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Warner Music Launches ‘OUT OF ORDER’ Label to Highlight Emerging Markets

The Warner Music Group has launched a new label, called OUT OF ORDER, that will highlight artists from emerging markets including Africa, India, the Middle East, Southeastern Europe and the Eastern Mediterranean, the company announced Thursday (Nov. 10). The new label will partner with Parlophone in the U.K. and Atlantic in the U.S., as well as the local WMG affiliates in respective markets, according to a press release; its tagline is “a diverse collection of sounds in no particular order.”

OUT OF ORDER plans to put a spotlight on several different types of creators in each region with a focus on “dance-leaning records,” with artwork created by local designers and a weekly radio show with hour-long DJ sets inspired by tracks from each of the albums, with the mixes hosted on Audiomack, SoundCloud and YouTube.

“I’m incredibly passionate about this initiative,” said Selina Chowdhury, Warner Music’s head of emerging markets, who will run OUT OF ORDER, in a statement. “There’s so much unique and inspired international music that often doesn’t have a global platform. We hope that OUT OF ORDER will take music fans on an adventure and introduce them to sounds and artists they might not otherwise have had the chance to hear.”

Selina Chowdhury

Selina Chowdhury

Courtesy Photo

The label’s first release, out Thursday, is called OOO: AFRO, which Warner says “features a mix of Afrobeats, Amapiano and House tracks from the likes of Da Capo, Makhadzi, Moelogo, Oscar Mbo, P-Priime and Rouge,” with artwork by Ghanaian designer Nyahan Tachie-Menson, who said in a statement, “There’s so much going on with the music emerging from individuals on the continent; something we can all relate to is the vibrancy of the music, and that’s what I captured here.”

“Africa is a continent rich with various sounds, which have for the longest time influenced popular culture, but is only now really being spotlighted for its contributions,” Warner Music Africa’s creative lead Garth Brown said in a statement about the release. “This album showcases some of the music from across the continent. It’s an opportunity to give the world a peek of what Africa sounds like.”

OUT OF ORDER’s next release, set for early next year, will be in partnership with Warner Music India.

Christina Aguilera Documentary on the Way From TIME Studios & Jay-Z’s Roc Nation

TIME Studios and Jay-Z’s Roc Nation are teaming up to produce a feature documentary on Christina Aguilera. The project is set to be directed by Ting Poo, who earned acclaim for the documentary Val about the life of actor Val Kilmer.

Christina Aguilera is one of the most iconic artists of our time, whose music has inspired millions of people around the world,” Poo said in a statement. “I am truly honored to tell the story of the person behind the music because I know it will equally inspire.”

The Aguilera documentary will give fans access to the five-time Grammy-winning artist’s life, from her early days as a pre-teen Disney star to her present status as a music icon. There will be exclusive footage showing the 41-year-old as a mother as she reflects on her career fighting for creative and gender equality in the music business.

Aguilera, who has five No. 1 hits on the Billboard’s Hot 100, has had production following her for the past 18 months, a press release revealed.

“We are beyond excited to extend our creative partnership with Roc Nation through this film,” said TIME Studios Co-Head of Documentary Loren Hammonds. “Christina has been such an enduring talent and inimitable entertainer throughout the years. Hers is truly one of the great voices of our time, and this is the perfect moment for her story to be told. We are incredibly honored that she has chosen to work with TIME Studios and Roc Nation to finally share her truth with the world.”

“Christina is a true icon, a beacon of never-ending authenticity,” said Roc Nation’s EVP of TV and Film Lori York. “As a young artist, she broke rules and blazed paths for future voices. We’re proud to work with Christina and TIME Studios, bringing to life such an intimate project.”

This isn’t the first time TIME Studios and Roc Nation have teamed up: The companies previously announced a multi-part documentary series on Grammy-winning artist Megan Thee Stallion.

3LAU Accused of Not Paying Songwriter Her Fair Share From Massive ‘Ultraviolet’ NFT Auction

3LAU is facing a new lawsuit that claims the DJ refused to properly share the earnings from an $11 million NFT auction with a musical collaborator who co-authored one of the songs involved.

