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7 Best Moments at 2022 VetsAid Concert

Joe Walsh and a bunch of his friends offered plenty of musical service to those who have given service to the country on Sunday night (Nov. 13) in Columbus, Ohio.

Walsh’s sixth VetsAid benefit concert, held at Nationwide Arena, was a homecoming of sorts that brought an all-Ohio bill — the James Gang and Nine Inch Nails from Cleveland, Akron’s Black Keys, the Breeders from Dayton and Dave Grohl from Warren — together for a nearly six-hour show that raised money for grass-roots military veterans organizations either based in Ohio or that ear-marked the funds they received for programs in the state. It’s a cause close to Walsh’s heart; his father, a First Lieutenant in the Army Air Force, was killed in a crash while stationed on Okinawa when Walsh was just 20 months old.

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“When I found myself in a position where I could in some way give back to our nation’s veterans how could I not?” Walsh — who spent some of his youth in Columbus — said during a pre-show press conference. “Seeing how rock ‘n’ roll is something I do best, it’s also the least I could do for those who served and continue to serve our country. So we started VetsAid bringing together the two things that saved my life over and over again – the friends I’ve made and the music we’ve played together.”

Walsh — who had a street named after him near the arena earlier in the week — noted that “The buzz backstage is…a fellowship of musicians. We’re gonna get to know each other and compare notes — and make a big list of people we don’t like.”

Walsh’s wife Marjorie, one of VetsAid’s co founders, choked up as she related that “Dave Grohl just said to me here, ‘Thank you for bringing me home…All the guys have said to that to me. It’s big stuff.” Grohl, in fact, visited his childhood home in Warren earlier Sunday, while Walsh was planning a visit to his on Monday. He also reveled in spending time with one of his best childhood friends, Terry Hatzo, a Vietnam veteran who came home to become a first responder.

Beyond their own highlights, the musicians provided plenty of delights for fans at the concert during their respective 45-minute sets – though planned host Drew Carey was absent due to COVID-19. The best moments of this year’s VetsAid included:

Lots Of Dave For The Dollar
Repaying Walsh and the James Gang for their participation in the two Taylor Hawkins tribute concerts in September, Grohl lived up to his “special guest” status with several appearances on stage Sunday. He closed the Breeders’ set by guesting on guitar and backing vocals for a rendition of the Pixies’ “Gigantic,” then did the same for Walsh and James Gang by playing drums on “Funk #49.” The Foo Fighters frontman also hopped on with Walsh and his solo band, playing guitar on “Life’s Been Good” and drums on “Rocky Mountain Way.”

The Greatest Band In All The Land
The lauded Ohio State Marching Band kicked things off with its anthem, the McCoys’ “Hang on Sloopy” — with a drum major in full baton-twirling motion — followed by “The Star Spangled Banner.”

The Breeders Honor Ohio
Amidst its own favorites such as “Divine Hammer,” “Do You Love Me Now?” and “Cannonball,” the
quartet offered a couple of welcome nods to its home state — covering “Shocker in Gloomtown” by fellow Daytonites Guided By Voices and, later in the set, “Drivin’ on 9,” an Ed’s Redeeming Qualities song co-written by Dom Leone of Youngstown, Ohio and covered by the Breeders on 1993’s Last Splash.

The James Gang Rides, And Reigns Supreme
The VetsAid appearance was billed as “One Last Ride” for Walsh and compatriots Jimmy Fox and Dale Peters. Walsh backed off that during a recent interview with Billboard, and on Sunday the trio — aided by a keyboardist and three backing vocalists — didn’t sound like it was anywhere near finished as it tore through covers (Howard Tate’s “Stop,” Albert King’s “You’re Gonna Need Me”), songs that have been on the bench for 15 years or longer (“Tend My Garden,” “Asshtonpark,” “Midnight Man” and “Collage”), an epic “Walk Away” and the crowd-pleasing medley of “The Bomber,” “Closet Queen,” “Bolero” and “Cast Your Fate to the Wind” – all before Grohl’s guest shot.

The Black Keys Go Back
Dan Auerbach and Patrick Carney have enough material to fill an entire VetsAid themselves and made sure to include plenty of hits — “Fever,” “Gold on the Ceiling,” “Lonely Boy” and a beautifully rendered “Little Black Submarines” among them. But they showed some home state love as well, with Auerbach preceding “Your Touch” by remembering that “this is a song we cut back in the day in a basement down in Akron, Ohio.”

