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On Tuesday (April 29), DJ Khaled and Influence Media Partners announced a partnership where the group has invested in the rights to his music catalog, which includes his publishing. The deal also includes a new venture where DJ Khaled and Influence Media Partners will produce new and original content in film and television. The news comes as the Grammy Award winner is set to release his 14th album, which will add to the wealth of music that the venture will draw for commercial opportunities using his name, image and likeness.It’s another milestone for Influence Media Group, which was founded in 2019 to focus on songs and artists that have the capacity for lasting impact on popular culture. In January, the group (backed by Warner Music Group and BlackRock) secured $360 million in debt financing. They’ve also launched an independent music label, Slang, which signed Will Smith last year. Their latest fund has signed more than 30 music-rights investments, including those of Enrique Iglesias, Blake Shelton, and Jessie Reyez.
“I’m proud that my legacy will continue to resonate and connect with audiences around the world with this partnership through Influence Media,” DJ Khaled said in the press release issued on Tuesday. “These iconic recordings I’ve created will continue to be curated in the most optimum manner to impact culture with nearly two decades of music. In addition, I’m excited for the world to see and experience the film and television projects Influence and We The Best are developing and producing together. This next phase of my career will be filled with ground-breaking cultural impact, and I look forward to being at the forefront in all categories.”“Influence Media was founded on the principle that music can move culture, and few entertainers embody this more than DJ Khaled,” Lylette Pizarro, Influence Media Founder and Co-Managing Partner said in the statement. “Our joint venture NIL deal, and extended catalog partnership is an alliance that will create boundless opportunities for this creative genius, and will also further establish that DJ Khaled is a rare talent whose abilities extend far beyond the traditional confines of music.”
What a month April has been, with plenty of albums dropping from the sky to help soundtrack the upcoming summer.
Davido‘s new fifth album 5ive is another testament of his unshakable Afrobeats icon status, while he blends the beloved genre with R&B, amapiano, dancehall and more for a rich, global listening experience. And Rema performed his new Afro-R&B track “Bout U” live for the first time during his Coachella debut earlier this month, and it debuted at No. 5 on the U.S. Afrobeats Songs chart last week (chart dated April 26), sliding in right above his last single “Baby (Is it a Crime)” at No. 6.
We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and enjoy some springtime tunes with our Spotify playlist below.
Rema, “Bout U”
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On the heels of Rema’s Sade-sampling “Baby (Is It a Crime)” hit, he cranks out another smooth banger with “Bout U.” Rema acts as a hopeless romantic who doesn’t want to come down from the high of his dreamy love affair. And just like his fascination with his favorite girl, Rema and the track’s co-producer Thisizlondon keep us hooked with the hypnotic electric guitar that’s occasionally shredding throughout the song.
Tay Iwar, “Non-stop”
Tay Iwar works his charm on the ultra-smooth “Non-stop” cut from his latest EP Reflection Station. His expertly layered harmonies and the track’s sweet-sounding groove, which Iwar produced himself, will make you want to listen to this nonstop.
Lojay feat. Odeal, “Mwah!”
Lojay and Odeal deliver sweet nothings from their lips to our ears in their latest collaboration “Mwah!” Lyrics like “Swing my way with your cinnamon fragrance” heighten the sexual attraction conveyed in the Afro-R&B heater. But the artists’ instant chemistry, as Lojay put it in a press release, is also palpable. “I had listened to Odeal’s music before meeting him, but I really didn’t know what to expect from the session. I think that was part of what made it so magical,” he explained further.
Davido, “Don’t Know”
Davido finds himself at the mercy of his lover on the tantalizing “Don’t Know” cut from his latest studio album 5ive. The springiness of the log drums underneath the hook, “You don’t, you don’t, you don’t even know what you do to me,” scratches an itch in your brain, leaving listeners just as satisfied as he is with her.
Black Sherif, “Body”
Despite the tough title of Black Sherif’s sophomore album IRON BOY, the highlight track “Body” shows off his soft, yet sexy edge. Lyrics like “My soul is drifting away” and “You know my body wants you” present the song’s central tension of nourishing yourself on a deeper level or caving into your corporeal desires over Dystinkt Beats’ introspective drill production.
Lil Kesh feat. Reekado Banks, “Dan Dan”
Lil Kesh’s Forever Getting It (FGI) EP is full of intricate drum work, complex rhythms and creative melodies, and “Dan Dan” is a perfect representation of the project — endlessly compelling, constantly innovative and yet still an insistent earworm that is bound to get stuck in fans’ heads. As with any Kesh project, the only issue is that it’s too short.