In a complaint filed Wednesday (Nov. 9) in New York federal court, Luna Aura (real name Angela Anne Flores) says she has a 50% royalty stake in the song “Walk Away” from his album Ultraviolet — but that 3LAU (real name Justin Blau) offered her just $25,000 from the much-publicized NFT auction tied to the record.

“Despite this financial windfall, defendants only offered Luna Aura a flat one-time payment of twenty-five thousand dollars as compensation in connection with the sale of Ultraviolet and ‘Walk Away’ NFTs,” her lawyers wrote.

Even during last year’s fever-dream craze for NFTs (non-fungible tokens), 3LAU’s Feb. 2021 auction stood out as notable. By selling 33 collectible tokens linked to his 3-year-old album Ultraviolet — the NFTs gave the buyers access to vinyl copies, unreleased music and other special experiences — the DJ-producer raked in $11.7 million. “It was one of those moments in my life where I was like, ‘Holy s—,’” 3LAU told Billboard at the time. “‘I think we just changed everything.’”

But according to Aura’s new lawsuit, he didn’t share those profits with a key person who helped create the album. She says the auction was done without any notice to her, and that the sale breached her 2017 agreement with Blau, which guaranteed her a 50 percent publishing royalty on “Walk Away.”

“Luna Aura has not received any compensation from revenues generated from the NFT project, nor has Luna Aura [received] appropriate credit in connection with the ‘Walk Away’ and Ultraviolet NFTs,” her lawyers wrote. “Despite the commercial and financial success of the NFT auction, defendants only offered Luna Aura an after-the-fact, one-time payment.”

The lawsuit did not specify how much Aura believes is an appropriate cut from the Ultraviolet NFTs but demanded an accounting to determine how much is owed.

A representative for 3LAU did not immediately return a request for comment on Thursday.

Elton John Is Wrapping Up the U.S. Leg of His Farewell Tour: Where to Buy Tickets Online

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Elton John is wrapping up the North American leg of his farewell tour, and tickets for the last few shows are still available. The 75-year-old British star will end the U.S. installment of his Farewell Yellow Brick Road: The Final Tour with concerts at Chase Field in Phoenix this weekend, before wrapping up at Dodger’s Stadium in Los Angeles next week.

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The Rocketman launched a final round of North American concerts in July and has played over 250 shows on the farewell tour. The jaunt has become the third biggest tour in history grossing a reported $661 million.  

“Thank you for sharing this journey with me, I cherish these memories we’re making together,” John said in tour announcement video. “It’s been nothing short of incredible and I look forward to seeing you soon, one last time on my Farewell Yellow Brick Road Tour.”

The “Hold Me Closer” singer is slated to perform three consecutive nights at Dodger Stadium beginning next Thursday (Nov. 17). Tickets are reasonably priced at approximately $63-$69 for select dates. Fans can get passes at Ticketmaster, Vivid Seats, Seat Geek, Stub Hub, etc.

Looking for tickets to the Phoenix show? You’re in luck! Tickets start at around $73 on Seat Geek and approximately $90 at Ticketmaster, Vivid Seats, and Stub Hub.

The Farewell Yellow Brick Road Tour will head overseas to Australia and New Zealand in January, followed by dates in the U.K., including London’s O2 Arena, and other parts of Europe.

Click below to buy tickets.

Elton John Farewell Yellow Brick Road Tour Tickets

$from $69

2022 Soul Train Awards Airdate Moved Up a Day

A little more than two weeks before its scheduled airdate, BET announced a new airdate for the 2022 Soul Train Awards. The show, originally scheduled to premiere Sunday, Nov. 27, will instead premiere on Saturday, Nov. 26, at 8 p.m. ET/PT on BET, BET HER, Logo, MTV2 and VH1.

The show is pre-taped, so no performers, presenters or honorees had to adjust their schedules. The show tapes Sunday, Nov. 13, at the Orleans Arena in Las Vegas.

Comedian and actor Deon Cole will host the show. J. Valentine joins previously announced Ari Lennox, Chanté Moore, Muni Long, SiR, Tank and BET Amplified stage artists Coco Jones and Q as performers. Presenters include JB Smoove, Lucky Daye, Queen Naija and actors Mark Tallman & Michelle Mitchenor.