Nine Inch Nails It
Trent Reznor and company brought the biggest production of the night — including smoke, strobes and banks of light that flanked the band on stage — as it ferociously attacked the likes of “Wish,” “March of the Pigs,” “Piggy,” “The Perfect Drug,” “The Hand That Feeds” and others before finishing with an affecting rendition of “Hurt.” Reznor probably surprised some in the crowd by noting that “you don’t understand what a big deal Joe Walsh reaching out to me was,” identifying Walsh as the first concert he ever attended. Walsh had the perfect response during his set; “Well, that was the first Nine Inch Nails concert I’ve ever been to…I liked it. It kinda reminded me of being in the Northridge earthquake in California…”

That’s All, Folks…
During “Rocky Mountain Way,” Walsh was joined by other guests besides Grohl — the Breeders, who provided backing vocals, and Roy Orbison III, a six-year-old towhead who’s also Walsh’s godson and played along with him during the song’s famous talk-box and solo section, passing the music, and the mission, on to yet another generation.

VetsAid will be streaming via veeps.com through Tuesday, Nov. 15. Donations can be made and
merchandise purchased via vetsaid.org.

Drake and 21 Savage Dominate U.K. Chart With ‘Her Loss’

Move over Taylor Swift, Drake and 21 Savage are the new rulers of the U.K. albums chart.

On the latest survey, published last Friday (Nov. 11), Her Loss (via OVO/Republic Records) roars to No. 1, for Savage’s first-ever U.K. leader, and Drake’s fifth, following Views (2016), Scorpion (2018), Dark Lane Demo Tapes (2020), and Certified Lover Boy (2021).

The collaborative hip-hop sets ends the reign of Swift’s Midnights (EMI) at two weeks. Midnights dips 1-2 on the current Official U.K. Albums Chart.

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Starting at No. 3 is First Aid Kit’s Palomino (Columbia), the second top 5 from the Swedish folk duo (sister act comprising sisters Johanna and Sara Söderberg) following 2018’s Ruins (No. 3).

Also enjoying a top flight entry is Luke Evans’ sophomore studio LP A Song For You (BMG), new at No. 4 for the actor and singer’s first appearance in the top 5. That’s an improvement on the No. 11 peak for Evans’ 2019 debut, At Last.

Meanwhile, Japanese-Australian singer and songwriter Joji bows at No. 13 with Smithereens (12tone Music/Warner), his third album and the followup to 2020’s Nectar (No. 6 peak).

Irish crooner Daniel O’Donnell enjoys a 42nd top 40 entry with I Wish You Well (DMG TV), new at No. 16.

British electronic punks the Prodigy return to the top 20 with The Fat Of The Land (XL Recordings), their third studio effort. The album, which features the hits “Firestarter,” “Breathe” and “Smack My B**** Up,” reenters at No. 19 following the release of a 25th anniversary edition, spanning two LPs. Fat Of The Land peaked at No. 1 after its original release in 1997, and it’s the leader on the latest Official Vinyl Albums Chart.

Finally, Liverpool rock band Crawlers make their first impression on the Official Chart with their debut mixtape Loud Without Noise (Polydor), at No. 22, while U.K. jazz quintet Ezra Collective enjoys a first top 40 slot with Where I’m Meant To Be (Partisan), new at No. 24. Ezra Collective previously charted with You Can’t Steal My Joy, which peaked at No. 70 following its release in 2019.

Taylor Swift’s ‘Anti-Hero’ Rules U.K. Chart For Third Week

Taylor Swift’s “Anti-Hero” (via EMI) enters a third week at No. 1 on the U.K. chart, a new career-best streak for the U.S. pop superstar.

With its third-consecutive cycle atop the Official U.K. Singles Chart, published last Friday (Nov. 11), “Anti-Hero” supersedes Swift’s 2017 hit “Look What You Made Me Do” (two weeks at No. 1) as her longest leader.

“Anti-Hero,” the first track on Swift’s 10th and latest studio album, enjoys a push thanks to a fresh cut featuring Bleachers, the project of Midnights producer Jack Antonoff. 