Davido feat. Victoria Monét, “Offa Me”
Off Davido’s first full-length since the iconic 2023 album Timeless, “Offa Me” is a standout, with Victoria Monét’s vocals kicking things off and carrying the hook, before David comes through and delivers his distinctive melodic voice, with a steamy KLVDR-directed video to go with it.
ODUMODUBLVCK, “Legolas”
Kicking off the month with the surprise mixtape THE MACHINE IS COMING, ODUMODUBLVCK delivered his first extended release in 18 months, and after a series of turned up, high-energy bangers, “Legolas” shows off another side to him — more introspective, a bit calmer, with a song comparing himself to the Lord of the Rings elf who came through tribulations to make himself (and his mama) proud. It’s another sign that ODUMODUBLVCK has many sides to his artistry, in addition to his trademark hyped-up verses.
Zinoleesky feat. Toosii, “Suit & Tie”
Zino is another artist who dropped off a full-length album this month — what a blessed month April has been, after a relatively low-key year so far — and his signature vocal styling is on full display on “Suit & Tie,” one of Gen Z’s standout cuts. But it’s Toosii who steals the show, sliding through with an extended verse that manages to be both emotional and bombastic at once. The entire project is great, but this is the one.
Tiwa Savage, “You4Me”
The Afrobeats titan is readying her next album, and with latest single “You4Me” she starts off with an interpolation of Tamia’s “So Into You,” before dropping a tough drum pattern and her crooning vocals over top. The lift returns as the basis for the hook, which gives the song a nostalgic edge, one of the signifiers of her R&B stylings of late, while she trades lines with Tamia in the chorus.
After weeks of teasers, Rob49 has finally debuted his “WTHELLY” remix — featuring guest verses from stars including Justin Bieber, Latto and G Herbo — on a recent Twitch stream. Explore Explore See latest videos, charts and news See latest videos, charts and news Rob debuted the revamped track on popular streamer Reggie’s latest Twitch […]
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DDG tried to casually drop $2 million on IShowSpeed just to swing by for a quick cameo in his new music video—no big deal.
The rapper and YouTube star hopped on livestream and casually asked Speed how much it’d take to get him in a video—most likely for a track off his upcoming project *Blame the Chat*, dropping this Friday, May 2.
“How much is it gonna cost me? How much you gonna charge me, Speed?” DDG asked, clearly ready to cut the check. But he didn’t wait long for an answer—he shot his shot right after. “I come in roughly around like two million. Two million dollars, three hour shoot, quick little cameo—take you 40 minutes of your time,” he said. “You let me know, brother.”
Fans were caught off guard, not just by the price tag, but ‘cause DDG recently hinted that money might’ve been tight. Still, it’s clear he sees the value in locking in with someone like Speed, who’s got a massive online presence and a fanbase that moves numbers. A cameo from Speed would instantly go viral and bring even more eyes to the video—and the album.
Whether Speed’s actually gonna take the offer or not is still up in the air, but the convo already got people talking heavy. If this link-up really happens, it could be one of the most expensive—and talked-about—collabs between a rapper and a streamer yet.
In a major first for the festival business, a three-day music festival in Southern California is opening a permanent year-round social club and restaurant in the middle of its festival site, hoping to keep the party going 365 days a year.
On Tuesday (April 29), Allen Sanford, founder of the BeachLife festival in Redondo Beach, Calif., and his business partner Rob Lissner officially opened the doors to the California Surf Club, a 22,000-square-foot public restaurant and private social club that will serve as the centerpiece of this year’s three-day festival headlined by Lenny Kravitz, Sublime and Alanis Morissette.
Sanford, a long-time restaurant owner and venue operator in Los Angeles’ iconic South Bay region, has been working on the adaptive reuse project for several years, leasing and rehabbing two harbor front buildings near Redondo Beach’s popular tourist pier into a members-only lifestyle club and public restaurant on the Redondo Beach waterfront.
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“The California Surf Club is two buildings,” Sanford explained to Billboard. “The south building is a membership club. The north building is a restaurant. During the festival, the south building will be open for all the members of the club. It’ll be open to artists and to some different ticket types. And then the north building will actually be part of the VIP experience.”