Long is also set to blend harmonies for this year’s Soul Cypher with Alex Vaughn, Durand Bernarr and Tasha Cobbs Leonard. Long is regarded as a likely Grammy nominee for best new artist. The 65th annual Grammy nominations will be announced Tuesday Nov. 15.

The Soul Train Awards Red Carpet Special pre-show will air at 7 p.m. ET/PT with hosts Tank, Letoya Luckett and Novi Brown (Tyler Perry’s Sistas).

As previously announced, funk band Morris Day & The Time will receive the Legend award. All-female group Xscape will receive the Lady of Soul honor.  DJ and music producer D-Nice will take command of the turntables.

Connie Orlando, evp, specials, music programming & music strategy will oversee the annual show and executive produce for BET with Jamal Noisette, vp, specials & music programming. Jesse Collins, CEO of Jesse Collins Entertainment, will also serve as executive producer, along with Jesse Collins Entertainment’s Jeannae Rouzan–Clay and Dionne Harmon.

Lorde Details the Harsh Reality of Touring in 2022: ‘Things Are at an Almost Unprecedented Level of Difficulty’

Lorde is dishing about the reality of touring in 2022.

On Wednesday (Nov. 9), the “Solar Power” singer sent a newsletter to fans that included a “spiel” on the difficulties artists are facing on the road, highlighting “a storm of factors” that have led to this moment.

“Basically, for artists, promoters and crews, things are at an almost unprecedented level of difficulty,” she wrote. “Let’s start with three years’ worth of shows happening in one. Add global economic downturn, and then add the totally understandable wariness for concertgoers around health risks.”

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Lorde went on to cite crew shortages, overbooked trucks and tour buses and venues, the inflated prices of flights and hotel rooms and COVID-related costs, among other issues. She added that freight costs are “truly mindboggling,” with prices three times higher than they were pre-pandemic.

While Lorde counts herself lucky in the current touring market, she explained to her fans that this is not the case for most artists, stating, “for pretty much every artist selling less tickets than I am, touring has become a demented struggle to break even or face debt.”

“Ticket prices would have to increase to start accommodating even a little of this, but absolutely no one wants to charge their harried and extremely-compassionate-and-flexible audience any more f—ing money,” she wrote. “Nearly every tour has been besieged with cancellations and postponements and promises and letdowns, and audiences have shown such understanding and such faith, that between that and the post-COVID wariness about getting out there at all, scaring people away by charging the true cost ain’t an option. All we want to do is play for you.”

For some artists, Lorde continued, touring is financially unfeasible even if they sell out the entire run of dates, given the price of production and how much they’re willing to charge their fans. She cited this dilemma as a likely cause for the spate of recent tour cancellations due to mental health concerns.

“Understandably, all of this takes a toll — on crews, on promoters, and on artists,” she added. “You’ll notice a ton of artists cancelling shows citing mental health concerns in the past year, and I really think the stress of this stuff is a factor — we’re a collection of the world’s most sensitive flowers who also spent the last two years inside, and maybe the task of creating a space where people’s pain and grief and jubilation can be held night after night with a razor thin profit margin and dozens of people to pay is feeling like a teeny bit much.”

In 2022, acts like GAYLE, Shawn Mendes, Justin Bieber and Anuel AA have canceled tours to focus on their mental health. In addition, artists including Animal Collective and Santigold have called off their runs due to various economic issues, including those cited by Lorde.

The last year of touring has proven a difficult time for many artists, most prominently mid-tier and emerging acts — some of whom have gone public with their struggles. According to many independent promoters in the concert business, the live music industry is no longer enjoying the post-lockdown boon thanks to oversaturation in the market, high ticket prices and budget-conscious consumers. Among other myriad issues, tours are struggling to get tour buses, while many experienced drivers have left the touring sector during the pandemic. Items that used to be easy to come by — such as cymbals, in-ear monitors and lighting fixtures — have also been a struggle to procure for even major acts like Coldplay and Jack White.