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As their collaborative collection Her Loss (OVO/Republic Records) blasts to No. 1 on the U.K. albums chart, Drake and 21 Savage make a serious dent on the singles survey.

Three tracks from the album — the maximum allowed under Official Chart rules — debut in this week’s top ten: “Rich Flex” (No. 3), “Major Distribution” (No. 5) and “Circo Loco” (No. 7).

Drake’s career tally of U.K. top 40 hits now lifts to 79, while 21 Savage’s total is eight.

Further down the list, Meghan Trainor’s viral number “Made You Look” (Epic) continues its steady climb, up 14-8. It’s the U.S. pop artist’s first appearance in the top 10 for six years, since her “Marvin Gaye” collaboration with Charlie Puth went to the top in 2015.

Venbee and Goddard enjoy a first top 10 appearance with “messy in heaven” (Columbia), up 11-9, while London rapper K-Trap (real name Devonte Kasi Martin Perkins) sees “Warm” (Thousands) heat-up following the release of a remix with Skepta. It’s up 47-18.

Also, Fredo bounces with “I’m Back” (PG), new at No. 33 for the London rapper’s 16th top 40 appearance.

Finally, Japanese-Australian singer and songwriter Joji lands two tracks in the top 40, both lifted from this third studio album Smithereens (88rising/Warner Records). “Glimpse Of Us” reenters at No. 34, and “Die For You” bows at No. 39.

Fans Choose Louis Tomlinson’s ‘Faith in the Future’ as This Week’s Favorite New Music

Louis Tomlinson‘s latest solo album, Faith in the Future, has topped this week’s new music poll.

Music fans voted in a poll published Friday (Nov. 11) on Billboard, choosing Faith in the Future as their favorite new music release of the past week.

Tomlinson’s latest release brought in more than 62% of the vote, beating out new music by Wizkid, Bruce Springsteen, Rihanna and more.

Although he unfortunately kicked off release week for his new album with a broken arm and some rescheduled appearances, Tomlinson dropped his sophomore solo album on Friday. The 14-track LP features lead single “Bigger Than Me,” “Out of My System” and “Silver Tongues.”

“I think this record, every song is about something slightly different But I think there is something, there’s the element of change that keeps coming back. There’s definitely a lot of nostalgia in there, because I’ve been thinking about getting older and all that kind of thing. So I think there is a kind of invisible concept that ties it all together, if you know what I mean,” he told Billboard of the pop/rock-oriented collection of songs.

In comparison to his first solo album, Walls, Tomlinson noted, “I think that was a lot of me working out who I was coming out of the band. And it’s not to say I wasn’t true to myself in the band, but I was in that band and I was part of that band — it wasn’t just me. It took a second to me to work that development stage out, whereas I think I did have a clearer picture on this record.”

Trailing behind Tomlinson’s Faith in the Future on the fan-voted poll is Wizkid’s More Love, Less Ego — the Nigerian singer’s first follow-up to 2020’s Made in Lagos — with 33% of the vote.

See the final results of this week’s new music release poll below.

SZA Set as ‘SNL’ Musical Guest, With Host Keke Palmer

SNL‘s December schedule will kick off with SZA as musical guest and Keke Palmer as host on Dec. 3.

“first december show!” the Saturday Night Live Instagram announced on Sunday (Nov. 13), following this weekend’s episode with Dave Chappelle and Black Star.

“Can’t believe this is happening lmao . I plan on acting a f—ing fool . See you soon New York,” SZA shared on her own account on Sunday.

Palmer wrote on Instagram, “I can’t wait!! The stage awaits @nbcsnl.”

SZA recently shared a teaser trailer for “PSA,” just two weeks after she released her new single “Shirt.” Last month she revealed that her long-awaited sophomore album is coming “any day” now.

See the SNL lineup announcement below.

Watch All the 2022 MTV EMA Performances: Muse, Gorillaz, GAYLE & More

The 2022 MTV EMAs were held Sunday (Nov. 13) at PSD Bank Dome in Düsseldorf, Germany, and featured performances from several of the night’s nominees.

Performers included David Guetta and Bebe Rexha, who won best collaboration for “I’m Good (Blue)” (and Guetta also won best electronic); Muse, who won best rock; Gorillaz, who performed with Thundercat and won best alternative, and many more hitmakers.