Allen noted that “the building is encompassed into the footprint of the festival, which is fairly rare. And it’s all the same vibe and culture of BeachLife.”
Designed by architect Stephen Jones and interior designer Steven Jones, the club mixes casual dining with a coastal-modern casual environment, where members who pay $350 per month can dine, play billiards with friends and relax near a warm fire pit. The club is decorated throughout with vintage surf art and artifacts, floor-to-ceiling glass, reclaimed wood accents and lush landscaping.
There’s currently a waiting list to join, Sanford explained, noting that more than 400 people have already signed up for the private club, which will serve as the unofficial headquarters of Beachlife Festival during the May 2-4 festival.
The California Surf Club also includes the Paddle Perch, a waterfront area outfitted with club-owned standup paddleboards, kayaks and outrigger canoes, as well as hot showers for surfers coming out of the water and a surfboard valet service. It even boasts several performance spaces, including a stage-ready room with a Wrensilva turntable console, high-end AV system, and large-format screen for live music, surf flicks, sports, and special events.
Under director of memberships Chris Brown, California Surf Club offers four membership tiers — Founders, Classic, Ambassador and Groundswell — as well as limited day-rate access. In addition to Sanford and Lissner, California Surf Club is led by president Jeff Jones and COO Jerry Garbus, along with Pennywise frontman Jim Lindberg, musician Donavon Frankenreiter, professional surfer Chris Frohoff, athlete Danny Ching, Quality Seafood President Jeff Jones, Redondo Beach School Superintendent Dr. Nikki Wesley, former Redondo Beach police chief Keith Kauffman and more.
The north building of the Surf Club boasts the public-facing waterfront restaurant with more than 250 seats across indoor dining rooms, shaded patios, firepit lounges and an Airstream courtyard. Led by executive chef Dennis Horton, the restaurant includes live-fire cooking, a lagoon-facing walk-up window with a casual “Lagoon Menu” for beachgoers, a cold seafood bar with shucked-to-order oysters, ceviche, sashimi, and crab, and performance spaces for guest DJ sets.
“The California Surf Club is like a surfer’s second home,” Sanford tells Billboard. “As a 47-year-old father, the only place I can go out to is a restaurant and that’s uncomfortable a lot of times — there’s nothing recreationally to do with my friends and family where we can hang out and enjoy the ocean. It’s literally designed to be your friend’s house that lives on the beach that has really good food and drink. It’s a place to just come and hang out with like-minded people.”
California Surf Club, Redondo Beach
PJ Cordero
California Surf Club, Redondo Beach
PJ Cordero
California Surf Club, Redondo Beach
PJ Cordero
BeachLife Festival
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The Great Escape annually signals the start of U.K. festival season, as Brighton turns into a mecca for new sounds each May. Recognized as Europe’s biggest hub for new music discovery, the event welcomes everything from must-see cult acts to leftfield oddities and rising stars to the seaside – encapsulating pop, rap and folk to […]
Every month, Billboard Latin and Billboard Español editors spotlight a group of rising artists whose music we love. Think “diamantes en bruto,” or “diamonds in the rough.” These are newcomers who have yet to impact the mainstream — but whose music excites us, and who we believe our readers should make a point to discover.
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Our latest edition of On the Radar Latin includes a wave of emerging artists, who we discovered either by networking, or coming across their music at a showcase, or elsewhere. See our recommendations this month below:
Artist: Estevan Plazola
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Country: Mexico
Why They Should Be on Your Radar: The world was introduced to Estevan Plazola on a larger scale through Peso Pluma’s Exodo version of “Hollywood,” written by (and featuring) Plazola, which charted at No. 11 of Hot Latin Songs. A grim, introspective corrido with raw poetry about fame and struggle, the song showcased Plazola’s soul-baring songwriting ability, and turned the spotlight on one of música mexicana’s hidden gems. Though he originally released “Hollywood” under Rancho Humilde in 2020, Plazola has collaborated with multiple independent labels before and after.