Even with her rescheduled Solar Power tour selling well, Lorde wrote that she still feels the immense pressure and was even forced to cancel her March 3 show at Bowl of Brooklands in New Plymouth, New Zealand due to low ticket sales.

“I’m not immune to the stress — just a month ago I was looking at a show that was pretty undersold and panicking, only for it to sell the remaining 2000 tickets in ten days. Wild stuff,” she wrote. “I wanted to put all of this in your minds to illustrate that nothing’s simple when it comes to touring at the moment, and if your faves are confusing you with their erratic moves, some of this could be playing a part.”

Zach Bryan Says He ‘Never’ Wants to Be Considered at CMA Awards: ‘Establishments Will Always Be Weird’

Wednesday night’s CMA Awards were filled with memorable moments, from a Chris Stapleton/Patty Loveless collaboration to newcomer Lainey Wilson taking home female vocalist and new artist accolades, as well as Texas native Cody Johnson picking up single and music video of the year for “‘Til You Can’t” and Luke Combs extending his reign as entertainer of the year, in addition to earning album of the year for Growin’ Up.

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However, there was one big name absent during the ceremony: Warner Records artist Zach Bryan, whose song “Something in the Orange” rose to No. 12 on the Billboard Hot 100 and is at No. 3 on Billboard‘s Hot Country Songs chart. Bryan’s album American Heartbreak debuted at No. 1 on Billboard‘s Top Country Albums chart in June.

On Thursday (Nov. 10), after many in Bryan’s fanbase noted that he had not been nominated at nor performed on the show, Bryan said via Twitter, “Guys I don’t and will never want to be considered at the CMA’s. My pride is fine and I appreciate all the love and support and I say it with every ounce of respect to other country artists. Establishments will always be weird.”

He added in a second tweet: “In five years all of these strange outdated systems will claim it was right in front of them the entire time. Truly more fun to laugh at than be butt hurt over. If these shows and companies wanted to be honest they would have gotten into songwriting and not award giving…any man or woman doing a task -solely- to be awarded for it shouldn’t be doing the task at all.”

When asked whether he felt that CMA-winning artists are working only for an award, Bryan was quick to dispel the notion, saying, “No I do not think this. I think there are so many talented artists that deserve [to be] awarded and will be awarded, and some just don’t care enough about a silly tv program to need an award in the first place.”

A Twitter user commented that Bryan should hold a concert outside the CMA Awards next year, and Bryan responded, “If I don’t have a show, you have my word on this.”

A concert outside the CMA Awards venue would feel reminiscent of Sturgill Simpson at the 2017 CMA Awards, when Simpson mocked the Country Music Association by busking on the streets outside of Nashville’s Bridgestone Arena as the CMA Awards took place inside. Simpson was not among the CMA Awards final nominees that year, but in his guitar case was the Grammy he had won earlier in the year for best country album, for his project A Sailor’s Guide to Earth.

Later, Bryan clarified his earlier statements, adding, “To be clear, I’m not trying to insult the validity of a CMA, I respect any artist who receives one and the existence of them; I’m just saying on a personal level it is not one of my priorities to have awards on a shelf in my home. There’s room for more important things there.”

Bryan is set to headline the Pepsi Rock the South festival in July 2023, alongside reigning CMA male vocalist of the year Chris Stapleton, reigning CMA single of the year and music video of the year winner Cody Johnson and Riley Green.

The CMA did not respond to Billboard‘s request for comment about Bryan’s tweets.

CMA Awards Enjoy Healthy Ratings Boost Over 2021

The CMA Awards grew their audience Wednesday, leading ABC to a ratings win Wednesday (Nov. 9).

Co-hosted by Luke Bryan and football star Peyton Manning, the 2022 awards brought in 7.57 million viewers, up from 6.83 million (an all-time low) in 2021 — an 11 percent gain. Wednesday’s telecast, which saw Luke Combs take home entertainer of the year and album of the year honors, was also up over the 2020 show’s 7.08 million viewers. Other big winners at the ceremony included Chris Stapleton (male vocalist of the year) and Carly Pearce and Ashley McBryde (musical event of the year for “Never Wanted to Be That Girl”).