The show also featured performances by Ava Max, Stormzy and Debbie, OneRepublic, GAYLE, Lewis Capaldi, Tate McRae, SPINALL, Ayanna and Nasty C, and Kalush Orchestra. Armani White performed during the red carpet show.

Rita Ora and Taika Waititi co-hosted the EMAs, where Taylor Swift was the top winner of the night, with four awards. Guetta, Nicki Minaj and SEVENTEEN each won two awards. See a full list of winners here.

Videos of the night’s performances will be added here as they become available from MTV’s official YouTube channels.

Tune in below:

Muse – “Will of the People”

Ava Max – “Million Dollar Baby”

Gorillaz feat. Thundercat – “Cracker Island”

OneRepublic – “I Ain’t Worried”

GAYLE – “abcdefu”

Lewis Capaldi – “Forget Me”

Tate McRae – “She’s All I Wanna Be”/”Uh Oh” Medley

SPINALL, Äyanna and Nasty C – “Power”

Armani White – “GOATED./Billie Eilish.” Medley

Publisher Behind Aaron Carter Memoir Delays Release ‘Out of Respect for the Carter Family’

Ballast Books is postponing the release date of its planned Aaron Carter memoir, Aaron Carter: An Incomplete Story of an Incomplete Life, following the singer’s death.

The decision was made, according to Scott Atherton, Atherton Galardi Mullen & Reeder PLLC founder and rep for both the publisher and the memoir’s co-writer, Andy Symonds, “out of respect for the Carter family.”

“My client has decided to defer the further release of the book at this time,” Atherton said in a statement. “Mr. Carter was not just a celebrity but also a father, a brother, a son and a friend to many still grieving for him.”

A new date was not given for the unfinished memoir, which was previously set to be released Nov. 15, according to the publisher. The delay follows a statement from Carter’s rep denying the singer was involved or wanted the title to be published.

“Aaron, in the midst of [working on the book], said, ‘I want nothing to do with this’ and stopped, so the fact that the publisher is saying it’s greenlit, it’s not,” a rep for Carter told Page Six. “That’s against Aaron’s wishes.”

As part of the delay announcement, Atherton asserted in a statement that “Aaron Carter wanted his story told.”

“And he wanted our client, Andy Symonds, a well-respected journalist and author, to tell that story with all its beauty and rawness,” the statement continued. “Public attention has recently focused on a small number of interactions during Mr. Carter’s early years. The more important story is about Mr. Carter’s life and what people can learn from his professional success, personal struggles and tragic passing.”

Symonds had worked with Carter on the memoir for three years, according to a Nov. 9 release announcing the publication of the unfinished book.

In a separate statement previously given to Billboard, the late singer’s management called the decision to release the “unauthorized” memoir posthumously “obscenely disrespectful.”

“In the few short days following our dear friend’s passing we have been trying to grieve and process while simultaneously having to deal with obscenely disrespectful and unauthorized releases,” Carter’s team said. “This is a time for mourning and reflection not heartless money grabs and attention seeking.”

The Hollywood Reporter has reached out to a rep for Carter.

The singer and brother of Backstreet Boys member Nick Carter was found dead at the age of 34 in his Lancaster, California, home on Nov. 5 with no cause of death given at the time.

This article originally appeared on The Hollywood Reporter.

Taylor Swift Surprises Fans With 2022 MTV EMAs Red Carpet Appearance, Wardrobe Change

Taylor Swift, the top winner at the 2022 MTV EMAs, made an unannounced appearance at the awards show to accept her honors in-person.

After taking with selfies with fans and posing for photographers on the red carpet on Sunday (Nov. 13), Swift took home four awards: best artist, best video, best pop and best longform video for “All Too Well (10 Minute Version) (Taylor’s Version).”

One dress wasn’t enough for Swift, who arrived in a dress featuring a low-cut, black bodysuit with a bejeweled, netted skirt, but had changed into a bedazzled minidress with a polo collar by the time of her best artist acceptance speech.

Both dresses are by designer David Koma, as pointed out by fan account Taylor Swift Style.