His most recent release, “Vibrar +,” comes via Peso Pluma’s own Double P Records — a melancholy sierreño with spine-tingling and even haunting melodic arrangements. An early adopter of música Mexicana’s rise, the singer-songwriter released his debut 25 Años (2019) along the genre’s growing revolution. He followed it up with Archive Music, Vol. 1 (2022), a bilingual rap-corridos fusion. With lyrics exploring resilience, hardship and the bittersweet nature of success, the L.A.-based Mexican-American has emerged as an artist whose authenticity strikes a chord with listeners. — ISABELA RAYGOZA
Song For Your Playlist: “Vibrar +”
Artist: Jombriel
Country: Ecuador
Why They Should Be on Your Radar: Jombriel is a 21-year-old rapper poised to become one of the next breakout stars in the Latin urban genre. Last November, he began gaining widespread attention with the release of his viral hit “Parte & Choke,” in collaboration with Alex Krack and Jøtta. The song later counted with a remix by Colombian sensation Ryan Castro, ultimately reaching No.1 on the Billboard Argentina Hot 100 chart in March. His latest releases include “Vitamina” with DFZM, and “GPS,” which features DFZM alongside legends Jowell and Randy — both showcasing Jombriel’s unique, raspy vocals and hard-hitting perreo sound. As someone who’s putting Ecuador’s urban scene on the map, Jombriel is carving out his own musical identity, blending local sonics with dancehall influences. — INGRID FAJARDO
Song For Your Playlist: “Vitamina” (feat. DFZM)
Artist: Kakalo
Country: Mexico
Why They Should Be on Your Radar: I first became familiar with Kakalo about two years ago when Spotify recommended the captivating track “Mil Maneras de Morir,” his collaboration with Carín León. What struck me immediately was not only his enchanting vocal quality, but also his unique interpretive style that adds depth and emotion to the music. This year he represented Mexico at the renowned Viña del Mar International Song Festival in Chile, where he not only drew attention with his performance but also received the Silver Gaviota. Kakalo has showcased his songwriting abilities through collaborations with well-known figures in the industry, including León, Pepe Aguilar and Spanish pop crooner Pablo Alborán. — I.F.
Song For Your Playlist: “Tierra Trágame” (feat. Carín León)
Artist: Melanie Santiler
Country: Cuba
Why They Should Be on Your Radar: A mesmerizing voice blesses Santiler — one I would have never discovered if it weren’t for the music recommendation on Instagram stories. Searching for the perfect 15-second soundtrack for a selfie, I came across Melanie Santiler’s “Un Momentico +” in collaboration with Cuban hitmaker and artist, Dale Pututi. The song immediately captivated me with its slow-tempo, sensual reparto (a musical genre that derives from the barrios of the Caribbean island) melodies, and it drew me outside of Instagram and into her Spotify.
Born and residing in Havana, the 23-year-old artist is bringing an edgy touch to pop music, fusing it with the traditional sounds that best represent her country. Most notably is her effortless sensuality and dreamy, powerhouse vocals, giving life to her empowering alter ego “La Mami Fina” — and which I dare say gives me Rosalía vibes. Though she’s only been releasing music since 2024, Santiler has also penned songs for important female artists, including Ana Torroja and Gaby Moreno. — JESSICA ROIZ
Song For Your Playlist: “Un Momentico +” (feat. Dale Pututi)
Artist: Pascal
Country: Peru
Why They Should Be on Your Radar: Pascal André Marie Fernand Marchand Lañas, simply known as Pascal, has made his name in his native country, where he’s been releasing music since 2018 —first performing songs for soap operas and more recently achieving massive popularity with romantic ballads and urban pop hits like “Nos Duele Tanto,” certified double platinum in Peru, and “Pa La Luna,” his latest release. The 24-year-old singer-songwriter, who studied at Berklee and plays guitar and piano, opened for Camilo in Lima at the end of March, performing live for the first time in front of such a large audience (10,000 people). Now seeking international recognition, he participated in the Gran Canaria Carnival in March with LOS40 and plans to travel next to Mexico to continue expanding his horizons. — SIGAL RATNER-ARIAS
Song For Your Playlist: “Pa La Luna”
Megan Moroney and Kenny Chesney were tourmates last year on Chesney’s Sun Goes Down Tour, and now the two country artists are set to release a collaboration, “You Had to Be There,” on May 9.
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Moroney revealed the title and an audio clip of the upcoming collaboration on her social media accounts, and included what seemed to be more of the song’s lyrics, captioning the photos, “7 years later got a different point of view.” She also shared a carousel of photos, including one shot of her ticket purchase from a Chesney show at Mercedes-Benz Stadium in Atlanta that she attended in 2018, followed by photos of Moroney performing on Chesney’s tour last year.