The CMAs slipped a little in the key ad demographic of adults 18-49, scoring a 1.05 rating (equivalent to about 1.37 million viewers in that age group) vs. 1.12 a year ago. The awards haven’t recovered much of their pre-pandemic draw yet — in 2019, ABC’s broadcast averaged more than 11 million viewers and a 2.0 rating in the 18-49 demo.

The CMA Awards also appeared to push down the audience for some of its competition on Wednesday. Fox’s The Masked Singer (3.16 million viewers, 0.55 in adults 18-49) and NBC’s Chicago Med (6.03 million, 0.58), Fire (6.19 million, 0.63) and PD (4.74 million, 0.53) all were below their same-day averages for the season so far. CBS’ Survivor (4.73 million, 0.72) and The Amazing Race (2.88 million, 0.39), on the other hand, edged up week to week.

A post-election edition of Tucker Carlson Tonight on Fox News was the most-watched show on cable Wednesday, drawing 4.43 million viewers.

This story was originally published by The Hollywood Reporter.

Gotye’s ‘Somebody That I Used to Know’ Soars to 2 Billion Views on YouTube

Gotye just hit a major milestone: The 42-year-old Belgian musician has now reached 2 billion views on YouTube for his 11-year-old smash-hit music video “Somebody That I Used to Know,” featuring New Zealand art-pop artist Kimbra.

In the video, Gotye can be seen with Kimbra appearing naked while standing in front of a canvas that gets colored with different shades. The two sing their parts of the breakup song while fading into the wall print. While the video may be a simple concept, the message of the song goes deep and helped define the 2010s music scene.

The video and song from his Making Mirrors project topped the Billboard Hot 100 in April 2012. Fans in the comment section of the video describe Gotye’s new accomplishment as “well deserved.”

During the year of the track’s release, Gotye was already an established artist in Australia. He was gearing up to release Making Mirrors and had dropped the lead single, “Eyes Wide Open.” “Based upon that, I didn’t have any expectations,” Gotye told Billboard in 2019 of the reception to “Eyes.”

Before its official release, the audio of “Somebody That I Used to Know” leaked onto iTunes, with Australia, Belgium and Netherlands starting to play the track. The video arrived, and the rest was history.

“iTunes, YouTube and Facebook — at the different points they were at — all had a pretty big impact on how this song and video were shared initially,” Gotye told Billboard. “To even have a few hundred million views, it was one of the most-watched music videos at that time.”

Watch the video below.

Diddy Set to Perform at Baby2Baby Gala Honoring Kim Kardashian

Baby2Baby shared the news Thursday (Nov. 10) that Diddy will take the stage at the organization’s upcoming gala honoring Kim Kardashian.

While the Bad Boy Records founder will provide the musical entertainment for the evening, the SKIMS mogul will be presented with this year’s Giving Tree Award by Tyler Perry for her commitment to helping underprivileged children around the world.

Hosted by Mindy Kaling, the Baby2Baby gala will take place Saturday in Los Angeles, with Olivia Wilde, Ciara, Kelly Rowland, Zooey Deschanel and Kerry Washington among the night’s other presenters.

The announcement follows Diddy’s headlining-making feud with Kardashian’s ex-husband Kanye West, after the controversial rapper/designer wore a shirt emblazoned with “White Lives Matter” to his Yeezy season 9 show during Paris Fashion Week. (Several models in the show were also fitted with ensembles bearing the contentious phrase, as was conservative firebrand Candace Owens, whom Ye invited to share the stage.)

Last month, West leaked a private text conversation with Diddy, in which the now-estranged pals faced off over the incident. In the weeks since, Ye has created an increasingly troubling spiral of scandal for himself by spouting off antisemitic rhetoric on social media and in the press, resulting in brands including Balenciaga, Adidas and Gap to sever ties with him.

Meanwhile, Diddy recently rang in his 53rd birthday earlier this month, just a few weeks after hosting the REVOLT Summit 2022 in Atlanta featuring Coi Leray, Gucci Mane, Big Freedia and more.