“Wow,” Swift said upon accepting her award for best artist. “First of all, I just want to say I have so much respect and admiration for my fellow nominees. I wanted to say to the fans I had an album come out recently called ‘Midnights,’ and I’m so blown away. You have no idea how much it means to me to even get to do this as a career. So I just wanted to say, personally, from me to you: The fact that you have done what you’ve done, supporting that album, being excited about that album and loving it … There’s not a single moment I take that for granted. I love you so much. I can’t believe I get to do this as a job. It’s all because of you. Thank you, so, so much.”

See her two 2022 MTV EMAs looks in the photos below. Plus, check out a clip of her walking the red carpet.

Taylor Swift 2022 MTV EMAs red carpet

Kate Green/Getty Images for MTV

Taylor Swift MTV EMAs

Taylor Swift is seen during the MTV Europe Music Awards, held at PSD Bank Dome in Duesseldorf, Germany, on Nov. 13, 2022.

Taylor Swift Is Top Winner at 2022 MTV EMAs: Full Winners List

Taylor Swift was the top winner at the 2022 MTV EMAs, which were held at PSD Bank Dome in Düsseldorf, Germany, on Sunday (Nov. 13). Swift took four awards — best artist, best video, best pop and best longform video for “All Too Well (10 Minute Version) (Taylor’s Version).”

This is Swift’s second win for best video. She won three years ago for her “ME!” collaboration with Brendon Urie.

Nicki Minaj, David Guetta and SEVENTEEN each won two awards. Minaj was awarded best song for “Super Freaky Girl” and best hip hop. Guetta won best collaboration for “I’m Good (Blue),” a collab with Bebe Rexha, and best electronic. SEVENTEEN won best new and best push.

Harry Styles, who was this year’s top nominee with seven nods, won just one award — best live. The category was reintroduced after a two-year hiatus due to the pandemic.

Rita Ora and Taika Waititi co-hosted the show, which featured performances by several of the night’s winners — Guetta and Rexha, Muse (best rock) and Gorillaz (best alternative).

OneRepublic performed “I Ain’t Worried,” from the blockbuster Top Gun: Maverick, following a video introduction from the film’s star, Tom Cruise. The show also featured performances by Ava Max; Stormzy featuring Debbie; GAYLE; Lewis Capaldi; Tate McRae; SPINALL, Ayanna and Nasty C; Ukrainian band Kalush Orchestra, and Thundercat (who performed with Gorillaz).

Rising West Philadelphia rapper Armani White performed his hit “Billie Eilish.” during the EMA red carpet show.

There were two new categories this year — best longform video (which went to Swift) and best metaverse performance (which went to BLACKPINK).

Co-host Ora received a special award, best look ‘personal style.’

This year’s MTV EMA generation change award went to three Ukrainian women — Lina Deshvar, Anna Kutova and Anfisa Yankovina — for fighting for the care and rights of those impacted by the humanitarian crisis in that country. MTV Entertainment Group selected the honorees in partnership with Choose Love, a humanitarian nonprofit that provides aid to, and advocacy for, refugees around the world. This award was launched in 2018. The recipients were honored during the MTV EMA red carpet show.

The show also featured appearances by Lauren Spencer Smith, David Hasselhoff, Julian Lennon and Sam Ryder, among others.

The MTV EMAs were broadcast on Nov. 13 across MTV’s global network in more than 170 countries and on Pluto TV in select territories across the U.S., Latin America and Europe, and on Comedy Central in Germany. It will be available on Paramount+ and Pluto TV globally, beginning Nov. 14.

This year marked the show’s sixth time in Germany. Bruce Gillmer and Richard Godfrey were executive producers. Debbie Phillips and Chloe Mason were producers.

Here’s a complete list of nominees, with winners checked:

Best song

Bad Bunny, Chencho Corleone – “Me Porto Bonito”
Harry Styles – “As It Was”
Jack Harlow – “First Class”
Lizzo – “About Damn Time”
WINNER: Nicki Minaj – “Super Freaky Girl”
Rosalía – “Despechá”

Best video

BLACKPINK – “Pink Venom”
Doja Cat – “Woman”
Harry Styles – “As It Was”
Kendrick Lamar – “The Heart Part 5”
Nicki Minaj – “Super Freaky Girl”
WINNER: Taylor Swift – “All Too Well (10 Minute Version) (Taylor’s Version)”