The “Out Last Night” singer commented on Moroney’s Instagram post, writing, “As far as I know, this is the first song anyone has written for me. Thank you, Megan. I love ya,” and adding blue heart and palm tree emojis.
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During Chesney’s Sun Goes Down Tour, the two previously collaborated on a version of Moroney’s “Am I Okay?” and outside of tour life, the two singers seem to have forged a tight-knit friendship, with Moroney even being the one to introduce Chesney to the realm of TikTok.
Later this year, Chesney will be inducted as one of the newest members of the Country Music Hall of Fame, alongside music executive Tony Brown, and the late June Carter Cash. Chesney has long been a champion of uplifting female artists, previously welcoming Kelsea Ballerini to open shows on his I Go Back Tour in 2023; the two Knoxville-area natives also recorded the song “Half of My Hometown,” which won musical event of the year and video of the year at the Country Music Association Awards.
Meanwhile, Moroney is nominated for female artist of the year and for album of the year (for Am I Okay?) at the upcoming Academy of Country Music Awards. She was also honored during Billboard‘s annual Women in Music event earlier this year.
See Moroney’s announcement below:
If you’re a ’90s kid, you know that one of the decade’s greatest pop stars wasn’t even a real person. We’re of course talking about Powerline, the cartoon hitmaker voiced by actual ’90s teen idol Tevin Campbell in 1995’s A Goofy Movie. To celebrate the animated movie’s release 30 years ago this month, on Wednesday […]
The last time Morgan Wallen and Post Malone joined forces on record, it was for “I Had Some Help” — which debuted at No. 1 on the Billboard Hot 100, spent six weeks atop the chart, and was ultimately named Billboard‘s Song of the Summer for 2024. So when news came that the two were reuniting for a new single, expectations were understandably high.
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That new single, “I Ain’t Comin’ Back,” dropped two Fridays ago (Apr. 18) — just before Easter weekend, which made for good timing with the song’s “There’s a lot of reasons I ain’t Jesus, but the main one is that I ain’t comin’ back” hook. This week, the song debuts at No. 8 on the Hot 100: a strong entrance, but somewhat below the bar set by duo’s previous collaboration.
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How should Morgan Wallen and Post Malone feel about their new song’s initial performance? And will it still grow into a “Help”-sized smash? Billboard staffers discuss these questions and more below.
1. Morgan Wallen and Post Malone’s “I Ain’t Comin’ Back” debuts at No. 8 on the Hot 100 this week. Is that spot lower, higher, or about where you would have expected it to debut?
Katie Atkinson: I think that’s exactly where I would have expected. While their last team-up “I Had Some Help” debuted atop the chart, it also had a megawatt live debut at 2024 Stagecoach setting it up for success and was a lot more upbeat. This new one is still catchy but has a sleepier tempo. I think a top 10 debut for a midtempo country jam chock-full of Christian imagery is pretty impressive – especially given it’s the fifth song preceding Wallen’s next album.
Kyle Denis: Maybe a little bit lower. “I Had Some Help” was such a massive No. 1 debut that I expected at least a top five entry for the new duet. Nonetheless, “Comin’ Back” isn’t as immediately catchy as “Help,” it doesn’t have the glow of being the lead single from Post Malone’s big country pivot and Morgan already has so many other songs circulating – including one directly above “Comin’” (“I’m the Problem,” No. 7).
Jason Lipshutz: About where I expected. “I Had Some Help” is the obvious analog, and while last year’s smash debuted at No. 1, that song possessed the glow of being Morgan Wallen and Post Malone’s first collaboration, and arrived as Wallen’s first single following his 2023 album One Thing at a Time. “I Ain’t Coming Back” has been preceded by a steady stream of music from both Wallen and Post, which likely blunted some of the immediate excitement around its release — but still, these are two brand-name chart titans, so a top 10 debut seemed all but guaranteed.
Jessica Nicholson: It debuts around where I thought it would. “I Had Some Help” was aided by the buzz of curiosity surrounding not only Post Malone releasing a straight-ahead country album, but also regarding just what a collab between a genre-fluid artist like Post Malone and one of country music’s top-echelon artists would sound like. This time around, fans are more familiar with a Posty-Wallen collab. On the Hot 100, the song is also battling against releases from Kendrick Lamar with SZA, Alex Warren’s hit “Ordinary” and even Wallen’s own title track to his upcoming album.
