
47A: This One  
47B: The First Stone  

1989, Australia 
48A: Figure of Eight [7” Bob Clearmountain Mix]
48B: Où Est le Soleil  

1989, UK 
49A: Party Party 
49B: Artwork etching  

1990, UK 
50A: Put It There 
50B: Mama’s Little Girl  

1990, Europe 
51A: The Long and Winding Road  
51B: C Moon  

1990, UK 
52A: Birthday  
52B: Good Day Sunshine  

1990, UK 
53A: All My Trials  
53B: C Moon  

Previously unreleased on 7” 
54A: The World You’re Coming Into  
54AA: Tres Conejos  
54B: Save the Child  
54BB: The Drinking Song (Let’s Find Ourselves a Little Hostelry)  

1992, Europe 
55A: Hope of Deliverance
55B: Long Leather Coat  

1993, Germany 
56A: C’Mon People  
56B: I Can’t Imagine  

1997, Reformatted from 7” picture disc 
57A: Young Boy  
57B: Looking for You  

1997, Reformatted from 7” picture disc 
58A: The World Tonight
58B: Used to Be Bad  

1997, Reformatted from 7” picture disc 
59A: Beautiful Night  
59B: Love Come Tumbling Down  

1999, UK 
60A: No Other Baby  
60B: Brown Eyed Handsome Man  
60BB: Fabulous 

2001, Europe 
61A: From a Lover to a Friend 
61B: Riding into Jaipur  

2004, Europe 
62A: Tropic Island Hum
62B: We All Stand Together  

2005, Europe 
63A: Fine Line  
63B: Growing Up Falling Down  

2005, Europe 
64A: Jenny Wren  
64B: Summer of ’59 

Previously unreleased on 7”
65A: Dance Tonight  
65B: Dance Tonight [Demo] 

Previously unreleased on 7”
66A: Nod Your Head 
66B: 222 

2007, Europe 
67A: Ever Present Past  
67B: House of Wax (Live) 

Previously unreleased on 7” 
68A: Sing the Changes  
68B: Nothing Too Much Just Out of Sight [Radio Edit]  

Previously unreleased on 7” 
69A: (I Want To) Come Home
69B: (I Want To) Come Home [Demo]  

Previously unreleased on 7”
70A: My Valentine 
70B: Get Yourself Another Fool

2012, US  
Christmas Kisses 
71A: The Christmas Song (Chestnuts Roasting on an Open Fire)  
71B: Wonderful Christmastime  

Previously unreleased on 7”
72A: New  
72B: Early Days  

Previously unreleased on 7”
73A: Queenie Eye 
73B: Save Us  

Previously unreleased on 7”
74A: Hope for the Future
74B: Hope for the Future [Thrash Mix]  

Previously unreleased on 7”
75A: In the Blink of an Eye
75B: Walking in the Park with Eloise  

2018, Global 
76A: I Don’t Know  
76AA: Come on to Me  

Previously unreleased on 7”
77A: Who Cares  
77B: Fuh You  

2019, Global 
78A: Home Tonight  
78AA: In a Hurry  

Previously unreleased on 7”
79A: Find My Way  
79AA: Winter Bird / When Winter Comes  

Previously unreleased on 7”
80A: Women and Wives
80B: Women and Wives (St. Vincent Remix)