Best artist

Adele
Beyoncé
Harry Styles
Nicki Minaj
Rosalía
WINNER: Taylor Swift

Best new

Baby Keem
Dove Cameron
Gayle
WINNER: Seventeen
Stephen Sanchez
Tems

Best collaboration

Bad Bunny, Chencho Corleone – “Me Porto Bonito”
WINNER: David Guetta & Bebe Rexha – “I’m Good (Blue)”
DJ Khaled ft. Drake & Lil Baby – “Staying Alive”
Megan Thee Stallion & Dua Lipa – “Sweetest Pie”
Post Malone with Doja Cat – “I Like You (A Happier Song)”
Shakira, Rauw Alejandro – “Te Felicito”
Tiësto & Ava Max – “The Motto”

Best live

Coldplay
Ed Sheeran
WINNER: Harry Styles
Kendrick Lamar
Lady Gaga
The Weeknd

Best pop

Billie Eilish
Doja Cat
Ed Sheeran
Harry Styles
Lizzo
WINNER: Taylor Swift

Best K-pop

BLACKPINK
BTS
Itzy
WINNER: Lisa
Seventeen
Twice

Best Latin

WINNER: Anitta
Bad Bunny
Becky G
J Balvin
Rosalía
Shakira

Best electronic

Calvin Harris
WINNER: David Guetta
DJ Snake
Marshmello
Swedish House Mafia
Tiësto

Best hip hop

Drake
Future
Jack Harlow
Kendrick Lamar
Lil Baby
Megan Thee Stallion
WINNER: Nicki Minaj

Best rock

Foo Fighters
Liam Gallagher
Måneskin
WINNER: Muse
Red Hot Chili Peppers
The Killers

Best alternative

WINNER: Gorillaz
Imagine Dragons
Panic! At The Disco
Tame Impala
Twenty One Pilots
Yungblud

Best R&B

WINNER: Chlöe
Givēon
H.E.R.
Khalid
Summer Walker
SZA

Best longform video

Foo Fighters – “Studio 666”
Rosalía – “Motomami” (Rosalía TikTok live performance)
Stormzy – “Mel Made Me Do It”
Taylor Hawkins tribute concert, Wembley Stadium, London
WINNER: Taylor Swift – “All Too Well (10 Minute Version) (Taylor’s Version)”

Video for good

Ed Sheeran – “2step” (feat. Lil Baby)
Kendrick Lamar – “The Heart Part 5”
Latto – “P*ssy”
Lizzo – “About Damn Time”
WINNER: Sam Smith – “Unholy” (feat. Kim Petras)
Stromae – “Fils de joie”

Biggest fans

BLACKPINK
WINNER: BTS
Harry Styles
Lady Gaga
Nicki Minaj
Taylor Swift

Best push

Nessa Barrett
WINNER: Seventeen
Mae Muller
Gayle
Shenseea
Omar Apollo
Wet Leg
Muni Long
Doechii
Saucy Santana
Stephen Sanchez
JVKE

Best Metaverse performance

WINNER: BLACKPINK The Virtual | PUBG
BTS | Minecraft
Charli XCX | Roblox
Justin Bieber – An Interactive Virtual Experience | Wave
Twenty One Pilots Concert Experience | Roblox

Drake & 21 Savage’s ‘Her Loss’ Debuts at No. 1 on Billboard 200 Albums Chart

Drake and 21 Savage’s collaborative album, Her Loss, debuts at No. 1 on the Billboard 200 chart (dated Nov. 19) with the year’s biggest week for an R&B/hip-hop set and the fourth-largest streaming week ever for any album.

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Her Loss launches with 404,000 equivalent album units earned in the U.S. in the week ending Nov. 10, according to Luminate. Streaming activity drove the bulk of that sum, to the tune of 513.56 million on-demand official streams of its 16 tracks.

Her Loss is the 12th No. 1 for Drake and the third leader for 21 Savage. Drake now solely has the third-most No. 1 albums on the Billboard 200 chart, since the list began publishing on a regular weekly basis in March of 1956. Ahead of him are only The Beatles, with a record 19 No. 1s and Jay-Z with 14. Drake was previously tied with Bruce Springsteen, Barbra Streisand and Taylor Swift, each with 11 No. 1s on the Billboard 200.