Andrew Unterberger: Definitely lower. It’s not surprising that it didn’t quite match “I Had Some Help,” but only because that song was an absolute monster right out of the gate, zooming past one of the most packed periods of pop music in recent memory and reigning for six weeks. But this song couldn’t even lap Morgan Wallen’s own “I’m the Problem,” which is hardly the most explosive Wallen hit in recent memory. With that history and the two artists’ combined star power — not to mention its slick sound, big chorus and the built-in Easter tie-in — it’s a slightly underwhelming bow for the duo, for sure.
2. “I Had Some Help,” the previous teamup of Wallen and Post, ended up spending six weeks at No. 1 and topping Billboard’s Songs of the Summer chart. Do you think this song has a chance of growing into a hit near that size, or will it be diminishing returns on the sequel?
Katie Atkinson: Diminishing returns, only because this one just doesn’t have the Song of the Summer potential of “Help.” This is a reliably great Morgan Wallen song, but it’s not the backyard-BBQ-soundtracking party-starter of last summer’s smash-hit duet. If I’m going to listen to some melancholy Morgan, right now I’ve got “Just in Case” on repeat instead.
Kyle Denis: I’m inclined to say the sequel won’t be as big as “Help,” for all the reasons I listed in my previous answer. It really helped that “Help” got so much room to be the primary song for consumers to focus on from both artists. With six songs already circulating from a 37-track album that’s due in a few weeks, there might just be a little bit too much Wallen in the air.
Jason Lipshutz: I think everybody involved would be totally fine with slightly diminished returns for one of the biggest hits of last year. “I Had Some Help” caught lightning in a bottle, as an immediate and immensely enjoyable sing-along that crystallized Posty’s newfound foray into country music. “I Ain’t Comin’ Back” follows a similar formula but with a slightly less catchy hook, and it’s been delivered a few months after we’ve received a full Post Malone country album and at a time where we’ve gotten a new Wallen single every few weeks. The circumstances of “I Ain’t Comin’ Back” will blunt its commercial impact to some degree, but as a sequel to a singular hit, it’s pretty clearly a success already.
Jessica Nicholson: “I Had Some Help” had an instantly catchy groove, and the kind of post-breakup, pushback defiance fans love to hear in a breakup song. “I Ain’t Comin’ Back” shares much of that defiance, but in a slightly quieter, less-summertime-vibe way. It will be difficult to surpass the chart domination of “I Had Some Help,” especially given that “I Ain’t Comin’ Back” didn’t debut at No. 1 as its predecessor did, but fans have proven they are clamoring for any new music from Wallen, and that they loved Post’s country foray. Plus, with both Post Malone and Morgan Wallen being on the road this summer, that will keep the fans hearing this song through the summer months (assuming it makes it into their respective setlists), so it is possible that the song could gain greater strength.
Andrew Unterberger: I wouldn’t be surprised if it grows a little from here — radio’s gonna sink its teeth all the way into this thing, and the warm-weather months will undoubtedly be kind to it — but it seems pretty unlikely that it’ll grow into “I Had Some More Help.” (Particularly with all the competition it has from other recent Wallen releases, an already-crowded field which is about to quintuple in size with the release of the full I’m the Problem.) And that’s fine. Most sequels don’t quite live up their originals.
3. Wallen has released a steady stream of new songs in the run-up to his upcoming I’m the Problem album. Do you think this strategy is proving effective for promoting the new set, or is the volume getting to be too much?
Katie Atkinson: Considering it’s his record-extending fifth top 10 on the Hot 100 preceding the new album, I’d say he’s on to something. Not to mention, there are 37 songs on the standard release of I’m the Problem, so it’s not like he’s giving the whole album away ahead of time. Releasing seven total advance tracks out of 37 is like putting out two or three singles from a 13-track album, percentage-wise.
Kyle Denis: Part of me feels like it’s getting to be too much – and I think that’s evidenced by “Comin’” debuting lower than all five I’m the Problem singles that preceded it, despite being the only one to feature another artist. He could do with letting the singles breathe for a bit, especially with so much more music coming in such a short span of time.
Jason Lipshutz: It depends on what the goal is, right? If Wallen is aiming for another long-lasting No. 1 smash along the lines of “Last Night” or “I Had Some Help,” then this deluge of new singles has not been as effective as releasing one focus track and placing the country superstar’s entire weight behind it. Yet if the mission is to make Wallen even more ubiquitous — constantly near the top of New Music Friday, always with multiple songs lingering around the top of the Hot 100, with plenty of headlines and new fodder for country radio — then this rollout has largely been a win for him. And considering that his new 37-song album arrives in a few weeks, this current moment might just be the tip of the iceberg.
Jessica Nicholson: Given today’s more-is-more streaming environment, it feels like an effective strategy. Morgan’s album will encompass 37 songs, so releasing seven of those songs (so far) amounts to approximately 19% of those songs being released ahead of time, so there will still be plenty of new music to dig into the moment the full album releases.
Andrew Unterberger: It’s a good short-term strategy that I do worry will have deleterious long-term effects. Undoubtedly this will all lead to a mighty first-week bow for I’m the Problem, and will confirm Wallen as the most dominant, ubiquitous country star of his generation — but it does feel like, after five years of near-continuous rising, the excitement with him as an artist and hitmaker is beginning to level off. But even in a worst-case scenario for him, it’ll be a while before it starts to really recede, and he’ll probably break a bunch more charts records in the meantime.
4. Post Malone has revealed that a second country album is in the works. Are you optimistic that the album will be able to repeat the success of F-1 Trillion, or would he have been better off leaving his country detour as a one-and-done?
Katie Atkinson: I’m very optimistic. I’m looking forward to what Posty can do standing on his own two feet, without 15 duets pairing him up with the biggest names in country on this one. If the F-1-ending solo highlight “Yours” — which finds Post sweetly singing about his daughter’s future husband — is any indication, he could have a seriously long future in this genre. Might be time for Posty to check out some real estate in Nashville.
Kyle Denis: I think Post has definitely been embraced by country listeners, and he’ll continue to strengthen that base with his just-launched Big Ass Stadium Tour. I think without novelty on his side, it will be a bit harder to repeat the success of F-1 Trillion, but it’s not entirely impossible. I think there’s a path for the album to be a success in its own right if he focuses on solo singles this time around.
Jason Lipshutz: F-1 Trillion was such a profound success that I’m not surprised that Posty is hitching a ride back to Nashville for its follow-up. Country sounded like a natural fit for an artist who broke through in the hip-hop world, and considering how often those sounds are intermingling on the charts these days, the transition hasn’t sounded as forced as it might have during a different musical era. I don’t think there’s any chance that Post Malone remains a country artist for the rest of his career, but right now, he’s in a good groove, and he should continue exploring.
Jessica Nicholson: It would be hard to repeat the success of F-1 Trillion, unless he makes the next project as collaboration-heavy as F-1 Trillion, as teaming with so many country stars, and getting that co-sign from them, brought in fans of all of those artists. However, critically, many of his solo songs on his extended “Long Bed” version of the album were as good as his collaborative efforts, so it would be a chance to prove his status as a solo country hitmaker. That said, if the goal is entrenching himself into the country genre as an artist who is in it for the long haul, then consistently releasing country projects is an obvious essential step in accomplishing that aim, regardless of whether a new album reaches the all-genre chart pinnacle.
Andrew Unterberger: My guess would be that Post’s F-2 Trillion-type album ends up analogous to mgk’s second pop-punk set Mainstream Sellout — a chart-topping hit that generally does fine, but doesn’t quite generate the hits or the excitement of its predecessor.
5. One Thing at a Time moved 501,000 units in its first week. What’s your (mildly educated) guess for what I’m the Problem will post as its first-week number?
Katie Atkinson: I’m thinking it will be another half a milli. Wallen’s popularity has stayed steady in the last two years, and as evidenced by the top 10 performance of all five pre-release songs, people are still craving new music from him. My educated guess will be 502k just so he can say he bumped it up a step.
Kyle Denis: I’ll say… north of 450k, but it doesn’t surpass 501k.
Jason Lipshutz: 550,000. It’s got 37 tracks, it’s coming out during a relatively sleepy moment for new releases, and did I mention it’s got 37 tracks? The early streaming numbers should help Wallen’s latest secure his biggest debut yet.
Jessica Nicholson: Though this 37-song album barely exceeds the length its predecessor, the 36-track One Thing at a Time, Wallen’s celebrity status seems to have only grown since his last album. This album also includes collabs with Eric Church and Tate McRae, which should further spur fan excitement. I would conservatively estimate the project would come in at around 510,000 in first-week consumption.
Andrew Unterberger: I’ll say 485,000. Not quite the first week of One Thing, but close enough that nobody really tries to read too much into the decrease.
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