Her Loss was announced on Oct. 22 and then-slated for an Oct. 28 release. On Oct. 26, its release was postponed to Nov. 4. The set was released via streaming services and as an album download via digital retailers. A physical release for the set on CD or any other format has not been announced.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 19, 2022-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 15). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Her Loss’ 404,000 equivalent album units earned, SEA units comprise 391,000 (equaling 513.56 million on-demand official streams of the set’s tracks), album sales comprise 12,000 and SEA units comprise 1,000.

Biggest Week for an R&B/Hip-Hop Album in 2022: Her Loss tallies not just the largest week for any R&B/hip-hop set in 2022, but the biggest since Drake’s own Certified Lover Boy debuted at No. 1 more than a year ago, with 613,000 units on the Sept. 18, 2021-dated chart. Among all albums in 2022, Her Loss nets the third-biggest week by units earned, trailing only the No. 1 debuts of Taylor Swift’s Midnights (1.578 million; Nov. 5 chart) and Harry Styles’ Harry’s House (521,000; June 4).

Fourth-Largest Streaming Week Ever: Her Loss captures the fourth-largest streaming week ever for an album, by total on-demand official streams of its combined tracks (513.56 million). Drake owns three of the top four biggest streaming weeks, and half of the top 10 largest weeks.

The Nos. 1 and 2 biggest streaming weeks were logged by the debut frames of Drake’s Scorpion (745.92 million in 2018) and Certified Lover Boy (743.67 million, 2021), respectively. Swift’s Midnights debut is No. 3 (549.26 million, 2022) and Lil Wayne’s opening week with Tha Carter V is No. 5 (433.02 million, 2018). Nos. 6-10 are the debuts of Post Malone’s beerbongs & bentleys (431.34 million, 2018), Juice WRLD’s Legends Never Die (422.63 million, 2020) and Lil Uzi Vert’s Eternal Atake (400.42 million, 2020), the second week of Drake’s Scorpion (390.98 million, 2018) and the opening frame of Drake’s More Life (384.84 million, 2017).

A Dozen No. 1 Albums: Drake’s even dozen No. 1 albums on the Billboard 200 continues to pull him closer to Jay-Z, who has the record for the most No. 1s among solo acts, with 14. The Beatles have the most No. 1s among all artists, as the Fab Four has 19 leaders. Below is a list of every act with at least 10 No. 1 albums on the Billboard 200, since the list began publishing on a regular weekly basis in March of 1956.

Most Billboard 200 No. 1s:
19, The Beatles
14, Jay-Z
12, Drake
11, Bruce Springsteen
11, Barbra Streisand
11, Taylor Swift
10, Eminem
10, Elvis Presley
10, Ye (formerly known as Kanye West)

Taylor Swift’s Midnights falls to No. 2 on the latest Billboard 200 after spending its first two weeks atop the chart. The set earned 299,000 equivalent album units in the latest tracking week (down 13%). Lil Baby’s former No. 1 It’s Only Me dips 2-3 with 62,000 units (down 24%) and Bad Bunny’s chart-topping Un Verano Sin Ti slips out of the top three for the first time in its 27 chart weeks, as it shifts 3-4 with 58,000 units (down 8%).

Joji achieves his third top 10-charting effort on the Billboard 200 — all of which have debuted in the top five — as Smithereens opens at No. 5 with 57,000 equivalent album units earned. Of that sum, SEA units comprise 39,500 (equaling 52.95 million on-demand official streams of the set’s nine tracks), album sales comprise 17,500 and TEA units comprise a negligible sum. The set was led by the hit single “Glimpse of Us,” which became the artist’s first top 10 (and top 40) hit on the Billboard Hot 100, peaking at No. 8 on the July 2-dated list.

Rounding out the new Billboard 200’s top 10 are Morgan Wallen’s chart-topping Dangerous: The Double Album (falling 5-6 with 41,000 equivalent album units earned; though up 1%), The Weeknd’s The Highlights (6-7 with 39,000; down 4%), Styles’ Harry’s House (9-8 with 30,000; down 4%), Zach Bryan’s American Heartbreak (11-9 with 28,000; up 11%) and Steve Lacy’s Gemini Rights (17-10 with 27,000; up 32% following its release on vinyl on Nov. 4).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.